Tag Archives: signature

CMT Music Awards Dominated By Carrie Underwood, Lady Antebellum

Kid Rock kept it relatively clean while hosting the show in Nashville. By Gil Kaufman Carrie Underwood at the CMT Awards on Wednesday Photo: FilmMagic You can be sure there was a censor somewhere in Nashville on Wednesday night sweating bullets during the . But, as promised, host Kid Rock kept things (relatively) clean during the annual fan-voted awards show, where Carrie Underwood , Keith Urban , Lady Antebellum and Miranda Lambert had big nights. It was a bittersweet celebration of sorts, as many of country’s biggest names gathered at downtown’s Bridgestone Arena less than a month after Nashville was devastated by floods that destroyed thousands of priceless instruments and put such city landmarks as the Grand Ole Opry under several feet of water. Rock made sure to keep things light, though, opening up the show with a warning that anyone who was even thinking of pulling and “Kanye West-isms … anyone thinking of grabbing the mic, myself or the Bo-Stevens will personally punch you in the mouth, all right?” The 39-year-old rapper and country dabbler made the bleep-button-pushers earn their pay early on, with a salty opening run through a medley of his songs “Cowboy,” “Bawitdaba” and “Good Ol’ Boys” that included surprise guest and awards-show recluse Hank Williams Jr., as well as Trace Adkins, Zac Brown, Martina McBride and Kellie Pickler. Though he was spotted doing shots backstage during the broadcast, it was Rock who proved to be the rule-minder during the show, at one point telling an audience member, “I know there’s no smoking! I got the memo. Calm down,” while, of course, smoking one of his beloved cigars onstage. And then there were some Buckle trophies to be handed out to Underwood for Video of the Year (“Cowboy Casanova”), Lambert for Female Video of the Year (“White Liar”), and Urban for Male Video of the Year (” ‘Til Summer Comes Around”). Underwood, who also won CMT Performance of the Year for “Temporary Home,” couldn’t thank fans enough during her acceptance speech for the Video of the Year prize, gushing, “Awesome fans … Awesome, awesome, amazing, awesome, awesome!” It was Urban who likely brought some tears to a few beers when he dedicated his win to wife Nicole Kidman, telling the flame-haired actress, “Baby girl, I love you so much,” and then nodding to the workers helping to clean up the BP Oil spill in the Gulf of Mexico. “I want to send my deepest love and prayers out to all the families around the gulf, who are going through an insane time right now. We’ve never seen anything like this — emotions I can’t even find words for as I watch this thing happening on TV.” Lady Antebellum, whose Need You Now is the year’s best-selling album to date, won for Group Video of the Year for the clip for the album’s title track. They also landed on the receiving end of one of Rock’s sharpest lines of the night. “Lady Antebellum is like the hillbilly Fleetwood Mac,” he joked. “But I suspect they don’t do drugs or sleep with each other.” Antebellum member Dave Haywood was typically humble in accepting their award, saying, “Tonight’s all about the fans! Thank you, fans!” Veteran pair Brooks & Dunn took Duo Video of the Year for “Indian Summer,” up-and-comer Luke Bryan snagged Breakthrough Video of the Year for “Do I,” and Blake Shelton and Trace Adkins got some more love for their rough and rugged hit “Hillbilly Bone,” which earned a Buckle for Collaborative Video of the Year. Though she didn’t win any awards, Taylor Swift helped present one with Faith Hill. “Jersey Shore” stars Snooki and the Situation joined celebrity chef Paula Deen to hand out a Buckle. And the crowd got a surprise when “Saturday Night Live” cast member Kenan Thompson showed up in a green dress and red wig to reprise his bizzaro Reba McEntire impersonation. He was confronted on stage by the real McEntire, wearing a similar dress. When she wondered what he was doing there, he replied, “I’m Reba! … R to the E to the B to the A. Reba!” Underwood, Urban (joined by John Mayer), Lambert, Toby Keith, Lady Antebellum, Tim McGraw, Brad Paisley and the Zac Brown Band all performed on the two-and-a-half-hour show. Rock ended the ceremony with his signature music biz words of wisdom: “I’d like to leave on this note right here: As a music lover, if it looks good, you’ll see it. If it sounds good, you’ll hear it. If it’s marketed right, you’ll buy it. But if it’s real, you’ll feel it.” What was your favorite moment of the CMT Awards? Talk about it in the comments. Related Photos 2010 CMT Awards Red Carpet Related Artists Carrie Underwood Miranda Lambert Lady Antebellum Keith Urban

See the rest here:
CMT Music Awards Dominated By Carrie Underwood, Lady Antebellum

Snooki, ‘Jersey Shore’ Cast Rock MTV Movie Awards Red Carpet

Katy Perry proposes ‘threesome’ to co-hosts Snooki and MTV News’ Sway during pre-show. By Josh Wigler Nicole “Snooki” Polizzi at the 2010 MTV Movie Awards Photo: Jason Merritt/ Getty Images The red carpet at the 2010 MTV Movie Awards was an even livelier affair than usual this year, thanks to Nicole “Snooki” Polizzi of the “Jersey Shore,” who co-hosted the evening alongside Sway. With all of her signature outrageousness, Snooki relished in the opportunity to interview several celebrities, including “High School Musical” and “Beastly” star Vanessa Hudgens. “You two are so cute together, just got to say it,” Snooki told Hudgens of her relationship with Zac Efron , nominated for his performance in “17 Again.” “You’re so gorgeous you look amazing tonight.” Snooki wasn’t the only one giving out compliments, as Hudgens returned the favor telling the reality TV star that she was acting like “a veteran pro” on the red carpet. The night’s conversation escalated when “California Gurls” singer Katy Perry informed Snooki and Sway that they should all “have a threesome” — a proposition Sway said he “wasn’t scared” to follow through on. But the sexiest action on the red carpet occurred off-camera, as MTV’s reporters on the ground witnessed a big kiss between Snooki and her “Jersey Shore” co-star Jenni “JWoww” Farley. “She got me into it,” JWoww laughed of the kiss. Snooki, however, wasn’t all hugs and kisses. As she was about to announce the winner of the Best Fight award, Snooki turned to the crowd and shouted: “What up bitches! Yo, I have an award to give out for Best Fight, just sayin’!” The fans at home couldn’t stop talking about Snooki, taking to Twitter with comments such as “Snooki is even tinier than I thought. I wonder if she’s ever not allowed on roller coasters?” and “I’m surprised Snooki doesn’t have her poof.” But even if most eyes were on Snooki, her fellow “Jersey Shore” co-stars were enjoying the night as well. “This is amazing,” Pauly D said of the experience. “We’re so happy to be here. Never in our wildest dreams did we expect this.” Of course, Snooki remained firmly in the spotlight. Finally reunited with her “Jersey Shore” castmembers, Snooki paid a compliment to JWoww: “Your boobs look phenomenal tonight. Where did you get them?” Relive the wildest, funniest and most-jaw-dropping moments of the 2010 MTV Movie Awards, watch revealing red-carpet interviews and get exclusive movie clips after the show at MovieAwards.MTV.com. Season two of “Jersey Shore” premieres Thursday, July 29, at 10 p.m. ET/PT on MTV. Be there! Related Videos 2010 Movie Awards: All-Access Live Stream Related Photos 2010 Movie Awards: Full Fashion Recap

Continue reading here:
Snooki, ‘Jersey Shore’ Cast Rock MTV Movie Awards Red Carpet

Tupac Should Be Played By Unknown Actor, Biopic Director Says

‘I want to go to the streets and find him anywhere he might be,’ Antoine Fuqua says of casting Shakur film. By Jayson Rodriguez Tupac Photo: Chi Modu Following the success of the Biggie Small’s biopic “Notorious,” and the announcement late last year that a Run-DMC flick is in the works, director Antoine Fuqua recently revealed his next project would be a feature about the life of Tupac Shakur . “It looks like we’re doing Tupac Shakur’s movie next in September, that’s what I’ve been starting up and working on now,” Fuqua told the British entertainment website Digital Spy on Friday. “I’ve been working on that for a while with Morgan Creek and [the production company’s CEO] Jim Robinson. I just got the green light from him and we’re going in September. I’ve just started to prep that.” Fuqua (“Training Day,” “Brooklyn’s Finest”) told Digital Spy that he would like to see a fresh face in the role of the iconic rapper, who was gunned down in 1996. For “Notorious,” producers set out on a nationwide search for an upstart actor to play the Notorious B.I.G., before deciding on local Brooklyn rapper Jamal “Gravy” Woolard. Anthony Mackie, who had earlier played Tupac in an off-Broadway play, tied on the signature bandana again to play the West Coast rapper in “Notorious.” But Fuqua seems intent on finding multiple newcomers to play various parts in the yet-untitled project. “That’s the goal, I want to discover someone new,” Fuqua said. “I want to discover a lot of new people if I can. Obviously I’m going to have to put some people in it that you know, just because actors have different skills. I want to go to the streets and find him anywhere he might be in the world.” Who do you think should play Tupac in a biopic? Tell us in the comments! Related Artists Tupac

Continued here:
Tupac Should Be Played By Unknown Actor, Biopic Director Says

Megan Fox –The Writings on the Pelvic Bone

Filed under: Megan Fox , Paparazzi Photo On day 2 of Megan Fox bikini watch in Hawaii this weekend, Megan emerged from the ocean showing off her delicious curves , abs and her boyfriend Brian Austin Green ‘s Hancock tatted on her bikini line. This is her signature look. Read more

Link:
Megan Fox –The Writings on the Pelvic Bone

Christina Aguilera Tears Up ‘You Lost Me’ On ‘American Idol’ Finale

Aguilera will perform at 2010 MTV Movie Awards on June 6. By James Montgomery Christina Aguilera performs on “American Idol” on Wednesday Photo: Fox Christina Aguilera may have taken a few years off to raise her son , but the singer proved she’s back in a big way on the “American Idol” finale Wednesday night (May 26). The singer — who will perform at the 2010 MTV Movie Awards on June 6 — tore into a stirring, soulful version of “You Lost Me,” a track from her forthcoming Bionic LP , that proved, if there were any doubt, that she’s got one of the best voices in the business. Aguilera took the stage after this season’s female contestants — Lacey Brown, Didi Benami, Katie Stevens, Siobhan Magnus and Crystal Bowersox — performed a medley of her hits “Beautiful” and “Fighter,” emerging from below the stage to help put the finishing flourishes on the latter, then, as the stage went dark, stepping out into a spotlight for her solo. Accompanied by somber strings and a piano, hair pulled back in her Bionic curls, and wearing a demure black ensemble, Aguilera started softly, singing about smoking guns, lost magic and the tragedy of a dying relationship, then picked up steam from there as the music swirled beneath her. The middle section of the song was smoky and solemn, Aguilera stretching the notes, then, eyes closed and right arm outstretched, sang for the rafters. Her voice got bigger and bigger as the song entered the home stretch, but she never let things get out of control, and brought the tune home with a simple, breath-y “You lost me.” And as the “Idol” audience gave her a much-deserved standing ovation, it became clear that Aguilera still has got the goods to go up against anyone. What did you think of Christina Aguilera’s performance on “American Idol”? Sound off in the comments below! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Videos ‘American Idol’ Final Highlights Related Artists Christina Aguilera

See more here:
Christina Aguilera Tears Up ‘You Lost Me’ On ‘American Idol’ Finale

Crystal Bowersox And Lee DeWyze Face Off In ‘American Idol’ Finale

While both got positive comments, Crystal appeared to outshine Lee. By Gil Kaufman Lee Dewyze, Ryan Seacrest And Crystal Bowersox on “American Idol” on Tuesday Photo: Michael Becker/ Fox After more than 40 shows, hundreds of contenders, almost as many broken hearts and one of the tamest set of finalists in the show’s history, “American Idol” season nine came down to a pair of 24-year-olds, vying to be the first Midwesterners to hold the crown. Two days after the buzzed-about “Lost” finale, the second meanest man on TV this side of John “Smokey” Locke — departing original judge and the heart of the panel, Simon Cowell — went out not with his usual snarling put-downs, but with mostly kind remarks as Crystal Bowersox re-asserted her season-long status as the woman to beat with a pair of powerful performances that might have beaten back the late-season surge from rocker Lee DeWyze . After Bowersox won last week’s coin toss , Mt. Prospect, Illinois, paint clerk DeWyze went first, reprising his cover of Simon & Garfunkel’s “The Boxer,” putting a bit more emotion into the ballad, raising his voice through the midpoint of the verses as he went into his signature rock-radio rasp. Randy Jackson said it was “nice” but not quite energetic enough, while Ellen DeGeneres confused everyone by stating, “I couldn’t be prouder if I birthed you myself,” complimenting Lee for performing the song even better the second time. Reminding DeWyze that he was on the big stage at the Nokia Theatre, Cowell said he expected more passion, calling it a “kiss on the cheek when I want a kiss on the lips— not from you, you know what I’m saying.” Bowersox was firmly in her wheelhouse with a reprise of Janis Joplin’s “Me and Bobby McGee,” strumming out the rock chestnut on her acoustic guitar and inspiring a group clap-along. The song again showed off her soul-mama bona fides as the wordless chorus gave her a chance to work through her powerful, bluesy range. Ellen said Crystal drew the whole crowd in, and Kara DioGuardi said, “I loved it when you first did it, and I loved it tonight. You told us so much about you as an artist, and you have fire in your belly tonight!” For Cowell, after a few tepid weeks, the performance brought back the Crystal the judges fell in love with, and Randy praised her for picking up the pace midway through and said it was exactly the kind of record Bowersox should make. Lee’s second song was chosen by executive producer Simon Fuller, who went with R.E.M.’s iconic ballad “Everybody Hurts.” Lee turned it into an acoustic campfire ballad, swamping up the arrangement and snarling a bit of a rock edge into the alt-rock classic while highlighting the expressiveness of his voice as a gospel choir backed him up and brought a majestic feel to the tune. “What makes you great as a performer is that you’re emotionally accessible,” Kara said. “I can feel every word you’re saying, and you’re telling a story.” Cowell called it a “brilliant” choice of song, even if he went a bit off melody and Lee was clearly nervous. “You’ve got another song to come, and I think you’ve got to really understand what this night can do in terms of changing your life,” he warned. “And when you come out for your last performance I want a 10-out-of-10.” Fuller went with Alannah Myles’ “Black Velvet” for Bowersox, a song that has a long “Idol” history and seemed custom-made for Crystal’s gutbucket growl. She seemed a bit uncomfortable walking down the steps in her, yes, black-velvet dress and heels, but Crystal matched the squealing guitar licks with throaty growls and a loud, cat-scratch note at the end. DioGuardi said Bowersox proved she wanted it and really gave it her all, while Cowell groused about how sick he is of hearing the tune in countless horrible auditions. “But I’ve got to tell you, you took that song and you absolutely nailed it,” he enthused. “MamaSox is in it to win it!” Randy yelled, while DeGeneres simply gave her a standing ovation. And then it was down to the coronation song, typically a trip to Cheesy Town , but DeWyze dodged a bullet by snagging U2’s uplifting “Beautiful Day” instead of a mewly original. The synth-pop orchestral arrangement was a bit lightweight, and Lee seemed to get lost in it at times as he drifted off-key at points. Wearing a black leather jacket over a black hoodie, he eventually found his footing, gripped the microphone and leaned into the soaring chorus, showing a bit of his rock-star potential, opening his mouth and howling out the refrain with all his might. Cowell said he made the most of it and gave it more effort than the other two songs and then took a moment to say what amounts to his farewell to “Idol.” “This is my final time I’m ever going to judge this show,” Cowell said. “I just want to say about you, is that this is what this competition was designed for, which is somebody who needs a break … having a normal job working in a paint shop. You’ve worked hard, you’ve remained a really, really nice person throughout, and I genuinely wish the best for you. You’re a great guy.” “Watching you grow to where you are right now, standing on this stage making it this far,” DeGeneres said, “I was watching your eyes, you were fully present for that song, taking in every bit of these people’s energy, and I love that you were able to get to that place to do that.” First, the good news: DioGuardi said he has grown the most on the show this season and has the most commercial voice of the season and deserves to be in the finals. But she felt he got swallowed up by the arrangement. “This whole thing has been amazing, from the very beginning to right now,” DeWyze said. “I want to be doing this for a long time. … I will be doing this for the rest of my life, one way or another.” Crystal’s coronation song was Patty Griffin’s Martin Luther King tribute “Up to the Mountain (MLK Song),” which Bowersox sang while strumming her beat-up acoustic, dipping and swaying through her broad range and owning the song as if she wrote it. Hitting a sustained, powerful note and putting her busker’s passion into the emotional lyrics like her next meal depended on it, MamaSox ended the show with a powerful display of why she’s been this season’s front-runner since she first stepped on the stage with the top 12. “An amazing song by an amazing singer,” Jackson roared, saying it was one of the best performances in the show’s history. “I cannot compare you to one person. … You are in a league of your own. You have a beautiful voice,” Ellen added, unable to resist yet another food metaphor. “If you make an album, I’m gonna buy it. If you go on tour, I go on tour and watch you. If you make a salad, I’ll eat it.” After a season in which she sometimes had a hard time connecting with Crystal and felt she had her guard up, Kara said the singer from hardscrabble Elliston, Ohio , finally let her guard down and seemed fully emotionally invested in the song. Before Simon made his final comments on the show, Crystal addressed him and expressed her gratitude. “You’ve been amazing this season,” she said. “Thank you for all the critique and criticism and help. … Good luck on your future endeavors.” “Since it’s becoming a bit of a lovefest tonight,” the typically hard-hearted judge replied, “I thought that was by far the best performance and the song of the night. And since this is going to be the final critique I’m ever going to give, I would just like to say that was outstanding.” After Tuesday’s (May 25) vote, the season’s winner will be announced during Wednesday night’s two-hour finale, which will feature a performance from Christina Aguilera. Who do you think won the battle Tuesday? Who are you going to vote for? Leave your comments below! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season Nine Performances Lee DeWyze: From Illinois Boy To ‘American Idol’ Star Crystal Bowersox’s ‘American Idol’ Experience

Continue reading here:
Crystal Bowersox And Lee DeWyze Face Off In ‘American Idol’ Finale

The Routemaster returns

Story by Mat Osman, le cool London Photo courtesy Transport for London Non-Londoners look away now. Because there are certain things that the rest of the country finds a little, well, odd about its capital citizens. Like the fact we take the most disgusting of all fish, the eel, as our signature dish and then further ruin them by encasing them in jelly. Or that a person can have a screaming fit on a crowded tube train and not a soul will say a word. And the fact we care about our buses. When the time came to retire the old Routemaster buses – you remember, the ones you could jump on and off when, inevitably, the bus was moving slower than walking pace – there was uproar. And it was a cross-party uproar. Tories didn’t like part of our heritage disappearing. Left-wingers saw it as the people’s will being trampled. And the rest of us just resented sitting in a traffic jam for 20 minutes while the bus stop was just 200 yards away. So come the last mayoral election, with a city sliding into debt, the Olympics hoving into view, and knife crime seemingly endemic, what was near the top of London’s agenda? Boris’s promise to reintroduce the Routemaster, that’s what. So now, deep into the Johnsonian reign – the Routemasters return. It’s a new design from Heatherwick Studio, that in truth bears little resemblance to the old Routemaster, (and, as was amusingly pointed out on Twitter, with a fringe that makes it look appealingly like the first Emo-bus). Reasons to be cheerful? The aforementioned fringe, the chance of swinging casually from the pole by the open back door like some sixties’ Carnaby Street cat, and not one but two staircases to avoid slowcoaches. There’s also a promise of a conductor; good news for a city where the bendy-buses are known simply as ‘free buses’ to millions of passengers. Not so good? Well, the open platform – the very thing that connects the new design with the Routemaster name – can be closed when there is ‘no conductor’ which, given cost-cutting measures, you can bet will be frequently. And these are only mock-ups – the real things won’t on our streets until late 2011. More at: http://www.london.gov.uk/priorities/transport/new-bus-london ———————————————————– Get your daily London fix at Current.com/London Follow us on Twitter at Twitter.com/CurrentUK We're also on Facebook at Facebook.com/CurrentUK added by: lecool

Slipknot Fans Pay Tribute To Paul Gray

Bass player was found dead in an Iowa hotel room on Monday. By Gil Kaufman Slipknot’s Paul Gray Photo: Barry Brecheisen/WireImage A day after news broke that founding Slipknot member Paul Gray was found dead in an Iowa hotel room, fans of the bass player offered their condolences in comments on MTV.com. (The music world also reacted to the news of Gray’s death here .) “Rest in peace, Paul Gray, keep on rockin’ up there, we will miss you,” wrote Nathan, summing up the general feeling among supporters about the 38-year-old musician known as “#2” or “The Pig,” due to his signature mask. “R.I.P. Paul Gray,” Jonny added. “We all know, if heaven actually exists, then you’re rocking up there with Dio,” he wrote, referring to the death of iconic metal singer Ronnie James Dio , 67, on May 16 after a long battle with stomach cancer. There was no evidence of foul play in Gray’s death, according to police, but the investigation is ongoing and an autopsy is scheduled for Tuesday. A toxicology test will also be done to determine any contributing factors to his death. Between those two deaths and the

Bret Michaels Wins ‘Celebrity Apprentice’

‘If it’s sympathy [that helps me win,] I’ll take it,’ Michaels joked on the live finale of ‘Celebrity Apprentice.’ By Jocelyn Vena Bret Michaels Photo: NBC After what has been a difficult few months for Bret Michaels following several health scares , the Poison frontman came out on top as the winner of this season’s “Celebrity Apprentice.” The show’s “boss,” Donald Trump, explained that it was Michaels’ “amazing” creativity and imagination that brought him to the finals, noting that Michaels has “a lot of guts” after battling a brain hemorrhage last month and a warning stroke last week to appear at the live finale of the show. The rocker faced off against fellow finalist Holly Robinson Peete, who was competing on behalf of her charity, the HollyRod Foundation, for autism. Michaels was working for the American Diabetes Association to raise awareness and funds for a disease he’s suffered with since he was a child. The cause became even more personal for Michaels, who had learned that his daughter, Rain, who surprised him with a visit during his last task, is “borderline diabetic.” In their final competition, the contestants had to come up with a new Snapple tea flavor. Peete came up with “Compassion Berry” and Michaels with “Troparocka.” Each finalist had to market their new Snapple flavors with a print ad and a TV commercial. The winner would win the coveted $250,000 prize his or her charity. But before the show went live, fans got to see how each of the campaigns turned out. “Bret is tremendously creative,” former show competitor Darryl Strawberry said in the pre-taped portion of the finale. While Michaels opted to make two commercials, Peete and her team focused on just one. The unfinished product didn’t impress Trump’s daughter and fellow judge, Ivanka. “To become the Celebrity Apprentice, you need to be smart. You need to be driven and you need to have great hair,” Trump joked before cutting back to the pre-taped segments of Peete and Michaels completing their final tasks. Although both Peete and Michaels worked down to the wire, Michaels, who had to work on his commercials down to the last minute without a script, said, “That’s the story of my life: live without a script.” “Right before it’s time to go up, my heart is kind if pounding. But I do know how to impress executives,” Peete said in pre-taped footage before she made her presentation of her final product. Peete’s comical spot showed Snapple scientists as they invented Compassion Berry flavored Snapple. “As a rock singer and performer, you riff off the energy in the room. When you’re given a microphone and asked to talk about a brand … a whole different animal for me,” Michaels said about his commercial, a fast-paced, comical clip featuring Strawberry. In the final boardroom, Michaels and Peete sat down to discuss their task with Trump. Michaels defended his decision to make a diet, sugar-free drink, explaining that the drink is a fitting one for diabetics. Peete, meanwhile, had to defend her choice not to use any of her celebrity pals in her commercial, saying she wanted the focus to be on the charity. In the boardroom, Trump seemed to favor several of Peete’s decisions for her campaign, though he seemed pretty even-keeled in his feelings about both campaigns. Trump pressed former contestant Olympic swimmer Summer Sanders about who she wanted to see win. She flip-flopped her way through the conversation, reluctant to choose, but noted she wouldn’t mind if Michaels won. In the finale’s last half hour, both Peete and Michaels joined their past “Apprentice” contestants on the stage live. Wearing his signature bandana, a vest, jeans and a dress shirt, Michaels graced the stage with his characteristic good spirits, saying, “Let’s have some fun.” Trump asked Peete why she was crying after Michaels entered. “Well, I mean, who in America isn’t [crying]?” she responded. The conversation quickly turned to Michaels’ condition. He explained, “They did a great job. I was really fortunate. We reacted quickly. Great medical team and good people and I cannot thank you and your family [enough] for all the well wishes,” he told Trump. “I’ve become like a medical experiment. Its been crazy for about a month and half. Yes it’s been a risk, but I wanted to be here. I came to win and I’m glad to be on the show. “Here’s what I was going to say: She’s playing the hotness card,” Michaels joked about Peete’s sparkly silver dress. “If it’s sympathy [that helps me win,] I’ll take it. I came here to win. I went in there to win and did everything you asked me to do. I will put my heart and soul into everything in the end. I did want to win but I didn’t want to cut anybody’s throats to do it. I always give everything I got 100 percent. I came here to win.” Peete, however, made her intentions clear that she too wanted to win. “Well a lot of people know or don’t know that Bret and I became very close,” she explained. “There’s no animosity. We talked after every show. So when I heard [about his hospitalization], I was devastated, like we all were. I’m just overjoyed that he’s here, and we all love you Bret. … Yes, in a way, I feel like I lost my momentum. It’s Bret mania. That said, I really do feel like I did a good job.” Moments before the winner was declared, it was announced that Snapple will match the grand prize, so both charities will get the $250,000 donation. But only one person can be named the Celebrity Apprentice. And this season’s celebrity apprentice is survivor Bret Michaels. Related Photos Bret Michaels’ Career In Photos Related Artists Bret Michaels

See the rest here:
Bret Michaels Wins ‘Celebrity Apprentice’

Bret Michaels on Oprah interview

Bret Michaels, 47, who suffered a brain haemorrhage last month, told Winfrey in an interview that he was determined to keep his head wrapped in the bandana. Poison frontman Bret Michaels has revealed to Oprah Winfrey that he wore his signature bandana during his hospital stay. “I said, #39;If I#39;m going out, I want to go out rockin#39;,” the New York Daily News quoted him as telling the talk show host. Of the subarachnoid haemorrhage, the singer said he knew right away something “was severe

See the article here:
Bret Michaels on Oprah interview