Tag Archives: skype

Oliva Wilde Does Flaunt Magazine For Diesel of the Day

This confuses me. I think it’s an ad for Diesel that they are running on Flaunt magazine in some kind of paid co-brand that I don’t understand, cuz I’m not a business man, or a business, man. I still rob my wife blind for drinking money and as pathetic as it sounds, I’m the one not wearing pants who just woke up after passing out at 6 am wasted with my pants around my ankles talking to 18 year old sluts in other timezones on Skype…I’m internation without even leaving my couch…I’ve been to Australia, Europe, Africa and Asia…See the fucking world in webcam slut vagina….if that’s not culture, I don’t know what is….maybe Oliva Wilde is…you know cuz she named herself after the most cliche writer she could think of…I’m changing my name to Jesus Twain…I think people will respond better to me.

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Oliva Wilde Does Flaunt Magazine For Diesel of the Day

TMZ Live: Viewer Visit via Skype, Octo vs. Duggar

Filed under: TMZ Live , TMZ Live Large

‘American Idol’ Champ Kris Allen Rates Steven Tyler, Jennifer Lopez

‘Steven Tyler was obviously the most interesting one,’ he tells MTV News ‘Idol’ expert Jim Cantiello during our post-show live stream. By Kara Warner, with reporting by Jim Cantiello Kris Allen during MTV News’ post-“American Idol ” live stream on Wednesday Photo: MTV News For our first-ever post- “American Idol ” live stream, “Judging the Judges: An ‘Idol’ Without Simon,” MTV News’ resident “Idol” expert Jim Cantiello brought in the big guns to discuss and dissect the premiere episode of the 10th season. A major highlight was the appearance, via Skype, of season-eight champ Kris Allen, who said hello with his dog Zorro and offered his thoughts on the new judges. “I thought they were good. I thought Steven Tyler was obviously the most interesting one,” Allen said. “I figured he was going to be a wacky kind of guy, and, I mean, you can’t be mad at him for singing [along] all the time — he’s freakin’ Steven Tyler! I thought it was awesome, I really did.” When asked how Tyler and Lopez might have influenced his audition, had they been the judges during Allen’s winning season, the 25-year-old said he hoped the Aerosmith frontman would have joined in on his audition like he did on Wednesday’s episode. “That would [have been] awesome,” Allen said. “It’s probably a little bit different to sing for someone like Jennifer Lopez and Steven Tyler, because they have been in the industry for so long and you’ve been watching them do it forever, so it would probably be weird.” On the whole, Allen said the evening’s viewing experience — which he shared with his wife, Katy, and a couple of friends — was a good time. “It was fun,” he said. “It wasn’t mind-blowing or anything. I thought there were some good singers. I thought there was some funny stuff, and I thought Steven Tyler was great,” he said, adding that his dog, Zorro, definitely liked J.Lo the best. What did you think of the premiere? Share your reviews in the comments! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Videos ‘American Idol:’ Judging The Judges Related Photos Kris Allen: From Arkansas To ‘American Idol’ Related Artists Kris Allen

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Afrojack Talks His Part In Chris Brown’s ‘Look At Me Now’

Dutch dance producer tells MTV News how he contributed to C. Breezy’s Lil Wayne, Busta Rhymes, Diplo collabo. By Akshay Bhansali Afrojack in an MTV News Skype interview Photo: MTV News Afrojack already had reason to celebrate as he headed into the New Year. The Dutch dance-music producer’s pop-dance single “Take Over Control,” featuring singer Eva Simons, made the top 25 on Billboard ‘s Dance/Club Play Songs chart in December. And now his second U.S. release, packed with hip-hop heavy-hitters, seems primed for chart success. MTV News caught up with the EDM producer (born Nick van de Wall) for a skype chat last week, and he talked about his contribution to Chris Brown’s “Look at Me Now,” the latest offering from the singer’s upcoming F.A.M.E. album. The track is a fast-rapping flurry of awesome self-indulgence courtesy of Busta Rhymes, Lil Wayne and Chris, with an eerie downtempo beat cooked up by chefs Afrojack and Diplo. The pair of producers previously collaborated on “Pon De floor,” off Diplo’s Major Lazer full-length release, and according to Afrojack, “Look at Me Now” is the product of a beat he’d passed along to the Philadelphia beatsmith. “Yeah, Diplo called me,” Afrojack recalled. “He was like, ‘We are in the studio right now, and we are gonna do a track on the beat.’ And I was like, ‘OK, whatever. Have fun.’ ” Eventually, “Look at Me Now,” was born. While Afrojack sounded casual about the song’s evolution, he said he’s certainly pleased with the finished product. “I just love these kind of people on a track like this,” he said. “It’s like hip-hop, but really weird kind of hip-hop. “Busta’s verse on it is really sick,” he continued. “It’s like I can’t even hear what he said, but I love the part where he goes [ mimics Busta’s rapid flow ], and then pauses and goes rapping really quickly. And I don’t know how to do it, I don’t even try. But it was really, really cool.” So what’s next for Afrojack? Apart from working on a remix for Pitbull , he premiered a new single exclusively for MTV News that we will be sharing with you very soon. All you Afrojack fans stay tuned! What do you think of how Afrojack’s beat turned out on Chris’ song? Tell us in the comments! Related Artists Afrojack

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Afrojack Talks His Part In Chris Brown’s ‘Look At Me Now’

Afrojack Talks His Part In Chris Brown’s ‘Look At Me Now’

Dutch dance producer tells MTV News how he contributed to C. Breezy’s Lil Wayne, Busta Rhymes, Diplo collabo. By Akshay Bhansali Afrojack in an MTV News Skype interview Photo: MTV News Afrojack already had reason to celebrate as he headed into the New Year. The Dutch dance-music producer’s pop-dance single “Take Over Control,” featuring singer Eva Simons, made the top 25 on Billboard ‘s Dance/Club Play Songs chart in December. And now his second U.S. release, packed with hip-hop heavy-hitters, seems primed for chart success. MTV News caught up with the EDM producer (born Nick van de Wall) for a skype chat last week, and he talked about his contribution to Chris Brown’s “Look at Me Now,” the latest offering from the singer’s upcoming F.A.M.E. album. The track is a fast-rapping flurry of awesome self-indulgence courtesy of Busta Rhymes, Lil Wayne and Chris, with an eerie downtempo beat cooked up by chefs Afrojack and Diplo. The pair of producers previously collaborated on “Pon De floor,” off Diplo’s Major Lazer full-length release, and according to Afrojack, “Look at Me Now” is the product of a beat he’d passed along to the Philadelphia beatsmith. “Yeah, Diplo called me,” Afrojack recalled. “He was like, ‘We are in the studio right now, and we are gonna do a track on the beat.’ And I was like, ‘OK, whatever. Have fun.’ ” Eventually, “Look at Me Now,” was born. While Afrojack sounded casual about the song’s evolution, he said he’s certainly pleased with the finished product. “I just love these kind of people on a track like this,” he said. “It’s like hip-hop, but really weird kind of hip-hop. “Busta’s verse on it is really sick,” he continued. “It’s like I can’t even hear what he said, but I love the part where he goes [ mimics Busta’s rapid flow ], and then pauses and goes rapping really quickly. And I don’t know how to do it, I don’t even try. But it was really, really cool.” So what’s next for Afrojack? Apart from working on a remix for Pitbull , he premiered a new single exclusively for MTV News that we will be sharing with you very soon. All you Afrojack fans stay tuned! What do you think of how Afrojack’s beat turned out on Chris’ song? Tell us in the comments! Related Artists Afrojack

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Afrojack Talks His Part In Chris Brown’s ‘Look At Me Now’

Afrojack Talks His Part In Chris Brown’s ‘Look At Me Now’

Dutch dance producer tells MTV News how he contributed to C. Breezy’s Lil Wayne, Busta Rhymes, Diplo collabo. By Akshay Bhansali Afrojack in an MTV News Skype interview Photo: MTV News Afrojack already had reason to celebrate as he headed into the New Year. The Dutch dance-music producer’s pop-dance single “Take Over Control,” featuring singer Eva Simons, made the top 25 on Billboard ‘s Dance/Club Play Songs chart in December. And now his second U.S. release, packed with hip-hop heavy-hitters, seems primed for chart success. MTV News caught up with the EDM producer (born Nick van de Wall) for a skype chat last week, and he talked about his contribution to Chris Brown’s “Look at Me Now,” the latest offering from the singer’s upcoming F.A.M.E. album. The track is a fast-rapping flurry of awesome self-indulgence courtesy of Busta Rhymes, Lil Wayne and Chris, with an eerie downtempo beat cooked up by chefs Afrojack and Diplo. The pair of producers previously collaborated on “Pon De floor,” off Diplo’s Major Lazer full-length release, and according to Afrojack, “Look at Me Now” is the product of a beat he’d passed along to the Philadelphia beatsmith. “Yeah, Diplo called me,” Afrojack recalled. “He was like, ‘We are in the studio right now, and we are gonna do a track on the beat.’ And I was like, ‘OK, whatever. Have fun.’ ” Eventually, “Look at Me Now,” was born. While Afrojack sounded casual about the song’s evolution, he said he’s certainly pleased with the finished product. “I just love these kind of people on a track like this,” he said. “It’s like hip-hop, but really weird kind of hip-hop. “Busta’s verse on it is really sick,” he continued. “It’s like I can’t even hear what he said, but I love the part where he goes [ mimics Busta’s rapid flow ], and then pauses and goes rapping really quickly. And I don’t know how to do it, I don’t even try. But it was really, really cool.” So what’s next for Afrojack? Apart from working on a remix for Pitbull , he premiered a new single exclusively for MTV News that we will be sharing with you very soon. All you Afrojack fans stay tuned! What do you think of how Afrojack’s beat turned out on Chris’ song? Tell us in the comments! Related Artists Afrojack

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Afrojack Talks His Part In Chris Brown’s ‘Look At Me Now’

Martin Luther King’s Legacy Recalled By DJ Khaled, Bun B, Saigon

‘We should take every day and praise what King did for us,’ Khaled says of civil-rights fighter. By By Mawuse Ziegbe, with additional reporting by Hillary Crosley DJ Khaled Photo: Ben Rose/ Getty Images Dr. Martin Luther King Jr.’s tireless crusade for civil rights is synonymous with the social upheaval and progressive change of the 1960s. He’s since become a global icon and figurehead of a revolutionary movement, and even though he is no longer with us, his game-changing legacy is still strongly felt — especially in the hip-hop community. In celebration of Martin Luther King Day, MTV News reached out to a few rap names who reflected on Dr. King’s lasting impact on today’s stars, both personally and professionally. “Martin Luther King is definitely one of my heroes,” Brooklyn MC Saigon said. “He was a black leader and he took the road and responsibility to step up and do what a lot of us other men didn’t have the courage to do. It took a lot of courage to do what he did at a time when racism was very relevant. As he did lose his life, he knew there was a good chance he would lose his life taking the stand he took. He epitomizes standing for something — he’s the epitome of that.” Saigon, who name-drops MLK in his recently released single “Clap,” added that Dr. King’s efforts continue to inspire him as a rapper and, as he maintained, a de facto role model for today’s youth due to his public profile as a hip-hop artist. “That record is just an uplifting record. It’s trying to carry on what he left off, because he died untimely but he left enough for us to carry the torch,” he explained. “I think that’s what a lot of those leaders did. Rappers are the new leaders, so I think we should come in that same vein and still be about the growth and the development of our people and our community.” UGK O.G. Bun B noted that he may feel closer to Dr. King’s struggle since he’s “probably a couple years older than the average MC.” He maintained that much of America’s race-relations progress is intrinsically linked to the late leader’s fight. “I remember in my generation and the generation before me, the dream being that one day, being a black man, that no doors would be closed to you in this country and in this world. I’ve been around long enough to see that almost every door in this world has actually opened up, all the way up to the most powerful man in the world, the President of the United States,” he said of the country’s first African-American commander in chief, Barack Obama. “There are many achievements that Martin Luther King really would be very happy to see … but at the same time I still think we have ground to cover in this country.” Bun added that Dr. King’s work has also helped to foster an inclusive society, which prompts MCs to create music that anyone can relate to. “We do shows nowadays in not just the inner-city community but in every community, and we see people of every color and all walks of life at our concerts now. That’s due to the fact that we try to make music that invites everybody to be a part of the movement,” he explained. “You don’t have to be black to be ‘trill.’ ” Miami’s DJ Khaled also said that he strives to reflect the harmonious spirit Dr. King’s work engendered — especially in his star-studded posse cuts that can corral everyone from Usher to Plies on one track. “I celebrate [MLK Day] by giving respect and just reminding people [about] the word ‘peace’ and the word ‘love’ and unity ’cause, you know, that’s what I represent,” he said. “I love bringing people together with my records. That’s why you get sometimes these collaborations that you’ve never seen before come together on a Khaled record ’cause they just got ultimate respect for what I do. Martin Luther King is a person that I respect, that we respect, everybody respects.” Khaled added that upholding Dr. King’s legacy shouldn’t be a one-day event, but rather an effort that people should incorporate into their everyday lives. “I think we should take every day and praise and look at what Martin Luther King did for us, for us to be on this Skype right now and kick it, multicultures and just vibe,” he said. “It’s beautiful, so shout-out to MLK, everybody that support Martin Luther King, and R.I.P. to Martin Luther King and respect to Martin Luther King.” Share your thoughts on Dr. Martin Luther King Jr. in the comments! Related Artists DJ Khaled Bun B Saigon

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Martin Luther King’s Legacy Recalled By DJ Khaled, Bun B, Saigon

Lefties Attack Time Editor for ‘Gutless’ Move to Pick Facebook Founder Over Assange

Michael Calderone at The Cutline blog at Yahoo! devoted a post to controversy on the Left over why radical WikiLeaks mastermind Julian Assange wasn't Time's Person of the Year. (Lefties have insisted conservatives could win since they're an evil force like Hitler , but Assange somehow isn't put in the Bad Guy camp, or even the Egomaniac camp. ) But Calderone picked a long-time Newsweek contributor to diss Time, without really noting the professional tie: In picking a less-controversial figure, Stengel ended up creating a controversy. Slate Group editor-in-chief Jacob Weisberg, for one, said [in a Tweet] it was “gutless of Time not to name Assange.” Stengel, who had an exclusive Skype interview with Assange a few weeks ago, said he considered the WikiLeaks chief and, indeed, did select him as a runner-up for 2010. Assange, he acknowledges, has “had a big year.” But in Stengel's view, Assange's actions in 2010 will not have the long-term impact of Zuckerberg's. “I think Assange will be a footnote five years from now,” Stengel said. read more

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Lefties Attack Time Editor for ‘Gutless’ Move to Pick Facebook Founder Over Assange

ABC Touts Entrepreneur Seeking Backing of Government ‘Lawyers and Lobbyists’

The day after President Obama’s oil spill speech — in which the President pivoted from the ongoing mess in the Gulf of Mexico to his call for ending our “addiction” to fossil fuels — ABC’s World News obliged the White House’s agenda with a profile of solar cell manufacturer Natcore , whose president, Chuck Provini, says he can cut the costs of solar cells (which are right now too expensive to be economically viable without government subsidies). But the problem, as ABC correspondent Dan Harris helped frame it, is that this entrepreneur was getting nothing but “blank stares” from the “congressional staffers, lawyers and lobbyists” he met with in Washington, D.C. — as if a venture capitalists and other private investors wouldn’t be tripping over themselves to get in on the ground floor of a process that could actually make solar power viable. And the hero of the story, as ABC told it, is China’s dictatorship, which has made a deal with the company and will now gain the “hundreds of jobs” that U.S. officials have supposedly squandered by not bankrolling Provini: DAN HARRIS: There was, however, one place offering help: China. The government flew him over there and made him a very generous offer. (to Provini) Would you say that the Chinese officials made your life easy in this process? CHUCK PROVINI, via Skype: It’s been a pleasure. They’ve been gracious. They’ve cut through red tape. HARRIS: He is about to cut a deal to open a factory that will create hundreds of jobs – jobs that could have been created here….Critics say the federal government needs a big, bold plan to dramatically ramp up our use of clean energy. Until then, they say, we’re going to see a lot more American companies like Natcore exporting their promising ideas to places like China. Does ABC really think that good business ideas require the support of lobbyists, lawyers and congressional staffers? That the free market cannot innovate and economize with at “big, bold” government “plan?” MRC’s Brad Wilmouth caught the story from the June 16 World News with Diane Sawyer: DIANE SAWYER: And, in his speech last night, President Obama used the moment to call for less dependence on foreign oil and fossil fuels and making sure that China doesn’t get all the new jobs in wind and solar power. But Dan Harris heard a story today of one company, one big idea, but in America, no one to say give it a try. DAN HARRIS: Natcore is a small company based in New Jersey that says it’s come up with an innovative new approach to make solar technology better and cheaper, one that its scientists are very excited about. The president of the company – this guy, Chuck Provini – says he was determined to set up shop here in America. CHUCK PROVINI, NATCORE SOLAR: I live here in New Jersey. I’m a former Marine. I consider myself a good American and a patriot. We wanted to do business in the States. HARRIS: He went to Washington, D.C., and met with congressional staffers, lawyers and lobbyists, but says he couldn’t get the help raising the money that he needed. [to Provini] Were you met with blank stares? PROVINI: They were very polite. We got polite letters, polite conversations, but it was obvious that there was a major disconnect. HARRIS: There was, however, one place offering help: China. The government flew him over there and made him a very generous offer. Would you say that the Chinese officials made your life easy in this process? PROVINI: It’s been a pleasure. They’ve been gracious. They’ve cut through red tape. HARRIS: He is about to cut a deal to open a factory that will create hundreds of jobs – jobs that could have been created here. (to Provini, via Skype) You’re now in China, as we speak, in the middle of the night, and you’re not far away from inking a final deal.                                  PROVINI: Well, I’m really curious as to how you found me at 2:00 in the morning in Jujo City. HARRIS: To be fair, it is hard for the U.S. to compete with China’s dictatorial government, which essentially runs the entire economy. But still, critics say the federal government needs a big, bold plan to dramatically ramp up our use of clean energy. Until then, they say, we’re going to see a lot more American companies like Natcore exporting their promising ideas to places like China. Diane? SAWYER: A real cautionary tale about the need for a fast track here in America. Dan Harris reporting.

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ABC Touts Entrepreneur Seeking Backing of Government ‘Lawyers and Lobbyists’

DAVID LEE ROTH’S EGO GOT HIM JOB

David Lee Roth’s ego landed him in Howard Stern’s seat on CBS Radio morning show in 2006: By David Hinckley DAILY NEWS STAFF WRITER CBS Radio fantasized about getting Jerry Seinfeld, Larry David or Jon Stewart to replace Howard Stern when he left his ultra-successful terrestrial morning radio show at the end of 2005, says the then-CBS executive in charge of the search. CBS ultimately settled for David Lee Roth, said former CBS exec Rob Barnett, because he was the only viable candidate with an ego large enough to think he could step into Stern’s shoes. “That couldn’t have been your first choice,” Stern’s sidekick Robin Quivers said. “Seventy-eighth choice,” said Barnett, who eventually rose to the position of CBS Radio president before he was downsized out of a job.Barnett guested on Stern’s Sirius XM show Tuesday morning. He and Stern both said the drama led to many dead ends and some lingering hard feelings. First of all, said Barnett, the idea of replacing Stern, who was heard in New York on WXRK (92.3 FM) and had one of the most popular syndicated shows in the country, was a “ridiculous impossibility.” “The only name that advertisers would hear and think ‘maybe we’ll put one twentieth of Howard’s dollars on that’…was Jon Stewart.” So he approached then-CBS Radio President Joel Hollander, “and I said, Jon’s not going to host a radio show. But Jon is a producer and a person who develops new talent. Jon developed Stephen Colbert, Steve Carell, not radio guys. Stewart is a big name and I wanted him to meet Joel.” Then “two minutes into the meeting,” said Barnett, Hollander asked Stewart to host, and “Jon quickly wrapped up the meeting.” Hollander also contacted Seinfeld, Chris Rock and others, said Barnett, even though “all the money in the world couldn’t get them to do five hours of live radio. They’re already rich.” Hollander also turned down the idea of Opie and Anthony, said Barnett. So it came down to Roth, he said, who was eager to take the job and did a tryout in Boston that Barnett called “amazing.” But when Roth got to Stern’s seat in early 2006, it all went south. He lingered a few months, long enough to go down as one of the major disasters in radio history. “The meltdown came day one or day two,” said Barnett, “when he got in the chair … and wouldn’t listen to anyone that was there to do only one thing….to help him.” Opie and Anthony took over a few months later and eventually were also cashiered when the ratings never approached Stern territory. Many of Stern’s old stations eventually changed formats. K-Rock, which played rock during non-Stern hours, is now a top-40. All this has been resurrected lately as Stern approaches the end of his five-year deal with Sirius XM, in December, and speculation mounts about what he will do next. He has denied he has any plans to return to “free” radio, where he said again on Tuesday that censorship restrictions drove him nuts. He also said he still has “a tremendous amount of animosity” toward Hollander and current CBS CEO Les Moonves. “Joel Hollander, I have no love for the guy,” Stern said. “And Les Moonves treated me horribly. They wished me well. Then a couple of months later they sued me.“ Stern also said that while he liked Roth and wished him well, he knew he would fail when he didn’t seem to grasp the idea that talking to a radio audience is different than talking to the crowd at a rock concert. “He looked at me with a blank stare,” said Stern, “like he wasn’t concerned.” Read more: http://www.nydailynews.com/entertainment/music/2010/04/21/2010-04-21_david_lee_roths_ego_landed_him_in_howard_sterns_seat_on_cbs_radio_morning_show_i.html#ixzz0m37qAvps

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DAVID LEE ROTH’S EGO GOT HIM JOB