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Senate Passes $600 Million Border Bill!

In the briefest of sessions and without the slightest bit of the usual acromony in the Senate chamber these days, members unanimously approved a $600 million border enhancement bill Thursday (8/12/2010) that increases the boots on the ground at the US border with Mexico. 1000 more Border Patrol Agents and 250 Customs and Border Protection Officers, as well as the deployment of unmanned surveillance drones. Sen. Chuck Schumer (D-NY) was the Bill's author, with help from Sen. Ben Cardin (D-MD). The Bill itself is not without some controversy, however, despite it's overwelming Congressional approval. The Bill now heads to the Presidents desk for his signature. added by: thetrimsmith

Lady Gaga crowd surfing

When Lady Gaga later took to the stage for her set, she thanked fans for making her a “brave” person. She said: “My name is Lady GaGa. I thank you for coming to my show. I didn#39;t used to be brave. In fact I wasn#39;t very brave at all. From her over-the-top head pieces to her signature no-pants look, Lady Gaga is never one to shy from pushing the fashion envelope, and this weekend was no exception. Fresh off her 13 VMA nominations, the statement-making star stripped down to little more th

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Lady Gaga crowd surfing

‘Predators’: The Reviews Are In!

‘ ‘Predators’ is a B movie that knows its job, and does it,’ MTVNews.com’s Kurt Loder says. By Eric Ditzian Alice Braga, Walton Goggins and Adrien Brody in “Predators” Photo: 20th Century Fox The filmmakers behind the new movie “Predators” decided to pretend the last three movies in the sci-fi horror franchise never happened and instead set their story as if it takes place directly after the 1987 original. That was probably a wise call on their part, seeing as each successive “Predator” installment was less beloved, culminating with the disgraceful mash-up “Aliens vs. Predator: Requiem.” How beloved will “Predators” ultimately be? With the film opening on Friday (July 9), reviews have been pouring in, and they’re largely positive — if not on par with the original, then respectably, satisfyingly close. Let’s take a deep dive into the “Predators” reviews to see what people are saying. The Story ” ‘Predators’ is a B movie that knows its job, and does it. Which means, among other things, that making sense is not on its to-do list. The picture opens with a group of people falling from the sky into a jungle. What are they doing here? None of them knows. … [T]hey’re all prey on this strange planet, which turns out to be an off-world hunting ground for Predators, whose day-trip spacecraft is invisibly parked nearby. As you’d expect, the picture consists — with the exception of a visit to a batty survivor played by Laurence Fishburne — of each of the human interlopers being put away like finger food by the wily monsters.” — Kurt Loder, MTVNews.com The Actors “Think of it as ‘Avatar’ with more gore, a lot less wit, and Adrien Brody (and his Situation-like abs) as the alpha-male leader of a doomed pack of tough guys, gruffly barking orders as he tries to get inside the mind of you know who. Topher Grace does his signature smart-ass quipster thing, Alice Braga is the tough chick with a big heart, and Laurence Fishburne drops by to lend the film its only bit of unpredictable fun as a loco, Kurtz-like soldier of fortune who’s gone native. These aren’t characters, they’re cardboard clich

Time: ‘Is Bobby Jindal Making Sense?’

While the media have apparently given up — if they ever seriously attempted — on holding the Obama administration to account for its handling of the Gulf oil spill cleanup, Republican governors in the Gulf are a different story, particularly Louisiana’s Bobby Jindal, a potential 2012 presidential hopeful. In a short post at Time.com entitled “Battlefield General: Is Bobby Jindal Making Sense?” , writer Alex Altman cast doubt on Jindal’s handling of the oil spill cleanup while suggesting the conservative governor is hypocritical for his complaints about Obama’s handling of the disaster at the federal level: The notion that Washington should lead is not the only puzzling position taken by Jindal, a small-government conservative. An advocate of offshore oil exploration, he points to environmental devastation as a consequence of the government’s “lack of urgency” but opposes a moratorium on deepwater drilling. More important, in the throes of a crisis, a governor admired for his grasp of policy has sometimes sacrificed caution for speed. For weeks, Jindal blistered the government for dithering over his signature initiative, a plan to build sand berms to safeguard the state’s marshland. The proposal was finally okayed despite objections raised by scientists who questioned the $360 million project’s efficacy. When the Interior Department later halted the sand dredging to protect the existing barrier-island system, Jindal fumed at the “red tape and bureaucracy.” On July 6, the governor railed at the Army Corps of Engineers for denying a local parish’s request to protect coastal waters by constructing rock dikes. (A Corps commander said the measure might do more harm than good.) Of course it’s perfectly legitimate for journalists to raise questions about how Gulf state governors have handled their share of the BP oil spill cleanup, but Altman’s piece assumes the federal government’s response is virtually flawless and Jindal’s disagreements with its strategy and tactics are suspect. What’s more, Altman’s swipe at Jindal’s conservatism distorts the true conservative position that Jindal is staking out. Jindals complaints have largely been that the Obama administration’s regulatory micromanagement has gummed up cleanup efforts. It’s not so much that Jindal wants the federal government to solve the problem as he wants the feds to quit hampering private industry and local governments from solving the problem due to mindless red tape. Time is not alone in setting its sights on bashing Jindal. Last month, Newsweek’s Sharon Begley took a much more stringent tone in her criticism of Louisiana’s Republican governor: Scientists are such spoilsports, always insisting on gathering data on the likely effects of a strategy before implementing it. Politicians are more inclined to just go for it, especially when they’re desperate. Louisiana Gov. Bobby Jindal is desperate: millions of gallons of BP’s crude are launching an amphibious assault on his beaches and wetlands. So let’s do the math: desperation + a pol’s “do something” mentality = a loony decision to build 14-foot sand berms to protect the state’s coastline—a decision that bodes ill for the many others the state will face as BP’s oil gushes at least until August. Before this, Jindal was known to scientists as the governor who in 2008 signed a law allowing the state’s public schools to teach creationism (excuse me! “intelligent design”) in their classrooms. The difficulty he has distinguishing science from faith reared its ugly head again when he cast about for a way to hold back BP’s oil. Emissaries from Jindal’s office have made regular pilgrimages to the Netherlands to consult with engineers about protecting the state’s coasts from the next Katrina. Van Oord, a marine engineering and dredging company that is constructing the artificial Palm Islands for Dubai, proposed building what amounts to artificial sandbars. “If you ask a Dutch company that builds artificial islands in Dubai how to protect marshlands and barrier islands,” says coastal geologist Rob Young of Western Carolina University, “of course they’ll say, ‘Let’s make an offshore island!—and shall we put a palm tree on it for you?’ When a politician is faced with an economic or social mess, the “just try something” mentality can be justified. Policies on these fronts cannot be accurately predicted for the simple reason that human behavior is involved. No amount of science can reliably forecast the effects of, say, financial or health-care reform, so a reasonable case can be made for “do something.” Not so when we’re talking about the laws of physics and chemistry rather than human behavior. In these cases, ignoring the science makes politicians seem like petulant children.

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Time: ‘Is Bobby Jindal Making Sense?’

Ke$ha Dons Fur Coat, Poses On Motorcycle For ‘Take It Off’ Video

Pop star vamps it up for her latest clip from Animal. By Jocelyn Vena Ke$ha on the set of her music video “Take It Off” Photo: RCA She angered fictional parents in her “Tik Tok” video , pranced around with the boys of 3OH!3 in her “Blah Blah Blah” clip and frolicked with a bearded boyfriend in an animated desert for her “Your Love Is My Drug” video . It might seem like Ke$ha had already done it all, but she ups the ante again in her latest clip. In photos from the singer’s “Take It Off” video set, she’s seen wearing really, really short shorts, a white fur coat and even rocking super-high platforms while posing on a motorcycle. And Ke$ha even returns to the desert, joined by a number of dancers in the sand. For the video, it looks like Ke$ha ditched her signature waves for straightened locks, a look that is more polished than we’re used to seeing from the party-girl pop star. But, of course, Ke$ha is keeping it dirrrty by including some face paint and covering herself in the aforementioned sand. “Take It Off” is the latest single from Ke$ha’s highly infectious Animal debut, released earlier this year. In the past, Ke$ha has said that the album is a perfect representation of who she was as a person while she was recording it with super-producers Max Martin and Dr. Luke. “I’m excited about it, because it kind of accurately documents my life over the past four years,” explained Ke$ha, who is currently on the road with Rihanna . “And I think any girl, and hopefully guys too, can relate to the record. I talk about pretty much anything — you name it. … I think that throughout the album, what I’m really proud of — I think every song you can tell it’s me. It’s all really honest — almost to a fault — and really genuine.” What do you think of the latest looks from Ke$ha’s new video? Tell us in the comments! Related Photos Ke$ha On The Set Of Her Video For ‘Take It Off’ Related Artists Ke$ha

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Ke$ha Dons Fur Coat, Poses On Motorcycle For ‘Take It Off’ Video

Taylor Lautner Would Ditch His Abs For The Right Role

‘If it was for a role that I was passionate about, I would definitely do that,’ says ‘Eclipse’ star. By Josh Wigler, with reporting by Josh Horowitz Taylor Lautner at the “Eclipse” screening in New York on Monday Photo: Jim Spellman/ WireImage Would Taylor Lautner ever drastically alter his body for a performance? It’s not an unreasonable question — after all, people like Christian Bale and even Curtis “50 Cent” Jackson have been known to drop extreme amounts of weight in the name of their acting careers. As the young “Eclipse” actor’s star continues to rise, it’s certainly a question that he’ll want to ponder as more and more acting opportunities float across his table. Speaking with MTV News at a special screening of “The Twilight Saga: Eclipse” in New York City on Monday, Lautner said that he would absolutely consider ditching his signature muscular physique — if the right film role came his way, that is. “If it was for a role that I was passionate about, I would definitely do that,” he told MTV. Although body alterations aren’t necessarily high on the list of changes Lautner is looking to make in the name of his career, the sometimes-werewolf heartthrob did say that he’s looking to branch out into new genres. He already has a head start on that mission with upcoming leading turns in espionage thriller “Abduction” and superhero flick “Stretch Armstrong,” but Lautner is hoping for even more diverse opportunities. “I want to challenge myself to everything,” he said. “I’ve got a really cool action thriller [in ‘Abduction’] and then an awesome superhero movie [in ‘Stretch Armstrong’], but I want to find a great drama script.” The one genre he’s not itching to dive into? Musicals. “No,” he laughed when asked about the possibility of singing on the big screen. “I mean, people actually tell me that I can [sing], but I think they’re just being nice — because I definitely can’t! No ‘Hairspray 2’ [for me]!” Check out everything we’ve got on “The Twilight Saga: Eclipse.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos ‘Eclipse’ Hits New York City Related Photos ‘Eclipse’ Stars In New York

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Taylor Lautner Would Ditch His Abs For The Right Role

Lady Gaga Debuts New Song ‘You And I’ At Elton John Benefit

Video of Gaga performing new ‘rock-and-roll tune’ hits the Net. By Gil Kaufman Lady Gaga and Elton John (file) Photo: Kevin Kane/ WireImage We already know that Lady Gaga is pretty much finished with the follow-up to her smash full-length debut, The Fame. But now we finally have a peek at some of the material that might be on the album, thanks to footage of Gaga performing at Elton John ‘s White Tie and Tiara Ball last Thursday. “This is a brand-new record that no one’s ever heard before … ever,” she said while seated at one of her signature deconstructed pianos and wearing a bedazzled black bra and panties with black boots. “And I’ve never, ever played it live, ever.” On her Twitter , she described “You and I” as a “new song … written in NY on the piano I grew up on.” Sounding a tad hoarse, Gaga described the song to her audience as a bit of a “rock-and-roll tune,” predicting that for that reason it will not likely get used as a single, but that it is “very dear” to her heart. “It’s been a long time since I came around/ It’s been a long time, but I’m back in town/ And this time, I’m not leaving without you,” she sang, describing a whiskey-breathed lover for whom she’s pining. “He said, ‘Sit back down where you belong, in the corner of my bar with your high heels on,’ ” she continued, her voice rising and getting a bit more growly just before the band came in and provided a swaying backdrop to the bluesy rocker. ” ‘Sit back down on the couch where we made out the first time, and you said to me/ “Something, something about this place/ Something about lonely lights and my lipstick on your face.” ‘ ” She wasn’t kidding about the song having a rock edge, as the tune eschewed most of her dance flavor, right down to a rollicking barrelhouse piano solo, during which she stood up on the piano bench and bashed out some John-worthy runs on the black and whites. She finished the tune crouched on the bench, wailing, “You and I,” while pumping her fist, before giving it a big finish that included kicking a heel up on the keyboard and lying across the piano bench with her head on the ground. Gaga tweeted about her performance at the 12th annual fundraiser for the Elton John AIDS Foundation, writing, “What a brilliant evening with wonderful friends. Thank you to everyone who donated to the Elton John AIDS Foundation. What a magical stage.” Gaga also took the stage in a wheelchair with her chest covered in fake blood and accompanied by an oiled-up male dancer for a run through “Alejandro,” and she performed her ballad “Speechless.” During the latter, John came out and joined her for a dueling-pianos showdown, trading off verses on the tune dedicated to Gaga’s dad and then reprising their Grammys duet with a snippet of his hit “Your Song,” during which he improvised the line, “I hope you don’t mind that I wrote down in words/ How wonderful life is with Gaga in the world.” The gothic-themed event took place at a Windsor mansion owned by John and partner David Furnish and featured performance artists wearing straight jackets and dangling from fake trees and bandaged men in white coats serving cocktails in medicine bottles. According to reports, guests included Elizabeth Hurley, Kate Beckinsale, Sharon and Kelly Osbourne, Jon Bon Jovi and Kid Rock. What do you think of Gaga’s new song? Let us know in comments below. Related Photos The Fashions Of Lady Gaga’s ‘Alejandro’ Lady Gaga, Elton John Perform At Rainforest Benefit The Evolution Of: Lady Gaga Related Artists Lady Gaga Elton John

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Lady Gaga Debuts New Song ‘You And I’ At Elton John Benefit

Tupac Shakur And Notorious B.I.G. Wax Figures Team Up In D.C.

The rappers’ likenesses will hang out in the same room at Madame Tussauds wax museum in Washington, D.C. By Mawuse Ziegbe The Notorious B.I.G. wax figure Photo: Madame Tussauds Tupac Shakur and the Notorious B.I.G. didn’t have many chances to work together before they were both killed at the heights of their fame and in the midst of a feud. But now the hip-hop icons will reunite posthumously for the first time — in wax. Wax emporium Madame Tussauds will bring the figures of ‘Pac and Notorious B.I.G. together for the first time on what would have been Tupac’s 39th birthday , Wednesday (June 16), at its Washington, D.C., gallery. The figures will stand near each other for three months. Tupac’s figure is on loan from Madame Tussauds in Las Vegas, and Biggie’s statue, like the actual hip-hop icon, comes from New York’s Madame Tussauds. Visitors to the D.C. museum will have the chance to snap pictures with both figures in the same room, a rare opportunity while the stars were living, since Big and ‘Pac famously lit up headlines as MCs at the forefront of the mid-’90s East Coast/ West Coast hip-hop beef. The museum worked to faithfully replicate the stars’ swagger. ‘Pac’s figure is bare-chested and emblazoned with the late star’s many tattoos, with his signature bandanna knotted around his bald head. The waistband of his Emporio Armani boxers peeks out from the top of his baggy jeans. Biggie’s wax figure is mean-mugging, rocking a crisp white suit and carrying a walking stick; B.I.G.’s mother, Voletta Wallace, even praised the wax rendering of her late son. The figures will be displayed in the museum’s Glamour Room. Although Tupac and Biggie were both gunned down in the mid-’90s, their legacies are still felt throughout the music scene. “Notorious,” a biopic based on B.I.G.’s rise to fame hit theaters in 2009 , and “Training Day” director Antoine Fuqua is working on a Tupac movie . Fellow icon Eminem brought the late stars together again in 2003 on the song “Runnin’ (Dying to Live)” for the “Tupac: Resurrection” soundtrack. Will you go check out the side-by-side wax figures? Let us know in the comments! Related Artists Tupac Notorious B.I.G.

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Tupac Shakur And Notorious B.I.G. Wax Figures Team Up In D.C.

Lauren Conrad Has Got Milk

Body By Milk has been doing its iconic “Got Milk?” mustache campaign for what seems like decades. Miley Cyrus may or may not wear underwear , but she definitely wore the milk mustache recently, as have stars such as Usher and Taylor Swift. The latest to receive the ‘stache is Lauren Conrad, former star of Laguna Beach and The Hills . We’ve really missed her on the latter, especially lately. All the more reason we were happy to see her wearing a belted navy blue dress and her signature curled hair – glass of milk in hand of course: GOT LC? Body By Milk does. We’re a little jealous of that glass . The Californian revealed her national Milk Mustache ad at The Grove yesterday, after the 24-year-old fashionista’s ad was selected by fans via online voting! Speaking of online votes, even though she hasn’t been on The Hills this season, LC is somehow up for Female Reality Star at the Teen Choice Awards . Woo! In any case, she’d win our vote – for reality star or beverage spokeswoman. Click to enlarge lots of Lauren Conrad pictures from her new milk campaign …

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Lauren Conrad Has Got Milk

Eminem Enlists Sham Wow Guy For Recovery Ad

Video features pitchman Vince demonstrating the many uses of the disc, out June 21. By Gil Kaufman Eminem Photo: Nigel Parry Now that Eminem has pushed up the release date of Recovery by a day to June 21 (following the album’s leak last week), the Detroit rapper is pulling out the big guns to promote the disc. In a new video ad called “Emwow” that looks calculated to go viral, Vince the ShamWow guy sets aside the miracle sponge for 30 seconds to sell you about the slice-it, dice-it wonders of the new Marshall Mathers disc. Wearing a black polo embroidered with the Recovery title and his signature headset, Vinny holds up the disc and announces, “Hey, it’s Vince with Eminem’s new album, Recovery, and you’re gonna be clappin’ when you hear Eminem rappin’.” He then demonstrates the “dozens of uses” for the disc, including slicing razor-thin tomatoes for your sandwich, serving as a drink coaster, a necklace for the ladies or even as bling for your garden hose (get it?). He even suggests cutting the disc in half (an unusual selling point for a CD, but we’ll go with it) and using one part to slice cheese and the other to chop onions. “Tacos, steak bone, silicone,” Vince demonstrates, tossing aside a breast implant and oversharing, “I like mine real, so forget about it.” This being Eminem, the ad ends with some bathroom humor, as Vince announces a special bonus product thrown in for free, a feminine-hygiene product called the ShamPon. The rapper surprised his fans at Activision’s E3 party on Monday night in Los Angeles, bringing out guests Travis Barker and Rihanna to help him celebrate the upcoming release. A spokesperson for Em’s label said the album, which features guest spots from Pink and Lil Wayne in addition to Rihanna, will hit stores a day earlier than expected to satisfy the rapper’s biggest supporters. “We believe fans want to support their favorite artists by purchasing the real album and not a leaked version,” Steve Berman, vice-chairman of Interscope Geffen A&M, said in a press release announcing the new date. “At the same time, we realize speed is of the essence when fans are so passionate about wanting to hear new songs from such an enormously popular artist like Eminem. … Even by releasing Recovery only a day earlier than previously announced, it makes a difference to those fans.” What do you think of the “Emwow” ad? Does it make you more likely to buy the new disc? Sound off in the comments. Related Photos The Evolution Of: Eminem Related Artists Eminem

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Eminem Enlists Sham Wow Guy For Recovery Ad