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The Real Housewives of New Jersey Recap: Let’s Get Real

The Real Housewives of New Jersey had “A Manzo of Her Word” but it was a little boy who stole the show. We recap the smiles and tears in this week’s THG +/- review. Someone completely stole the show this week and it wasn’t a housewife. It wasn’t even one of their husbands. It was a little boy who learned to say I love you, Mommy . Plus 50 . To be honest at first it appeared that little Nick was only repeating the words to get the lollipop but when Chris Laurita said that it had been over 18 months since his wife had heard those words from her son, I couldn’t help but be moved, no matter what the child’s motivation. Housewives usually doesn’t require its audience to use that part of the brain, nevermind their hearts. It was almost disconcerting. Not to fear. There’s still plenty of the normal nonsense to fill the hour.  Especially when we get to visit with Teresa and her kids. At least they weren’t cursing at one another this week. Plus 18. But can any of them communicate without screaming? Gia seems to think she’s in charge. Milania basically tells everyone else where to get off, and Gabriella looked like she was zoning out as a means of escape. Minus 12. I couldn’t say that I blamed her. Caroline’s daughter, Lauren said that the Guidice kids were being raised by wolves. I think that might be an insult to wolves. They have more sense . Teresa’s still hanging out with Kim D. Minus 22. Why is this woman back on my TV screen? These shows always breed the hangers on, looking for more than their 15 minutes of fame. Caroline called a summit meeting with Teresa and then she ordered an iced tea. You’d think alcohol would be mandatory to get through that meal.   How funny was it when Caroline told Teresa that she was sent by Joe and Teresa shot back with, “He’s really scraping the bottom of the barrel.” Plus 18 . Teresa was right. Caroline is preachy but she’s also right. Life is short. Why let the stupid stuff take over?  Now if she could only use that advice to mend fences with her own sister. And what is up with Fran? She looked like a heavier clone of Dina. And she moved in along with her stray pets. Minus 8 .  Caroline’s husband Albert is a saint. Is there any way they can write Kathy out of the show? She’s generally boring and her husband Rich has become intolerable.  Even Kathy seems to have grown weary of his frat boy antics. When Kathy told her husband that she was trying to raise Joseph to be a gentleman, all i could think was that it would have helped if she’d married one. Plus 13 when she tells her daughter to stick with school so she’ll have better options than Kathy did. Of course if we lost Kathy then we’d also lose Rosie.  Hmm…I’m not sure where that lands in the points system. Did Rosie really have to join in on the guys poker game? Just because she’s a lesbian doesn’t make her one of the boys.  Minus 9. But then we wouldn’t have had Joe Gorga telling Rosie she couldn’t write off all men if she’d never tried one. That earned a serious eye roll but I wouldn’t expect anything less from Joe. Of course he needs to start expecting less. Mush less when it comes to selling his giant McMansion. A 10,000 square foot house on 2 & 1/2 acres. Minus 15 . It sounds like someone was overcompensating. It was funny to watch the faux marble crumble and the fixtures fall off as Joe and Melissa crowed about their masterpiece. And shouldn’t their realtor have told them that having their kids around for the open house doesn’t make it feel more homey…it reminds people that it’s your home. Minus 10. But I think I’ll keep my $3.8 million in the bank and out of the Jersey real estate market, at least until next week. Episode total =  +11!               Season total = +29!

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The Real Housewives of New Jersey Recap: Let’s Get Real

Mad Men Review: The Motives Behind ‘Favors’

Plenty of favors, both formal and sexual—but mostly sexual—are exchanged in this week’s Mad Men , lending the episode its title: “Favors.” Don does all he can to help the Rosens’ son Mitchell from entering prison for draft evasion. All in the hopes, of course, of Syliva returning the favor. Ted ends up doing the bulk of the favor, asking a friend to give Mitchell a relatively harmless pilot position. Mrs. Campbell’s male caretaker may or may not be offering her some sexual favors of his own. And of course…Sylvia returns the favor. But “Favors” is less about the favors themselves, and more about the motives behind the favors. So many of our favorite Mad Men characters are supremely selfish, with only brief moments of compassion or consideration. It makes us wonder what’s in it for them. We’ve already discussed Don’s motives. He’s clearly not over Sylvia. He wants to help Mitchell so that he can get her to talk to him again; so that he’ll be seen as the hero. Ted is one of the only “compassionate by default” characters on the show, making his favor more of a reflex than a cunning strategy. He agrees to help Don help Mitchell with very little hesitation—and this, after Don nearly destroyed a dinner with Chevy by “testing the waters” on their willingness to help, given their large military contract. Only after his initial willingness does Ted realize he can use the situation to get a little something out of Don. What does he want out of Don? Just for him to be a better partner; pay attention, stop subtly competing. The most interesting motive reveal of all this episode comes from the frustratingly enigmatic Bob. We get our first real glimpse into who Bob is and what he’s after with a perplexing scene between him and Pete. After hearing that the caretaker may be taking advantage of Pete’s Mom, Bob, who recommended him, gives a long impassioned speech about how loving a man can make you feel lively, ending with a subtle-ish come-on to Pete. That Bob is homosexual would not be particularly shocking or groundbreaking—especially given Salvatore’s storyline over the first three seasons—but that he is interested in Pete certainly would be. It seems a tad asynchronous, so we’ll see how it pans out. Hopefully this isn’t the last of the Bob-related reveals, as his odd nature seems to be leading up to something big. Bob isn’t the only one with some Pete-related chemistry this week. Signs that were pointing to something between Peggy and Stan, and then Peggy and Ted, are now inching ever-so slightly towards Peggy and Pete. Beginning with Pete’s mom mistaking Peggy for Trudy—complete with an accidental  reference to their child together—and ending with parallels between their lonely isolated home lives (Peggy seems to be searching for someone that can be there to kill rats—and it won’t be Stan, who adamantly proclaimed “I’m not your boyfriend), it seems Peggy and Pete may soon find themselves settling for each other out of sheer convenience. The biggest moment of the episode came, however, when Sally walks in on Don collecting his “favor” from Sylvia. Tensions have been rising all season long, and we knew Don’s affair would come back to bite him in the ass. Despite Sally seemingly coming to a reluctant surrender of her panicked disgust over discovering her father cheating, the event may just have irreparably damaged her and her relationship to Don. As soon as Sally saw Don and Sylvia together, the act became so, so real. The affair between Sylvia and Don may just be the crashing-down of Don’s world that the entire season has been pointing to. We’ll see if Sally lets it slip. RATING: 3/5

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Mad Men Review: The Motives Behind ‘Favors’

Tony Awards 2013: List of Winners!

Kinky Boots, with songs by pop star and Broadway newcomer Cyndi Lauper, was made for walking away with a leading six Tony Awards last night. Among the honors won by Kinky Boots at the show, hosted by Neil Patrick Harris? Best musical, best original score and best leading man. Christopher Durang’s Vanya and Sonia and Masha and Spike won the best play Tony, while Matilda the Musical and Pippin won four awards each. Two other shows, Who’s Afraid of Virginia Woolf? and The Nance , shared three awards each, while Tom Hanks’ Lucky Guy came away empty-handed. See the full list of winners from the 2013 Tony Awards below: BEST PLAY Vanya and Sonia and Masha and Spike by Christopher Durang BEST MUSICAL Kinky Boots, The Musical BEST BOOK OF A MUSICAL Matilda, The Musical Dennis Kelly BEST REVIVAL OF A PLAY Who’s Afraid of Virginia Woolf? BEST REVIVAL OF A MUSICAL Pippin BEST ORIGINAL SCORE (MUSIC AND/OR LYRICS) WRITTEN FOR THE THEATRE Kinky Boots Music & Lyrics: Cyndi Lauper BEST PERFORMANCE BY AN ACTOR IN A LEADING ROLE IN A PLAY Tracy Letts, Who’s Afraid of Virginia Woolf? BEST PERFORMANCE BY AN ACTRESS IN A LEADING ROLE IN A PLAY Cicely Tyson, The Trip to Bountiful BEST PERFORMANCE BY AN ACTOR IN A LEADING ROLE IN A MUSICAL Billy Porter, Kinky Boots BEST PERFORMANCE BY AN ACTRESS IN A LEADING ROLE IN A MUSICAL Patina Miller, Pippin BEST PERFORMANCE BY AN ACTOR IN A FEATURED ROLE IN A PLAY Courtney B. Vance, Lucky Guy BEST PERFORMANCE BY AN ACTRESS IN A FEATURED ROLE IN A PLAY Judith Light, The Assembled Parties BEST PERFORMANCE BY AN ACTOR IN A FEATURED ROLE IN A MUSICAL Gabriel Ebert, Matilda The Musical BEST PERFORMANCE BY AN ACTRESS IN A FEATURED ROLE IN A MUSICAL Andrea Martin, Pippin BEST SCENIC DESIGN OF A PLAY John Lee Beatty, The Nance BEST SCENIC DESIGN OF A MUSICAL Rob Howell, Matilda, The Musical BEST COSTUME DESIGN OF A PLAY Ann Roth, The Nance BEST COSTUME DESIGN OF A MUSICAL William Ivey Long, Rodgers + Hammerstein’s Cinderella BEST LIGHTING DESIGN OF A PLAY Jules Fisher & Peggy Eisenhauer, Lucky Guy BEST LIGHTING DESIGN OF A MUSICAL Hugh Vanstone, Matilda The Musical BEST SOUND DESIGN OF A PLAY Leon Rothenberg, The Nance BEST SOUND DESIGN OF A MUSICAL John Shivers, Kinky Boots BEST DIRECTION OF A PLAY Pam MacKinnon, Who’s Afraid of Virginia Woolf? BEST DIRECTION OF A MUSICAL Diane Paulus, Pippin BEST CHOREOGRAPHY Jerry Mitchell, Kinky Boots BEST ORCHESTRATIONS Stephen Oremus, Kinky Boots

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Tony Awards 2013: List of Winners!