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Crystal Bowersox And Lee DeWyze ‘In It To Win It’ On ‘American Idol’

Casey James seemingly punches his ticket home with lackluster pre-finale performance night. By Gil Kaufman Crystal Bowersox Photo: FOX It’s down to three, and if this season (or any season, frankly) of “American Idol” has taught us anything, it’s all about song choice. Left to their own devices, the top three mostly blew it on Tuesday night with their selections, with only Lee DeWyze earning lukewarm praise for his pick, while Crystal Bowersox and Casey James both elicited tepid responses. Things turned around in the second half when all three got thumbs-ups from the judges (who also happened to pick the songs), and DeWyze sprinted ahead of the pack with a powerhouse performance of the oft-covered Leonard Cohen soul-stirrer “Hallelujah,” which has been the savior of many an “Idol” contestant. First up, though, was Cool, Texas’ James, who chose little-known singer Eric Hutchinson’s 2008 song “OK, It’s Alright With Me,” a tune he said felt like something he could have written. James sang the bouncy pop tune in his signature bluesy rasp and smiled his way through the peppy lyrics, earning a clap-along from the pumped-up audience but clearly not impressing the panel. Randy Jackson said it was just all right and deemed the song choice too safe and easy, and Ellen DeGeneres agreed, reminding James that what he really needed to do was blow the crowd away. “The problem is, it is arguably the most important night of your life,” Simon Cowell said. “You’re lucky you’ve got two song choices, because I would compare that first song to if you were having dinner, that’s the salad. In other words, there’s something more hopefully substantial to come.” He ended by saying James appeared to be busking for change rather than competing to win. Bowersox went with a more recognizable song, picking “Come to My Window” by Melissa Etheridge, a song that seemed like an obvious choice for her voice and blues-mama style. Opening with some Bob Dylan-esque harmonica and finger-picked acoustic guitar, the Elliston, Ohio, native came out a bit wobbly with the first couple of lines but soon found her vocal footing and leaned into the choruses with her big, brassy voice, biting into the passionate lyrics and displaying her signature sass. Kara DioGuardi thought she got lost in the arrangement a bit but still brought a decent vocal. Jackson also didn’t love the arrangement but said Bowersox rose above with her vocals and won him over. Cowell agreed and gave her props for never once compromising during the entire competition. “You came out here and you just decided to do what is you,” he said. “It’s a very honest performance, and I think you probably made the right choice.” Also slinging his acoustic guitar was Mt. Prospect, Illinois’ Lee DeWyze, who said the lyrics to Lynyrd Skynyrd’s “Simple Man” — a tune he has frequently performed at karaoke bars with his hometown pals — have always spoken to him. Starting out solo acoustic, DeWyze didn’t change up the arrangement of the classic-rock ballad too much but still managed to put his patented bar-band-crooner stamp on the tune. After asking him why he chose the song — Lee explained that it just makes him happy — Cowell said Lee picked well. “I don’t think you won round one; I think you just crushed the other two,” Cowell said. Comparing him to a “little baby lamb” when they first met him, Ellen busted out another of her bizarre metaphors and said Lee’s blossomed into a carefree impala. Randy agreed that it was a brilliant song choice and growled, “Somebody here is feelin’ like they could win!” Kara said he did what every wannabe “Idol” winner needs to do: show dynamics and pick a song that has meaning, calling round one for DeWyze. For their judges’ pick, Randy and Kara went with John Mayer’s “Daughters” for James, saying it fit his commercial appeal to women. His eyes narrowed in concentration, James gently strummed an electric guitar, accompanied by some subtle piano and acoustic guitar, as he played a straightforward, smoldering jazz cover of the only contemporary song in the mix, making some flirty eye contact with the camera, and, seemingly, some ladies in the crowd. “This fits you like a glove, and I hope that you continue in this direction,” Jackson enthused, seconded by DioGuardi, who said the song showed his more artistic, vulnerable side. Cowell couldn’t help but laugh at Kara’s commendation of her song choice, saying he liked the performance but had an issue with the “lazy” arrangement and held his fellow judges responsible for not providing James with a “moment.” Ellen gave Paul McCartney’s “Maybe I’m Amazed” to Crystal, hoping it would help show off MamaSox’s range. Sitting on the stairs to start, Crystal put some gospel grit into the tune as she made her way down the stage, growling the lyrics (without changing the gender pronouns!) and putting some serious soul fire on the subtle solo hit from the ex-Beatle. “I couldn’t have asked for more. That’s what I was hoping you’d do, and you did it,” smiled DeGeneres, after Jackson shouted, “Great song, great vocals, and America, we got somebody else in it to win it!” Kara praised her for putting down the guitar and showing off new parts of her voice. “What you’ve proved after that performance is that you’ve got soul,” said Cowell, who was initially wary of the song choice. “You worked outside of your comfort zone, and after that, you may be thanking Ellen next week for putting you in the final. That was terrific.” Going back to a song that has been pay dirt for several former “Idol” contestants, Cowell chose Leonard Cohen’s “Hallelujah,” which the judge said he suspected DeWyze could knock out of the box. Backed by a string section and a gospel choir and bathed in white spotlights, Lee poured all of his gravelly spirit into the song, his voice rising to meet the ascending arrangement before climaxing with a sustained note that earned him a standing ovation and, likely, a berth in the finale. “Lee, you are what this show is all about,” Kara gushed. “Somebody who starts in one place and ends up here tonight in an incredible, epic moment. You are the heart of this show this season, and you just owned the entire night.” Jackson gave props to Cowell for picking the song and called the performance unbelievable, as Ellen concurred, calling the tour de force “stunning.” Never one to mince words, Cowell said he was very proud of DeWyze and said the performance proved he was a “fantastic singer and a great person” who is on his way to realizing his dream. Wednesday night’s elimination show will determine this season’s finalists and will feature performances from Justin Bieber and Travis Garland. How do you think the top three did? Who came out on top? Who is probably going to go home? Leave your comments below. Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions.

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Crystal Bowersox And Lee DeWyze ‘In It To Win It’ On ‘American Idol’

Maroon 5 Get Violent In ‘Misery’ Video

‘We decided to focus on violence instead of sex this time around,’ bassist Mickey Madden tells MTV News. By James Montgomery, with reporting by Kelly Marino Maroon 5’s Adam Levine Photo: MTV News Maroon 5’s new, Joseph Kahn-directed “Misery” video is many things — almost all of which are violent. “The cool thing is, when Joseph wrote the treatment … after reading a few sentences, I thought it was really amazing,” M5 frontman Adam Levine told MTV on the set of the video. “Because it kind of turns the whole idea of the sexual energy between two people — a guy and a girl, a music video, you’ve seen that a million times — that exists in this video, but it’s turning it on its ass and having the girl be the more domineering one who’s trying to kill me.” “We decided to focus on violence instead of sex this time around,” bassist Mickey Madden added. “We like to switch it up,” Levine joked. “The next one will be about drugs.” We’ll just have to wait and see about that. In the meantime, we have “Misery” to look forward to. The band shot the clip with Kahn last week in Los Angeles, and from the sound of things, it’s going to be very different from anything M5 have done in the past. “I think it’s going to be fun. I just had my first harness experience. That was very interesting. I got lowered onto the street, in the middle of traffic, because I fall off a building,” Levine laughed. “I’m curious to see how it turns out. A lot of falling and violence [so far]. I’ve already been beaten up and thrown off a building today. We’ll have to see what comes next.” And while the “Misery” video is a new look for the band, the song itself — the first single from their upcoming Hands All Over album, which hits stores September 21 — mines familiar territory. Set over a decidedly funky beat, it’s Levine documenting the decay of yet another relationship, something that even he will admit has become his bread and butter in recent years. ” ‘Misery’ is about … the desperation of wanting someone really badly in your life but having it be very difficult. Kind of what all the songs I write are about,” he smiled. “I’m not treading on new ground, but I think a lot of people — including myself — deal with that all the time. Relationships are difficult, and it’s good therapy to write about them.” Are you looking forward to the “Misery” video? Let us know in the comments! Related Artists Maroon 5

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Maroon 5 Get Violent In ‘Misery’ Video

Buzz Break: Henry Cavill’s Ancient Ab Workout

Shanell Joined Young Money Because Lil Wayne ‘Believed’ In Her

With Shut Up and Listen, she’s introducing her music to people who only know the rumors, in Mixtape Daily. By Shaheem Reid, with additional reporting by Rahman Dukes Shanell Photo: Young Money This Week’s Main Pick Artist : Shanell Holding It Down For : Young Money Mixtape : Shut Up and Listen Real Spit : Young Money singer Shanell has been inspired by challenges almost her entire life. She grew up encouraging and battling her sister, former Danity Kane singer D. Woods, in songwriting. “It was me, my sister, and we have an older brother,” Shanell said on a recent trip to NYC. “We used to watch him. He did music before either one of us. He did television, movies, and we used to run around the house singing his songs, until we started writing our own. It was friendly competition between me and my sister, because we would always help each other and challenge each other. “I been real nice with the pen game,” she added with a smile. “I was good when I started, and I got better and better and better.” While on the road with her sister during Danity Kane’s tour in support of their debut LP, Shanell, who used to be a backup dancer, crossed paths with Ne-Yo. She was writing to a track, and he asked if he could use it for his album. The song turned out to be “Say It” from Ne-Yo’s Because of You. Ne-Yo eventually invited the singer — who went to a performing-arts high school — to be down with his camp as a songwriter. “It was really a great learning experience,” she said. “[Ne-Yo] listens to all different types of music. I know he sat me down one time and was like, ‘That’s great, but try to say all that in three lines.’ I was like ‘a challenge.’ So my writing has been influenced a lot by him.” Shanell said she decided to join Young Money because, whereas Ne-Yo’s attention was on her writing skills, Wayne saw her as a performer. “Wayne was kinda like, ‘You do this. Keep your music for yourself. You have the talent, I see what you do. You can come over here with Young Money and do what you do over here,’ ” Shanell said. “Which was the best situation I can be in. My music is a little bit different. It’s not R&B, it’s not pop, it’s not rock, it’s not alternative. It’s a fusion of everything. A lot of labels don’t let you do that, but at Young Money, they let you do that.” Wayne also gave her the freedom to take several minutes from the America Most Wanted tour to showcase her skills. She had a mini-set within Wayne’s set last summer. “It was great,” she said. “I brought dancers in. I did a lot of staging and choreographing. I loved that he believed in me enough to do that.” Shanell said her debut LP won’t be out until sometime next year, but she did just drop the mixtape Shut Up and Listen. If you have a physical copy of the disc and look inside, you’ll see a baby carriage filled with headphones and other musical items. That is a playful middle finger to the rumors that she was having Lil Wayne’s baby . “I’m trying to take a negative thing and make a positive,” ‘Nell said, who added that she was never romantically involved with Wayne. “That’s another reason I put this mixtape out, because a lot of people haven’t heard what I do. It’s all these rumors flying, that’s all they hear. So it’s here, this [mixtape] is my baby, this is what I’ve been sitting in the studio every night working on. This is my baby. This is what I’ve been pregnant with for the past nine months. So we’re just trying to take a bad rumor and turn it into something positive.” What did Weezy think of the rumors that he had knocked up his artist? “We never talked about it,” the singer insisted. “Nobody ever talks about the negative stuff. We’re too busy making records. We get on the stage and perform, we get in the studio, we’re on the radio every day.” Joints to Check For

‘We Built Sioux City on Rock and Roll’ Video Goes Viral

Filed under: Videos , Music When Starship ‘s smash hit ‘ We Built This City ‘ came out in 1985, the traffic report and DJ banter heard during the bridge of the song were edited out, encouraging local radio stations to insert their own customized content into the song itself. And you thought ‘ Empire State of Mind ‘ was innovative. Starship was doing user generated content before you were born. Fast forward 25 years. Sioux City radio personalities, firefighters and hometown folks have come together to create a shakily edited lipdub that oozes low-budget dorky whiteness. Share Continue reading

Bieber-like Sixth Grader Covers Lady Gaga, Internet Goes Nuts

Filed under: Videos , Music Sixth-grader Greyson Michael Chance recently rocked his middle school with a performance of Lady Gaga ‘s ‘Paparazzi’ that might just be better than the original. The video has blown up on YouTube to the tune of more than a million hits and inspired some epic criticism on various websites. Over at Reddit , there’s a debate about whether the teen girls in the background were impressed by the Bieber-esque kid’s piano win. Most of them appear stone-faced and bored, although one girl does get excited near the end. Redditors suspect that the girls are a chorus section, which means they’re probably studying his every breath like the vicious young critics they’re trained to be. Or, hey, they could just be dumbstruck by his mad skills. Sasha Frere-Jones , the New Yorker ‘s respected music critic, points to Greyson’s video as evidence that the internet isn’t killing kids’ talent. Sixth-graders obviously have time to post YouTube vids and practice the heck out of a musical instrument. Also, Frere-Jones says Lady Gaga is an inspiration who’s basically giving Greyson’s generation a free course in the performance of pop music. Share via:// shey.net previously:// U.S. Soldiers Remake Lady Gaga’s ‘Telephone’ Video Continue reading

Bon Jovi Rock ‘American Idol’ With ‘Superman Tonight’

‘The harder we work, the luckier we get,’ Jon Bon Jovi says of group’s continued success. By Josh Wigler Jon Bon Jovi With Casey James and Lee Dewyze cleared to the top three and the fates of “American Idol” hopefuls Michael Lynche and Crystal Bowersox hanging in the balance, New Jersey rock band Bon Jovi flew to the “Idol” stage to provide a brief moment of respite from the audience’s nervous anticipation. Bon Jovi performed a blaring rendition of “Superman Tonight,” the second single from their 11th studio album, The Circle. In the past, frontman Jon Bon Jovi has described the song as “something like a diary of the observer, and I’m just the fly on the wall,” providing a suitable context for the musician’s role on Wednesday night’s (May 12) “American Idol”: While Bon Jovi himself is used to taking center stage, even his rocking presence couldn’t fully alleviate the crowd’s anxiety over who would be going home next, an unfortunate distinction that ultimately fell upon Lynche. Following the end of “Superman Tonight,” Ryan Seacrest spoke with Bon Jovi, lead guitarist Richie Sambora and the rest of the band’s roster to congratulate them not just on their performance, but on their status as “the #1 touring band in the world [and] another #1 album.” Asked how Bon Jovi are able to replicate their success year after year, Jon replied: “You know, hard work and good luck. Good friends who have put us in the right places. “We’re humbled. We’ve crossed generations at this point,” Bon Jovi said amid wild applause from the young audience. “It’s really great. The sky’s the limit. The harder we work, the luckier we get — that’s pretty much the way it is.” What did you think of Bon Jovi’s performance on “American Idol”? Let us know in the comments! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos Michael Lynche’s ‘American Idol’ Experience ‘American Idol’ Season Nine Performances Related Artists Bon Jovi

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Bon Jovi Rock ‘American Idol’ With ‘Superman Tonight’

Michael Lynche Sent Packing On ‘American Idol’

The judges used their ‘save’ on Big Mike five weeks ago, carrying him all the way to the final four. By James Montgomery Michael Lynche on “American Idol” Wednesday This week on “American Idol,” the final four tackled the songs of the silver screen , and somewhat fittingly, Wednesday night’s (May 12) elimination show was a dramatic ride, one that kept the audience guessing until the last moment. Most assumed front-runners Lee Dewyze and Crystal Bowersox would make it through to the top three, especially following their much-praised duet on “Falling Slowly” (from the Oscar-winning “Once”). Knowing this, “Idol” producers left both hopefuls in the lurch, instead revealing that Casey James — who, once again, seemed to be the favorite to be sent packing after he plucked his way through a version of “Mrs. Robinson” — would be moving on to next week’s show. That left Bowersox, Dewyze and Michael Lynche staring down the specter of elimination, though host Ryan Seacrest quickly announced that Dewyze would be joining James in the top three. (Of course, he did so by announcing: “Friends, Lee is headed back to Chicago” — a reference to the show’s annual visits to the top three’s hometowns — which most in the crowd seemed to interpret as meaning Dewyze had been booted from the show, at least judging by the gasps in the room.) That meant that either Bowersox or Lynche would be sent packing — and after even more drama (in the form of a Bon Jovi performance and a pair of commercial breaks), we finally found out for whom the bell tolled. It was Lynche, who couldn’t overcome his rather lackluster performance of Michael Jackson’s “Will You be There” (from “Free Willy”). When his name was called, Lynche — in keeping with his big-hearted demeanor — wasn’t bitter. In fact, he thanked the judges for saving him five weeks ago and said that he’ll leave “Idol” with only fond memories. “It’s been unbelievable, man. I just sit here right now, and I think, ‘I wasn’t even supposed to be here,’ ” Lynche told Seacrest. “Thank God for the judges saving me. I got to spend more time here, be with the people … it’s all good, man.” And with that, he performed the “Free Willy” song once again. It wasn’t exactly a Hollywood ending, but we’ll take it. Now, on to the top three. Were you sad to see Big Mike go? Let us know in the comments. Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos Michael Lynche’s ‘American Idol’ Experience

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Michael Lynche Sent Packing On ‘American Idol’

‘Troubadour, Wenches’ Rap Video Gets Medieval on the Mic

Filed under: Videos , Music If you like your rap with references to Ovid and Chaucer, you’ll love a new medieval rap video called ‘ Troubador, Wenches .’ It features a troubadour who kicks it old-school — like, early 12th century old — about money, women and booze. The starring role is played by a guy called Soce the Elemental Wizard, who delivers lines like: Set some ladies’ loins on fire All the babies you will sire Ale and wenches, Proven Continue reading

‘American Idol’ Experts Predict End For Casey James — Again

DioGuardi fave’s ‘Mrs. Robinson’ failed to impress, while Big Mike’s ‘Free Willy’ song couldn’t be rescued. By Gil Kaufman Casey James Photo: FOX It’s do-or-die time on “American Idol,” and as the judges reminded the final four on Tuesday night, it’s time to prove that you want to win — not just show or place. That said, Lee Dewyze and Crystal Bowersox brought their “A”-games on a night devoted to Songs of the Cinema, including a simmering, knockout duet on the “Once” ballad “Falling Slowly.” Meanwhile, Casey James and Michael Lynche struggled to impress the judges — and our “Idol” experts. “Is this the third week in a row I’ve picked Casey to go ?” wondered MTV News’ Jim Cantiello. “It might be. But this week he was upstaged by Michael ‘A Year Ago I Promised Myself I’d Make It Into the Top 3′ Lynche, who was his only real competition.” Remarking that the Bowersox/Dewyze finale is all but assured, Cantiello said he was into James’ ukulele-strumming take on Simon & Garfunkel’s “Mrs. Robinson” from “The Graduate,” but he wasn’t sure it had as strong an impact as big Mike’s choir-backed take on Michael Jackson’s “Will You Be There” from the boy-and-his-whale tale “Free Willy.” “Not to mention that the audience right in front of him in the mosh pit couldn’t have looked less interested,” he said of James’ underwhelming effect. “There aren’t enough cougars on the planet to keep Casey alive.” MJ Santilli, founder of “Idol” fansite mjsbigblog.com is sure that Lynche and James will make up the bottom two on Wednesday night, if for no other reason than Dewyze and Bowersox just have too much momentum at this point. But who will go home? Even though she thought James performed well, Santilli sensed that the judges were doing their best to undermine his performance by reprising the Kara DioGuardi cougar-bait shtick. “Casey kind of asked for it, choosing to sing ‘Mrs. Robinson,’ a song about a young man seducing an older woman,” she said. “But, he still deserved to have his song critiqued properly.” Santilli said Lynche’s performance was a “snooze-fest,” and since the judges didn’t have much to say for it either, fans might forget to vote for the burly personal trainer. “It’s hard to pick, but I think I’m going with Casey,” she said finally. “He wasn’t in the bottom last week, but that may relax the ‘panic’ voters. Plus, Casey is likely splitting votes with Lee and Crystal. So, Casey? Have a nice trip back to Texas.” What do you think of our experts’ picks? Do you agree? Let us know by leaving a comment below. Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Videos ‘American Idol’ In 60 Seconds Related Photos Lee Dewyze’s ‘American Idol’ Experience Michael Lynche’s ‘American Idol’ Experience Siobhan Magnus’ Fashion On ‘American Idol’ ‘American Idol’ Season Nine Performances

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‘American Idol’ Experts Predict End For Casey James — Again