(YouTube link) Simon’s Cat has a smashing good time in a new animation from Simon Tofield. I can relate to this, as I have three mantlepieces. I also have four cats, but only one of them likes to knock things off a mantle. One is enough. -via Laughing Squid Previously: More animated adventures starring Simon’s Broadcasting platform : YouTube Source : Neatorama Discovery Date : 14/03/2012 16:25 Number of articles : 2
The most polarizing films are often those that dare to push the envelope farther than is expected or comfortable, whether audiences are ready for them or not, and for this reason I tend to find the divisive films more interesting than those with universal praise or derision. Simon Killer , from Afterschool director/ Martha Marcy May Marlene producer Antonio Campos, reminded me of this rule when it debuted Friday at Sundance and left critics and bloggers somewhat split. Simon Killer marks the return of Borderline Films partners Campos, Sean Durkin, and Josh Mond to Sundance after debuting their Martha Marcy May Marlene last year (which was directed by Durkin), and like MMMM it focuses on a seemingly lost young twentysomething searching for their identity and place in the world while said world grows increasingly sinister. Here, however, that creeping menace doesn’t come from an outside threat but rather from within protagonist Simon (Brady Corbet), a recent college grad who’s drifted to Paris after a bad break-up. Taking up with a local prostitute (Mati Diop), Simon insinuates himself into her life driven by loneliness and longing, but piece by piece the portrait he paints of himself, to her and to the audience, starts to feel jarringly and disturbingly false. Campos presents his sophomore feature as an exercise in perception cued by Simon’s intellectual fascination, as he describes to pretty strangers and acquaintances alike, with the way the eye and the brain interact. Seeing is believing, but it’s not necessarily knowing; is this a young man nursing heartbreak in completely normal human ways — or a sociopath in the making? Campos employs a striking visual flair and bold use of sound and music, cleverly using diegetic sound, voice-over, and strobing effects to evoke Simon’s internal experience to allow us to tap into Simon’s psyche, bit by bit. The problem is that by the film’s midpoint Simon is so unlikeable and so morally detestable that you find yourself wondering why it is you should root for this miserable little slug, or care what happens to him, or, perhaps, even stay to the end. But the end is where Campos brings it all back together and leaves us to ponder the new picture we have of our protagonist, an unreliable narrator minus the narration. You’re not supposed to like Simon, or root for him, or care if a happy fate befalls him; he is, potentially, a monster in the making — possibly even one damn well fully formed — and Simon Killer only seeks to explore what he is and how he operates, how he, or someone like him, could operate in the world around us without giving off the slightest of clues to his true nature. [Campos, after the film’s premiere, offered a chilling bit of explanation: He was inspired by the case of Joran van der Sloot, the Dutch man suspected in the 2005 disappearance of Natalee Holloway who was convicted of murdering a woman five years later in Peru.] While I’m on the subject of polarizing Sundance 2012 films, I also caught Tim & Eric’s Billion Dollar Movie , a comedy feature spin-off of Tim Heidecker and Eric Wareheim’s cult series which is itself a pretty “take it or leave it” kind of property. More on that and its critical reception here in Park City, to come. Follow Jen Yamato on Twitter . Follow Movieline on Twitter .
In the decade or so since Nick Frost first made a name for himself on the BBC comedy series Spaced , much has happened. For starters, he’s not waiting tables at that Mexican restaurant. He’s moved with ease from television to film, most famously in genre riffs Shaun of the Dead and Hot Fuzz (with Spaced comrades Edgar Wright and Simon Pegg ), and in the alien geek ode Paul (which he co-wrote and stars in with Pegg). Also notably, Frost has ventured out from the fold in films like Pirate Radio and the forthcoming Snow White and the Huntsman . And, with this week’s The Adventures of Tintin , he notches another milestone: Working with his hero, Steven . Steven Spielberg . Frost, Wright, and Pegg may be stretching their wings a bit after coming to prominence as “The Guys Who Made Spaced / Shaun of the Dead / Hot Fuzz /Etc.” but they all come together, with buddy Joe Cornish (whose directing debut, this year’s Attack the Block , features Frost as a dope dealer), in Spielberg’s motion-capture adventure adaptation Tintin — Wright and Cornish scripting, with Pegg and Frost as the comically bumbling Scotland Yard detectives Thomson and Thompson. Movieline spoke with Pegg in New York about his ten years since Spaced , maintaining the Wright-Pegg “unit” while establishing himself as his own entity, his directorial aspirations, working on the upcoming Snow White and the Huntsman , completing the “Blood and Ice Cream” trilogy, how he really feels about Indiana Jones 4 , and why he missed his first phone call from Spielberg for a very, very good reason. You, along with Simon, got to do a riff on Star Wars , he’s in Star Trek , and now you’re working with Spielberg… What was the riff on Star Wars — the College Humor thing we did? Yes, in which you betrayed a deep, deep knowledge of the Star Wars universe. I was quite impressed with my sad droid noise. Do you want me to do it for you? Please! [Makes mewling R2-D2 noise] It’s so evocative. Yeah, it is! It’s just one little noise and you think, he’s crying! He’s sad . That’s what that noise says. So what remains to cross off of your geek bucket list? I don’t know, what have we had — zombies… have there been any ghosts? Aliens, we’ve had a space ship. I don’t know, I think I’d like to do lots and lots of things but I’m not necessarily going to glue myself to the genre side of it. I think it’d be quite daft to do that. I think it’s possible to have your cake and eat it, and we’ve been very lucky that we have been allowed to do what we want. And now, because of that, we are able to branch out — Simon doing Mission: Impossible , Edgar doing Scott Pilgrim , and this… We’re pretty lucky. Looking back, it has been about 10 years since the end of Spaced , and the three of you have come so far since then. Yeah, right? I was just saying, it was like 10 years ago I was serving shitty food to fucking horrible businessmen in a Mexican restaurant… Wait — during Spaced ? Yeah, after the first series I went back to work there. That was quite odd. Sometimes people would ask for the bill and then say, “Are you Mike from Spaced ?” [Hangs head] “Yes… yes, I am.” Ten years is the kind of milestone that makes you look back and reflect, isn’t it? Yes — I read something in the Times a few months ago that 10 years, or 10,000 hours, is what you need to master anything. An instrument, a language, to become a good dentist… Anything you want to do, you can learn to be great at it in 10 years, or 10,000 hours. What would you say you’ve learned in the last decade? You know what, I watch a lot. I watch what everyone does, and I’m interested in what everyone does on a set. I didn’t train as an actor so I think it would be quite stupid of me to just act, you know? I want to direct a film, films , I want to produce. Me and Simon have always said this is about the long game. This is it now, forever — this is my job. This is what I love doing. So I think it’s silly just to sit around and wait for the phone to ring, for someone to offer you a part. I might as well write it myself and shoot it myself. And you have all thrived in the arena of creating opportunities for yourself, it seems. Yeah, but that can be a double-edged sword actually, because people can also look at that and the unit that we are a part of and say, “Well, that’s all they do.” So people will not offer you things because they think you wouldn’t do it because you just hang out in this kind of unit. You think this happens to you because of the Spaced gang? Absolutely, I do. You do have this very close partnership, which people know you for, but you must also need to define yourselves separately. And that’s what it seems like you, Simon, and Edgar are all doing right now. Absolutely. And there’s no time limit on it. As long as we’re happy and working, you can go on forever in this job. Edgar and Joe [Cornish] wrote this, but how exactly did you and Simon come to be cast in Tintin ? Simon met with Steven — Spielberg … Ah, yes. That Steven. [Smiles] I’ve been doing that a lot in the past few weeks, just in case people didn’t know that I’ve been working with Steven Spielberg … [Laughs] I think Simon had a meeting with Steven, potentially to see if he would come onboard with Edgar and Joe, after Steven did his draft, to see if maybe he wanted to have a little go at the script. But that just didn’t work out, and then I think Steven said to Simon, “Do you want to be in it?” Simon did a little fanboy squeal, and shut his legs as if he was going to do a wee, and then I think Steven said to him, “Well, do you know anyone that you work with, well, that you’d want?” That guy wasn’t available, so he came to me. That was that! No hesitation, I assume, in taking the job? For me? No! Not at all! Well, his office rang me up one night, one evening. It was like 9 o’clock at night. They said, “Steven’s going to ring you in 10 minutes if you could be available,” but I was cooking my wife’s dinner. She wasn’t in, I was cooking her a meal. And it got to a really crucial point in the preparation which meant I could not answer that phone call without ruining my wife’s dinner. So I dropped it — I dropped the call! How romantic! [Laughs] It was a really confused message from Steven saying, “Um… hey, Nick. Did my office phone you? Anyway, give me a call back.” I phoned the office back and he’d gone to a meeting and I was thinking, “I’ve really fucked this up.” But eventually we got to talk to one another and, you know, we did it. I was so pleased! He’s a hero, he’s an icon of mine in terms of filmmaking, and a lot of my cinematic touchstones are films that he’s made. That said, you can’t bring that with you on set. I think me and Simon allowed ourselves like two hours of fanboy dancing, and then… Then you put on your professional hat. Yeah, absolutely. That said, sometimes we’d be sitting around the monitor and Steven would be telling a story about how they shot something in Close Encounters and I’d kind of nudge Simon under the table, and we knew that both of us were thinking, “This is fucking amazing ” When I spoke with a few of the Super 8 kids earlier this year they had pretty much the same story. Oh, cool! I watched that this morning, again. I think it’s great, I love it. It does evoke that magical something in Spielberg’s films, doesn’t it? Yeah! Well, you know, we tried to do it on Paul and J.J. did it — it’s just a big, lovely love letter to Steven. I think it says a lot about Steven’s legacy to people of J.J.’ s and my age and Simon’s age that it stayed with us, it affected us through our lives. As a self-avowed Spielberg fan, let me ask you this: How do you feel about Indiana Jones 4 ? [Takes a sip of tea] Well, you know. It’s tricky, obviously… but it’s still an Indiana Jones film. It’s still Harrison Ford as Indiana Jones! I still got that feeling when I heard the music. It’s an Indiana Jones film, you know? It’s a Steven Spielberg film. [Pauses] Yes, it’s different. It’s the same kind of things about the original Star Wars films and Phantom Menace . But that said, I am a fan of the originals. Clearly. There are generations of teenagers who prefer the new ones, and that doesn’t make them any less valid. They’re just different. If I’m trying to be democratic about things… and it’s the same with Indiana Jones 4 . I liked it. It was weird, and it was different, but it was unmistakably a Steven Spielberg film, and that’s fine with me. You just finished filming another movie. Tell me about your experience on Snow White and the Huntsman — or, as the fans call it, SWATH . SWATH ! It was great. I saw a picture of you and your fellow dwarfs in your dwarf gear and your dwarf hair . Yeah, they shaved me bald every day just to put hair on me, which was weird. It was like, well, I had hair anyway, and you shaved it all off… to then put a wig on. You’re in great company with the other seven dwarfs. What was that cast like? It was fantastic! I got to hang out with Toby Jones, Eddie Marsan, Johnny Harris, Bob Hoskins, Ray Winstone, for God’s sake. I got to just sit around and listen to those guys tell stories. I like the idea of Kristen Stewart , of all people, sitting in the middle of that group of men — and also the colliding of worlds, your universe and fan base overlapping with Twilight . Exactly! I was sitting next to Bob Hoskins and Bella Swan! Please tell me you and Bob Hoskins and Kristen Stewart talked Twilight on set. Not really. I think she’d be pretty sick to the bloody back teeth of listening about Twilight . On set she’s another actress, and a lot of the time actors just talk about nothing. Talk about shit, they just chew the fat. That’s what you do! And did you sign on for multiple SWATH films as well? Three, yeah. We’ll see where it goes. We were talking about it on set the other day, where it would start and what it would be. We’ll have to see how well it does, I guess. But I think we’d all love to do another one. We had a real laugh every day. Lastly, you’ve been talking about finishing the trilogy that begun with Shaun of the Dead and continued with Hot Fuzz . What’s the latest development — do you know when you might do it? We’d rather do it sooner than later. There is a script in place, and it’s just a question of finding the time when we can all fit it in, and when it works. But we are all really keen to just crack on. Next year has been bandied around, maybe, but I couldn’t tell you. Follow Jen Yamato on Twitter . Follow Movieline on Twitter .
After an all-group bottom two last week, MTV News’ Jim Cantiello says Abdul isn’t taking any chances. By Jim Cantiello Paula Abdul Photo: Getty Images MTV News’ own Jim Cantiello is exclusively covering “The X Factor” rehearsals. Read on for his fly-on-the-wall backstage report! “X Factor” mentor Paula Abdul is determined to keep her remaining groups — the Stereo Hogzz and Lakoda Rayne — out of the bottom two come results time Thursday night. She’s always hands-on with her contestants, whether TV cameras are around or not, but last week’s all-group bottom two have made her even more passionate about her job. This week in “X Factor” land, Abdul was everywhere you looked, from inside the house powwowing with choreographer Brian Friedman and vocal producer Claude Kelly to the middle of the studio’s parking lot, where she had the crew erect a giant set piece so one of her groups could rehearse on it before they got thrown onstage. Once it came time to rehearse inside the house, Paula huddled with her groups. Literally, they formed a huddle, like football players. Unlike the NFL, however, the quarterback was wearing showstopping stilettos, which made huddling all the more impressive. Breaking news: Paula Abdul has great balance! During rehearsal, Abdul was up on her feet behind the judging table, rocking the choreo for her groups. If a camera caught her, she’d look like one of those overzealous pageant moms on “Toddlers & Tiaras,” only way more fabulous. (Her stilettos deserve a second shout-out, you guys. They were that fierce!) Not only that, she can still really dance, straight up. And her enthusiasm for her acts is infectious. But it’s not only the groups that are jazzed for Wednesday night’s (November 9) performance episode. I overheard one of the Over 30’s telling a producer how all 11 remaining acts will look especially good this go-round. “We’re all so comfortable with our song choices this week,” the contestant gushed. Meanwhile, the backup dancers are quickly becoming the hardest-working members of the “X Factor” team, and their multitasking skills have reached new heights. Exhibit A: Two shirtless male dancers were spotted outside the stage doors working on their suntans while also devouring a plate of craft service and going over some dance moves — at the same time! Dancer skin is pretty common around the “X Factor” stage, actually. In between numbers, you can usually find dozens of backup dancers switching costumes right in front of everyone. (They’re not getting buck naked, mind you. This isn’t “XXX Factor.”) Other tidbits: One contestant had no trouble maneuvering stairs onstage but, hilariously, was confounded by a mic stand. (Turns out the sparkly prop looked great on camera but was faulty. A standard mic stand will suffice.) Willow Smith will be popping in to make an appearance on “The X Factor” this week. All eyes are on whether she’ll say hello to her dad’s old double-decker trailer, which is parked directly outside the studio and houses none other than Simon Cowell. Rumor has it Cowell is angling for a new triple-decker trailer to one-up the Fresh Prince. Amazing. Speaking of Simon, Nicole Scherzinger banned him from her Over 30’s rehearsals. I imagine she doesn’t want him taking credit for her contestants’ success any more. Smart move, Nicole! I have a sneaking suspicion Simon will get plenty of raves for his own contestants this week. After one girl finished a run-through, Simon leapt out of his chair to smother her with a bear hug. Simon was so stoked, in fact, he even stayed around for L.A. Reid’s boys’ rehearsals and — dare I expose him — actually danced during one of L.A.’s contestants’ upbeat numbers. Full disclosure: he does not move like Jagger, but he definitely has impressive rhythm. The $5 million question: Will he boogie during Wednesday night’s live show? You can catch Jim on the “X Factor Pepsi Pre-Show,” streaming at 7 p.m. ET tonight on TheXFactorUSA.com ! Related Artists Paula Abdul
SoundCloud has launched a brand new iPad app and it looks spectacular. The Berlin-based company started by Swedish entrepreneur Alexander Ljung now has 8 million creators. That is some rapid growth for the service, which had about a million users last year. Broadcasting platform : Vimeo Source : GigaOM Discovery Date : 27/10/2011 14:28 Number of articles : 3
Mourir Auprès de Toi (To Die By Your Side) is a delightful short stop-motion film co-directed by Spike Jonze and french filmmaker Simon Cahn. The film was “hand made with love” by quirky handbags designer Olympia Le-Tan (it’s her lovely Minaudiere Classique handbags that come to life in the film). Nowness interviewed Olympia Le-Tan and Broadcasting platform : Vimeo Source : Laughing Squid Discovery Date : 27/10/2011 14:32 Number of articles : 2
MTV News’ Jim Cantiello offers his first-week take on Simon Cowell’s latest singing contest and suggests some upgrades. By Jim Cantiello Simon Cowell Photo: FOX After a year of hype and the promise of a revamped singing competition that will blow everything else out of the water, Simon Cowell’s “X Factor” debuted and turned out to be, at best, “American Idol” in an arena and, at worst, “America’s Got Talent” without the jugglers. Comparisons to other reality competitions are unavoidable, not only because “X Factor” marks the TV return of beloved duo Simon and Paula, but because Cowell has taken elements from many competitive series and put them in a giant blender: the auditions in front of a live audience of “Talent”; the small-town-hero angle of “Idol”; former “Sing-Off “judge Nicole Scherzinger; and an impossibly tall, foreign-born, hug-happy host,
Former California Gov. Arnold Schwarzenegger is writing an autobiography titled, predictably but still awesomely, Total Recall: My Unbelievably True Life Story . The actor will reportedly touch on his breakup with Maria Shriver while covering his childhood in Austria and careers as a bodybuilder, film star and politician. However, “This book will not be a tell-all,” a source stressed. The recently-embattled Schwarzenegger, 64, will work on the book in between shooting scenes for his next film The Expendables 2 , with Sylvester Stallone. “He has been keeping notes and working on the book for over a year,” his spokesman said. “He didn’t want to write his autobiography while he was governor.” Adds Jonathan Karp of publisher Simon & Schuster: “Nobody has a life story even close to his. Truly, Arnold is one of the most fascinating figures of our time.” And that was true even before Mildred Patricia Baena !
Jill Zarin, Alex McCord, Kelly Bensimon and Cindy Barshop have all been sacked. Bravo cut these four women loose from The Real Housewives of New York City late last week. While readers try to control their tears as a result of this development, a couple of the show’s now-former stars have spoken out about the firing. “I view any change as an opportunity to learn and grow,” said Barshop profoundly. “RHONY was great marketing platform for my national spa Completely Bare, and as an ambassador for children’s charities I was able to create more awareness. There are additional projects that I am considering. Stay tuned.” Oh, we will… NOT! Alex McCord and Simon van Kempen also took the opportunity to plug a product, telling Us Weekly : “After four seasons on Real Housewives of New York City, Simon and I are moving on. It’s a completely friendly departure and while it was their decision and not ours, we are in close communication with both Bravo and the production company about our next move, in addition to fielding outside offers. “Simon and I recently launched a home goods company, Aluxe Home, and we’ve been so involved in the textile market week that began today that it feels a bit like being shot out of a cannon!” Too bad they actually weren’t. [Photos: WENN.com]