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SUNDANCE: Directors Tease ‘The Square,’ ‘American Promise,’ ‘Pit Stop,’ ‘A River Changes Course,’ ‘This Is Martin Bonner,’ ‘Who Is Dayani Cristal’

The Sundance Film Festival is passing its midpoint, but there are more world premieres of some of the films that will grace the Specialty Big Screen this year. Beginning last week Movieline posted details about this year’s U.S. and World Competition and NEXT films and filmmakers in their own words. In today’s round Jehane Noujaim ( The Square ), co-directors Joe Brewster, Michèle Stephenson ( American Promise ), Yen Tan ( Pit Stop ), Kalyanee Mam ( A River Changes Course ), Chad Hartigan ( This Is Martin Bonner ) and Marc Silver ( Who Is Dayani Cristal ) preview their films. [ Related: WATCH: Get To Know 5 Sundance Film Festival Filmmakers (And Their Films) AND SUNDANCE: Directors Tease ‘Dirty Wars,’ ‘Fire In The Blood,’ ‘God Loves Uganda,’ ‘A Teacher,’ ‘Narco Cultura’ ] The Square by Director Jehane Noujaim [World Documentary Competition] Synopsis: In February 2011, Egyptians – particularly young ones – showed the world the way people demanding change can drive an entire nation to transformation. The result was a profound movement toward democracy that is still evolving across the Arab world. The Square , a new film by Jehane Noujaim ( Control Room ; Rafea: Solar Mama ), looks at the hard realities faced day-to-day by people working to build Egypt’s new democracy. Catapulting us into the action spread across 2011 and 2012, the film provides a kaleidoscopic, visceral experience of the struggle. Cairo’s Tahrir Square is the heart and soul of the film, which follows several young activists. Armed with values, determination, music, humor, an abundance of social media, and sheer obstinacy, they know that the thorny path to democracy only began with Hosni Mubarek’s fall. The life-and-death struggle between the people and the power of the state is still playing out. [Courtesy of Sundance Film Festival] The Square quick pitch The Square  is an intimate observational documentary that tells an immersive story of the ongoing struggle of the Egyptian Revolution.  Beginning in the tents of Tahrir in the days leading up to the fall of Mubarak, we follow our characters on their life-changing journey through the euphoria of victory into the uncertainties and dangers of the current ‘transitional period’ under military rule, where everything they fought for is now under threat. While much of the world thought that the Egyptian Revolution had been won, our characters had only just begun their battle.   …and why it’s worth seeing at Sundance and beyond: Our film catapults you into the front lines of the Egyptian revolution, providing a kaleidoscopic, visceral experience of their struggle. Cairo’s Tahrir Square is the heart and soul of the film, which follows several young activists. They know that the thorny path to democracy only began with Hosni Mubarek’s fall. The life-and-death struggle between the people and the power of the state is still playing out on the ground, and our crew is bringing the story straight to Park City.  Arrest, being shot and immersion: The entire team was immersed in the events on the ground, many times getting tangled up in the action. For example, I got arrested by military soldiers while I was on the frontline of clashes between the military and protesters. I was detained and eventually freed by one of my characters coincidentally, lawyer Ragia Omran.  Our producer Karim Amer got arrested taking sound while walking near the square with our character Ahmed Hassan and my very talented cinematographer Mohammed Hamdy got shot in the back and in the head with a pellet while filming a battle between security forces and protesters in Tahrir. He got stitched up in a nearby hospital and went straight back to Tahrir to continue filming.  —

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SUNDANCE: Directors Tease ‘The Square,’ ‘American Promise,’ ‘Pit Stop,’ ‘A River Changes Course,’ ‘This Is Martin Bonner,’ ‘Who Is Dayani Cristal’

Rihanna Nipples See Through of the Day

Rihanna didn’t wear a bra…omg…she also got back with a boyfriend who beat her up…provided she didn’t beat herself up and blame him as revenge like a vindictive bitch….omg….and she’s got nipples…omg….and she’s famous despite being from the islands and having no talent…omg…..omg…omg…who gives a fuck.

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Rihanna Nipples See Through of the Day

Academy Award Boobs of the Day

Silver Linings Playbook is the only nudity in a movie nominated for an Academy Award…excpet maybe for Ben Afleck’s soul in ARgo…or that girl in Beasts of the Southern Wild running around in her underwear..or that Indian kid in his sheer wet pants in Life of Pi….or…what the fuck are the other nominated movies…oh right Russel Crow’s singing in Les Mis…raw rugged and a whole lot of offensive as fuck…more offensive than a smut film….which I guess don’t count cuz there ain’t no shower scene like Silver Linings Playbook…..so this Brea Bee brings it as the only set of tits in all movies nominated…and that’s a fucking OMG Fact of the day. OMG.

http://www.drunkenstepfather.com/flv/brea-boobs_5467.flv

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Academy Award Boobs of the Day

Academy Award Nominations — What Were The Biggest Snubs & Shocks Of The 2013 Oscar Noms?

Whatever your Oscar nomination predictions were, you were wrong: This morning’s Academy Awards announcements by host Seth MacFarlane and Emma Stone jolted Oscarwatchers awake with surprises and snubs so shocking they made everyone forget within minutes that MacFarlane made a Hitler joke, live, before six in the morning, setting the tone for his upcoming hosting gig. From all the Beasts of the Southern Wild love to the freezing out of shoo-ins Kathryn Bigelow ( Zero Dark Thirty ), Ben Affleck ( Argo ), and Tom Hooper ( Les Miserables ) from the Best Director race, which were the biggest shocks of the morning? [ Get the full list of 2013 Oscar nominees ] WTF, BEST DIRECTOR RACE? It was the most unexpected category of the bunch: Major snubs for Bigelow, Affleck, and Hooper shake up the Best Picture race, and the confidences of Oscar prognosticators everywhere. With Steven Spielberg ( Lincoln ), Ang Lee ( Life of Pi ), and David O. Russell ( Silver Linings Playbook ) competing against Michael Haneke ( Amour ) and Zeitlin ( Beasts of the Southern Wild ) the temperature of the Best Pic/Best Director races changes drastically. I was so sure the Academy would get suckered in by Hooper’s uber close-ups that the fact that he wasn’t nominated makes me think Oscar voters aren’t such easy lays after all… WHERE’S LEO? Christoph Waltz’s Best Supporting nod for Django Unchained (which scored fewer nominations than expected/hoped) pushed cast mate Leonardo DiCaprio out despite his Golden Globes nod. JOHN HAWKES IN THE SESSIONS It’s too bad the great John Hawkes wasn’t recognized for his work as a paraplegic poet in the underseen The Sessions , because it’s some of the best acting of the year. MARION COTILLARD IN RUST AND BONE Guess two French ladies in the Best Actress race was two too many. BEASTS OF THE SOUTHERN WILD (Best Picture, Best Director, Best Actress, Best Adapted Screenplay) Who knew the Academy had so much love for Benh Zeitlin’s little Sundance darling? Quvenzhané Wallis becomes the youngest Best Actress nominee in Oscars history — vying against Amour ‘s Emmanuelle Riva, the oldest — but who out there actually predicted Zeitlin would get a coveted Best Director nod while so many front-runners were left out in the cold? And while we’re on the subject of Beasts star Wallis: How great is it that the Oscar-watching world will soon know how to pronounce “Quvenzhané?” I can already see MacFarlane’s telecast writing staff furiously scribbling their “Uma-Oprah”-esque gags. ZERO DARK OSCARS Critics and pundits had Bigelow’s bin Laden pic riding high as an Oscar hopeful before this morning, but even with Best Picture, Best Actress, and Best Screenplay nods the Bigelow snub puts ZDT ‘s potency into question. Did the torture controversy and assorted Congressional hullabaloos dampen the film’s buzz, or did its dispassionate mood leave voters a bit cold? SKYFALL FOR BEST SCORE Methinks Academy members confused Adele’s fantastic Skyfall theme song with the Bond pic’s score, because one stuck to my bones and the other, well, did not. These folks clearly saw Beasts of the Southern Wild , which boasted one of the best original scores of the year but didn’t earn a musical nod. OH, AND ALSO THE SIMPSONS GOT AN OSCAR NOMINATION “Maggie Simpson attends the Ayn Rand Daycare Center, where she finds a caterpillar and faces off against her nemesis.” Maggie Simpson in The Longest Daycare will compete in the Animated Shorts race vs. Disney’s Paperman , among others. Were you shocked and awed by the Academy’s surprise moves? Chime in below with your reactions! RELATED ARTICLES: Academy Award Nominees Announced – ‘Lincoln’ Leads 2013 Oscar Noms Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

Academy Award Nominations − The Behind-The-Scenes Winners & Losers

It’s a good morning for Harvey Weinstein , Fox and Sony Pictures Classics .  Sifting through the more surprising-than-usual list of Academy nominations , these are the three big winners of the fierce behind-the-scenes campaigning that movie studios, their specialty divisions (and their consultants) do to get their pictures, directors, actors, etc. onto the hallowed Oscars short list. The Weinstein Company has the enviable dilemma of now having to decide how to run two Best Picture campaigns for Silver Linings Playbook and Django Unchained.    It also managed to get Joaquin Phoenix a Best Actor nomination for The Master despite Phoenix’s slagging of the Oscars as the  “stupidest thing in the world”  and the picture’s quick fade as a contender in the awards buzz circus. David O. Russell’s nomination, after being passed over by the Director’s Guild , is another sign of TWC’s political muscle, particularly since the Silver Linings Playbook director is an outsider in Hollywood — like Weinstein and Phoenix, for that matter. (Okay, so Weinstein may be way more inside than he was in the Miramax days, but he’s still an outsider. Fox employee and this year’s Oscars host Seth MacFarlane made that clear earlier this morning, when referring to the Best Supporting Actress nominees, he cracked: “Congratulations, you five ladies no longer have to pretend to be attracted to Harvey Weinstein.”) Fox and Sony also did well in the Best Picture category: Fox 2000 has Life of Pi   and Fox Searchlight has Beasts of the Southern Wild in the top category, but Sony is the more interesting story here.  While the Annapurna-produced Columbia Pictures-distributed Zero Dark Thirty   was nominated for Best Picture as expected, director Kathryn Bigelow’s omission in the Best Director category goes down as one of the biggest snubs of this morning.  On the other hand, the nominations of Sony Pictures Classics’ Amour  in the Best Picture and Best Foreign Picture categories and Michael Haneke for Best Director is quite a coup for the mini major given the competition this year and the film’s difficult subject matter. In other words, Haneke’s gain is related to Bigelow’s loss. Thoughts? Leave them in the comments section. More On Today’s Oscar Nomintions:  Academy Award Nominations — What Were The Biggest Snubs & Shocks Of The 2013 Oscar Noms? Follow Frank DiGiacomo on Twitter.   Follow Movieline on Twitter. 

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Academy Award Nominations − The Behind-The-Scenes Winners & Losers

‘Lincoln,’ ‘Les Misérables,’ ‘Life Of Pi’ Lead British Film Academy Nominations

Lincoln , Les Misérables and Life of Pi lead the pack Wendesday among the 2013 British Academy Film Award nominations, with Spielberg’s pic on the 16th U.S. president receiving ten nominations including Best Film while Les Mis and Pi each received nine, also picking up Best Film noms. [ Related: Directors Guild Award Nominations: Was The Wrong Director Snubbed? ] Neither Les Miérables director Tom Hooper nor Spielberg landed in the Director category, however, though Pi ‘s Ang Lee made the category along with Quentin Tarantino , Michael Haneke for Amour , Ben Affleck for Argo and Kathryn Bigelow ( Zero Dark Thirty ). The U.K.’s Skyfall , meanwhile failed to receive Best Film or Director nominations by the group, though it did receive eight other nominations, including Outstanding British Film. EE British Academy Film Awards which will take place on Sunday 10 February at London’s Royal Opera House. 2013 Nominations follow: BEST FILM ARGO – Grant Heslov, Ben Affleck, George Clooney LES MISÉRABLES – Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh LIFE OF PI – Gil Netter, Ang Lee, David Womark LINCOLN – Steven Spielberg, Kathleen Kennedy 
ZERO DARK THIRTY – Mark Boal, Kathryn Bigelow, Megan Ellison DIRECTOR AMOUR – Michael Haneke ARGO – Ben Affleck DJANGO UNCHAINED – Quentin Tarantino LIFE OF PI – Ang Lee ZERO DARK THIRTY – Kathryn Bigelow LEADING ACTOR BEN AFFLECK – Argo BRADLEY COOPER – Silver Linings Playbook DANIEL DAY-LEWIS – Lincoln HUGH JACKMAN – Les Misérables JOAQUIN PHOENIX – The Master LEADING ACTRESS EMMANUELLE RIVA – Amour HELEN MIRREN – Hitchcock JENNIFER LAWRENCE – Silver Linings Playbook JESSICA CHASTAIN – Zero Dark Thirty MARION COTILLARD – Rust and Bone SUPPORTING ACTOR ALAN ARKIN – Argo CHRISTOPH WALTZ – Django Unchained JAVIER BARDEM – Skyfall PHILIP SEYMOUR HOFFMAN – The Master TOMMY LEE JONES – Lincoln SUPPORTING ACTRESS AMY ADAMS – The Master ANNE HATHAWAY – Les Misérables HELEN HUNT – The Sessions JUDI DENCH – Skyfall SALLY FIELD – Lincoln OUTSTANDING BRITISH FILM ANNA KARENINA – Joe Wright, Tim Bevan, Eric Fellner, Paul Webster, Tom Stoppard THE BEST EXOTIC MARIGOLD HOTEL – John Madden, Graham Broadbent, Pete Czernin, Ol Parker LES MISÉRABLES – Tom Hooper, Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh, William Nicholson, Alain Boublil, Claude-Michel Schönberg, Herbert Kretzmer SEVEN PSYCHOPATHS – Martin McDonagh, Graham Broadbent, Pete Czernin 
SKYFALL – Sam Mendes, Michael G. Wilson, Barbara Broccoli, Neal Purvis, Robert Wade, John Logan OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER BART LAYTON (Director), DIMITRI DOGANIS (Producer)- The Imposter DAVID MORRIS (Director), JACQUI MORRIS (Director/Producer) – McCullin DEXTER FLETCHER (Director/Writer), DANNY KING (Writer) – Wild Bill JAMES BOBIN (Director) – The Muppets TINA GHARAVI (Director/Writer) – I Am Nasrine DOCUMENTARY THE IMPOSTER – Bart Layton, Dimitri Doganis MARLEY – Kevin Macdonald, Steve Bing, Charles Steel McCULLIN – David Morris, Jacqui Morris SEARCHING FOR SUGAR MAN – Malik Bendjelloul, Simon Chinn WEST OF MEMPHIS – Amy Berg ORIGINAL SCREENPLAY AMOUR – Michael Haneke DJANGO UNCHAINED – Quentin Tarantino THE MASTER – Paul Thomas Anderson MOONRISE KINGDOM – Wes Anderson, Roman Coppola ZERO DARK THIRTY – Mark Boal ADAPTED SCREENPLAY ARGO – Chris Terrio BEASTS OF THE SOUTHERN WILD – Lucy Alibar, Benh Zeitlin LIFE OF PI – David Magee LINCOLN – Tony Kushner SILVER LININGS PLAYBOOK – David O. Russell FILM NOT IN THE ENGLISH LANGUAGE AMOUR – Michael Haneke, Margaret Ménégoz HEADHUNTERS – Morten Tyldum, Marianne Gray, Asle Vatn THE HUNT – Thomas Vinterberg, Sisse Graum Jørgensen, Morten Kaufmann RUST AND BONE – Jacques Audiard, Pascal Caucheteux UNTOUCHABLE – Eric Toledano, Olivier Nakache, Nicolas Duval Adassovsky, Yann Zenou, Laurent Zeitoun ANIMATED FILM BRAVE – Mark Andrews, Brenda Chapman FRANKENWEENIE – Tim Burton PARANORMAN – Sam Fell, Chris Butler ORIGINAL MUSIC ANNA KARENINA – Dario Marianelli ARGO – Alexandre Desplat LIFE OF PI – Mychael Danna LINCOLN – John Williams SKYFALL – Thomas Newman CINEMATOGRAPHY ANNA KARENINA – Seamus McGarvey LES MISÉRABLES – Danny Cohen LIFE OF PI – Claudio Miranda LINCOLN – Janusz Kaminski SKYFALL – Roger Deakins EDITING ARGO – William Goldenberg DJANGO UNCHAINED – Fred Raskin LIFE OF PI – Tim Squyres SKYFALL – Stuart Baird ZERO DARK THIRTY – Dylan Tichenor, William Goldenberg PRODUCTION DESIGN ANNA KARENINA – Sarah Greenwood, Katie Spencer LES MISÉRABLES – Eve Stewart, Anna Lynch-Robinson LIFE OF PI – David Gropman, Anna Pinnock LINCOLN – Rick Carter, Jim Erickson SKYFALL – Dennis Gassner, Anna Pinnock COSTUME DESIGN ANNA KARENINA – Jacqueline Durran GREAT EXPECTATIONS – Beatrix Aruna Pasztor LES MISÉRABLES – Paco Delgado LINCOLN – Joanna Johnston SNOW WHITE AND THE HUNTSMAN – Colleen Atwood SOUND DJANGO UNCHAINED – Mark Ulano, Michael Minkler, Tony Lamberti, Wylie Stateman THE HOBBIT: AN UNEXPECTED JOURNEY – Tony Johnson, Christopher Boyes, Michael Hedges, Michael Semanick, Brent Burge, Chris Ward LES MISÉRABLES – Simon Hayes, Andy Nelson, Mark Paterson, Jonathan Allen, Lee Walpole, John Warhurst LIFE OF PI – Drew Kunin, Eugene Gearty, Philip Stockton, Ron Bartlett, D. M. Hemphill SKYFALL – Stuart Wilson, Scott Millan, Greg P. Russell, Per Hallberg, Karen Baker Landers SPECIAL VISUAL EFFECTS THE DARK KNIGHT RISES – Paul Franklin, Chris Corbould, Peter Bebb, Andrew Lockley THE HOBBIT: AN UNEXPECTED JOURNEY – Joe Letteri, Eric Saindon, David Clayton, R. Christopher White LIFE OF PI – Bill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer MARVEL AVENGERS ASSEMBLE – Nominees TBC PROMETHEUS – Richard Stammers, Charley Henley, Trevor Wood, Paul Butterworth MAKE UP & HAIR ANNA KARENINA – Ivana Primorac HITCHCOCK – Julie Hewett, Martin Samuel, Howard Berger THE HOBBIT: AN UNEXPECTED JOURNEY – Peter Swords King, Richard Taylor, Rick Findlater LES MISÉRABLES – Lisa Westcott LINCOLN – Lois Burwell, Kay Georgiou SHORT ANIMATION HERE TO FALL – Kris Kelly, Evelyn McGrath I’M FINE THANKS – Eamonn O’Neill THE MAKING OF LONGBIRD – Will Anderson, Ainslie Henderson SHORT FILM THE CURSE – Fyzal Boulifa, Gavin Humphries GOOD NIGHT – Muriel d’Ansembourg, Eva Sigurdardottir SWIMMER – Lynne Ramsay, Peter Carlton, Diarmid Scrimshaw TUMULT – Johnny Barrington, Rhianna Andrews THE VOORMAN PROBLEM – Mark Gill, Baldwin Li EE RISING STAR AWARD Elizabeth Olsen Andrea Riseborough Suraj Sharma Juno Temple Alicia Vikander

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‘Lincoln,’ ‘Les Misérables,’ ‘Life Of Pi’ Lead British Film Academy Nominations

‘Lincoln,’ ‘Les Misérables,’ ‘Life Of Pi’ Lead British Film Academy Nominations

Lincoln , Les Misérables and Life of Pi lead the pack Wendesday among the 2013 British Academy Film Award nominations, with Spielberg’s pic on the 16th U.S. president receiving ten nominations including Best Film while Les Mis and Pi each received nine, also picking up Best Film noms. [ Related: Directors Guild Award Nominations: Was The Wrong Director Snubbed? ] Neither Les Miérables director Tom Hooper nor Spielberg landed in the Director category, however, though Pi ‘s Ang Lee made the category along with Quentin Tarantino , Michael Haneke for Amour , Ben Affleck for Argo and Kathryn Bigelow ( Zero Dark Thirty ). The U.K.’s Skyfall , meanwhile failed to receive Best Film or Director nominations by the group, though it did receive eight other nominations, including Outstanding British Film. EE British Academy Film Awards which will take place on Sunday 10 February at London’s Royal Opera House. 2013 Nominations follow: BEST FILM ARGO – Grant Heslov, Ben Affleck, George Clooney LES MISÉRABLES – Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh LIFE OF PI – Gil Netter, Ang Lee, David Womark LINCOLN – Steven Spielberg, Kathleen Kennedy 
ZERO DARK THIRTY – Mark Boal, Kathryn Bigelow, Megan Ellison DIRECTOR AMOUR – Michael Haneke ARGO – Ben Affleck DJANGO UNCHAINED – Quentin Tarantino LIFE OF PI – Ang Lee ZERO DARK THIRTY – Kathryn Bigelow LEADING ACTOR BEN AFFLECK – Argo BRADLEY COOPER – Silver Linings Playbook DANIEL DAY-LEWIS – Lincoln HUGH JACKMAN – Les Misérables JOAQUIN PHOENIX – The Master LEADING ACTRESS EMMANUELLE RIVA – Amour HELEN MIRREN – Hitchcock JENNIFER LAWRENCE – Silver Linings Playbook JESSICA CHASTAIN – Zero Dark Thirty MARION COTILLARD – Rust and Bone SUPPORTING ACTOR ALAN ARKIN – Argo CHRISTOPH WALTZ – Django Unchained JAVIER BARDEM – Skyfall PHILIP SEYMOUR HOFFMAN – The Master TOMMY LEE JONES – Lincoln SUPPORTING ACTRESS AMY ADAMS – The Master ANNE HATHAWAY – Les Misérables HELEN HUNT – The Sessions JUDI DENCH – Skyfall SALLY FIELD – Lincoln OUTSTANDING BRITISH FILM ANNA KARENINA – Joe Wright, Tim Bevan, Eric Fellner, Paul Webster, Tom Stoppard THE BEST EXOTIC MARIGOLD HOTEL – John Madden, Graham Broadbent, Pete Czernin, Ol Parker LES MISÉRABLES – Tom Hooper, Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh, William Nicholson, Alain Boublil, Claude-Michel Schönberg, Herbert Kretzmer SEVEN PSYCHOPATHS – Martin McDonagh, Graham Broadbent, Pete Czernin 
SKYFALL – Sam Mendes, Michael G. Wilson, Barbara Broccoli, Neal Purvis, Robert Wade, John Logan OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER BART LAYTON (Director), DIMITRI DOGANIS (Producer)- The Imposter DAVID MORRIS (Director), JACQUI MORRIS (Director/Producer) – McCullin DEXTER FLETCHER (Director/Writer), DANNY KING (Writer) – Wild Bill JAMES BOBIN (Director) – The Muppets TINA GHARAVI (Director/Writer) – I Am Nasrine DOCUMENTARY THE IMPOSTER – Bart Layton, Dimitri Doganis MARLEY – Kevin Macdonald, Steve Bing, Charles Steel McCULLIN – David Morris, Jacqui Morris SEARCHING FOR SUGAR MAN – Malik Bendjelloul, Simon Chinn WEST OF MEMPHIS – Amy Berg ORIGINAL SCREENPLAY AMOUR – Michael Haneke DJANGO UNCHAINED – Quentin Tarantino THE MASTER – Paul Thomas Anderson MOONRISE KINGDOM – Wes Anderson, Roman Coppola ZERO DARK THIRTY – Mark Boal ADAPTED SCREENPLAY ARGO – Chris Terrio BEASTS OF THE SOUTHERN WILD – Lucy Alibar, Benh Zeitlin LIFE OF PI – David Magee LINCOLN – Tony Kushner SILVER LININGS PLAYBOOK – David O. Russell FILM NOT IN THE ENGLISH LANGUAGE AMOUR – Michael Haneke, Margaret Ménégoz HEADHUNTERS – Morten Tyldum, Marianne Gray, Asle Vatn THE HUNT – Thomas Vinterberg, Sisse Graum Jørgensen, Morten Kaufmann RUST AND BONE – Jacques Audiard, Pascal Caucheteux UNTOUCHABLE – Eric Toledano, Olivier Nakache, Nicolas Duval Adassovsky, Yann Zenou, Laurent Zeitoun ANIMATED FILM BRAVE – Mark Andrews, Brenda Chapman FRANKENWEENIE – Tim Burton PARANORMAN – Sam Fell, Chris Butler ORIGINAL MUSIC ANNA KARENINA – Dario Marianelli ARGO – Alexandre Desplat LIFE OF PI – Mychael Danna LINCOLN – John Williams SKYFALL – Thomas Newman CINEMATOGRAPHY ANNA KARENINA – Seamus McGarvey LES MISÉRABLES – Danny Cohen LIFE OF PI – Claudio Miranda LINCOLN – Janusz Kaminski SKYFALL – Roger Deakins EDITING ARGO – William Goldenberg DJANGO UNCHAINED – Fred Raskin LIFE OF PI – Tim Squyres SKYFALL – Stuart Baird ZERO DARK THIRTY – Dylan Tichenor, William Goldenberg PRODUCTION DESIGN ANNA KARENINA – Sarah Greenwood, Katie Spencer LES MISÉRABLES – Eve Stewart, Anna Lynch-Robinson LIFE OF PI – David Gropman, Anna Pinnock LINCOLN – Rick Carter, Jim Erickson SKYFALL – Dennis Gassner, Anna Pinnock COSTUME DESIGN ANNA KARENINA – Jacqueline Durran GREAT EXPECTATIONS – Beatrix Aruna Pasztor LES MISÉRABLES – Paco Delgado LINCOLN – Joanna Johnston SNOW WHITE AND THE HUNTSMAN – Colleen Atwood SOUND DJANGO UNCHAINED – Mark Ulano, Michael Minkler, Tony Lamberti, Wylie Stateman THE HOBBIT: AN UNEXPECTED JOURNEY – Tony Johnson, Christopher Boyes, Michael Hedges, Michael Semanick, Brent Burge, Chris Ward LES MISÉRABLES – Simon Hayes, Andy Nelson, Mark Paterson, Jonathan Allen, Lee Walpole, John Warhurst LIFE OF PI – Drew Kunin, Eugene Gearty, Philip Stockton, Ron Bartlett, D. M. Hemphill SKYFALL – Stuart Wilson, Scott Millan, Greg P. Russell, Per Hallberg, Karen Baker Landers SPECIAL VISUAL EFFECTS THE DARK KNIGHT RISES – Paul Franklin, Chris Corbould, Peter Bebb, Andrew Lockley THE HOBBIT: AN UNEXPECTED JOURNEY – Joe Letteri, Eric Saindon, David Clayton, R. Christopher White LIFE OF PI – Bill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer MARVEL AVENGERS ASSEMBLE – Nominees TBC PROMETHEUS – Richard Stammers, Charley Henley, Trevor Wood, Paul Butterworth MAKE UP & HAIR ANNA KARENINA – Ivana Primorac HITCHCOCK – Julie Hewett, Martin Samuel, Howard Berger THE HOBBIT: AN UNEXPECTED JOURNEY – Peter Swords King, Richard Taylor, Rick Findlater LES MISÉRABLES – Lisa Westcott LINCOLN – Lois Burwell, Kay Georgiou SHORT ANIMATION HERE TO FALL – Kris Kelly, Evelyn McGrath I’M FINE THANKS – Eamonn O’Neill THE MAKING OF LONGBIRD – Will Anderson, Ainslie Henderson SHORT FILM THE CURSE – Fyzal Boulifa, Gavin Humphries GOOD NIGHT – Muriel d’Ansembourg, Eva Sigurdardottir SWIMMER – Lynne Ramsay, Peter Carlton, Diarmid Scrimshaw TUMULT – Johnny Barrington, Rhianna Andrews THE VOORMAN PROBLEM – Mark Gill, Baldwin Li EE RISING STAR AWARD Elizabeth Olsen Andrea Riseborough Suraj Sharma Juno Temple Alicia Vikander

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‘Lincoln,’ ‘Les Misérables,’ ‘Life Of Pi’ Lead British Film Academy Nominations

‘The Hobbit’ Perched Atop The Box Office Again

Peter Jackson ‘s The Hobbit: An Unexpected Journey surpassed the competition at the box office over the long New Years weekend, outgrossing powerhouse newcomers Django Unchained and Les Misérables in their first full weekends in theaters. The first installment of the Hobbit trilogy grossed a chart-topping $48.3 million in the Friday to Tuesday holiday period in 4,100 theaters. That was nearly $3.788 million more than the overall box office’s runner-up, Quentin Tarantino’s Django Unchained , though it should be noted that that title screened in 1,090 fewer theaters. The result is that Django scored the highest per screen average among the top 10, with $14,788 vs. The Hobbit ‘s $11,780. Django grossed $44.513 million over the long weekend. Fellow Christmas opener Les Misérables took in $41.14 million over the five-day holiday, placing third and a strong $14,620 average. The Box Office Top 10 with numbers from the New Years Friday – Tuesday holiday: 1. The Hobbit: An Unexpected Journey Gross: $48,300,511 (Cume: $238,001,325) Theaters: 4,100 (PSA: $11,780) 2. Django Unchained Gross: $44,513,232 (Cume: $77,833,497 – Xmas Day Opener) Theaters: 3,010 (PSA: $14,788) 3. Les Misérables Gross: $41,140,685 (Cume: $87,579,110 – Xmas Day Opener) Theaters: 2,814 (PSA: $14,620) 4. Parental Guidance Gross: $23,667,732 (Cume: $38,456,424 – Xmas Day Opener) Theaters: 3,367 (PSA: $7,029) 5. Jack Reacher Gross: $21,262,535 (Cume: $51,815,693) Theaters: 3,352 (PSA: $6,343) 6. This Is 40 Gross: $18,678,740 (Cume: $42,609,030) Theaters: 2,914 (PSA: $6,410) 7. Lincoln Gross: $12,122,623 (Cume: $136,652,420) Theaters: 1,966 (PSA: $6,166) 8. The Guilt Trip Grosss: $10,424,431 (Cume: $24,834,787) Theaters: 2,431 (PSA: $4,288) 9. Monsters, Inc. Gross: $9,831,867 (Cume: $21,958,331) Theaters: 2,618 (PSA: $2,463) 10. Rise of the Guardians Gross: $7,644,497 (Cume: $92,891,627) Theaters: 2,055 (PSA: $2,381) [ Source: Box Office Mojo ]

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‘The Hobbit’ Perched Atop The Box Office Again

Memo to Antoine Fuqua: Spike Lee Should Shout His Beef With Quentin Tarantino Not Share It Over Coffee

So, right before 2012 ended,   Training Day director Antoine Fuqua piped up from Capri, Italy to assert that Spike Lee should not have publicly criticized Quentin Tarantino’s Django Unchained for the movie’s spaghetti-western-style depiction of slavery. And to that I can only say, “Huh?”  If ever there’s a movie made to be publicly, loudly — and heatedly — debated, it’s QT’s anti-slavery epic.   If you were offline for the holidays, here’s a recap of the situation:  As Movieline’s Brian Brooks reported  on Dec. 27, Lee declared that he has no intention of seeing Django Unchained . “I can’t disrespect my ancestors,” the Red Hook Summer director told Vibe magazine. He further elaborated via Twitter that “American Slavery Was Not A Sergio Leone Spaghetti Western. It Was A Holocaust.” Enter Fuqua, who took issue with the noisy way that Lee’s expressed his criticism. While at the Capri, Hollywood Film Festival in Italy, Fuqua told   The Hollywood Reporter  told the publication: “That’s just not the way you do things….If you disagree with the way a colleague did something, call him up, invite him out for a coffee, talk about it. But don’t do it publicly.” (Fuqua further defended Tarantino, albeit without actually having seen Django. ) For starters, I have to say that the idea of Spike Lee quietly and politely expressing his opinion — about anything —  is pretty funny.  Lee is a New Yorker, and a filmmaker who has succeeded precisely because he has no reservations about giving voice to controversial ideas, whether verbally, in written form, or through his preferred medium of film, that the average person and a lot of establishment filmmakers would be afraid to tackle. But whether Lee is talking about his beloved New York Knicks or Tarantino’s portrayal of slavery in Django Unchained , he’s going to speak his mind and he’s going to do it in a way that will insure a lot of people hear him. Back in 2008, Lee tangled with Clint Eastwood when he criticized the veteran filmmaker for not including any black soldiers in two movies about World War II, Flags of Our Fathers and Letters From Iwo Jima .  “Many veterans, African-Americans, who survived that war are upset at Clint Eastwood . In his vision of Iwo Jima, Negro soldiers did not exist. Simple as that. I have a different version,” Lee said at the Cannes Film Festival that year. Eastwood eventually responded that Lee should “shut his face,” and the Do The Right Thing director fired back: “We’re not on a plantation.” In 2012, Lee also sounded sour on the subject of Star Wars creator George Lucas’ movie about the Tuskegee Airmen, Red Tails . In response to comments that Lucas had made in the media about the studios inability to market black action films, Lee told The Daily Beast: “Here’s a question—this is very important—did George Lucas not understand that the marketing departments of all these Hollywood studios are all white? He only discovered that for  Red Tails ?! I’ve been saying this stuff for years. It’s not new!” It’s Lee’s nature to be argumentative and controversial, and Tarantino should welcome his fellow filmmaker’s barbs. For one, thing, Tarantino likes to stir the pot, too, albeit it in a more politically correct way. Before Christmas, he appeared on a Canadian talk show to contend that slavery still exists in the United States via the war on drugs and America’s penal system — on that issue, I suspect he and Lee would see eye to eye — and he has also suggested that a true debate on slavery and its ramifications has been avoided.  (“People are a little too sensitive to talk about stuff,” Tarantino said during his on-camera time in Canada.) Samuel L. Jackson made a similar point when I interviewed him about Django . “We’ve been avoiding really talking about it,” he told me, and he’s right.  So, with all due respect to Fuqua, I applaud Lee’s decision to speak his mind, and I’d love to see Tarantino answer him.  What would really be great is to get Tarantino, Django Unchained producer and filmmaker Reginald Hudlin , Fuqua, Jackson and Lee to debate this issue loudly, publicly — and heatedly. It’s time. Read More On Django Unchained:  Quentin Tarantino Says Slavery Still Exists Via ‘Mass Incarcerations’ & The ‘War On Drugs’ Quentin Tarantino’s ‘Django’ Klansmen Inspired By John Ford: ‘To Say The Least, I Hate Him’ [ The Hollywood Reporter , Huffington Post , The Daily Beast ] Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.

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Memo to Antoine Fuqua: Spike Lee Should Shout His Beef With Quentin Tarantino Not Share It Over Coffee

The Time Joel Silver Destroyed A $5K Couch During The Filming Of ‘Die Hard’

We all know producers can be a bunch of real, ah, prickly people. They kind of have to be, since their job, so long as it’s their actual job and not just a title given to them because they invested a couple of mil into the production, is to make sure everything goes smoothly, the film stays within budget, and the money isn’t wasted on limos when it could be wasted instead on expensive CG effects that look completely dated within 3 years*. As a result, these guys tend to be blunt as hell and not afraid to hurt some mothaf*ckin’ feelings when they rolling deep through the movie hood , as it were. Take Joel Silver , the famously take-no-prisoners producer of the Lethal Weapon and Die Hard films.** Screenwriter Doug Richardson, the guy who Wrote Die Hard 2: Die Harder , and Bad Boys , has shared a story from the making of Die Hard over on his official site , and it’s a most triumphant example of producer due diligence at the expense of expensive furniture you’ll ever hear. Remember the scene in Die Hard when the roof of Nakatomi Plaza explodes, and the penthouse lobby and fountain area is completely trashed? You might have noticed there’s an expensive looking couch in that scene; You might have also noticed that it appears to survive the initial explosion, only to show up seconds later completely aflame. There’s a reason for that — the couch wasn’t just expensive looking , it actually cost $5,000 back in 1988 which in today’s money is about 5 trillion dollars.*** Apparently, the scene drew cheers and high fives from everyone on the crew after they pulled it off during the shoot; except for Silver that is, whose eagle-eyed penny-pinching powers detected something odd, or as Richardson puts it, “possible sabotage.”  To set the scene for what happens next, you might want to find a copy of Who Framed Roger Rabbit  and check out Silver’s blustery cameo as the director of the Baby Herman cartoon. Joel called for the entire crew to assemble on the nearly-demolished set, gathering the mob around a gorgeous, leather Roche-Bobois sofa.  Estimated value, five thousand dollars.  The couch, despite the conflagration that they’d all just witnessed, was in showroom condition.  Untouched by destructive fire, explosives, or water. “I wanna know,” Joel shouted, “Who just ruined my shot!” You see, Joel had been around more than a few movie sets.  He knew how things worked.  He understood how the occasional underhanded crew member operated.  In this case, he suspected that one crew member had paid off another crew member on the special effects crew to make certain that the five-thousand-dollar sofa survived the wreckage. “Somebody on this crew,” announced Joel, “Decided to furnish their home at the expense of the movie.” Can you blame them though? I mean, this was the ’80s, and we didn’t have Ikea to make giant couches affordable yet. With that, Joel produced a bottle of lighter fluid, doused the expensive sofa in accelerant, and tossed a match to it.  The lesson ended as the couch erupted in flame.  The set was cleared again.  And camera operators were ordered to “roll film.” Five grand must seem a trivial sum for a movie with a $28-million budget, but damned if you can’t respect someone for making sure every dollar spent on the movie ended up onscreen. I just wonder if he hummed “Ode To Joy” while torching some lowly grip’s living-room dreams. No word from Richardson if similar hijinks happened during the making of Die Hard 2. Probably not, I mean, how many times can the same thing happen to the same guy? * I kid, I kid! ** And a jillion others of course. He helped Walter Hill get The Warriors and Streets of Fire made! *** I’m guessing this is the case based on the way people are freaking out about raising the minimum wage. [ Source: Movies.com ] Ross Lincoln is a LA-based freelance writer from Oklahoma with an unhealthy obsession with comics, movies, video games, ancient history, Gore Vidal, and wine. Follow Ross Lincoln Twitter.  Follow Movieline on Twitter .

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The Time Joel Silver Destroyed A $5K Couch During The Filming Of ‘Die Hard’