Tag Archives: song

Linkin Park Bring A Thousand Suns To Life In New York

Band plays first show in nearly two years hours after new album hit stores. By James Montgomery Linkin Park’s Chester Bennington performs at Best Buy Theater on Tuesday Photo: Cory Schwartz/ Getty Images Over the past few months, or really, years, Linkin Park fans have been subjected to an unending stream of talk that the band’s new album would be a departure from their hard-riffing roots, instead forging heady, darn-near conceptual new territory from which there was no return. Early reviews of A Thousand Suns only seemed to confirm all that chatter, and it appeared that the Linkin Park of old was gone forever, that the once-snarling Dobermans had been replaced with a group of bespectacled Mr. Peabodys . And this was not good. But those fears can be put to rest. Because on Tuesday night — hours after that new album, A Thousand Suns, hit stores — Linkin Park played their first show in nearly two years (or, as Chester Bennington put it, “two f—ing years”) at the Best Buy Theater in New York. And though the tickets for the show prominently displayed the new album’s name, there was little of its calculated, claustrophobic conceptualism on display. Rather, this was a balls-out rock show, with some rapping and electronic frippery thrown in for additional impact. Or, in other words, it was just like a Linkin Park show of old. In fact, the band played just a handful of tracks from A Thousand Suns, peppering them in throughout a hit-packed, pummeling set. They opened with “The Requiem,” the first track on the album, which featured Mike Shinoda and DJ Joseph Hahn lit in moody silhouette, the former hunched over a synthesizer, repeating — in robo-coated vocals — the de facto mantra of Suns (“God bless us everyone/ We’re a broken people living under loaded gun”) with the latter providing ethereal harmonies. That washed into the sampled Robert Oppenheimer speech from the album, and then, the band now at full force, LP backtracked gloriously, hammering through older tracks like “New Divide,” “Faint,” “No More Sorrow” and “Given Up.” Those were met with thunderous cheers and a sea of fists thrust skyward, and with enough goodwill built up, the band worked the second Suns track into the set, the booming, rattling “Wretches and Kings,” which saw Shinoda and Bennington trade vocals and had the audience nodding along to the gut-punching beat. After a quick “thank you” — their first words to the audience all night — LP threw themselves into “Numb,” and then slowed things down exponentially with another new tune, “Iridescent,” which built slowly and solemnly on a Shinoda-played piano line and was met with a mixture of rapt attention and angry indifference, though most of that came from the tank-top-and-backward-ball-cap aggro set (and, it should be noted, the song climaxed pretty amazingly, with the band going five-wide on the chorus and the guitars soaring to the ceiling). The rest of the set played out in much that same fashion: The older stuff pummeled, peaked and powered (“Numb,” “Bleed It Out,” “In the End”), the new songs soared and stuttered and, yes, slightly mystified (“Burning in the Skies,” “Waiting for the End”), and it was pretty clear that A Thousand Suns was probably going to take a while to win some of the fans over. But, as Shinoda told MTV News last weekend, that’s sort of the point, really. And, perhaps to soothe those still hoping for a return to their Hybrid Theory days, Linkin Park opened their encore with current single “The Catalyst,” which, on this night, was cranked to the max and actually featured a good deal of chugging guitars (Bennington sang the hell out of it too). And then they closed with “What I’ve Done,” the first single off their last album that ticked off fans, Minutes to Midnight. And it’s worth noting that, in the three years since it was released, something rather amazing has happened to the song: It’s become a fan favorite, ranking right up there with their earlier, snarling stuff. There probably wasn’t intent behind the decision to close with it, but it’s not too hard to make the logical leap: Give the new songs time too, and see what happens. Patience is a virtue, after all. Related Photos Linkin Park Perform At Best Buy Theater In New York City Related Artists Linkin Park

Visit link:
Linkin Park Bring A Thousand Suns To Life In New York

50 Cent Explains G-Unit’s LED-Lit Outfits At Jay-Z/Eminem Show

‘Michael Jackson used to do that back in the day,’ 50 says. By Shaheem Reid 50 Cent Photo: MTV News Welcome back to Tri-State Stadium Status 50 Cent . The leader of the G-Unit hasn’t been seen in a major stadium in his hometown area since Hot 97’s 2004 Summer Jam at Giants Stadium , where he was involved in the infamous chair-throwing incident with some rivals from Queens. For years, fans have missed Fif and the Unit at the annual mega-concert. Well, last night, the Unit returned in their entirety during Eminem and Jay-Z’s Home and Home concert at Yankee Stadium . 50 Cent , Lloyd Banks and Tony Yayo appeared onstage together during the first of two stadium shows on two consecutive nights. Although later in the night, Drake and Jay-Z performed “Light Up,” it was the collective from Queens who literally lit up onstage, not just with “I Get Money,” “In Da Club” and “Beamer, Benz or Bentley” but with their illuminated clothes. “It’s at ease,” 50 said about coming out as Eminem’s special guest. The Unit also appeared at Jay and Shady’s shows in Detroit at Comerica Park. “I’m at ease. Before it’s time for us to go onstage, you’re watching a cool 35 minutes of the building being torn apart. You come out, the pressure is not there. The excitement of you coming out in the middle of that, you see the audience. You see the whole thing changes. I knew what kind of event it was. I made my vocations. I had them put lights on us and do different things you probably would only see … the last time I seen the LED lights was Chris Brown’s performance. [We perform in] different styles of clothes. It’s not like the suits he had on. Michael Jackson used to do that back in the day. So I just made it more hip-hop and brought that to the actual shows.” “It was crazy, man,” Tony Yayo said about his crew’s outfits. “Especially when the lights go off. LED lights on the jackets.” “It’s fun,” 50 chimed back in. “I’mma start doing different things performance-wise. Come outside of the box. Do different things that look like a show. Ninety percent of the time you’re watching hip-hop, you see a guy sings a song where … you can see him in that same outfit another day onstage. We can dress it up from time to time and do different things.” While Jay-Z brought out Drake, Kanye West, Nicki Minaj, Beyonc

Kanye West Earns Fans’ ‘Respect’ With ‘Runaway’

‘The song and performance were refreshing and real,’ one reader writes about ‘Ye’s VMA set. By James Dinh Kanye West performs at the 2010 VMAs Photo: Kevin Mazur/ WireImage Kanye West took an uncharacteristically modest stance at the 2010 Video Music Awards when he debuted his new track “Runaway.” His “toast to the douche bags” around the world garnered mixed reviews from MTV News readers but seemed to earn a lot of fans’ respect. Slimbodygal couldn’t help but give props to Yeezy for his seemingly self-deprecating lyrics : “Love this song!!! I have to give credit and have respect for anyone who recognizes when they are all those things he said in the song. At least he is not in denial like most people that are. I have to admit I can be an A hole at times, toasting myself!!!!” Musictomyears felt the VMA performance was a good first step back into America’s hearts: “It was the night’s only standing ovation. Strategically, if this doesn’t work, I don’t know what will. But based on the crowd’s reaction, it appears to have done the trick. It was a Kanye lovefest.” Even those who weren’t necessarily a fan of “Runaway” said Kanye did a great job of conveying the song’s message. “Lyrics were pretty clear to me, sounds like he’s calling himself out, saying he screws up like most of us do,” MTV News reader Travis wrote. “I would not necessarily call myself a fan but I respect his talent. With the media trying to pit him and Swift against each other , he showed a little refinement. The song and performance were refreshing and real. Maybe even redemption to some.” MTV News reader Angelica had a change of heart about the MC: “This song showed me that he hasn’t forgotten who he is and that he doesn’t sit on a high horse as we all thought he did. … Much respect.” But when it came to down West’s performance, Flip10 couldn’t help compare the rapper’s performance with Taylor Swift’s performance of “Innocent.” Admitting his appreciation for both acts’ honesty, he wrote: “Kanye tried too hard. I’m not gonna lie, I can’t stand Taylor Swift, but every word to her song was the truth. She speaks her mind, and so does Kanye. I respect that. We need more people like that. I hate the ‘cookie cutter’ singers.” Fkiawu wasn’t satisfied with ‘Ye’s song: “I’m sorry but this song was just awful! Why the hell would I or anyone else want to make a toast to douche bags, scumbags and a–holes?! If that’s the case, we might as well replace President Obama with The Situation. It’s just a very stupid idea.” A big-time Yeezy fan was offended that others weren’t able to comprehend the song’s subject matter, writing, “He has issues and everyone knows that but anyone who possesses a little common sense would see both him and Taylor’s performances were in reference to what happened,” Makesha wrote. “Did you all listen to what Taylor was saying in her song?? If she could forgive him who are any of you to say anything!” Do you think “Runaway” conveyed the proper message to fans? Sound off below! The Moonmen have all been handed out and the stars have gone home, but there’s plenty of MTV Video Music Awards news, interviews, behind-the-scenes scoop, party reports and more still to come, so keep it locked on MTVNews.com. Related Videos VMA All Access 2010 VMAs: Making The Show Related Photos VMA 2010: Performers Related Artists Kanye West

Visit link:
Kanye West Earns Fans’ ‘Respect’ With ‘Runaway’

VMA Winners List: Lady Gaga, Eminem And More

Miss any of the MTV Video Movie Awards? Here’s the rundown of the winners. By Rochell D. Thomas Lady Gaga accepts the award for Video of the Year at the 2010 VMAs Photo: Kevin Winter/ Getty Images In a move that surprised, well, no one, voters went goo-goo for Lady Gaga , crowning her the queen of MTV’s 27th Annual Video Music Awards. Gaga was nominated for 13 Moonmen but she took home only eight (largely because she was up against herself in a few categories), including statues for the heavy-hitter categories of Video of the Year, Best Pop Video and Best Female Video. The artist who opened the show, Eminem , came in a distant second with hardware for Best Hip Hop Video and Best Male Video. Unfortunately, Em had to leave the ceremony to catch a red eye to New York so he missed out on his own awards. Did you miss any of the VMA action? Just in case, here’s a list of night’s big winners. Best Dance Video: Lady Gaga, “Bad Romance” Best Collaboration Video: Lady Gaga featuring Beyonc

B.o.B, Hayley Williams Perform Rousing ‘Airplanes’ At VMAs

Bruno Mars also joins pair onstage for a medley of ‘Nothin’ on You,’ ‘Airplanes’ and Paramore’s ‘Only Exception.’ By James Dinh Hayley Williams and B.o.B perform during the 2010 MTV Video Music Awards Photo: Jeff Kravitz/FilmMagic They may have met for the first time on Saturday, but B.o.B and Paramore frontwoman Hayley Williams had real chemistry when they performed their hit “Airplanes” at Sunday’s Video Music Awards . Joined by Bruno Mars, B.o.B and Williams performed a medley that also included “Nothin’ on You” and Paramore’s “Only Exception” at the 2010. Beginning with this spring’s anthem “Nothin’ on You,” Mars crooned his way through the track’s chorus until an energetic B.o.B appeared on the other side of the Nokia Theatre stage. “Give it up to my homie, B.o.B,” Mars screamed. After bringing the song to a pause, B.o.B transitioned into his other 2010 smash, “Airplanes.” Decked out in a white ensemble, Williams walked through a misty entrance as she met the MC at center stage. “Can we pretend that airplanes/ In the night sky, are like shooting stars?/ I could really use a wish right now/ Wish right now, wish right now,” she belted. The duo sang smiling and dancing slightly side by side, as a lightning backdrop flickered in the background. With the song coming to an end, Williams walked to the back of the stage as “Only Exception” began to play. Joined by her band, the frontwoman grabbed a mic. As she sang the track, a sea of golden light bulbs were suspended above their heads. During rehearsals for the big performance on Saturday, MTV News asked B.o.B what fans could expect from his and Hayley’s VMA set. “I think just the fact that me and her are performing on the stage at the same [event] is gonna be spectacular,” he told us. B.o.B and Williams were nominated for Best Collaboration Video for “Airplanes,” but lost out to Lady Gaga’s “Telephone,” featuring Beyonc

Justin Bieber, Gaga, Sparkles And Lace Rule VMA Fashion

Selena Gomez, Florence Welch bring goddess glam to the white carpet. By Jocelyn Vena Justin Bieber at the 2010 VMAs Photo: Kevin Mazur/ WireImage There weren’t many guys on the MTV Video Music Awards white carpet who deviated from the night’s standard issue of leather jackets and skinny jeans, but the ladies certainly turned it out for MTV’s biggest night. Hey when you know Lady Gaga is going to be at the show, you have to step up your fashion game. Florence Welch of Florence and the Machine channeled a golden goddess in her lace and sequined gown, which added that touch of edge thanks to some corset detailing around her waist. Katy Perry also decided to go with flowery, lace detailing on her nude-colored dress with a white skirt. Selena Gomez just turned 18, and it showed when she stepped on the carpet. Like Welch, she went goddess in her silver strapless gown with blue sequined detailing. The ‘Hills’ girls represented, with Audrina Patridge opting for silver sparkles (lots of them) and Lo Bostworth in a gold-brocade one-sleeve mini dress. Ciara also wore lace and, like Perry, left little to imagination in her barely-there charcoal-colored dress. Ke$ha, meanwhile, flaunted her sky-high legs in her “garbage bag” dress (word is she made it herself), a long braid and super-high heels. Gaga didn’t disappoint, but she also didn’t look as strange as she’s been known to do (like at last year’s VMAs). Her warrior princess, a tribute to late pal Alexander McQueen, involved a feather Mohawk, blue-highlighted hair and a green-, gold- and rust-colored gown with taffeta detailing and printed with a Renaissance painting. If Selena was a Greek goddess, Gaga went to Italy and hung out with DaVinci. Of course, there were the male standouts, namely thanks to America’s favorite Canadian’s Drake and teen sensation Justin Bieber . Bieber hit the carpet in a vest, black T-shirt and skinny jeans and his usual swagger, while Drake ruled in a fitted black suit. The

Florence And The Machine Crank Out Explosive VMA Performance

VMA virgins deliver dance, drums and more in ‘Dog Days Are Over’ set. By Mawuse Ziegbe Florence and the Machine’s Florence Welch performs at the 2010 MTV Video Music Awards Photo: Kevin Winter/ Getty Florence and the Machine obviously know how to keep a promise. The U.K. group, fronted by crimson-haired songstress Florence Welch, told MTV News a few days ago that their MTV Video Music Award debut would be a load of kinda-choreographed chaos. And they were not playing around. The Machine served up an elaborate, soulful rendition of their multi-VMA-nominated, drum-driven jam “Dog Days Are Over.” Donning a drape-y pastel dress, Welch reclined on a rotating platform, red hair splayed about and clutching a gilded mic as she crooned the delicate opening notes to the breakout hit. As she continued to sing directly into an aerial camera shot, the lens pulled out to reveal seven blue-skinned, ’60s-bouffant-sporting vamps working synchronized poses around the platform. As the track ramped up, Welch stood upright and bounded around the stage, leading a throng of undulating dancers billowing across the set in wispy loincloths. The performance spliced together everything from modern dance to rural church revivals, as an army of drummers rocked out, smacking their instruments with impassioned fervor, and a choir lining the back of the stage dished out heartfelt cheer. Welch recently explained that the Machine sought to re-create the frenetic and ethereal vibe of the video, which also features a trippy array of vibrant percussionists and dancers decked out in out-of-this-world costumes. “What we’re trying to do is kind of encapsulate the video into a live performance,” Welch said. “There’s a lot of different characters in the video, and so I’m going to be trying to bring some of that. It’s just about the energy of the song, for me. It’s sort of energy and chaos.” Choreographer Travis Wall has also dubbed the performance “a huge celebration.” VMA executive producer Dave Sirulnick explained that the performance should establish the British newbies Stateside. “People have heard the song on television, but maybe those people haven’t made the connection to Florence the artist, so that’s part of what her performance is going to be about,” Sirulnick said. The big night continues for the VMA virgins, who scored four nods, including Best Rock Video, Best Art Direction and Best Cinematography . Florence and the Machine are still up for the coveted Video of the Year award. What did you think of Florence and the Machine’s VMA performance? Sound off in the comments below! The 27th annual MTV Video Music Awards are happening live, right now at the Nokia Theatre in Los Angeles! Keep it locked on MTVNews.com for the latest behind-the-scenes scoop, red-carpet interviews, photos, winner reactions and more. Related Videos VMA 2010: Most Talked About Moments Related Photos VMA 2010: Show Highlights Related Artists Florence and the Machine

Continue reading here:
Florence And The Machine Crank Out Explosive VMA Performance

Drake Says Rat Pack Inspired VMA Performance

‘I wanted to get up there and look fly,’ he tells MTV News. By Shaheem Reid, with additional reporting by Sway Calloway Drake Photo: MTV News LOS ANGELES — You know you’ve made it when the chorus from your song is quoted on “SportsCenter.” You know you’ve made it tenfold when you have a highly anticipated slot at the MTV Video Music Awards . Drake has both, with “you fancy, huh?” permeating pop culture, and on Sunday, you’ll see him team up on the big stage with Swizz Beatz and a very special guest, Mary J. Blige, for his debut VMA performance. “All I remember is that VMAs in Vegas, in the hotel,” Drake said Friday afternoon (September 10) in his dressing room at the Nokia Theatre. He had just finished rehearsing for a couple of hours. “I remember being at home … seeing Tyga perform with Wayne, and I was like, ‘Man, I gotta get my ball rolling. I gotta be there one day.’ It’s surreal, being on that stage.” And yes, Drizzy will be surrounded by several beautiful ladies and one lovely Queen. “Fancy” was originally slated to be a Mary record , before eventually making its way to Thank Me Later. Drake and the song’s producer, Swizz Beatz, decided to keep her vocals on the hook of the song. “Her vocals are what make it so sweet,” Drake beamed of having MJB perform with him. “What’s more classy, more fancy than Mary J. Blige? I’m not sure. She is the epitome of class, in my opinion. It’s more of a real theater production than it is a performance. It’s really a lot of acting.” If rehearsals are any indication, Drake’s performance will be reminiscent of the up-to-date Sinatra cool in his VMA promo spot . “I watched the Rat Pack live at the Copa Room,” Drake recalled. “It was just so relaxed. They were smoking cigarettes and drinking Jack. It was women everywhere. It wasn’t, ‘Let’s just rap and be epic and be huge.’ They were like, ‘I really run this. Me and Sammy and Dean.’ I wanted to get up there and look fly.” Are you looking forward to Drake’s VMA performance? Let us know in the comments! Related Videos Drake’s First VMAs VMA 2010 Exposed Related Photos VMA 2010: Rehearsals Related Artists Drake

See the rest here:
Drake Says Rat Pack Inspired VMA Performance

Justin Bieber Raps On Our World Mixtape With Sean Kingston

‘Eenie Meenie’ pal says Biebs’ MCing is ‘nice for someone who doesn’t do it that much.’ By Jocelyn Vena, with reporting by Jim Cantiello Justin Bieber and Sean Kingston Photo: Larry Marano/ Getty Images First they collaborated on “Eenie Meenie,” and then they hit the road together on Justin Bieber’s My World Tour . Now, the pair are set to release a mixtape together — which Kingston teased would feature Biebs’ sweet vocals and some rhymes. “It should be out in, like, three weeks,” Kingston told MTV News. “It’s amazing! It’s the exclusive. Justin Bieber, Sean Kingston, it’s called Our World. It’s amazing.” Kingston even teased a song or two fans will hear on the soon-to-be-released mixtape of covers. “We did [Travie McCoy’s] ‘Billionaire.’ We did [Soulja Boy Tell’em’s] ‘Pretty Boy Swag.’ We did so much stuff. We just took the beat over and made it our own.” In fact, Bieber, who has rapped at times, will be displaying his skills on the mixtape. “Yeah, he’s doing some rapping,” he teased. “[He’s] pretty tight, nice for someone who doesn’t do it that much.” Until the mixtape hits the shelves, Kingston is gearing up to support his pal at the VMAs, where Bieber is performing and up for Best New Artist. And he even has a date in mind. “I think I’m gonna [bring] my mom,” he said. “After the VMAs, I drop her back off, and then it’s time to party.” Speaking of that party known as the VMAs, the night’s host, Chelsea Handler, admitted that Bieber’s music really speaks to her. “He knows so much about romance,” she said. “If you listen to the lyrics of ‘Baby, Baby, Baby,’ or is it just called ‘Baby’? I have to say it three times, ’cause it makes my heart thump. He’s obviously been around the block. I mean, I don’t know why he’s pretending he’s not a sexual deviant, because he is.” The 27th annual MTV Video Music Awards will be broadcast live from the Nokia Theatre in Los Angeles on Sunday. The party starts with MTV News’ VMA Pre-Show at 8 p.m., followed by the main event at 9 p.m. ET/PT. Fans can go to VMA.MTV.com (or text VMA to 97979 if they are Verizon subscribers) to vote for Best New Artist from now through Sunday. Related Videos VMA Artist Access: Sean Kingston Related Photos 2010 Video Music Awards Performers And Presenters VMA 2010: Behind The Scenes At The Promo Shoot Related Artists Justin Bieber Sean Kingston

Read more:
Justin Bieber Raps On Our World Mixtape With Sean Kingston

Linkin Park Will Take Over An L.A. Landmark For VMAs

We can’t reveal exactly where they’ll perform ‘The Catalyst,’ but here are some clues. By James Montgomery Linkin Park Photo: Warner Bros. The fact that Linkin Park are performing their brand-new single “The Catalyst” at the Video Music Awards isn’t a secret anymore, but just where they’ll be performing it is … and fans won’t find out until they tune in to the show on Sunday night. Here’s what we can reveal: Since LP will be performing the song for the first time on TV, and since the song itself is so positively ginormous, they’ve decided on a location that’s certifiably epic. And given the fact that the VMAs are being held in Los Angeles, producers — and the band — decided to take over a thoroughly iconic space. And … well, that’s about all we can tell you right now. “In previous years, we had such a terrific themes. Last year, we were in New York, and so there was a New York, ‘West Side Story’ through line to the show,” VMA executive producer Jesse Ignjatovic told MTV News. “So obviously, we wanted to do the same thing in LA. And we’re looking back towards another era — in the architecture of set and some of the performances — we’re thinking of iconic films from the ’50s and youth culture, and all of a sudden, this location became first and foremost.” Having decided on a spot, the VMA brain trust took the idea to Linkin Park, who signed off without a second thought. After all, they know the location well. “They were so excited, being an L.A. band, to be able to do a performance in a location like this,” Ignjatovic said. “It’s such a significant location to anyone who lives in Hollywood and Los Angeles. And we honestly can’t believe we got it.” With a location that matches the soaring soundscapes of “The Catalyst,” Ignjatovic and his crew set about finding an appropriately huge way to capture it all. Which, of course, meant plenty of eye-popping aerial shots. “It’s an epic song and an epic location, so, in true Hollywood cinematic style, you want to have breathtaking aerial shots,” Ignjatovic said. “The whole idea is scale and beautiful visuals. It fits perfectly with the song. It’s going to be awesome, trust me.” Where would you want to see Linkin Park perform “The Catalyst”? Share your ideas in the comments below. The 27th annual MTV Video Music Awards will be broadcast live from the Nokia Theatre in Los Angeles on Sunday. The party starts with MTV News’ VMA Pre-Show at 8 p.m., followed by the main event at 9 p.m. ET/PT. Fans can go to VMA.MTV.com (or text VMA to 97979 if they are Verizon subscribers) to vote for Best New Artist from now through Sunday. Related Videos Linkin Park’s ‘The Catalyst’ Premieres Related Artists Linkin Park

Follow this link:
Linkin Park Will Take Over An L.A. Landmark For VMAs