Source: Paras Griffin / Getty Pusha T is always ready for the smoke. However, the “F*ck Drake” that was emblazoned on the screen during his set at the Camp Flog Gnaw festival was not his doing, per the Virginia rapper. Pusha T really want that Drake smoke pic.twitter.com/CVLMu3YUSf — Quake (@QuakeGW) November 11, 2018 Don’t expect more beef raps to kick off. According to Push, the incendiary billboard last night (Nov. 10) was the tech guy’s idea, and unauthorized. “Corny ass tech dude f*cking with my screens at @CampFlogGnaw , I speak for myself and all of you know how I make my statements!! Dissing anybody on screen isn’t part of my show… Otherwise great festival, thanx @tylerthecreator for having me out,” he tweeted after photos of the stage made the rounds on the Internets. Due on stage today at Camp Flog Gnaw are Earl Sweatshirt, Ms. Lauryn Hill and Kids See Ghosts, aka Kid Cudi and Kanye West, amongst others. Corny ass tech dude fucking with my screens at @CampFlogGnaw , I speak for myself and all of you know how I make my statements!! Dissing anybody on screen isn’t part of my show… Otherwise great festival, thanx @tylerthecreator for having me out. — King Push (@PUSHA_T) November 11, 2018 — Photo: Getty
The 30th anniversary of Super Mario is celebrated today, Sunday September 13. Since Mario first hit the screens under his own name on September 13, 1985, Nintendo has sold more than 310 million units featuring the plucky plumber#39;s adventures fighting off Goombas and Koopa Troopas as he races to save Princess Peach. The character had earlier made an appearance in the Nintendo arcade game “Donkey Kong”, but under the name Jumpman. According to MSN News, as many look back at their first expe
The weekend box office was anything but stellar over the weekend. Expendables 2 and The Bourne Legacy remained the top two earners in the final weekend of August. One bright spot, however, was conservative doc 2016 Obama’s America , which went wide after spending the first three weeks with limited runs. Its gross jumped over 400% and it landed in 8th place in the overall box office despite remaining in far fewer theaters than compared to other titles in the top 10. Newcomers Premium Rush and Hit and Run bowed softly. 1. The Expendables 2 Gross: $13.5 million (Cume $52,313,944 Screens: 3,355 (PSA: $4,024) Week: 2 (Change: $- 53%) Despite a drop of 53%, The Expendables 2 remained the weekend’s top earner at the box office. The feature added 39 runs over its debut and averaged $4,024 vs. last weekend’s $8,670. Adding $22.4 million from overseas and the film has so far cumed over $74.71 million. 2. The Bourne Legacy Gross: $9,281,160 (Cume: $85,467,375) Screens: 3,654 (PSA: $2,540) Week: 3 (Change: – 46%) The Universal Pictures release again took second place now in its third weekend of release. Abroad, the title has taken in $28.1 million. Last weekend in the U.S., the feature averaged $4,535 from 3,753 showings and had dropped 55% from its debut. This weekend’s drop was not as steep despite playing in less theaters, giving the release some momentum in an otherwise dismal box office weekend. 3. Paranorman (3-D, Animation) Gross $8,545,883 (Cume: $28,274,234) Screens: 3,455 (PSA: $2,473) Week: 2 (Change: -39%) Again, Paranorman landed in the third spot over the weekend. Its 39% drop is respectable given its second go-around. Focus Features only added 26 theaters for the film in its second weekend. 4. The Campaign Gross: $7.44 million (Cume: $64,543,000) Screens: 3,302 (PSA: $2,253) Week: 3 (Change: – 43%) The comedy added 47 theaters in its third weekend. Last weekend it averaged $4,112 in 3,255 theaters. It has also drummed up an additional $2.1 million abroad. 5. The Dark Knight Rises Gross: $7.155 million (Cume: $422,188,000) Screens: 2,606 (PSA: $2,746) Week: 6 (Change: – 35%) Worldwide the finale in Christopher Nolan’s Batman trilogy has amassed $941,188,000. It’s sixth week domestic drop of 35% compares to the previous weekend’s 41% decline vs. its fourth weekend run, showing the feature is still holding well now in its sixth weekend of release despite losing 551 venues from the previous week. 6. The Odd Life of Timothy Green Gross: $7,125,000 (Cume: $27,080,000) Screens: 2,598 (Average: $2,742) Week: 2 (Change: – 34%) The title actually went up one spot from the previous weekend’s seventh place showing though that is more a result of a lack of openers that caught audiences attention. Still, its revenue only dropped 34% and it remained in the same number of theaters as the previous weekend. 7. Premium Rush Gross: $6.3 million Screens: 2,255 (PSA: $2,794) Week: 1 The feature opened softly with only $6.3 million and a disappointment after a big sports-related promotional. Also a disappointment for Joseph Gordon-Levitt who has otherwise had a stellar year. 8. 2016 Obama’s America Gross: $6,237,517 (Cume: $9,075,393) Screens: 1,091 (PSA: $5,717) Week: 4 (Change 401%) The anti-Obama doc went wide after three weeks in limited release. Box office watchers were a flutter Friday that the title would even out-gross Expendables 2 , though it ended up in fourth place that day. Still, a strong showing for the title the feature has a strong shot at being the top grossing non-fiction film of the year. 9. Hope Springs Gross: $6 million (Cume: $45 million) Screens: 2,402 (PSA: $2,498) Week: 3 (Change: -34%) Hope Springs ranked eighth last weekend. Its $2,498 average compares with its second weekend average of $3,854. The title added 41 screens. 10. Hit and Run Gross: $4,675,026 Screens: 2,870 (PSA: $1,629) Week: 1 The newcomer made it into the top 10, but it was otherwise a weak showing with a $1,629 average. Still, the production budget was around $2 million, but its otherwise weak opening likely indicates it will have a rough road ahead. [Sources: Hollywood.com , Box Office Mojo ]
The last pre- Dark Knight Rises weekend at the multiplex came and went without much incident, unless you call The Amazing Spider-Man losing his grip on the No. 1 spot after one week an “incident.” You decide! Either way, your Weekend Receipts are here. 1. Ice Age: Continental Drift Gross: $46,000,000 (new) Screens: 3,881 (PSA: $11,853) Weeks: 1 The Ice Age franchise celebrated its 10th anniversary by rolling its opening-weekend domestic gross back to 2002 prices — the fourth installment of the series earned almost precisely what the original earned out of gate a decade ago. It still amounts to only the third highest opening of the series, but Fox will take it (not to mention deposing one-week wonder The Amazing Spider-Man for No. 1). 2. The Amazing Spider-Man Gross: $35,000,000 ($200,900,000) Screens: 4,318 (PSA $8,106) Weeks: 2 (Change: -43.6%) It took 11 days — including a holiday — for Sony’s comics reboot to hit the $200 million mark domestically. That’s fine and all, but in the summer of The Avengers and mere days ahead of the Dark Knight Rises megastorm that will wipe Spider-Man off the map, it’s not really good enough, is it? 3. Ted Gross: $22,147,000 ($158,993,000) Screens: 3,303 (PSA: $6,705) Weeks: 3 (Change: -31.2%) Time and time again over the last few weeks, the one conversation that seems to come up among me and people whose taste I generally trust involves the title Ted and the phrase, “It was better than I expected.” If its box-office hold after three weeks is any indication, I am not the only one having this conversation. 4. Brave Gross: $10,695,000 ($195,596,000) Screens: 3,392 (PSA $3,153) Weeks: 4 (Change: -45.5%) Another reasonably good hold here, though what’s really worth watching is how the overseas grosses start to mount over the next two months of foreign rollouts . The slowest of slow burns — Brave indeed! 5. Magic Mike Gross: $9,030,000 ($91,850,000) Screens: 3,090 (PSA $2,922) Weeks: 3 (Change: -42.3%) Yeah, I’d say a sequel might be worth a try. [Figures via Box Office Mojo ] Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .
Audiences headed out to theaters to see a foul-mouthed Teddy Bear and some hot man flesh over the weekend. Universal’s Ted grossed over $54.1 million over the Friday through Sunday, while Warner Bros.’ Magic Mike came in at just over $39.15 million. The two studio newcomers topped the overall box office for the weekend, while last week’s newcomer animation Brave held the third spot. Tyler Perry’s Madea’s Witness Protection landed in fourth place. 1. Ted Gross: $54,107,495 (New) S creens: 3,239 (PSA: $16,705) Week: 1 Thunder Buddies turned out in solid numbers to see Ted in figures that beat expectations. World of mouth lent the title some push for the Seth MacFarlane-directed film starring Mark Wahlberg and Mila Kunis. The title even earned the distinction of being the biggest R-rated non-sequel comedy. For comparison sake, The Hangover took in just under $45 million in its roll out. 2. Magic Mike Gross: $39,155,000 (New) Screens: 2,930 (PSA: $13,363) Week: 1 The roll out of the Steven Soderbergh-directed feature starring Channing Tatum had terrific marketing and its debut is the best of the director’s career. In 2004, Ocean’s Twelve opened with $39,153,380. And with a production budget that was only $7 million, the title is assured a nice showing for its efforts. Opening numbers with Channing Tatum in the cast include The Vow ($41.2 million in February) and 21 Jump Street ($36.3 million in March). 3. Brave (3-D animation) Gross: $34,011,000 ($131,685,000) Screens: 4,164 (PSA: $8,168) Week: 2 (Change: – 49%) The Disney feature’s global cume is $158.5 million. 4. Tyler Perry’s Madea’s Witness Protection Gross: $26,350,000 (New) Screens: 2,161 (PSA: $12,193) Week: 1 This is the fourth best debut for Tyler Perry. The fan base turned out along with crossover audiences in a marketplace that had tough competition. 5. Madagascar 3: Europe’s Most Wanted (3-D animation) Gross: $11,815,000 ($180,012,000) Screens: 3,715 (PSA: $3,180) Week: 4 (Change: – 40%) 6. Abraham Lincoln: Vampire Hunter (3-D) Gross: $6,000,000 ($29,034,193) Screens: 3,109 (PSA: $1,930) Week: 2 (Change: – 63%) 7. Prometheus (3-D) Gross: $4,925,000 ($118,261,848) Screens: 1,951 (PSA: $2,524) Week: 4 (Change: -50%) 8. Moonrise Kingdom Gross: $4,872,878 ($18,405,810) Screens: 854 (PSA: $5,706) Week: 6 (Change: +44%) Focus Features moved the Cannes 2012 opener into 459 additional theaters for its limited release title, moving the film into the top 10 in the overall box office in its sixth week since its theatrical run kicked off. 9. Snow White and the Huntsman Gross: $4,405,245 ($145,591,165) Screens: 2,337 (PSA: $1,885) Week: 5 (Change: – 46%) 10. People Like Us Gross: $4,306,000 (New) Screens: 2,055 (PSA: $2,095) Week: 1
All is Well won the Narrative Award at the Los Angeles Film Festival over the weekend. Directed by Pocas Pascoal the North American premiere follows to Angolan sisters feeling civil war and struggle to survive in Lisbon. Honorable mention in the category went to Thursday Till Sunday by Dominga Sotomayor. Best Documentary went to Drought by Everardo Gonzalez. The film is a poetic portrait of a cattle-ranching community in northeastern Mexico. In the Audience Award category, Best Narrative Feature went to Benh Zeitlin’s Beasts of the Southern Wild The film won Cannes and Sundance earlier this year. And Birth Story: Ina May Gaskin and the Farm Midwives by sara Lamm and mary Wigmore won the Audience Award for Best Documentary. Award Winners with information provided by LAFF: Narrative Award (for Best Narrative Feature) Winner: All is Well directed by Pocas Pascoal Producer: Luis Correia Cast: Ciomara Morais, Cheila Lima, William Brandao, Vera Cruz Film Description: (Portugal) Strangers in a strange land, two beautiful Angolan sisters fleeing a civil war in their homeland struggle to survive in Lisbon. Pocas Pascoal’s deeply personal saga shows us the face of exile with quietly stunning power. Honorable Mention (for Best Narrative Feature) Film Title: Thursday till Sunday directed by Dominga Sotomayor Producers: Gregorio González, Benjamin Domenech Cast: Santi Ahumada, Emiliano Freifeld, Francisco Pérez-Bannen, Paola Giannini Film Description: (Chile) With uncommon beauty and style, this Chilean road movie finds a family at a crossroads, as the daughter slowly realizes the divide between the adults in the front seat and the kids in back. Documentary Award (for Best Documentary Feature) Winner: Drought directed by Everardo González Producer: Martha Orozco Film Description: (Mexico) Contrasting the lives of a cattle-ranching community with the arid northeastern Mexican landscape that surrounds them, this cinéma vérité documentary paints a poetic portrait of a community on the verge of distinction. Best Performance in the Narrative Competition Winner: Wendell Pierce, Emory Cohen, E.J. Bonilla and Aja Naomi King in Joshua Sanchez’s Four . Film Description: Over the course of a steamy 4th of July night, a father and daughter, each trapped in loneliness, reach out for sexual connection — he with a self-hating teenage boy, she with a smooth-talking wannabe homeboy — in this psychologically complex, beautifully acted drama. Audience Award for Best Narrative Feature Winner: Beasts of the Southern Wild , directed by Benh Zeitlin Producers: Michael Gottwald, Dan Janvey, Josh Penn Cast: Quvenzhané Wallis, Dwight Henry Film Description: This stunningly imaginative, boldly original film follows six-year-old Hushpuppy as she fights to protect her father and their unique way of life in a remote, dreamlike area of the Delta threatened by apocalyptic floods. Audience Award for Best Documentary Feature Winner: Birth Story: Ina May Gaskin and The Farm Midwives , directed by Sara Lamm and Mary Wigmore Producers: Sara Lamm, Mary Wigmore, Kate Roughan, Zachary Mortensen Featuring: Ina May Gaskin, Stephen Gaskin, Pamela Hunt, Farm Midwives past and present, Kristina Kennedy Davis Film Description: Ina May Gaskin and the courageous midwives of the Farm commune inspired the modern midwifery movement. This beguiling documentary tells their empowering story with depth, intelligence and wit. Audience Award for Best International Feature Winner: Searching for Sugar Man directed by Malik Bendjelloul Producers: Simon Chinn, Malik Bendjelloul Featuring: Rodriguez Film Description: Years after facing into obscurity at home, the music of ‘70s U.S. singer/songwriter Rodriguez became an underground sensation in South Africa. Decades after his disappearance, two fans uncover the startling truth behind the legend. Best Narrative Short Film Winner: The Chair directed by Grainger David Producers: Spencer Kiernan, Caroline Oliveira Cast: Khari Lucas, King Hoey, Martha F. Brown Description: A young boy questions the origins of a mysterious mold outbreak that threatens to destroy his town. Best Documentary Short Film Winner: Kudzu Vine directed & produced by Josh Gibson Description: This ode to the kudzu vine poetically highlights its ties to the history and the people of the South. Best Animated/Experimental Short Film Winner: The Pub directed by Joseph Pierce Producer: Mark Grimmer Description: (England) Life isn’t easy behind the counter of a North London pub. Audience Award for Best Short Film Winner: Asad directed by Bryan Buckley Producers: Bryan Buckley, Mino Jarjoura, Rafiq Samsodien, Matt Lefebvre, Kevin Byrne, Hank Perlman Cast: Harun Mohammed, Ibrahim Moalim Hussein, Ali Mohammed, Abdiwale Mohmed Mohamed, Mariya Abdulle, Najah Abdi Abdullahi, Mustafa Olad Dirie, Mohamed Abdullahi Abdikher, Abdi, Sidow Farah, Sahied Nuur Mahamed, Ahmed Dhadane Jimale, Hussein Abdi Mohamed, Isa, Mohamed Abdul, Ikram Hassan, Yasmin Abdi Mohamed, Maymum Abdi Mohamed, Sadia Hassan, Meade Nichol Description: A young boy in a war-torn Somalian village faces a moral dilemma. Audience Award for Best Music Video Winner: Piranhas Club directed by Lex Halaby Music: Man Man
All is Well won the Narrative Award at the Los Angeles Film Festival over the weekend. Directed by Pocas Pascoal the North American premiere follows to Angolan sisters feeling civil war and struggle to survive in Lisbon. Honorable mention in the category went to Thursday Till Sunday by Dominga Sotomayor. Best Documentary went to Drought by Everardo Gonzalez. The film is a poetic portrait of a cattle-ranching community in northeastern Mexico. In the Audience Award category, Best Narrative Feature went to Benh Zeitlin’s Beasts of the Southern Wild The film won Cannes and Sundance earlier this year. And Birth Story: Ina May Gaskin and the Farm Midwives by sara Lamm and mary Wigmore won the Audience Award for Best Documentary. Award Winners with information provided by LAFF: Narrative Award (for Best Narrative Feature) Winner: All is Well directed by Pocas Pascoal Producer: Luis Correia Cast: Ciomara Morais, Cheila Lima, William Brandao, Vera Cruz Film Description: (Portugal) Strangers in a strange land, two beautiful Angolan sisters fleeing a civil war in their homeland struggle to survive in Lisbon. Pocas Pascoal’s deeply personal saga shows us the face of exile with quietly stunning power. Honorable Mention (for Best Narrative Feature) Film Title: Thursday till Sunday directed by Dominga Sotomayor Producers: Gregorio González, Benjamin Domenech Cast: Santi Ahumada, Emiliano Freifeld, Francisco Pérez-Bannen, Paola Giannini Film Description: (Chile) With uncommon beauty and style, this Chilean road movie finds a family at a crossroads, as the daughter slowly realizes the divide between the adults in the front seat and the kids in back. Documentary Award (for Best Documentary Feature) Winner: Drought directed by Everardo González Producer: Martha Orozco Film Description: (Mexico) Contrasting the lives of a cattle-ranching community with the arid northeastern Mexican landscape that surrounds them, this cinéma vérité documentary paints a poetic portrait of a community on the verge of distinction. Best Performance in the Narrative Competition Winner: Wendell Pierce, Emory Cohen, E.J. Bonilla and Aja Naomi King in Joshua Sanchez’s Four . Film Description: Over the course of a steamy 4th of July night, a father and daughter, each trapped in loneliness, reach out for sexual connection — he with a self-hating teenage boy, she with a smooth-talking wannabe homeboy — in this psychologically complex, beautifully acted drama. Audience Award for Best Narrative Feature Winner: Beasts of the Southern Wild , directed by Benh Zeitlin Producers: Michael Gottwald, Dan Janvey, Josh Penn Cast: Quvenzhané Wallis, Dwight Henry Film Description: This stunningly imaginative, boldly original film follows six-year-old Hushpuppy as she fights to protect her father and their unique way of life in a remote, dreamlike area of the Delta threatened by apocalyptic floods. Audience Award for Best Documentary Feature Winner: Birth Story: Ina May Gaskin and The Farm Midwives , directed by Sara Lamm and Mary Wigmore Producers: Sara Lamm, Mary Wigmore, Kate Roughan, Zachary Mortensen Featuring: Ina May Gaskin, Stephen Gaskin, Pamela Hunt, Farm Midwives past and present, Kristina Kennedy Davis Film Description: Ina May Gaskin and the courageous midwives of the Farm commune inspired the modern midwifery movement. This beguiling documentary tells their empowering story with depth, intelligence and wit. Audience Award for Best International Feature Winner: Searching for Sugar Man directed by Malik Bendjelloul Producers: Simon Chinn, Malik Bendjelloul Featuring: Rodriguez Film Description: Years after facing into obscurity at home, the music of ‘70s U.S. singer/songwriter Rodriguez became an underground sensation in South Africa. Decades after his disappearance, two fans uncover the startling truth behind the legend. Best Narrative Short Film Winner: The Chair directed by Grainger David Producers: Spencer Kiernan, Caroline Oliveira Cast: Khari Lucas, King Hoey, Martha F. Brown Description: A young boy questions the origins of a mysterious mold outbreak that threatens to destroy his town. Best Documentary Short Film Winner: Kudzu Vine directed & produced by Josh Gibson Description: This ode to the kudzu vine poetically highlights its ties to the history and the people of the South. Best Animated/Experimental Short Film Winner: The Pub directed by Joseph Pierce Producer: Mark Grimmer Description: (England) Life isn’t easy behind the counter of a North London pub. Audience Award for Best Short Film Winner: Asad directed by Bryan Buckley Producers: Bryan Buckley, Mino Jarjoura, Rafiq Samsodien, Matt Lefebvre, Kevin Byrne, Hank Perlman Cast: Harun Mohammed, Ibrahim Moalim Hussein, Ali Mohammed, Abdiwale Mohmed Mohamed, Mariya Abdulle, Najah Abdi Abdullahi, Mustafa Olad Dirie, Mohamed Abdullahi Abdikher, Abdi, Sidow Farah, Sahied Nuur Mahamed, Ahmed Dhadane Jimale, Hussein Abdi Mohamed, Isa, Mohamed Abdul, Ikram Hassan, Yasmin Abdi Mohamed, Maymum Abdi Mohamed, Sadia Hassan, Meade Nichol Description: A young boy in a war-torn Somalian village faces a moral dilemma. Audience Award for Best Music Video Winner: Piranhas Club directed by Lex Halaby Music: Man Man
All is Well won the Narrative Award at the Los Angeles Film Festival over the weekend. Directed by Pocas Pascoal the North American premiere follows to Angolan sisters feeling civil war and struggle to survive in Lisbon. Honorable mention in the category went to Thursday Till Sunday by Dominga Sotomayor. Best Documentary went to Drought by Everardo Gonzalez. The film is a poetic portrait of a cattle-ranching community in northeastern Mexico. In the Audience Award category, Best Narrative Feature went to Benh Zeitlin’s Beasts of the Southern Wild The film won Cannes and Sundance earlier this year. And Birth Story: Ina May Gaskin and the Farm Midwives by sara Lamm and mary Wigmore won the Audience Award for Best Documentary. Award Winners with information provided by LAFF: Narrative Award (for Best Narrative Feature) Winner: All is Well directed by Pocas Pascoal Producer: Luis Correia Cast: Ciomara Morais, Cheila Lima, William Brandao, Vera Cruz Film Description: (Portugal) Strangers in a strange land, two beautiful Angolan sisters fleeing a civil war in their homeland struggle to survive in Lisbon. Pocas Pascoal’s deeply personal saga shows us the face of exile with quietly stunning power. Honorable Mention (for Best Narrative Feature) Film Title: Thursday till Sunday directed by Dominga Sotomayor Producers: Gregorio González, Benjamin Domenech Cast: Santi Ahumada, Emiliano Freifeld, Francisco Pérez-Bannen, Paola Giannini Film Description: (Chile) With uncommon beauty and style, this Chilean road movie finds a family at a crossroads, as the daughter slowly realizes the divide between the adults in the front seat and the kids in back. Documentary Award (for Best Documentary Feature) Winner: Drought directed by Everardo González Producer: Martha Orozco Film Description: (Mexico) Contrasting the lives of a cattle-ranching community with the arid northeastern Mexican landscape that surrounds them, this cinéma vérité documentary paints a poetic portrait of a community on the verge of distinction. Best Performance in the Narrative Competition Winner: Wendell Pierce, Emory Cohen, E.J. Bonilla and Aja Naomi King in Joshua Sanchez’s Four . Film Description: Over the course of a steamy 4th of July night, a father and daughter, each trapped in loneliness, reach out for sexual connection — he with a self-hating teenage boy, she with a smooth-talking wannabe homeboy — in this psychologically complex, beautifully acted drama. Audience Award for Best Narrative Feature Winner: Beasts of the Southern Wild , directed by Benh Zeitlin Producers: Michael Gottwald, Dan Janvey, Josh Penn Cast: Quvenzhané Wallis, Dwight Henry Film Description: This stunningly imaginative, boldly original film follows six-year-old Hushpuppy as she fights to protect her father and their unique way of life in a remote, dreamlike area of the Delta threatened by apocalyptic floods. Audience Award for Best Documentary Feature Winner: Birth Story: Ina May Gaskin and The Farm Midwives , directed by Sara Lamm and Mary Wigmore Producers: Sara Lamm, Mary Wigmore, Kate Roughan, Zachary Mortensen Featuring: Ina May Gaskin, Stephen Gaskin, Pamela Hunt, Farm Midwives past and present, Kristina Kennedy Davis Film Description: Ina May Gaskin and the courageous midwives of the Farm commune inspired the modern midwifery movement. This beguiling documentary tells their empowering story with depth, intelligence and wit. Audience Award for Best International Feature Winner: Searching for Sugar Man directed by Malik Bendjelloul Producers: Simon Chinn, Malik Bendjelloul Featuring: Rodriguez Film Description: Years after facing into obscurity at home, the music of ‘70s U.S. singer/songwriter Rodriguez became an underground sensation in South Africa. Decades after his disappearance, two fans uncover the startling truth behind the legend. Best Narrative Short Film Winner: The Chair directed by Grainger David Producers: Spencer Kiernan, Caroline Oliveira Cast: Khari Lucas, King Hoey, Martha F. Brown Description: A young boy questions the origins of a mysterious mold outbreak that threatens to destroy his town. Best Documentary Short Film Winner: Kudzu Vine directed & produced by Josh Gibson Description: This ode to the kudzu vine poetically highlights its ties to the history and the people of the South. Best Animated/Experimental Short Film Winner: The Pub directed by Joseph Pierce Producer: Mark Grimmer Description: (England) Life isn’t easy behind the counter of a North London pub. Audience Award for Best Short Film Winner: Asad directed by Bryan Buckley Producers: Bryan Buckley, Mino Jarjoura, Rafiq Samsodien, Matt Lefebvre, Kevin Byrne, Hank Perlman Cast: Harun Mohammed, Ibrahim Moalim Hussein, Ali Mohammed, Abdiwale Mohmed Mohamed, Mariya Abdulle, Najah Abdi Abdullahi, Mustafa Olad Dirie, Mohamed Abdullahi Abdikher, Abdi, Sidow Farah, Sahied Nuur Mahamed, Ahmed Dhadane Jimale, Hussein Abdi Mohamed, Isa, Mohamed Abdul, Ikram Hassan, Yasmin Abdi Mohamed, Maymum Abdi Mohamed, Sadia Hassan, Meade Nichol Description: A young boy in a war-torn Somalian village faces a moral dilemma. Audience Award for Best Music Video Winner: Piranhas Club directed by Lex Halaby Music: Man Man
Two animated features sit atop the box office this past weekend. Disney/Pixar’s Brave seized the top of the b.o. as expected. The animated feature grossed over $66.7 million Friday through Sunday. That total is above Pixar’s previous feature title Cars 2 , which opened with $66.1 million in 2011. Madagascar 3: Europe’s Most Wanted held strong with $20.2 million. 1. Brave (3-D Animation) Gross: $66,739,000 (New) Screens: 4,164 (PSA: $16,028) Week: 1 The film beat DreamWorks animation Madagascar 3: Europe’s Most Wanted by just over $6 million. It did better than Cars 2 in 2011 by only about $600K (that film opened in 4,115 theaters) but nowhere compared to Toy Story 3 , which opened in 4,028 theaters in 2010, raking in over $110.3 million. Brave is the 13th straight Pixar/Disney release to bow at number one. 2. Madagascar 3: Europe’s Most Wanted (3-D Animation) Gross: $20,200,000 ($157,574,000) Screens: 3,920 (PSA: $5,153) Weeks: 3 (Change: – 41%) Its international cume is now at $208.4 million. The feature continued to show muscle despite competition from Brave . 3. Abraham Lincoln: Vampire Hunter (3-D) Gross: $16.5 million (New) Screens: 3,108 (PSA: $5,309) Week: 1 The debut numbers came in along the lines of expectations. 4. Prometheus (3-D) Gross: $10 million ($108,546,680) Screens: 2,862 (PSA: $3,494) Weeks: 3 (Change – 52%) 5. Snow White and the Huntsman Gross: $8,012,655 ($137,055,375) Screens: 2,919 (PSA: $2,745) Weeks: 4 (Change: – 40%) 6. Rock of Ages Gross: $8 million ($28,763,000) Screens: 3,470 (PSA: $2,305) Weeks: 2 (Change: -45%) 7. That’s My Boy Gross: $7.9 million ($28,180,000) Screens: 3,030 (PSA: $2,607) Weeks: 2 (Change – 41%) 8. The Avengers Gross: $7.04 million ($598,288,000) Screens: 2,230 (PSA: 3,157) Weeks: 8 (Change – 21%) The pic’s global total now stands at $1,436,200,000. 9. Men in Black 3 (3-D) Gross: $5.6 million ($163,339,000) Screens: 2,462 (PSA: $2,275) Weeks: 5 (Change: – 44%) The features global cume is $577.3 million. 10. Seeking a Friend for the End of the World Gross: $3,836,348 (New) Screens: 1,625 (PSA: $2,361) Week: 1 [Source: Hollywood.com box office]
Two animated features sit atop the box office this past weekend. Disney/Pixar’s Brave seized the top of the b.o. as expected. The animated feature grossed over $66.7 million Friday through Sunday. That total is above Pixar’s previous feature title Cars 2 , which opened with $66.1 million in 2011. Madagascar 3: Europe’s Most Wanted held strong with $20.2 million. 1. Brave (3-D Animation) Gross: $66,739,000 (New) Screens: 4,164 (PSA: $16,028) Week: 1 The film beat DreamWorks animation Madagascar 3: Europe’s Most Wanted by just over $6 million. It did better than Cars 2 in 2011 by only about $600K (that film opened in 4,115 theaters) but nowhere compared to Toy Story 3 , which opened in 4,028 theaters in 2010, raking in over $110.3 million. Brave is the 13th straight Pixar/Disney release to bow at number one. 2. Madagascar 3: Europe’s Most Wanted (3-D Animation) Gross: $20,200,000 ($157,574,000) Screens: 3,920 (PSA: $5,153) Weeks: 3 (Change: – 41%) Its international cume is now at $208.4 million. The feature continued to show muscle despite competition from Brave . 3. Abraham Lincoln: Vampire Hunter (3-D) Gross: $16.5 million (New) Screens: 3,108 (PSA: $5,309) Week: 1 The debut numbers came in along the lines of expectations. 4. Prometheus (3-D) Gross: $10 million ($108,546,680) Screens: 2,862 (PSA: $3,494) Weeks: 3 (Change – 52%) 5. Snow White and the Huntsman Gross: $8,012,655 ($137,055,375) Screens: 2,919 (PSA: $2,745) Weeks: 4 (Change: – 40%) 6. Rock of Ages Gross: $8 million ($28,763,000) Screens: 3,470 (PSA: $2,305) Weeks: 2 (Change: -45%) 7. That’s My Boy Gross: $7.9 million ($28,180,000) Screens: 3,030 (PSA: $2,607) Weeks: 2 (Change – 41%) 8. The Avengers Gross: $7.04 million ($598,288,000) Screens: 2,230 (PSA: 3,157) Weeks: 8 (Change – 21%) The pic’s global total now stands at $1,436,200,000. 9. Men in Black 3 (3-D) Gross: $5.6 million ($163,339,000) Screens: 2,462 (PSA: $2,275) Weeks: 5 (Change: – 44%) The features global cume is $577.3 million. 10. Seeking a Friend for the End of the World Gross: $3,836,348 (New) Screens: 1,625 (PSA: $2,361) Week: 1 [Source: Hollywood.com box office]
