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'We Are The World' 2010

Finally, the new “We Are the World” for Haiti is here. I think Lil' Wayne wins the award for most absurd performance for his auto-tuned line. Buy the song and donate to the cause at WeAreTheWorldFoundation.org . Watch

‘We Are The World’ Soloists Lil Wayne, Pink Take Cues From The Original

For the Haiti-benefiting remake, Mary J. Blige channels Tina Turner and Celine Dion includes a Cyndi Lauper-esque vocal run. By Maura Johnston Lil Wayne performs at the “We Are The World 25 Years for Haiti” Photo: Kevin Mazur/ WireImage “We Are the World” and its Haiti-benefiting remake both brought a galaxy of pop stars under one roof for charity. Put the two songs side by side, and you can see why certain singers were offered verses that were originally laid down by some of the 1980s’ most prominent musicians. The most talked-about torch-passing in the days leading up to the song’s release was Lil Wayne being given a verse originally ad-libbed by rock icon Bob Dylan . Wayne and Dylan’s voices share a distinctly buzzy quality, although in the finished product Weezy’s delivery was smoothed over by Auto-Tune and backed by Carlos Santana’s furious guitar playing. But from the first verse — in which Justin Bieber takes over for “We Are the World” co-writer Lionel Richie to sing “There comes a time/ When we heed a certain call” — to the song’s ending, in which Wyclef Jean toasts Haiti over the song’s chorus fading out, there are other notable vocal parallels. Jennifer Hudson more than ably performed a verse originally sung by Stevie Wonder; Pink, singing a line originally taken on by former Journey lead singer Steve Perry, played up the rock elements of her gritty voice; and Mary J. Blige paid tribute to pioneering R&B singer Tina Turner with her take on Turner’s 1985 performance. The big-voiced Celine Dion was given a verse originally wailed by outlandish pop star Cyndi Lauper, who ad-libbed an octave-leaping “whoa, whoa, whoa” in the lead-in to her verse, and Dion paid dutiful homage to that iconic vocal run. Barbra Streisand stepped in for a fellow diva, Diana Ross, on the lines “There’s a choice we’re making/ We’re saving our own lives/ It’s true we’ll make a better day, just you and me.” And Miley Cyrus sang a line originally performed by Dionne Warwick with pitch-perfect inflection. Two singers paid homage to vocalists who appeared on the 1985 version of the track: Adam Levine used his verse to channel Stevie Wonder. (Levine’s verse was performed originally by pop/rock singer Kenny Loggins), and Jamie Foxx re-created some of the ad-libs performed by soul pioneer Ray Charles. That’s nothing new for Foxx, since he won an Oscar for his portrayal of the pianist/singer in the 2004 film “Ray.” Finally, the late Michael Jackson’s vocal contributions to “We Are the World” remained intact, with his sister Janet singing along to the tracks he laid down for the song’s original release. Jackson co-wrote the song with Richie in 1985. Related Videos Behind The Scenes Of ‘We Are The World’ Related Photos ‘We Are The World 25 For Haiti’ Recording Session Related Artists Pink Lil Wayne

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‘We Are The World’ Soloists Lil Wayne, Pink Take Cues From The Original

‘We Are The World: 25 For Haiti’ Video Premieres During Olympics Opening Ceremony

Extended version of song and video are available now on iTunes. By Jem Aswad Wyclef Jean, Kanye West and Jennifer Hudson perform at the “We Are The World 25 Years for Haiti” recording session Photo: Kevin Mazur/ WireImage The video of “We Are the World: 25 for Haiti” premiered Friday night (February 12) during the opening ceremonies of the 2010 Winter Olympics in Vancouver. The new incarnation of the 1985 song sticks closely to the arrangement of the original, but the cast is much larger and, of course, much more contemporary. On television, the song was introduced by a message from original “We Are the World” principals Lionel Richie and Quincy Jones, who urged viewers to contribute via www.World25.org , iTunes or by texting “World” to 50555. A tightly edited version of the song was aired on Friday night, but the long version is available now on iTunes. That version is introduced by Jamie Foxx, who sets the scene, talking about the original recording and then the new version, the video of which was directed by “Crash” director Paul Haggis. “Do more than just watch,” Foxx says. “Whatever you have, no matter how big or how small, it all counts.” The video features footage from the song’s recording session intercut with scenes of rebuilding efforts in Haiti. Justin Bieber opens , singing Lionel Richie’s verse from the original, and is quickly followed by Nicole Scherzinger and Jennifer Hudson singing together, then Sugarland singer Jennifer Nettles, Josh Groban, and then a footage of Michael Jackson from the original recording superimposed with sister Janet duetting on the first verse of the chorus. Barbra Streisand, Fergie, a wailing Celine Dion and others follow. Miley Cyrus, Enrique Iglesias, Foxx, Maroon 5’s Adam Levine, Pink, Mary J. Blige, Akon, T-Pain and others take verses later in the song; a second verse from a recording of Michael Jackson is immediately followed by Usher. Carlos Santana and Orianthi are seen playing guitars; Richie and Jones are often visible, smiling on the sidelines. The most remarkable moments come from the rappers : an Auto-Tuned Lil Wayne sings Bob Dylan’s verse , Wyclef adds some Haitian flavor , and Will.I.Am and Kanye West both rap verses. “Like Katrina, Africa and Indonesia/ Haiti needs us,” Will.I.Am raps. LL Cool J, Will.I.Am, Swizz Beatz, Snoop Dogg and Busta Rhymes team up for a rapped section; Bizzy Bone, Kid Cudi, Drake and Nipsey Hussle were also at the session. The music drops out toward the end to let the chorus sing alone. Amid the studio footage we see Haitian children dancing amid the destruction in their homeland. Tellingly, the Haiti footage focuses on rebuilding efforts. Haggis talked with MTV News about the session earlier this week. “You hear these stories about people checking their egos at the door, and it really is true,” he said. “They came and stood forever and were glorified extras a lot of the time. They just stood in the corner and waved.” Learn more about what you can do to help with earthquake-relief efforts in Haiti , and for more information, see Think MTV . Visit HopeForHaitiNow.org or call (877) 99-HAITI to make a donation now. Related Videos Behind The Scenes Of ‘We Are The World’ Related Photos ‘We Are The World 25 For Haiti’ Recording Session

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‘We Are The World: 25 For Haiti’ Video Premieres During Olympics Opening Ceremony

‘We Are The World’ Remake Producer RedOne Aims For ‘Current’ Sound

‘I didn’t want to mess it up, because it’s too good,’ the Lady Gaga hitmaker says of the original. By Kelly Marino Stars gather for “We Are the World” remake Photo: Getty Images LOS ANGELES — Grammy-winning producer RedOne has worked with a slew of top artists, including Akon, Shakira, Little Boots, Sean Kingston and, most notably, Lady Gaga. But when he received a phone call from Lionel Richie and Quincy Jones, asking him to produce a remake of “We Are the World,” he was in complete shock. “I was like, ‘Oh my God!’ ” RedOne told MTV News at the Henson Studios, where the track was recorded last week. “This is Lionel and Quincy, you know, the fathers of music, of hits, of music, of charity, of everything. It was big. So that night, before I started working on it, I had nightmares about the whole track. ‘They didn’t like it. Oh they need a new track.’ But, thank God, they loved it.” Twenty-five years after the all-star recording of “We Are the World” was put together to help combat African famine, a new collection of stars came together February 2 to make a new version for victims of the Haiti earthquake. But RedOne was careful not to change up the original version too much. Instead, he opted to keep the song the same but bring a more current sound to it. “I just keep the class of the original one,” RedOne said. “But I didn’t want to change any course. I didn’t want to mess it up, because it’s too good. I tried to keep it on the same level and tried to make it sound more now and current. I kept the whole core progressions, the feeling and the vibe, but brought fresher sounds that are more now.” Producing the track was relatively easy, RedOne said, considering Richie and Jones had already picked the artists and selected which parts of the song the musicians would sing before bringing the hitmaker onboard. “Everybody wanted to help,” RedOne said about the stars checking their egos at the door. “I remember Jamie Foxx came to me and said, ‘Red, don’t worry about me. I am here. I can wait. Do your thing. Whenever it is my time, I’ll be here. Don’t think about it.’ So that was a beautiful sign. It wasn’t about me as a producer or Quincy as a legend producer or Lionel or any artists. Celine Dion, Barbra Streisand, Akon, Enrique [Iglesias] — everybody was there. And it was amazing and beautiful.” After a week of fine-tuning the song, RedOne couldn’t be happier with the outcome. “‘We Are the World’ is done, and it sounds incredible and the video is incredible ,” the producer promised. “So I think the world will be touched by it, and hopefully people will be touched that much to help, because that is the whole purpose for the song. “It is so easy to forget about them for a little while,” Red said of keeping Haiti in people’s minds. “But music goes on and on, so all the money that is going to be generated can be for Haiti, and it’s a beautiful thing. We try to raise the money to build, like, seven cities and help the children and schools and things, so it’s good thing. I think you are going to love it.” The song, accompanied by the video, is slated to premiere Friday night at the opening ceremonies of the Winter Olympics on NBC. All proceeds will go to the newly formed charity We Are the World Foundation LLC and will then be distributed to Haiti. Learn more about what you can do to help with earthquake-relief efforts in Haiti , and for more information, see Think MTV . Visit HopeForHaitiNow.org or call (877) 99-HAITI to make a donation now. Related Photos ‘We Are The World 25 For Haiti’ Recording Session Related Artists Akon Lady Gaga

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‘We Are The World’ Remake Producer RedOne Aims For ‘Current’ Sound

White Stripes Complaint Leads Air Force To Pull Super Bowl Ad

Force says the ad soundtrack’s similarity to ‘Fell in Love With a Girl’ was unintentional. By Joel Hanek White Stripes’ Jack White Photo: MTV News The U.S. Air Force has pulled the ad in which the White Stripes claim a re-recording of their song was used without permission. The Detroit rock duo band alleged that the 30-second recruitment commercial that aired during Sunday’s Super Bowl used music from “Fell in Love With a Girl” without their consent. The ad has been taken down from the Air Force Web site, but a statement on the site says the association with the Stripes was unintentional. “The Air Force Reserve commissioned an original piece of music for its one-time, 30-second Super Bowl regional advertisement,” said Lt. Col. Leslie Pratt, Air Force Reserve Command director of public affairs. “As soon as we realized there was a question about our ad, we immediately pulled it and have no plan to re-use it. Our goal was only to attract the best and brightest Americans to become Citizen Airmen.” The statement also claims that a contractor, Fast Forward Music, was hired by their advertising agency to compose an original score of music. “We had no intention to use existing music from the White Stripes or any other performer,” Pratt said. “Any similarity to them or other artists was certainly not intentional.” Shortly after the ad aired, the Stripes took to their site to object to their implied backing of military recruitment. “We believe our song was re-recorded and used without permission of the White Stripes, our publishers, label or management,” the statement read. “The White Stripes take strong insult and objection to the Air Force Reserve’s presenting this advertisement with the implication that we licensed one of our songs to encourage recruitment during a war that we do not support.” Related Artists The White Stripes

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White Stripes Complaint Leads Air Force To Pull Super Bowl Ad

Ke$ha Gets Into Battle Of The Sexes With 3Oh!3 For ‘Blah Blah Blah’ Video

‘Dudes are way more annoying,’ says Ke$ha, explaining her bratty song’s message. By Jocelyn Vena Ke$ha on the set of her video “Blah Blah Blah” Photo: RCA Ke$ha makes no apologies for her brash personality, which she’s managed to channel into catchy, raucous party songs . And with her first single “Tik Tok” still pumping loudly from stereos, it’s time for Ke$ha to assault radio airwaves with her new single, “Blah Blah Blah,” off her chart-topping debut album, Animal. The up-and-comer recently shot a video for the song along with the boys of 3Oh!3 , who appear on the bratty club anthem. “The whole concept of the video was a bunch of douche-y guys macking on me as usual, and me making them eat their toupees or other various items,” she told MTV News at the shoot. “At one point, I get to be strapped to this harness and bouncing around everywhere, and it was really cool.” In the song, Ke$ha ridicules a would-be suitor for “ta-ta-talking that bla-bla-bla” when all she really wants is to have sex with him. Ke$ha explained that the dance tune originated from a discussion she had in the studio on the politics of female-male relationships. “The song came about when the people that wrote it — me, Benny Blanco, Neon Hitch and [3Oh!3’s] Sean Foreman — all got in a room, and they were talking about how chicks talk too much,” she said. “And me and Neon were like, ‘No, no, no, guys talk too much,’ ” she continued. “So, we had this war of who were more obnoxious, chicks or dudes. And the song kind of came around from that conversation. I think I make a pretty fair point both in this video and in the song, that dudes are way more annoying.” Related Artists Ke$ha

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Ke$ha Gets Into Battle Of The Sexes With 3Oh!3 For ‘Blah Blah Blah’ Video

The Who Rock Super Bowl Halftime With Explosive Set

Medley includes ‘Pinball Wizard,’ ‘Baba O’Riley,’ ‘Won’t Get Fooled Again’ and more. By James Montgomery The Who’s Roger Daltry and Pate Townshed Photo: Win McNamee/ Getty Images The first half of Super Bowl XLIV might not have provided the offensive fireworks many had expected, but luckily for pyrotechnics obsessives, there was still the half-time show, featuring a bombastic set by the Who . On Sunday night (February 7), the London legends brought out the big guns, ripping through a hit-filled set and leaving the skies over Miami’s Sun Life Stadium filled with smoke. Opening with “Pinball Wizard,” Roger Daltrey and Pete Townshend traded verses while flashbulbs popped and flames leapt, the stage — a star-bursting L.E.D. number — shining brightly. They segued right into “Baba O’Riley,” with the song’s famed opening strains echoing around the stadium. Green lasers criss-crossed the night sky, as Townshend windmilled like crazy, then pulled a solo out of his red Fender guitar. (Vegas oddsmakers put the over/under on windmills at 4.5. Hope you took the over.) Daltrey belted the tune out, and contributed a smoking harmonica solo of his own. “Who Are You” was next and featured the band’s famed red, white and blue mod logo spinning around the stage, and another incendiary solo from Townshend. Then came a few verses of “Tommy,” the stadium bathed in cool blue lights as Daltrey sang, “See me, feel me, touch me.” And since this year’s Super Bowl was being held in Miami (home of a “CSI” franchise), the Who wrapped with the show’s theme song, “Won’t Get Fooled Again,” featuring even more lasers, flames and — during the song’s epic drum fill — some serious fireworks. (Sadly, David Caruso didn’t make an appearance.) Daltrey yowled his famous “Yeaaaaaah!” and the sky erupted in even more pyrotechnics. Then, as the Super Bowl crowd cheered wildly, Daltrey and Townshed embraced, and it was all over, except for the smoke. There was still plenty of that. Related Artists The Who

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The Who Rock Super Bowl Halftime With Explosive Set

Jay-Z Kicks Off Super Bowl Kickoff Show Accompanied By Orchestra

MC leads off CBS’ kickoff show with ‘Run This Town’ intercut with football footage. Jay-Z Photo: CBS Jay-Z is not one to let an event like Superbowl XLIV pass without leaving his mark, and on Sunday (February 7), the MC kicked off CBS’ Super Bowl kickoff show accompanied by the Rutgers Symphony Orchestra for a “Posthumous Zone” version of “Run This Town,” from last year’s Blueprint 3 LP. Opening with a single pianist on a Steinway, the song began with Rihanna’s recorded voice singing the song’s hook, then showed Jay walking into a gothic room with high ceilings and the black-clad orchestra packed onto a stage. Jay, wearing a cool tux with no tie, performed his verse while holding the golden Super Bowl trophy high, as action clips of both teams scrolled behind him. The song continued, cutting between footage of Jay at the orchestra’s helm, football footage and action-heavy shots of the orchestra members performing. The clip was shot in New York last Tuesday and featured approximately 65 musicians from the Rutgers Symphony Orchestra and the Rutgers Sinfonia, according to the Rutgers University Web site and MyCentralJersey.com . Maestro Kynan Johns said the school was approached about the job last month, presumably because the composer of the piece had previously worked with the Rutgers marching band. “It’s a totally different part of the performing arts,” said Johns, director of orchestras at Rutgers’ Mason Gross School of the Arts. “For classical musicians, it’s not really what we teach and not really what we do. I think [it was valuable for] the students to see how another side of the performing arts industry goes about their work, and the amount of detail they go into for just two minutes.” Johns said last week’s video shoot would help his students to see that “it takes a lot of time to get pop music to that level.” George B. Stauffer, Mason Gross’ dean, said last week, “We’re extraordinarily proud to have our students rubbing elbows — and touching knuckles — with Jay-Z,” he says. Melissa Healy, a flautist and doctoral student, told MyCentralJersey.com that it was an honor to work with Jay-Z. “There are a lot of people out there who are really good performers but are not actually that talented,” she said. “To get to work with an artist of that caliber is rare.” Related Artists Jay-Z

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Jay-Z Kicks Off Super Bowl Kickoff Show Accompanied By Orchestra

Access Hollywood – Justin Bieber On ‘We Are the World’ Anniversary Remix

Justin feels “great” to be part of the song remix for Haiti and explains why he’s a “little nervous.” Plus, find out which artist received a special serenade from Justin.

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Access Hollywood – Justin Bieber On ‘We Are the World’ Anniversary Remix

Exclusive: Waka Flocka Flame Discusses Next Single, ‘Rumors’

He also reveals why he wasn’t sure about releasing his street anthem ‘O Let’s Do It.’ By Shaheem Reid, with additional reporting by FLX Derte Waka Flocka Flame Photo: MTV News Waka Flocka Flame is home recuperating from a gunshot wound he suffered last month , but the 23 year-old said he’s about to get back in the lab to finish a record called “Rumors,” which has turned out to be pretty prophetic. “They can’t hold me down, they can’t stop my shine/ They can’t block my grind,” he raps defiantly on the track

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Exclusive: Waka Flocka Flame Discusses Next Single, ‘Rumors’