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‘American Idol’ Top Three Battle For Ticket To Finale

Phillip Phillips, Jessica Sanchez and Joshua Ledet make their final cases to America that they should be in the final two. By Adam Graham Phillip Phillips on “American Idol” Photo: Michael Becker/ FOX With “We’ve Got Tonight,” Phillip Phillips may have punched his ticket to next week’s “American Idol” finale. Phillips’ performance at the close of Wednesday’s (May 16) episode stole the show and earned a standing ovation from the judges. All night, Randy Jackson spoke of having big “moments,” and Phillips’ gentle take on the Bob Seger classic definitely qualified as one of those performances. “That was the perfect song at the perfect time and your best performance on the show ever!” Jackson told Phillips after the song. Jennifer Lopez said it was like a “lullaby,” and Steven Tyler said he “nailed it” and praised him for his passion during the song. Phillips’ “We’ve Got Tonight” came at the end of a two-hour show that saw the contestants visiting their hometowns and being treated like returning heroes. The episode also saw Joshua Ledet retain his momentum, while Jessica Sanchez slipped a bit, proving it may be tough for her to make it to the final two. Contestants sang three songs each: One chosen by the judges, one of their own choosing and one picked by Jimmy Iovine. Ledet opened the show with Etta James’ “I’d Rather Go Blind,” which also earned a standing ovation from the judges. (Not surprising, they picked the song.) “Out of 70,000, there’s only one American Idol. And you sang like that one tonight,” Tyler told Ledet after the song. He followed it with John Lennon’s “Imagine,” dubbed “brilliant” (by Jackson) and “controlled” (by Lopez) and finished with Mary J. Blige’s “No More Drama,” his suggestion from Iovine. It was another hit. “You have this perfect marriage of knowing exactly what you’re doing and letting completely go at the same time,” Lopez told him after his unkempt performance, which saw him dramatically remove his jacket, as well as his in-ear monitors. “There’s spontaneity, you don’t know what’s going to happen, but you know it’s going to be out of this world.” Sanchez’s up-and-down night was typified by Jackson’s critiques: He called her version of Mariah Carey’s “My All” “one of the best times a Mariah song has ever been performed on TV,” but later said her version of Jackson Five’s “I’ll Be There” — also once memorably performed by Mariah — was only “OK.” “There was never a moment-moment. It’s like, you know, I mean, it needed like a moment-moment-moment.” (In Jackson-speak, that means she didn’t quite deliver.) Sandwiched between the two, she took on Aerosmith’s “I Don’t Want to Miss a Thing,” which is more than a little familiar to one of the three judges. Tyler rose to his feet afterwards, telling her she “took a great song and made it greater,” while Lopez called it “crazy” (in a good way). And Jackson? “Dude, you delivered, man, yo, whoa, I’m like yo, all right, all right.” Our thoughts exactly, Randy. Phillips closed so strong it hardly mattered what came before. (Voters have short attention spans, you see.) After his first song, Madcon’s “Beggin’,” Tyler said Phillips “could be a new Springsteen,” while Jackson commented he felt he was at a Phil Phillips concert. All three judges agreed his middle performance of Matchbox Twenty’s “Disease” was underwhelming, but by his home-run song was a performance all but forgotten. One of the performers is headed home — this time not in a good way — on Thursday’s episode, which is also set to feature a performance by Adam Lambert. What did you think of “Idol” on Wednesday? Let us know in the comments! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season 11 Performances

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‘American Idol’ Top Three Battle For Ticket To Finale

Young Jeezy ft. Future – “Way Too Gone” [MUSIC VIDEO]

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Young Jeezy just released the video for his song with Future, “Way Too Gone.” Jeezy shot the video during a performance at the House of Blues…

Young Jeezy ft. Future – “Way Too Gone” [MUSIC VIDEO]

Tyga’s ‘Leaving Stuff Behind’ On ‘I’m Gone’ With Big Sean

‘When I made this record, I was just like, ‘Sean would be dope on this,’ ‘ Tyga says of adding Big Sean to the song. By Rob Markman, with reporting by James Lacsina Tyga and Big Sean on the set of their video for “I’m Gone” Photo: MTV News Tyga and Big Sean display quite the chemistry on “I’m Gone,” the new, heartfelt single off of the Cali MC’s sophomore album, Careless World. But the song only tells half the story. This week Tyga premiered the song’s Colin Tilley-directed video as an MTV Jam of the Week. MTV News caught up with the pair back in April when they shot the clip in a Lynwood, California, warehouse. “The video concept is me leaving stuff behind, like my girl, and then driving the car, then nobody driving the car,” Tyga explained. His description may have seemed a bit cryptic then, but now that the visuals have finally dropped, it all makes sense. Opening with a shot of the Young Money rap standout sitting alone on a barstool with his head hung low, it is clear that the bright lights have taken their toll on Tyga’s love life. “Looking around glass, my future is in the past/ I’m rearranging my life, I’m single and now I laugh,” he spits to begin the song. The somber track is quite emotional and wouldn’t seem to call for a guest verse. In fact, Tyga first intended for the single to be a solo affair, but when it was complete, he just heard a spot for his buddy Sean. “When I made this record, I was just like, ‘Sean would be dope on this,’ ” the tatted-up rapper said. “The record was already done — that’s why Big Sean is at the end of it. We made the beat longer because I was just like, ‘Let’s just add him to it.’ ” Sean, who closes the track out with reflective lyrics of his own, jumped on the song without hesitation. “I had already liked it off the rip, I liked the sample, I liked the vibe of it,” he told us. “He sent me the song and it was perfect. I remember I had just got done with my show in Houston. I knocked it out right after.” In fact, Sean’s voice was still hoarse from the performance he delivered just hours before, but it all worked out in the end. “My voice was half gone — I don’t know if people could tell, but my voice was damn near gone when I recorded it,” he revealed. “I just came up with the whole thing on the spot.” What do you think of Tyga’s “I’m Gone” video? Let us know in the comments! Related Artists Tyga Big Sean

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Tyga’s ‘Leaving Stuff Behind’ On ‘I’m Gone’ With Big Sean

New Song: Justin Bieber, ‘Turn To You’

Listen to Justin Bieber's ode to his mama, Turn To You. Go here to see the original: New Song: Justin Bieber, 'Turn To You'

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New Song: Justin Bieber, ‘Turn To You’

Ying Yang Twins Break Down Remix Of Justin Bieber’s ‘Boyfriend’

By Jocelyn Vena. A hip-hop artist was bound to remix Justin Bieber's hit single “Boyfriend” at some point, but who would've guessed that it would be the Ying Yang Twins? Their version of the song was released yesterday, and … See the original post: Ying Yang Twins Break Down Remix Of Justin Bieber's 'Boyfriend'

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Ying Yang Twins Break Down Remix Of Justin Bieber’s ‘Boyfriend’

Justin Bieber’s ‘Turn To You’ An Ode To His ‘Brave’ Mom

Pop star will donate all the song’s proceeds to the Bethesda Centre, which helps single moms. By Jocelyn Vena Justin Bieber and Patricia Mallette Photo: Rick Diamond/ Getty Images Justin Bieber has dropped his ode to his mama, Pattie Mallette, just in time for Mother’s Day . The song, a guitar-driven ballad titled “Turn to You,” breaks down the pair’s life together, and their early struggles as Mallette worked to raise a baby Bieber as a teenager. Over jangly guitars, Bieber recalls, “You worked two jobs to keep a roof up over our heads/ You chose life for me, no you never gave up/ I admire you for the strength you instilled in me/ You were so young, you were just my age when you had me/ Mom, you were so brave, there was nothing that would stop or get in our way/ And I know you will always be there for me.” The song’s empowering message really picks up on the chorus, when he proclaims, “So when you’re lost/ And you’re tired when you’re broken in two/ Let my love take you higher cause I still turn to you.” Proceeds from sales of the song will go to Salvation Army’s Bethesda Centre , a charity that Mallette turned to after she got pregnant. The organization’s site notes that funding is low and that donations are needed to keep the doors open. Bieber, it seems, is looking to do his part. “I wrote a song for my mom. But I’m going to put it out on Mother’s Day,” he told MTV News, explaining why Mama Mallette was worthy of her own track, “[It’s] about the struggles, I say in the song. She had me at like the age I am now. [It’s about] just the struggles she went through and how brave she was, and I think the world needed to know that.” Shortly after releasing the song on Thursday, he had a very specific message for all the moms out there: “Help moms in need. Give them strength. thank u mom,” he tweeted . “it’s on ITUNES. Happy Mother’s Day Weekend. this is for my mom and all those moms out there. here is #TurnToYOu .” What do you think of “Turn to You”? Leave your comment below! Related Videos Frame By Frame: Justin Bieber’s ‘Boyfriend’ MTV First: Justin Bieber Related Photos The Evolution Of: Justin Bieber Related Artists Justin Bieber

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Justin Bieber’s ‘Turn To You’ An Ode To His ‘Brave’ Mom

It’s actually possible to have a classy version of LMFAO’s “Sexy and I Know It”

http://www.youtube.com/v/vsvlsuLau5c

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Posted on andPOP : A classy cover of LMFAO’s “Sexy and I Know It’” I know it’s shocking, but it’s actually possible. You just have to change the song’s beat, tempo and vibe drastically. I love this cover by Noah, which turns the electronic … Continue reading → Read more at andPOP . andPOP – POP Culture with Substance Broadcasting platform : YouTube Source : andPOP.com Discovery Date : 10/05/2012 06:00 Number of articles : 2

It’s actually possible to have a classy version of LMFAO’s “Sexy and I Know It”

Justin Bieber’s “Boyfriend” Remixed By Ying Yang Twins: Listen

http://www.youtube.com/v/kb_jJgXyLqc

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Since many people’s first-listen reactions to Justin Bieber‘s single “Boyfriend” included comparisons to the Ying Yang Twins (specifically their 2005 track “Wait (The Whisper Song)”), it makes sense that the rap duo would make their own remix of the song. Well, not complete sense, apparently: “Ying Yang… and Justin Bieber?” questions the first line of the … More » Broadcasting platform : YouTube Source : Idolator Discovery Date : 09/05/2012 22:56 Number of articles : 2

Justin Bieber’s “Boyfriend” Remixed By Ying Yang Twins: Listen

Justin Bieber’s “Boyfriend” Remixed By Ying Yang Twins: Listen

http://www.youtube.com/v/kb_jJgXyLqc

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Since many people’s first-listen reactions to Justin Bieber‘s single “Boyfriend” included comparisons to the Ying Yang Twins (specifically their 2005 track “Wait (The Whisper Song)”), it makes sense that the rap duo would make their own remix of the song. Well, not complete sense, apparently: “Ying Yang… and Justin Bieber?” questions the first line of the … More » Broadcasting platform : YouTube Source : Idolator Discovery Date : 09/05/2012 22:56 Number of articles : 2

Justin Bieber’s “Boyfriend” Remixed By Ying Yang Twins: Listen

Who Is ‘The Voice’? Tony, Juliet, Jermaine And Chris Duke It Out

Final four also perform with their judges before the winner is chosen Tuesday night. By John Mitchell Jermaine Paul performs on “The Voice” Photo: NBC The final night of competition proved intense and tough to call Monday night (May 7) on “The Voice” as rocker Juliet Simms, singer/songwriter Tony Lucca, former R&B backup singer Jermaine Paul and classically trained Chris Mann brought everything they had to the stage hoping to land enough votes to take home the title in Tuesday’s live grand finale. But it wasn’t all business, as each of the final four also took the stage with their respective coach for a series of powerhouse performances that showcased the onstage chemistry born from both compatibility — looking at you, chill rocker boys Adam Levine and Lucca and vocal dynamos Christina Aguilera and Mann — and unlikely pairings (think country crooner Blake Shelton and Paul and funky soul man Cee Lo and Simms). First up was Team Blake’s Jermaine, who wasn’t taking any chances with his song choice, going straight for a mid-’90s jam that has practically become an R&B standard, R. Kelly’s inspirational “I Believe I Can Fly.” His simple, clean and emotional performance — Adam called it “elegant” — earned plenty of praise, with Christina admitting, “That song was made for you. You came out classy and positive.” Blake couldn’t have been more pleased, adding, “My heart is in my throat right now. I’ve heard that song a million times, but I don’t feel like I’ve ever really heard it before tonight.” As a surprise thank you to their coaches, the final four also hit the stage to sing one of their mentor’s biggest hits. Juliet Simms, looking great with newly raven locks and powering through throat issues that Cee Lo revealed at the top of the show, was up first with a rocking take on Gnarls Barkley’s “Crazy.” She was followed later in the show by Chris Mann singing Christina’s emotional ballad “The Voice Within,” Paul’s clean take on Shelton’s country hit “God Gave Me You” and Tony’s faithful rendition of Maroon 5’s “Harder to Breathe.” When it came time for the first coach/contestant pairing, Christina and Chris found a song that was so clearly recorded specifically for them to sing live on “The Voice” tonight, we wonder if Andrea Bocelli and Celine Dion had a crystal ball with them when they hit the studio. That song was “The Prayer,” and Xtina hit it on the nose during the rehearsal montage, saying, “We connected so perfectly together, it was effortless.” And they did, of course; the two were meant to perform together. The next competitive performance came from Team Adam’s Tony Lucca, who Adam admitted needed “another moment” (like his rock remix of Britney Spears’ ” … Baby One More Time” a few weeks ago) to increase his shot at winning the competition. He found it in a rockabilly reimagining of Jay-Z’s “99 Problems,” complete with a harmonica and washboard (like you’d use for laundry) for accompaniment. Unsurprisingly, Christina, who has taken issue with her former “Mickey Mouse Club” co-star often in the past, found fault in Lucca’s song choice, saying the B-word that Lucca muted from the song (but which we all know is there) was disrespectful to women. Adam was smartly ready for Christina to slag on Lucca, explaining that the term was more of a metaphor for all the things that drag you down. Indeed, Christina’s criticism of Lucca was so anticipated by Adam that while explaining the song choice, he ripped off his flannel to reveal a sparkling “Team Xtina” T-shirt that forced even the temperamental Aguilera to laugh off the obviously good-natured snarking. (Also, we’ll be needing one of those T-shirts. As a superstar musician, Adam, we have a feeling you know how to find us at MTV HQ in New York City.) Like Xtina and Chris, Cee Lo and Juliet managed to find a perfect song for their coach/contender performance, Steppenwolf’s “Born to Be Wild.” Their take on it, despite an abundance of studded leather and onstage motorcycles, however, fell kind of flat. (Lucky for Juliet, this wasn’t the performance that really counted for her.) We’re starting to wonder if Blake is getting jealous of Lucca, because it seems his bromance with coach Adam blossoms more and more each week, coming to a chemistry-filled fruition when the two hit the stage together to sing the Beatles’ “Yesterday.” Tony plucked the guitar, both crooned and, in all seriousness, the pair delivered a simple, clean take on the classic that left both grinningly pleased when they reached those key final chords. For his competitive performance, Mann went for his nearest peer in popular music, Josh Groban. It’s no surprise that Mann nailed “You Raise Me Up,” bringing his coach Christina to tears. Cee Lo called his voice “incomparable,” and it’s a fact that no one can argue. For their joint performance, Blake, who throughout the show has always proven a little more willing than the other judges (save maybe music Renaissance man Cee Lo) to step outside his comfort zone, leapt off the deep end and joined Jermaine for a funky, horn-filled “Soul Man” that was anything but country. It was a joyous and lively performance that makes us wonder if Adam is the one who should be jealous. There was definite onstage chemistry between Blake and Jermaine — and so another “Voice” bromance (we know, they hate that word, but we don’t care) is born. The night ended on a high note: Juliet Simms’ blistering tear into Lynyrd Skynyrd’s “Free Bird.” The only woman in the final four, Simms stunned in a Florence Welch-esque gown and cape that Christina Aguilera gave props to. From one diva to another, Xtina also offered Juliet words of encouragement, as she was also under the weather — though you might not know it from her performance. Juliet tore the song up, and along with an amazing accompanying guitar riff, it was a performance that simply screamed “rock star.” She earned a standing ovation from her judge Cee Lo, but it was Adam that perhaps gave the most astute observation, saying, “I have no grit in my voice and you have all of it.” Don’t knock yourself down, Adam, but you are right &8212; Juliet’s voice is one of a kind. With a Universal Republic Records contract on the line, we’ll learn Tuesday who America has chosen as “The Voice.” Which performance was your favorite of the night? Let us know in the comments below!

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Who Is ‘The Voice’? Tony, Juliet, Jermaine And Chris Duke It Out