Tag Archives: season

Whoo and Hoo! NBC Renews 30 Rock, Community and The Office

Good news, America. Our awesome Thursday-night comedy block on NBC is safe for another season! NBC just announced that it’s giving out early pickups to Community, The Office and 30 Rock. The…

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Whoo and Hoo! NBC Renews 30 Rock, Community and The Office

What’s Next for Dexter? How Is Michael C. Hall Doing? The Cast and Creators Tell You

Is it September yet? With six months standing between now and the season five premiere of Dexter, I tried to pry some serious scoop out of Michael C. Hall, Julie Benz, Jennifer Carpenter…

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What’s Next for Dexter? How Is Michael C. Hall Doing? The Cast and Creators Tell You

‘American Idol’ In 60 Seconds: Alex Lambert, Crystal Bowersox Dominate Top 20

John Park, Haeley Vaughn, Michelle Delamor and Jermaine Sellers bid farewell as quirky girls take the lead. By Jim Cantiello Alex Lambert Photo: Frank Micelotta/ Getty Images “American Idol” in 60 Seconds has fast become an MTV News institution, but it goes by so fast that it’s not always easy to catch every golden nugget. So, here we present to you Jim Cantiello’s bite-size recap of this week’s “Idol” high jinks. This week’s “American Idol” had it all! Schedule changes, glass-shattering high notes and cameos from Jesus (and Vera Wang). Week two of this year’s “Idol” semifinals will be remembered as the week that quirky girls emerged as the breakout stars of season nine. Platinum-haired Lilly Scott , unpredictable banshee Siobhan Magnus and aspiring recording engineer Katelyn Epperly all put their own unique stamps on popular songs. But it was Crystal Bowersox who dominated headlines — not only when her hospitalization for complications from diabetes caused a last-minute boy/girl schedule switcheroo, but when she returned to the “Idol” stage Wednesday with a passionate take on Creedence Clearwater Revival’s “As Long as I Can See the Light.” On Tuesday night, the boys’ standings were turned upside down. Last week’s train wreck, Alex Lambert, shot to the front of the pack with an irresistible segment that had the mumbly teenager overcoming his stomach-turning stage fright. Meanwhile, early season fave Andrew Garcia stumbled badly with a forgettable James Morrison cover. (Note to “Idol” contestants: Avoid singing while sitting on stools.) Thursday night’s results show opened with the top 20 lip-synching (terribly) and acting out the lyrics to the Black Eyed Peas’ “I Gotta Feeling.” Later, season eight’s polarizing widower, Danny Gokey, returned to perform a song from his brand new country album. An especially manic, quick-talking interview with Ryan Seacrest followed. ‘American Idol’ Season 9 Performances In the end, Seacrest read the names of four more eliminated contestants: a cappella group member John Park, Creed-covering Michelle Delamor, 16-year-old country kewpie doll Haeley Vaughn and cocky onesie-rockin’ Jermaine Sellers, who was flabbergasted Tuesday night after the judges called him out for his wonky vocals. Though he insisted that Jesus would protect him from elimination, Jermaine quickly learned that his Homeboy had different plans for him. For those of you keeping score, seven out of the eight contestants eliminated so far this season have been minorities. Stay classy, America! But what are you waiting for? Check out the latest episode of “American Idol in 60 Seconds” for my lightning-fast take on this week’s “Idol.” You may even find a tiny little bonus in there too. Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Videos ‘American Idol’ In 60 Seconds Related Photos ‘American Idol’ Season Nine Performances

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‘American Idol’ In 60 Seconds: Alex Lambert, Crystal Bowersox Dominate Top 20

Jake Pavelka Denies Cheating: "No Overlap" With Vienna and Ex-Girlfriend

Jake Pavelka maintains that, by the time he popped the question to Vienna Giraldi on the season finale of The Bachelor, he was a 25-woman man and nothing more. “The relationship with…

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Jake Pavelka Denies Cheating: "No Overlap" With Vienna and Ex-Girlfriend

Smallville Soars to Season Ten

Smallville has been renewed for a tenth season.

Crystal Bowersox Performance of the Week: Long As I Can See the Light

After last night’s incredible rendition of Creedence Clearwater Revival’s “Long As I Can See The Light,” this may need to become a running THG feature: The Crystal Bowersox Performance of the Week. Despite being hospitalized earlier in the day for diabetes complications, the American Ido l semifinalist strapped on her guitar, didn’t complain and established herself as the season nine front-runner. She even made a funny joke at Simon’s expense in the opening video. Check it all out below and sound off: How awesome is Crystal Bowersox ?!? Crystal Bowersox Performance

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Crystal Bowersox Performance of the Week: Long As I Can See the Light

Crystal Bowersox, Lilly Scott Top Our ‘American Idol’ Top 10 Women’s Report Card

Katelyn Epperly also shines on Wednesday night. By Eric Ditzian Crystal Bowersox performs on “American Idol” on Wednesday Photo: Frank Micelotta/ Getty Images Just when we started to get anxious that the ninth season of “American Idol” would really turn out to be the franchise’s worst, Crystal Bowersox, Lilly Scott and Katelyn Epperly arrived on Wednesday night to rescue the show. As Bowersox overcame illness , Scott embraced her soul side and Magnus unleashed the Note Heard Round The Reality Show World, “Idol” delivered its finest live show of the year. Who surprised us, who disappointed us and who’s in danger of going home? Let’s take a look at the top 10 women’s report card. (And don’t miss in the Newsroom.) Excellent Crystal Bowersox: Last week, Bowersox was accused of sounding exactly like a thousand buskers standing in a thousand subway stations. If true, that’s a commute we’d happily take twice a day, because her gospel-infused rendition of Creedence Clearwater’s “As Long As I See The Light” was as purely beautiful as anything we’ve heard in the show’s history. Earlier in the week, a hospital visit called into question whether the singer would even be able to continue in the competition. But not only will Bowersox be on the “Idol” stage to stay, she’s established herself as the season’s true front-runner. Lilly Scott: Two weeks, two strong performances. By choosing The Beatles’ “Fixing A Hole” and Sam Cooke’s “A Change is Gonna Come,” Scott proves that an “Idol” contestant doesn’t need to select a current top 40 song to prove her worth as a relevant, contemporary recording artist. What the hopefuls need to do, rather, is exactly what Scott has done: bring a current sensibility to your music — in her case, a quirky singer-songwriter vibe — and deliver ear-pleasing, toe-tapping tuneage. Katelyn Epperly: Too slow a reworking of Coldplay’s “The Scientist,” as Ellen and Randy complained? Who cares? Epperly sat down at the piano, showed off some gorgeous pipes and transported us with a lovely little lullaby of a pop song. She’s got to do some serious work on her interaction with the camera, but that will come in time. She’s gonna be a contender. Satisfactory Lacey Brown: After last week’s crash-and-burn performance of “Landside,” Brown wisely decided to give a performance that wasn’t so wearily serious. Sure, her performance of Sixpence None the Richer’s “Kiss Me” was fun, but it was fun in the way people enjoy drunken group-sings at karaoke bars. Nothing about her act communicated a take-me-seriously-as-a-recording-artist passion. Brown should be worried this week. ‘American Idol’ Season Nine Performances Katie Stevens: Like fellow contestant Aaron Kelly, Stevens suffers from a case of Benjamin Button syndrome. The two are teens who have grown old far before their time. As lovely a voice as she has, Stevens seems hamstrung by an octogenarian’s musical tastes. That she couldn’t even name a young recording artist when prompted by the judges speaks volumes. She still seems to be a fan favorite, and so she won’t be voted off just yet. But it ain’t looking good for the 17-year-old. Michelle Delamor: Bonus points for most creative song choice of the evening with Creed’s “With Arms Wide Open.” And some serious demerits for an off-kilter performance that was variously pitchy and perplexing. Following last week’s strong take on Alicia Keys’ “Fallin’, Delamor finds herself outside of the top tier of female contestants. But she’s in no danger of going home for a while. Paige Miles: She’s a cheery one, as evidenced by her performances of Free’s “All Right Now” and Kelly Clarkson’s “Walk Away.” Still, that cheeriness seems to come at the expense of a true emotional connection to the material. And admitting to the world that you enjoy coloring books doesn’t exactly scream, “Take me seriously, y’all!” Miles is still on the judges’ good side, which is a good place to be, and she’ll likely be around next week. Siobhan Magnus: Magnus almost made it into the Excellent category this week on the strength of that one long, high note she let loose during her take on Aretha Franklin’s “Think.” Truth is, the performance was extremely average until that climatic note. We’re digging Magnus and her anything-might-happen-when-I’m-up-stage eccentricity, but she still hasn’t made clear what kind of artist she really is. She’ll have a while to decide. She’s safe this week. Unsatisfactory Haeley Vaughn: We’re confused. We thought she wanted to be a country singer. Then last week she selected the Beatles, and this week Miley Cyrus. We’re confused, too, because she sounded like she had a gorgeous instrument in the weeks before the live broadcasts. What’s going on? The answer doesn’t matter, because Vaughn has given us two straight weeks of worst-of-the-bunch performances. After the judges’ evisceration on Wednesday night, Vaughn probably won’t be around next week to clear things up. Didi Benami: Oh, Didi! It’s not easy, week after week, to hear such brutal criticism, but her take on “Lean on Me” was painful for viewers. The 23-year-old is clearly confused and rapidly losing confidence, which explains why she ditched her jazzy-cool persona and went with what she hoped would be a crowd-pleaser. It was the very definition of playing it safe, rather than playing to win, and it’s likely going to result in a plane ticket back home. Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season Nine Performances The ‘American Idol’ Season 9 Top 24

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Crystal Bowersox, Lilly Scott Top Our ‘American Idol’ Top 10 Women’s Report Card

Idol’s Crystal Bowersox Holds It Down After Hospital Scare

Kara pegs Crystal “The Truth” Bowersox as this season’s Kelly Clarkson.

‘American Idol’ Top 10 Men’s Report Card

Michael Lynche, Alex Lambert lead the pack in a week that showed much-needed improvement. By Eric Ditzian Michael Lynche performs on “American Idol” on Tuesday Photo: Frank Micelotta/ Getty Images The top 10 “American Idol” men could only improve after last week’s string of uninspiring, borderline panic-inducing, “Hoo boy, this season is looking weak” musical performances. On Tuesday night’s show , improve is exactly what they did … most of them, anyway. The evening was still pocked with pitchy renditions, poor song choices and “How is this dude still around?” confusion, but overall the men stepped up in their second week of live shows. Who surprised us, who disappointed us and who’s in danger of going home? Let’s take a look at the top 10 men’s report card. (And don’t miss Jim Cantiello’s review in the Newsroom .) Excellent Michael Lynche : Not to toot our own horn, but before last night’s show, we urged Big Mike to ditch the guitar and show us what kind of artist he truly wants to be, because we weren’t sure Jason Mraz? James Brown? On Tuesday the new daddy delivered, busting out a soulful take on Brown’s “It’s a Man’s, Man’s, Man’s World.” What’s more, during his post-performance banter with Ryan Seacrest, he cemented his reputation as the season’s most engaging personality. While we wouldn’t go so far as to give him a standing ovation, as Randy Jackson did, Lynche still deserves much credit and the chance to keep singing for weeks to come. Alex Lambert : You could see this one coming, since the kid was torn apart last week. Nothing’s better on reality TV than the rise of the underdog, and that’s exactly what happened to Lambert during his performance of John Legend’s “Everybody Knows.” Who knew the Mulleted One had soul? His pre-performance package displayed a winning vulnerability — I was so nervous! I just love to sing sooo much! — that only augmented Lambert’s comeback-kid-of-the-week status. Satisfactory Casey James : We’d been hoping to see James’ rock and roll side, and we got what we asked for — but we’re just not sure we were asking for the right thing from James, a realization that became clear during his southern-fried rock rendition of Gavin DeGraw’s “I Don’t Want to Be.” His electric guitar noodling felt a bit like amateur hour and the whole song sounded like the work of a bar band, but you know what? It was a bar band that’d have you doing a sweaty group boogie and ordering another pitcher. Even though Kara DioGuardi finally found the opportunity to criticize the guy, James ain’t going away this week. Andrew Garcia : Garcia followed the pleas of the judges to stop futzing with tunes and just step up to the mic and wail. Well, he went with a straight-forward arrangement in James Morrison’s “You Give Me Something.” He just didn’t seem to have the vocal fortitude to blow us away. Is it possible that behind all that technical wizardry lays a mediocre singer? We don’t think so, and Garcia is going to have to pull himself together next week to convince the rest of America. Tim Urban : The brothers, the sisters, the prayers! Urban might be as brilliant a tactician as he is middling a singer. His take on “Come on Get Higher” by Matt Nathanson reeked of high school talent show blandness, which honestly doesn’t matter after Urban established himself as a God-fearing family boy from Texas. Simon Cowell made a savvy decision to fete Urban for his work ethic and ability to listen to criticism, rather than focus on his singing. The judge knows better than anyone: Urban is safe this week. Lee DeWyze : The judges implored Dewyze to drop the coffehouse singer-songwriter vibe last week and indulge his rock instincts. That’s exactly what he did with “Lips of an Angel” by Hinder. Was it as ethereal a performance as Simon wanted us to believe? Is DeWyze really one of this season’s frontrunners? We’re not willing to go there yet, but after two solid weeks of live shows, the 23-year-old is one of the most comfortable contestants up on stage. It should only get better for him in the coming weeks. Unsatisfactory John Park : Dude, what is going on? Simon nailed it when he said Park put on a so-what performance. We’ve been rooting for this kid for a while, but it might be time to give up on him. His song choice was at least something written in the 21st Century (“Gravity” by John Mayer), but the delivery was still reminiscent of something you might hear at a retirement home soiree. His sweet story about growing up in a bilingual Korean-American home might win him enough votes to make it through to next week, but we’re fairly certain he doesn’t deserve it. Todrick Hall : We’ve actually enjoyed Hall’s risky song choices: Kelly Clarkson’s “Since U Been Gone” last week, Tina Turner’s “What’s Love Got to Do With It” on Tuesday. Whereas his twisted take on Clarkson was oddly amusing, his butchering of Tina was sacrilegious. Two straight eviscerations from the judges do not bode well for Hall. The guy’s in trouble this week. Jermaine Sellers : Was it that the judges were cut-throat last week or that Hall just plain stunk up the joint? For two straight weeks, the church singer has ditched the soulfulness we loved and amped up his cheeseball ’70s lounge singer impulses. The guy can still nail a high note, as evidenced with “What’s Goin’ On” by Marvin Gaye, but many of the others made our ears hurt. Jesus may be his homeboy, but the viewers at home hold his fate in their cell phones. To quote Randy, “Ah man, it’s like urrrggggh!” Aaron Kelly : Pardon us while we head for another cup of coffee, because even thinking about Kelly’s insipid performance of the Temptations’ “My Girl” makes us drowsy. In the 16-year-old’s defense, that song was no worse than last week’s rendition of “Here Comes Goodbye” by Rascal Flatts. The only difference was that Simon and Ellen seemed to have tired of, um, whatever it was they liked about him in the first place. We’d say Kelly is in serious trouble this week, but that was our opinion last week and look what happened. With praise from Randy and Ellen DeGeneres, expect the oldest teenager in the history of the world is stick around the “Idol” stage. How do you think the guys did this week? Let us know in the comments below! Get your “Idol” fix on MTV News’ “American Idol” page, where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season Nine Performances

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‘American Idol’ Top 10 Men’s Report Card

Big Love: Love & Tether Ball [Recaps]

In last night’s penultimate episode of the season, we saw all the problems of the season converge in a screwball comedy of manners that sank this season even deeper into the mire. Admittance time: I steered you guys wrong . I urged everyone so hard to watch this show, because last season was so good, and now this year has been… such a manic, overstuffed bust. Still an entertaining show, yes. But daaangerously teetering on the brink of ridiculous. What happened last night? Ohhh what didn’t happen last night? I don’t even know how to write about it, so let’s just do a list. Ben came home from their Mexican arm-chopping adventure and is back in love with his dad. Amanda Seyfried showed everyone a trailer for Letters to Juliet as a means to announce that she is moving away. Nicki showed up to family backyard dinner in Margene-style hoochie wear, shocking everyone and making us wish that she’d get her own spin-off. Following Nicki’s exploits as she remakes her life on her own could be fascinating and stirring in a way this show has not been more a lot of this season. Bill found out that Margene is planning to marry Serbian Kevin Sorbo, and was mad and didn’t want it to happen, but later wanted it to happen, but was still mad. Barb and Bill confronted Sissy Spacek about her naughty wheelings and dealings, she countered by yelling at them and calling the casino a “fucking pup-tent.” (Great line. She is great.) Later on Sissy found out that there is badass polygamy going on in the Henrickson household, and she’s going to war. Nicki found out, via a Barb tongue slip, that Joey killed her dad. She raged at Bill, ran to the compound and took Wanda away from creepy JJ. Creepy JJ caught Mary Kay Place snooping in the files, she found out that Roman was censuring him for some reason, he chloroformed her. Because he walks around with chloroform on a cloth, always? Barba and her Injun Interest hugged… intensely. Margene is worried that she is going to be attracted to Serbian Antonio Sabato Jr., and so is Bill. To prove his manliness, Bill challenged him to an intense game of tether ball. Everyone hates each other now. The women of Utah especially hate Barb, because she babbled something about put-upon Utah women and all their pill-popping at a big Ladies Meeting. Bill found out, got mad. Bill and family had to do a TV interview to prove that they are pro Family Values (no one knew they were such big Korn fans!). Amanda Seyfried showed up with a big sack of money with the words Dear John scrawled on it and was all “Heyyyy, what’d I miss?” Tini is played by Selena Gomez now. Nicki went to the Compound to try to rescue Alby, who was listening to Nancy Sinatra and weeping (creepy, interesting, more of that kind of stuff, please!). He seemed maybe about to accept her love and leave that awful place, but then the ghost of Roman convinced him to stay and he yelled at Nicki. She went home and told Bill that she wanted love, real love, and he didn’t know what to do with that. Other things happened? There were definitely good moments — anything with Sissy, Nicki’s sad revolution — but on the whole the episode felt like it was laid out in meter, with a rhythm of Problem Happens, Problem Is Discovered, People Get Mad repeated over and over again. I’m not really sure why the writers decided to make this season as crowded as they did, but it’s just too much . The whole conceit of the show is already a big pill to swallow and it just doesn’t need this much jazzing up. I read Under the Banner of Heaven this weekend, and I wonder if that maybe colored how I watched last night’s episode. In light of that book, Bill really is not much more than a hateful monster, his family a strange and cruel institution that has ties to a really insidious and violent history. Sure I knew that Mormons Are Weird before reading the book, but I didn’t quite understand to what depths the whole church is an obfuscating cult bent on world domination. I appreciate attempts to humanize people associated with such a nasty thing, and that dynamic made this show a really interesting one last season, but trying to infuse more drama on top of the inherent craziness just comes across a bit greedy, doesn’t it? Sorry to be a downer this week, y’all. Hopefully next week we’ll get some satisfying resolutions and some hope for a more reasonable fifth season. But right now I’m just… Tether ball. Ohhh tether ball.

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Big Love: Love & Tether Ball [Recaps]