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Slick Pulla Talks “Body of Evidence” Album with B High [EXCLUSIVE VIDEO]

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CTE rapper Slick Pulla dropped by Hot 107.9 recently and spoke with B High about his new mixtape, Body of Evidence. Check out the exclusive:…

Slick Pulla Talks “Body of Evidence” Album with B High [EXCLUSIVE VIDEO]

Listen To Young Jeezy & DJ Drama “The Real Is Back” Mixtape

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As promised,  Young Jeezy and DJ Drama released “The Real Is Back” mixtape today. Young Jeezy’s long awaited TM 103 hits stores this summer. Take a listen to the mixtape and check out the tracklisting below! 1.The Real Is Back 2.How U Want It 3.Drama and Jeezy Speaks 4.Win 5.All The Money feat 211 6.Snow Go feat Slick Pulla 7.Broads feat Scrilla & Slick Pulla 8.Flexin feat Fabolous & Yo Gotti 9.Ballin’ feat Lil Wayne 10.Rollin feat Fabolous 11.Slow Grind 12.Hoodstar feat Slick Pulla 13.Count it Up feat 2 Chainz 14.Talk About It feat Boo & Scrilla 15.Run DMC feat Freddie Gibbs 16.Count It On The Floor 17.Four feat Alley Boy 18.I Ball I Stunt feat Scrilla 19.Drama and Jeezy Speaks 2 20.Do It For You feat Freddie Gibbs Download Mixtape | Free Mixtapes Provided by DatPiff.com Related Post: Young Jeezy & Tity Boy “Count It Up” (Remix) [MUSIC VIDEO] Young Jeezy’s Manager Denies Arrest Reports

Listen To Young Jeezy & DJ Drama “The Real Is Back” Mixtape

‘The Other Guys’: Five Secrets Revealed

Find out more about the Mark Wahlberg/Will Ferrell comedy, including the reason behind its many TLC quotes. By Eric Ditzian Mark Wahlberg and Will Ferrell in “The Other Guys” Photo: Sony Pictures On Friday, we revealed five secrets about Will Ferrell and Mark Wahlberg’s buddy cop flick “The Other Guys,” , from the explanation for Paris Hilton’s missing cameo to how they managed to get such a curse-filled movie to be rated PG-13. We got the inside scoop from co-writer/director Adam McKay, who called up MTV News shortly before the film opened and went on to reel in $35.6 million over the weekend . McKay also let slip a bunch of other secrets that were simply too spoilery to publish on Friday (August 9). Now, as “Other Guys” enjoys its place at the top of the box office, we’re pushing forward with five more secrets revealed (of course, beware of spoilers below!) . Why Jackson and Johnson Plunged Off a Roof to Their Deaths This out-of-nowhere game-changer comes about 15 minutes into the movie: the tough-guy cops played by Samuel L. Jackson and Dwayne Johnson actually die after they miscalculate a roof jump and land with a crunch on the sidewalk. McKay told us that they entertained a number of funny and unexpected deaths before settling on the failed roof jump. “The first thought we had was that they get a call for a chase, and they pull out to join it, and just get broadsided by a truck that had nothing to do with the chase,” he said. “Then we just played with the idea of a really ignominious death — autoerotic asphyxiation — but we knew there was no way we could get that into a PG-13 movie. Even though it makes me and you laugh, 80 percent of the audience would be flat-out horrified. The one we really liked — and we came close to doing it — was that they were in a shootout and they just got shot. If you have too many shootouts, you’re going to get shot. I think even the forensic guy was like, ‘They were in 90 shootouts. You’re gonna get shot eventually.’ “But the jump was just so much fun,” he continued. “Originally in the script, you didn’t see them hit the ground. But I thought, ‘You gotta shoot that.’ It could be either grisly or fantastic. Once the Foo Fighters’ song got in, we knew we had it. For a second, you think you’re watching the worst filmmaking ever. Are they really playing this song during a fake Hollywood jump? And then they die!” How They Pulled Off The Motion-Capture Bar Scene The film’s most visually stunning scene is one that even James Cameron might applaud. It’s a freeze-frame, continuous-shot bar scene in which Ferrell and Wahlberg are caught mid-action in a series of drunken incidents. The scene honestly defies easy explanation, which is why we waited until now to reveal how McKay captured it. “My DP, Oliver Wood, and I had seen this Phillips short film with cops fighting clowns ,” he explained. “We loved it, but I think that cost $4 million to shoot. At first we were going to do digital camera stills, and I just thought that was boring and we kind of did that already on ‘Talladega Nights.’ Then Oliver said, ‘I think we can do the Phillips thing,’ and in four days we came up with the plan. “We got this motion-capture camera that you program so the camera moves exactly the same every time,” he added. “It was similar to what they did in ‘The Matrix’ with the flying bullets. They weren’t wearing motion-capture suits. I wish I had thought of that. I would have made Will wear one for no reason. We just wrote joke scenarios of a night gone horribly wrong. We went to this bar on the Upper West Side [of Manhattan] and shot it in half a day. We cast stuntmen and women who could hold poses. Our special effects company, Evil Eye, added all these funny elements.” Why Keaton Quotes TLC Michael Keaton plays the NYPD precinct captain who’s always barking orders at Ferrell and Wahlberg. He also has a strange and hilarious habit of quoting TLC lyrics without seemingly having any idea who that group is. It’s a gem of a recurring bit, and it came about entirely by accident. “We were trying to write phrases for the captain that were tough-guy euphemisms,” McKay said. “We had a draft where he said all this crazy stuff and out of that I started to say, ‘Don’t go chasing waterfalls,’ and everyone started laughing. Then we called it back two more times, and then Keaton was doing them so well, we added more.” “We came up with a whole backstory that he drove his son to college and his son played a TLC greatest-hits CD the whole time but the captain was never aware what he was listening to,” he added. “We knew at least 35 percent of the audience would have no idea who TLC is, but we were like, ‘Screw it! It’s too funny!’ ” Why McKay Had Such a Weird Cameo Last week, we revealed why Paris Hilton’s cameo was left on the cutting room floor. Now we turn our attention to McKay’s cameo as a demented homeless man who is the ringleader of a roving gay orgy gang. Yes, it is all as bizarre as it sounds. “We originally had it just as a reference about all the horrible stuff that happens to [Will’s] car [after it gets stolen],” he said. “We did a table re-write and Andrew Steele, the head writer for Funny or Die, came up with this joke that the thieves left a thank you note. That made us laugh, and then we named the thieves Dirty Mike and the Boys. Then we’re like, ‘We’ve got to see them.’ I always like to do something small in our movies, so I was like, ‘All right, it’s me!’ “So we shot this riverside scene and just did thirty minutes of the filthiest improv you’ve ever heard in your life, and had to cut everything except what you see in the movie,” he continued. “But the extended DVD has all the nastiness.” A Sequel Just Might Happen After the collapse of “Anchorman 2” this spring, fans might be wondering if we’ll ever see a sequel from one of the four big-screen collaborations between McKay and Ferrell . McKay revealed that we just might see “The Other Guys 2” down the road. “We had fun shooting this and we talked about it,” he said. “There’s almost a novelty to doing a sequel at this point. The two we were talking about were ‘Step Brothers’ and ‘Other Guys.’ We don’t want to get ahead of ourselves. But I would be happy to go back into this world. I never got tired of seeing Will and Mark going back and forth.” Check out everything we’ve got on “The Other Guys.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos ‘The Other Guys’ Clips MTV Rough Cut: ‘The Other Guys’

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‘The Other Guys’: Five Secrets Revealed

Slick Pulla Is ‘Focused On The Greenbacks,’ Not Wacka Flocka Flame

After dropping his Slicktionary, Atlanta CTE member looks toward the future with Mixtape Daily. By Shaheem Reid Slick Pulla Photo: Black Bill Gates This Week’s Main Pick Street King : Slick Pulla Holding It Down For : CTE/USDA Mixtape : Slicktionary Real Spit : Welcome home to CTE’s own Slick Pulla. The USDA member came home in early January after spending two and half years in jail. He did three months of work release and three months of house arrest with a leg monitor. Now, he can now move more freely for the remainder of his four-year parole. The leg monitor is off and he’s ready to start touring. “It wasn’t no problems with the law,” Slick said in his Atlanta studio. “It was a possession of firearms bid due to certain circumstances. Due to a certain lifestyle, you feel that’s how you got to move. Unfortunately, I already had an ‘F’ on my report card. That’s not how the powers that be felt. I sat down. … When you go in jail, you can do two things: You can come out dumber and go back; or come out smarter and go harder for your family and loved ones. That’s pretty much the gist on that.” Obviously, Pulla is doing the latter. He just recently released his first post-prison work, a mixtape called Slicktionary, hosted by the Black Bill Gates, and is already well into recording the follow-up. Besides his music, Slick has maintained a relatively low profile — that is, except for the reports that his crew and Waka Flocka’s entourage got into a scuffle at ATL clothing epicenter Walters in March. The altercation led to gunshots, but no one was arrested. Pulla refutes talk of his involvement. “Slick’s name was in some sh–. That’s all that was,” he said. As for the “Hard in Da Paint” rapper, Pulla says the only thing on his radar right now is money. “At this present time, I’m focused on the greenbacks, the frog skin,” he said. “I got tunnel vision. I’m in a zone right now. I’m looking straight ahead. All that stuff on the left and right side, I’m not even worried about it.” Slick is looking into acting and the GA OG also just launched “Slick Prints,” his own brand of T-shirts. Joints to Check For: “Black Ice (The Preface).” “The reason I chose the beat is because how I do the music — I don’t know how anybody else does the music — it takes me back to a certain time in my life,” Pulla said. “When [Goodie Mob’s] Still Standing CD came out, I wasn’t even in the music then. I was a fan of the music. Goodie Mob, the whole Dungeon family, they set the blueprint for a lot of what’s going on today. That beat right there [‘Black Ice (Sky High)’], it brought all them times back.” “Hood Rich Freestyle.” “I did the Eminem track [‘Lose Yourself’] ’cause one day I was in the halfway house and I seen the video,” Slick recalled. “It was on ‘106 and Park’ for the ‘Throwback of the Day.’ How the beat climaxed! My homeboy was like, ‘You need to snatch that up.’ ” “On Da Radar.” “That’s just a street anthem,” he explained. “If you a hustler or about your money or whatever you do for a sack, you can relate to it. The hook goes ‘I love money/ Broke ain’t on my radar.’ I love money, I’m trying to get it up.” For other artists featured in Mixtape Daily, check out Mixtape Daily Headlines . Related Videos Mixtape Daily: Slick Pulla Related Artists Slick Pulla

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Slick Pulla Is ‘Focused On The Greenbacks,’ Not Wacka Flocka Flame