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‘American Idol’ Report Card: Who Was A Star On Movie Night?

Crystal earns an Excellent grade for her ‘Caddyshack’ cover; Big Mike’s ‘Free Willy’ fails. By Eric Ditzian Crystal Bowersox performs on “American Idol” Tuesday Photo: FOX The numbers in our “American Idol” classroom are dwindling, and that’s forcing producers to get creative. Thus Tuesday night’s Songs of Cinema theme introduced a dose of group work into the live show, as the top four contestants sang a couple of duets in addition to their familiar individual efforts. The ensembles proved to be the night’s saving grace. Before we dole out the grades, we’ve got an extra credit question for the “Idol” conspiracy theorists among you: What was the thinking behind pairing Crystal Bowersox with Lee Dewyze and Michael Lynche with Casey James? Hmmmm. And how about a bonus extra-credit question: What does it mean that for three out of the four contestants, their duets were far superior to their solo performances? In any event, “American Idol” is a competition for individuals, and the singers must be graded on this basic fact: How did each one fair? That’s exactly what we plan do as we push forward with another edition of our “American Idol” report card. (And don’t miss Jim Cantiello’s recap of their performances in the MTV Newsroom.) Excellent Crystal Bowersox : Her blown-glass mic stand was back, and so was MamaSox! After two straight weeks of adequate, if not revelatory, performances, the 24-year-old stormed back with a truly unlikely performance. A song from freakin’ “Caddyshack” ? Really? And yet, the country-rock makeover she gave Kenny Loggins’ “I’m Alright” simply worked. By now we hardly have to mention that her vocals were on point; they’re always on point. And then her duet with Dewyze (“Falling Slowly” from “Once”) showed off such easy chemistry, such likability, we’d say she might just have locked up the competition. But we already knew that, right? Good Casey James : Casey probably should have known better, picking “Mrs. Robinson” after his entire story arc this season has boiled down to a cougar-rific connection to Kara DioGuardi. Wise or not, the song — with its mandolin-driven bluegrass feel — was a pleasing choice that stayed well within James’ vocal abilities. Was it a bit lazy, as Simon Cowell suggested? Perhaps. But we’d take a few more weeks of “Mrs. Robinson”-esque ditties rather than James back in his bar-band rocker mode. Meanwhile, his duet with Big Mike of Bryan Adams’ “Have You Ever Really Loved a Woman?” was an even stronger performance. It’s going to be very interesting to see what happens between these two singers come elimination time. Satisfactory Lee Dewyze : We’ve known for a long time now that Dewyze suffers from persistent pitch problems. Have those deficiencies ever been on display as glaringly as they were during Seal’s “Kiss From a Rose”? As the judges pointed out, that tune is a crazily difficult one to pull off, and Dewyze simply wasn’t up to the challenge. He did little to change up the tune, and while we wouldn’t go so far as to label the performance “karaoke” — as Cowell did — we will say that it was a colossal disappointment from a singer who’s supposed to be giving Bowersox a run for the “Idol” crown. Luckily for him, he was paired with MamaSox for his duet, and he rode her dreadlocks to the highest praise of the evening. Unsatisfactory Michael Lynche : Big Mike gives us our toughest call of the night. Was he merely OK during Michael Jackson’s “Will You Be There,” or truly subpar? We enjoyed the gospel choir backing him up, but there’s no getting away from the roller-coaster path of his vocals from beginning to end. But in the end, Big Mike ends up at the bottom of our grading curve for making the worst song choice of the evening. Even Ellen DeGeneres couldn’t help but mock the selection, calling “Free Willy” “one of the classic, great movies of all time.” If you believe that one, you might also believe that Big Mike has a shot at winning “Idol” season nine. How would you grade the contestants’ movie-night performances? Post your report cards in the comments. Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season Nine Performances

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‘American Idol’ Report Card: Who Was A Star On Movie Night?

Watch American Idol Season 9 Episode 38 – Top 4 Performs Live!

Watch American Idol S9E38: Top 5 Performs Live! The Top four remaining finalists will now take the stage to perform the songs from the movies as the theme of the evening and they will be mentored by movie star, Jamie Foxx for their practice sessions of songs that they have chosen. The four top remaining idol finalists are: Michael Lynche,

Crystal Bowersox Shines On ‘American Idol’ Movie Night

‘After that performance, you, Crystal, are back in the game,’ critiqued judge Simon Cowell. By Eric Ditzian Crystal Bowersox on “American Idol” Tuesday Photo: FOX Would it be a blockbuster or a bomb? That was the key question heading into Songs of the Cinema Night on Tuesday’s (May 11) “American Idol,” a theme whose approved song list heavily favored a perplexing mix of tunes from golden oldies, ’80s action flicks and Disney cartoons. And while this Hollywood-centric episode might not be the stuff of awards-season glory, the “Idol” crew handled themselves well in front of the camera. Crystal Bowersox shined like a seasoned A-lister and made Lee Dewyze look like a breakout star during their duet. Meanwhile, Casey James and Michael Lynche proved they just might not be bankable solo stars at this point in the competition. Dewyze got the night started with “Kiss From a Rose,” a nod back to season eight contestant Danny Gokey, thanks to mentor Jamie Foxx. During the pre-performance video, the Oscar-winning actor got up in Dewyze’s face as he did with Gokey last year, giving the singer what Foxx called the Michael Mann treatment (a reference to the famously intense director of “Miami Vice” and “Collateral”). “Yeah, it’s different,” said a visibly uncomfortable Dewyze of his mentor’s approach. Dewyze brought that unease to the stage during his straightforward take on Seal’s hit from “Batman Forever.” His higher register was simply not up to the song’s requirements. Ellen DeGeneres alone was impressed with the rendition. Randy Jackson wanted to see more of a rocker attitude and more of an effort to switch up the song’s arrangement, while Simon Cowell laid down one his most dreaded analogies: “That was verging on — I’m afraid to say — karaoke,” the Brit judge said. And so the night proceeded on from karaoke to what DeGeneres mockingly dubbed “one of the classic, great movies of all time.” Yes, Michael Lynche selected a tune from “Free Willy,” one sung by Michael Jackson but nonetheless made famous in a movie about a boy’s enduring friendship with an Orca whale. Foxx was not impressed during rehearsals, nor were the judges when they heard his live version. Backed by a choir and with a lovely gospel vibe to the song, Big Mike sounded perfectly lovely. But Kara DioGuardi nailed it when she said, “You played it safe. What you did tonight, you can do in your sleep.” Just as Kara wished Lynche had done something in the vein of past R&B performances like “This Woman’s Work,” Jackson wondered why Big Mike abandoned what is so clearly his strongest genre. “You’re an R&B dude,” said the disappointed judge. “I wish you’d chosen something R&B.” Next came the first duet of the season, as Dewyze and Crystal Bowersox teamed up onstage. Facing each other with guitars sandwiched between them, they traded and shared lyrics from “Falling Slowly,” a beautiful number from “Once.” It marked a welcome return to form for Dewyze and a stunning debut for MamaSox. His growly tone contrasted nicely with her innate bluesiness. The judges then took turns trading superlatives to describe the performance. “One of my favorite moments from the entire season,” said DioGuardi, seconds before Cowell declared, “I don’t know if I’d call that a good song. I’d call that a fantastic song.” It was a tough act to follow, but as they say in showbiz, the show must go on! And on came Casey James with a ukulele and a bluegrass-tinged take on “Mrs. Robinson,” the Simon & Garfunkel classic from “The Graduate.” Foxx seemed to be channeling DioGuardi when he asked the singer to seduce him during rehearsals. The seduction didn’t necessarily pay off. “For me, this is you fighting to stay in the competition,” DioGuardi said as she pointed out how Casey’s more comfortable standing back and rocking out. “For me this was actually a good choice.” That was less of a compliment than it might sound in print. Cowell was more direct when he said, “I didn’t think the song or the performance had the substance required on this important night for you. … I thought it was a little bit lazy and I think you could have made more of an impact.” After the break, Bowersox headed back onstage for a country-rock version of Kenny Loggins’ “I’m Alright” from the comedy “Caddyshack.” Like the movie, her rehearsal was marked by some foul language. But by the time of her live performance, MamaSox had found her form. The judges feted the 24-year-old for switching the song up far more than any of the other contestants dared during their performances. Both DioGuardi and DeGeneres announced that she “made it better.” Cowell, who had criticized Bowersox in recent weeks, welcomed her back by saying, “After that performance, you, Crystal, are back in the game.” To finish up the night, Big Mike and James sauntered back onstage for another guitar duet. Though it lacked the energy on display during Bowersox and Dewyze’s performance, their take on Bryan Adams’ “Have You Ever Really Loved a Woman” was still far better than either man’s individual effort. “The duets tonight were incredible,” said DioGuardi, summing up the judges consensus. “They were better than all of the solo performances.”

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Crystal Bowersox Shines On ‘American Idol’ Movie Night

Miley Cyrus Shares ‘Credit’ For ‘Can’t Be Tamed’ Video

‘Amazing’ director and choreographer helped come up with concept, Cyrus tells MTV News. By Jocelyn Vena, with reporting by James Lacsina Photo: MTV News Miley Cyrus might have taken some major strides toward her post-Disney career with the sexed-up video for “Can’t Be Tamed,” but the singer didn’t do it alone. When it came time to create a concept for the slick clip — for the title song from her upcoming June album — her director and choreographer helped the star get creative. “I worked with Robert Hales, who is an amazing director,” she raved to MTV News about Hales, who has also worked with Demi Lovato, the Jonas Brothers and Justin Timberlake. “And again, I didn’t look at any of his work he’s done previously. I don’t even know really what he’s done previously.” Instead, the two focused on what they could do now that Cyrus is beginning to plot out life after “Hannah Montana.” “I just know that when we talked and what I said, he got excited and envisioned it the way I did,” Cyrus said. “And that’s what I wanted. I wanted someone that would get excited about it, and he was. So it was awesome. My choreographer, Jamal [Sims], also helped me come up with the concept. … I definitely am not going to take full credit.” The result of her collaboration is a clip that, according to Miley , can’t be compared to previous music videos. “I made a big point to everyone that I didn’t want anyone else to watch a music video and show me and say, ‘This is what I think we should do,’ ” she said. “I don’t think it looks like any other music video. I think if we would have looked at another music video or listened to another song or looked at a different artist, it could have easily [been influenced].” What do you think of Miley’s moves in the “Can’t Be Tamed” video? Tell us in the comments! Related Videos MTV News Extended Play: Miley Cyrus

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Miley Cyrus Shares ‘Credit’ For ‘Can’t Be Tamed’ Video

Crystal Bowersox’s Musical Mentors Saw ‘Idol’ Hopeful’s Promise Early

Toledo, Ohio, musicians Ron Rasberry and Bob May share memories of the ‘American Idol’ favorite. By Gil Kaufman Photo: Ray Mickshaw / FOX TOLEDO, Ohio — Ron Rasberry has been playing music his whole life and has seen plenty of good players come and go. But when the amiable, redheaded guitar strummer with the glint in his eye spotted a 13-year-old Crystal Bowersox more than 10 years ago, he knew he was seeing a rare talent. “I was hosting an open mic night, and she was there already … sitting at the table with her ma, and I asked the bartender, the owner, ‘Who’s that?’ ” recalled Rasberry last week of the season-nine “American Idol” front-runner. He learned soon enough who she was when Bowersox got up and sang Jewel’s “You Were Meant for Me.” “Of course, she got up there and played and then sang and … she was amazing,” he said. “She was a showstopper then.” Bowersox followed up that performance with an original, one of several she’d already written at that tender age. Thus began a musical friendship that endures until this day. Rasberry — who has been playing local bars for most of his adult life — has seen his young prot

Olivia Newton-John Will ‘Really Surprise’ ‘Glee’ Fans With ‘Physical’

‘It’s not your mama’s Olivia Newton-John,’ musical producer Adam Anders says. By Jocelyn Vena, with reporting by Audrey Kim Olivia Newton John Photo: Gustavo Caballero/ Getty Images Olivia Newton-John is coming to Sue Sylvester’s (Jane Lynch) rescue on Tuesday’s (May 4) episode of “Glee.” The episode will see the Australian pop singer/actress and the cheerleading coach remake the famous “Physical” video, after a video of Sue jazzercising is leaked. “I totally geeked out when she started singing ‘Physical,’ ” “Glee” musical producer Adam Anders told MTV News about the duet between Newton-John and Lynch. “I was like, ‘What’s happening?’ She sounds exactly the same! But this is a whole new version of it. You’ll be really surprised to hear it. It’s not your mama’s Olivia Newton-John.” Anders also promised that viewers will find the “Grease” star’s appearance in the episode organic. “You can say what you want about it, but this show is real,” he said. “At the heart of it, it’s about real issues, real stories. When the music brings those stories out, it’s really powerful.” Though Kristin Chenoweth and Idina Menzel have already graced the show this season, and Neil Patrick Harris has a guest appearance coming up, Anders maintains that the show’s real star is the music. “The best part of ‘Glee’ is introducing new music to an older generation and old music to a newer generation. There’s so much great music. We all listen to music in a vacuum, then we’re exposed to things and love it. Olivia Newton-John is an example of that. “It’s a perfect marriage between the songs that were chosen and the storyline. When that happens, it moves people,” he continued. “Music, at the end of the day, is all about emotion. When you get that reaction, people are gonna buy it.” Are you excited to see Jane Lynch and Olivia Newton-John get “Physical”? Tell us in the comments! Related Videos ‘Glee’ Season 1 Clips Related Photos What Other ‘Glee’ Music Videos Do We Want To See? ‘Glee’ Returns For 2010 Related Artists Olivia Newton-John

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Olivia Newton-John Will ‘Really Surprise’ ‘Glee’ Fans With ‘Physical’

Watch American Idol Season 9 Episode 36 The Five Finalists Take The Stage Live Online Stream Video

Watch your favorite Reality TV series “ American Idol ” with its new episode entitles “ The Five Finalists Take The Stage Live ” that released May 4, 2010. It’s a best show that you gonna wish to watch all the time. Get it free through streaming online. Current show and replays are always available on the specified television online. Synopsis of the episode: The five remaining finalists take the stage to perform Live for the nation! After the performances, it is once again up to America to vote. Tune in to see who sizzles and who fizzles. Tonight’s Theme Is: Frank Sinatra Songs Tonight’s Mentor Is: Harry Connick Jr. Performing Tonight Are: Aaron Kelly Casey James Crystal Bowersox Lee Dewyze Michael Lynche. (from TV viewer) To get access, visit and watch it here: American Idol Season 9 Episode 36 The Five Finalists Take The Stage Live or Watch it HERE . Watch American Idol Season 9 Episode 36 The Five Finalists Take The Stage Live Online Stream Video is a post from: Daily World Buzz Continue reading

Christina Aguilera Defends ‘Not Myself Tonight’ Video

‘I never claimed to be a cookie-cutter soccer mom,’ singer says. By James Montgomery Christina Aguilera in her video for “Not Myself Tonight” Photo: RCA Christina Aguilera ‘s brand-new “Not Myself Tonight” video is certainly jaw-dropping, a three-minute run of barely-there outfits, extended S&M-inspired sequences and a whole lot of guy-on-girl groping. But in an interview with “Access Hollywood,” Aguilera defended the clip, saying that it shows off her wild side, which she’s not shying away from just because she’s a mother. “Mama still has to be me,” she said. “I never claimed to be a cookie-cutter soccer mom. That’s all good for some people. Not for me.” Aguilera — who, in previous interviews, has cited her two-year-old son, Max, as an inspiration for the songs on her upcoming Bionic album — said that she doesn’t think the video is inappropriate, and added that just because she’s a mother, it doesn’t mean that she’s not also an artist, one who deals honestly and frankly with the subject of sexuality. “[Max] is going to grow up in a household where he knows mommy expresses herself artistically and some of that will have to reflect itself sexually too, at times,” she said. “He’s going to learn to respect the fact that women are allowed to express themselves and not feel shameful about their bodies or their sexuality.” She added that while Max is already a fan of the songs on Bionic (which is due June 4), he’s not shy about expressing his allegiance to another of his mother’s pop contemporaries. “He’s really into Rihanna,” Aguilera said. “And he does say ‘Put in mama’s song! Put in mama’s song!’ And then he goes, ‘Go cazy! Go cazy!’ It’s so cute.” Related Photos Christina Aguilera’s ‘Not Myself Tonight’ Video Pop-Culture Cheat Sheet Photos Related Artists Christina Aguilera

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Christina Aguilera Defends ‘Not Myself Tonight’ Video

‘American Idol’ Shania Twain Week: What Should The Top Six Sing?

We pore through Shania’s country/pop catalog to find suggestions for the finalists. By Eric Ditzian “American Idol” top 6 with Shania Twain Photo: FOX Season nine’s “American Idol” theme weeks have veered from the Rolling Stones to John Lennon and Paul McCartney to Elvis Presley to … Shania Twain ? Yes, Tuesday’s (April 27) show has poured its annual country-music week through the funnel of Twain’s songbook. Is this the weirdest theme in this history of the show? That’s a question we’re asking in a poll over on MTV’s Newsroom blog . At this point, what we can say for sure is that, for better or worse, Crystal Bowersox and her band of merry “Idol”-ers are stuck with Twain’s catalog. How familiar were they with her discography? How familiar is anyone with her discography? We confess we had to go back into the vaults to catch up with Twain’s career since her 1993 self-titled debut album. What we found was a mix of familiar hits and oodles of ’90s country tracks that have not exactly stood the test of time. The task for the top six will be to contemporize these tunes and hope Simon Cowell doesn’t slap them with his dreaded “old-fashioned” or “karaoke” labels. The pitfalls are many. And we must remember that country week is typically thought of as the show’s great equalizer, with front-runners stumbling and back-of-the-packers soaring. Last year, Adam Lambert misfired during Johnny Cash’s “Ring of Fire” (“Absolute indulgent rubbish,” Cowell said), while Anoop Desai’s “Always on My Mind” had the Brit judge declaring, “Zero to hero!” Who will be this season’s countrified hero and zero? Here are our picks to keep the “Idol” kids going strong. Crystal Bowersox MamaSox scored a live-show home run back in March with Janis Joplin’s “Me and Bobby McGee,” a cover that began softly and built to an almost country/rock denouement. She should hearken back to that performance with a slowed-down take on “No One Needs to Know,” ditching the original’s adult-contempo rockabilly heart and concentrating on a simple, acoustic intro that gives way to a soul-infused, full-band jam. As with so many songs on Tuesday, it’s going to be all about the arrangement. Lee Dewyze With his passionate take on “The Boxer,” the 24-year-old is coming off his strongest performance of the season. What was the key? Tempo. Dewyze would be wise to once again keep things … sloooow. Twain’s “(If You’re Not in It for Love) I’m Outta Here!” has got some inherent swinging energy, and if the guitar-toting Dewyze opts for a stripped-down arrangement that makes ample way for his growly vocals, he could have another winner on his hands. Siobhan Magnus Out of all the “Idol” hopefuls, we fear Siobhan might have the most trouble with a country-driven theme. Because while we’ve seen her try on many different personas this season, country crooner is one that just doesn’t seem to fit. What has worked well for Siobhan in the past is keeping things slow — see the first section of her “Paint It Black” — and cascading her energy through a dark, teen-angst filter. She should take “Forever and for Always” and its vaguely ’80s-pop feel for a leisurely stroll on the “Idol” stage. Casey James James has struggled recently when trying to go the straight-up rock route. Last week, during Fleetwood Mac’s “Don’t Stop,” he sounded like a poor man’s Huey Lewis. Listen to what we — and Kara DioGuardi — have been telling you for weeks and go acoustic, just like you did during John Lennon’s “Jealous Guy” or Bryan Adams’ “Heaven.” And you know what? Take a risk at the same time. We suggest a super stripped-down (and smoldering!) cover of “You’re Still the One.” Seriously. Michael Lynche This is the week we’re hoping Big Mike decides he’s an R&B artist and not a soft indie rocker. In a weird way, we can totally see the hulking guy doing a solid R&B reworking of “From This Moment On.” Close your eyes and just listen to Twain’s version and you’ll see what we’re talking about. Aaron Kelly Oh, the many hazards for 16-year-old Kelly on this Week o’ Shania! Our gut instinct is to enumerate all the songs the kid simply must avoid on Tuesday night. But jeez, we’re not sure it matters. As many brushes with the bottom three as he’s had this season, Kelly manages to stick around the competition. Is this the week his luck runs out? And will the song he sings have any bearing whatsoever on his fate? Somehow, we doubt it. In that case, let’s have some fun. Twain’s bizarre 2007 brush with club music would be … amazing! Everybody say it together: “Ka-Ching!” What do you want the top six to sing for Shania Twain Week? Let us know in the comments! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Videos ‘American Idol’ In 60 Seconds Related Photos Crystal Bowersox’s ‘American Idol’ Experience ‘American Idol’ Season Nine Performances Related Artists Shania Twain

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‘American Idol’ Shania Twain Week: What Should The Top Six Sing?

Oprah Winfrey to feature Justin Bieber and Charice on May 11

The May 11 episode of the Oprah Winfrey show is set to feature two young stars who both gained popularity through internet juggernaut wesbite, YouTube . 16-year old Justin Bieber , whose album My World 2.0 is currently #1 on the Billboard 200 Albums, is set to appear and perform.  He will be promoting the tour in support of his hit album which begins this summer. Bieber began his mainstream career after his YouTube videos were seen by former marketing exec for So So Def and now his manager, Scooter Braun.  Braun set him up to meet with Usher and Island Record execs where he auditioned, and the rest is music history. In one year since he released his first single, Bieber now has numerous Top 40 hits and a platinum album to his name. Charice Charice (full name Charice Pempengco) on the other hand, is fast becoming one of the music industry’s hottest new artists. She was recently described by The New York Post as the “newly crowned pop princess”, having performed alongside big name acts like Celine Dion, David Foster and Andrea Bocelli. Charice also gained popularity through YouTube. Hailing from the Philippines, she was invited to perform for major international shows like “ The Paul O’Grady Show”, “ The Ellen Degeneres Show ” and “ The Oprah Winfrey Show “. Her single “Pyramid” featuring Iyaz is currently #7 on the Billboard Dance Songs Chart, and she is set to release her debut album on Oprah on May 11,  a day after she turns 18. Oprah Winfrey to feature Justin Bieber and Charice on May 11 is a post from: Daily World Buzz Continue reading