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Can ‘Dark Shadows’ Be A Franchise?

‘Hunger Games’ fever has us wondering about the prospects for Tim Burton’s adaptation. By John Mitchell Johnny Depp in “Dark Shadows” Photo: Warner Bros Everyone has “Hunger Games” fever , and it’s understandable; the film is absolutely everywhere, critics are saying it’s pretty good and star Jennifer Lawrence’s candid, funny interviews are a welcome change from the uncomfortable sit-downs granted by, um, some other YA adaptation stars when their films hit the big screen. Anyway, “Games” just crept into theaters, and talk of the sequel is already ramping up. Filming on “Catching Fire” is set to begin later this year, and a November 22, 2013, release date is already in the books. That got us thinking about our own little mini-obsession: “Dark Shadows.” While it’s nowhere near as fervent or large as “Games,” “Shadows” has a devout following too, and if the film is a hit at the box office, which seems quite possible if not bet-on-it likely, at least one sequel would be justified. And with an extensive catalog of 1,225 episodes, there is plenty of plot for, well, as many follow-ups as Tim Burton could come up with. But the approach the director has taken with the film makes us wonder if it’s the sort of thing that could sustain a franchise. Let’s talk this out. First, the direction Burton has chosen to take with the film has already divided fans . Over on MTV Movies Blog, we asked readers whether they liked the “Shadows” trailer , and the reaction was pretty much split down the middle. Just over half of those who voted (52.35 percent) were into the trailer, checking our “Love it! Burton knows what he’s doing” box. That leaves 47.65 percent of respondents who instead “Hated it! Burton is ruining everything!” It’s a pretty radical reinvention, to be sure, and the trailer reminds us most of the big-screen version of “The Addams Family.” “Addams,” of course, was a sitcom to start with, and all director Barry Sonnenfeld really did was turn up the volume on the weird. Much of the humor derived from people reacting to the macabre-but-good-natured family of weirdos, and the film was a hit — a big enough hit to merit a sequel. The “Addams” sequel didn’t connect quite the way the first film did, perhaps because the shtick that was so fresh the first time around had worn out its welcome. So even if it’s a hit, will people really want multiple “Shadows” films once the novelty has worn thin? The thing about (good) sequels is that they generally require emotional investment from the audience to be successful. We want to know what happens next with Katniss in “The Hunger Games.” There’s an entire mythology attached to Bruce Wayne in the “Batman” films. It’s hard to form that connection when the characters are hyper-realized and a little bit caricatured. And though there is a definite mythology to “Shadows,” Burton has opted to ignore it in favor of some brave, maybe even fun, stylistic choices he no doubt hopes will make the film unique and set it apart, both from the series itself and from anything else hitting the big screen this summer. But zany absurdity is hard to maintain across multiple films. By the time the second “Addams” movie came around, the crux of the joke — playing off other people’s reactions to the goth family — was a bit tired, so they had to put Wednesday and Pugsley into an awkward situation (summer camp) to try and keep it fresh. Had Burton hewed a little closer to his source material, this wouldn’t be a concern, but in taking such liberties with the style of “Shadows” he kind of backs himself into a corner when it comes to whatever comes next. He’d have to up the ante in some way for a sequel, but since he’s already operating so over the top, is that even possible? We’re super excited for “Shadows” but we’re just curious if — unlike “Hunger Games” fans — we should learn to quell our excitement that there may be more films coming. After all, maybe there’s a reason we only ever got one “Beetlejuice” ( hey, wait a minute … ). What do you think, “Shadows” fans? Did Tim Burton blow his shot at a franchise by making his “Shadows” so niche? Let us know in the comments below and tweet me @JohnMitchell83 with your thoughts and suggestions for future columns! Check out everything we’ve got on “Dark Shadows.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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Can ‘Dark Shadows’ Be A Franchise?

Justin Bieber Joins Carly Rae Jepsen On ‘Ellen’

Biebs introduces his artist’s performance and offers a preview of his single ‘Boyfriend.’ By Natasha Chandel Justin Bieber and Carly Rae Jepsen on the “Ellen DeGeneres Show” Photo: Warner Bros. Justin Bieber is standing behind his girl. Carly Rae Jepsen made her first major U.S. talk-show appearance on Friday’s (March 23) “Ellen DeGeneres Show,” and she brought quite the surprise with her: Bieber himself and an exclusive preview of his song “Boyfriend.” Ellen began the segment attempting to read an intro for Jepsen, the 26-year-old Canadian singer who won the hearts of pop enthusiasts with her catchy, upbeat single “Call Me Maybe” but was interrupted by an eruption of screaming girls who caught sight of a black-and-yellow-clad Justin Bieber. The young heartthrob took the opportunity to introduce Jepsen, whom he recently signed to his Schoolboy Records label. He had been making a public Twitter bid to Ellen to have his new artist appear on her daytime show. video platform video management video solutions video player Jepsen, who calls her style “folky pop,” took to the stage in a long, bohemian dress. Jepsen sang her hit song, currently at #8 on the iTunes singles chart alongside the Wanted and Katy Perry. Her performance was applauded by Ellen and topped off with a giant hug from her new mentor. During an interview with Ellen, Bieber recalled hearing Jepsen’s track on the radio in Canada and jumping on YouTube to find out more about the “talented” singer. After learning of her local success, Bieber realized she was unsigned in the U.S. and immediately decided to change that. Life has certainly taken a 180-degree turn for Jepsen in the last two months. “I had never branched outside of Canada, and I didn’t know how to do that, and then one miraculous day, Justin called,” Jepsen told Ellen. “It seemed too good to be true.” There is also talk of a possible collaboration with Bieber . Bieber is taking his new A&R role very seriously, promoting Jepsen in any way possible, including dropping a video spoof of “Call Me Maybe” featuring famous friends Selena Gomez, Ashley Tisdale and Carlos Pena Jr. of Big Time Rush. Did you like Carly Rae Jepsen’s performance on “Ellen”? Let us know in the comments below! video platform video management video solutions video player Related Artists Justin Bieber Carly Rae Jepsen

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Justin Bieber Joins Carly Rae Jepsen On ‘Ellen’

‘American Idol’ Top 10 In A Billy Joel State Of Mind

Jessica Sanchez and Elise Testone both earn standing ovations for their renditions of Piano Man classics. By Adam Graham Erika Van Pelt on “American Idol” Photo: Fox Wednesday (March 21) was Billy Joel night on “American Idol,” and as the top 10 contestants took on the Piano Man’s catalog, some big moves were made in the “Idol” ranks. Jessica Sanchez took a step toward reclaiming her frontrunner status, Elise Testone sang for her life after two consecutive weeks in the bottom three and Erika Van Pelt debuted a stunning new look, but only Heejun Han used the evening as an opportunity to directly address his critics. Singing Joel’s “My Life,” Han — who was knocked by the judges last week for his lackluster performance of Richard Marx’s “Right Here Waiting” — approached the judges’ table and sang to Randy Jackson, Jennifer Lopez and Steven Tyler. “Keep it to yourself, it’s my life,” Han sang playfully. “Go ahead with your own life, leave me alone.” Han began the song wearing a tux, but tore it off to reveal a T-shirt/ button-up combo. Han jumped into the audience at one point, and was so carefree with regard to hitting his proper notes that the whole thing bordered on parody. The judges didn’t quite know what to think or say about it; they praised him for having fun, but only to a point. “The music business will kick your ass,” Tyler told him. “At some point, you’ve gotta try to take it more serious.” Guest mentor Diddy didn’t seem to know what to make of Han either. “I don’t know if he’s an actor or a con man,” Diddy said. “I don’t even know if he’s Asian. He may be black.” (Han later told Ryan Seacrest Diddy is “confusing himself already.”) To round things out, Han also had an awkward confrontation with “Idol” style guru Tommy Hilfiger, telling him his style icons include Jessica Sanchez, Madonna and Michael Bolton. Han has clearly been studying “How to Win Friends and Influence People” during those late “Idol” nights. Back to Sanchez, Han’s style role model: She received a standing ovation from the judges, one of only two during the night, for her version of “Everybody Has a Dream.” “When God was giving out vocal chords, you were so at the front of the line,” Tyler told her. Lopez called it a “defining moment” for Sanchez, while Jackson called it “flawless” and “perfection.” The other standing O was given to perennial bottom-dweller Testone, who gave the evening’s most riveting performance, tearing through Joel’s “Vienna” with a vigor that proved she wants to stay in the competition. Jackson even bowed to her in a “Wayne’s World”-type “I’m not worthy!” gesture as the song came to a close. “Unbelievable,” he called it, saying she had a moment on stage, while Tyler called her melody “fantastic.” “You were all over the place and you still stayed in the room,” he said, one of those Tyler-isms that only he truly understands. Meanwhile, Van Pelt debuted a dramatic makeover that saw her long, blonde-and-pink hair chopped in favor of a short, angular, jet black ‘do inspired by Pink. The Rhode Islander sang “New York State of Mind” like a true New Yorker, but was told she should be more physical with her next performance. In the middle of the pack, Joshua Ledet — who brought the house down last week with his version of “When a Man Loves a Woman” — struggled a bit to connect with “She’s Got a Way,” a song he was admittedly unfamiliar with until it fell into his lap. Skylar Laine’s “Shameless” was inspired by the Garth Brooks version of the song — no matter the theme, Laine will find a way to give it a country once-over — which was “pretty good” and “good,” according to Jackson and Tyler, respectively. Phillip Phillips took “Movin’ Out” and “Phillip Phillips’d” it, according to Tyler, which is kind of what Phillip Phillips does to every song. (Jackson was overly enthusiastic about it, calling it “one of the best renditions of that song ever,” and Lopez called it “perfect.”) Hollie Cavanagh went for another big ballad with “Honesty,” which Tyler called the dreaded “P” word, “pitchy.” Jackson said she over-thought the song. “You’re better than that, come on now,” he told her. And Deandre Brackensick opened the show with a bouncy version of “Only the Good Die Young” that felt forced and unnatural. “I wasn’t jumping up and down because it didn’t show me anything special,” Jackson told him. Colton Dixon closed the show with Joel’s classic “Piano Man,” giving the song more of an emo feel; he “Colton Dixon’d” it, if you will. Jackson called it a “sensitive, touching, moving performance,” while J. Lo gave her highest compliment, saying the song gave her “goosies from head to toe.” One of the 10 singers faces elimination during Thursday’s “Idol,” which is set to feature a performance from Season 10 finalist Haley Reinhart. What was your favorite performance on Wednesday night’s show? Let us know in the comments! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season 11 Top 13 Contestants

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‘American Idol’ Top 10 In A Billy Joel State Of Mind

‘The Voice’ Recap: Erin Martin Wins One Strange Battle

Six more contestants are sent home as battle rounds continue and the live shows draw nearer. By John Mitchell Erin Martin on “The Voice” Photo: NBC The theme on Monday night’s (March 19) episode of “The Voice” seemed to be strange pairings and even more oddly matched songs. Nearly every team to enter the ring was working one, the other or both for the third battle round, which saw judges Christina Aguilera , Blake Shelton , Adam Levine and Cee Lo Green send six contestants home and add even more members to their respective teams to take to the upcoming shows. Let’s get right to it! Team Adam The first pairing of the night was Team Adam’s Pip and Nathan Parrett. Pip’s popularity during the blind auditions (he got all four judges to turn their chairs) intimidated Nathan from the start and the pair was given a tall order when Adam assigned them Amy Winehouse’s “You Know I’m No Good.” It’s no wonder, then, that mentor Robin Thicke’s major recommendation to Perrett was to up his confidence and get ready to sell it once he hit the stage. But while Thicke was busy giving Perrett a pep talk, Alanis Morrisette was advising Pip to take it down a notch and not over-sing the song Two clean-cut pop singers tackling Winehouse’s bluesy hit might seem strange, but it gave both an opportunity to show their range as vocalists and earned raves from all the judges. Ultimately, though, Pip’s stage presence and consistency won him a place on Team Adam for the finals. One of the night’s few pairings that made sense came later in the night, during Levine’s team’s second meeting in the ring, which saw raspy Angel Taylor go up against “sultry vocalist” (host Carson Daly’s words, not mine) Katrina Parker, singing “Bleeding Love” by Leona Lewis. Thicke had a lot of faith in Taylor, saying she had what it takes to win the whole thing if she remembered to bring emotion to her performance, but the judges didn’t feel the same. Parker brought it to the battle and won the support of Xtina, Blake, Cee Lo and ultimately Levine, who sided with the three judges and will take Parker with him to the live shows. Team Cee Lo Cee Lo created what had to be the night’s most awkward pairing: whispery Erin Martin and rock duo the Shields Brothers. Stylistically, the two couldn’t be more different — Martin kind of sounds like Macy Gray, while the Shields Brother tear into songs like your friendly neighborhood garage band. The strangeness extended to the mentor stage too, when the Bros were joined for rehearsal by Babyface, who called their first run-through “a challenge.” “I thought ‘Wayne’s World,’ ” he added. He asked them to express a softer side, and when they did, he seemed pleased that he could finally “hear your voices.” On her way into the ring, Martin was “100 percent confident” she would win and that “power [i.e. the Shields Brothers] isn’t talent, it’s just loud.” (Dis!) This battle was strange right down to the song: “What’s Love Got to Do With It” by Tina Turner. Christina raved about the performance, but the other judges weren’t so sure. The only thing Blake could really think to say was, “Erin, I am so glad you wore that.” Cee Lo called it “wonderfully strange” and chose Martin to move forward because he felt he would be better able to mold her unique voice while the Shield Brothers were too set in their garage-rock shtick. Team Christina Ashley De La Rosa became nervous the second Christina told her was going up against one of the show’s early front-runners, Jonathas, a father of two who lived in poverty as a child in Brazil. When they were given “No Air” by Jordin Sparks and Chris Brown, she started freaking out. During the blind auditions, Jonathas’ vocal similarity to Usher caused quite a stir, so Ashley worried that being given a song so firmly in his wheelhouse (there was no denying from the beginning that he’d sing the heck out of Chris Brown’s part in “No Air”) would play to his advantage. But in the end, his comfort with the style and choice not to step outside it and show the judges he could do something else worked against him. While he was a natural singing Brown’s smooth R&B, the song gave Ashley a chance to show off her range. She did a great job with Sparks’ part, and her effort was rewarded with a continued spot on Team Xtina. Team Blake The strange pairings continued as Team Blake’s Jermaine Paul, a former backup singer for Alicia Keys, and pop-singing Texas teenager AlyX hit the ring together to sing the mega-’80s classic “Get Out of My Dreams, Get Into My Car” by Billy Ocean. The song required a carefree attitude that mentor Miranda Lambert just wasn’t confident young AlyX had. “I’m not sure she’s ever had fun and cut loose,” Lambert said, prescribing “sassiness” if she wanted to pose much of a challenge against Jermaine. It was a futile effort. Paul owned the song and the judges let him know it. “I mean, come on, Jermaine, you made that song your own,” Xtina fawned. Adam and Cee Lo agreed. And while Blake offered AlyX an “A” for effort, he unsurprisingly went with Paul, sending AlyX packing. The night’s most dramatic performance was its last, between Team Blake’s Gwen Sebastian and Erin Willet. In addition to their respective backstories (more on that later), the pair are total opposites when it comes to their singing styles. “Gwen is a country singer; Erin couldn’t be anything farther from that,” Blake explained as his rationale for teaming the two. And like every other country singer in the competition, Sebastian was enamored with her mentor Lambert, saying of the country star, “Her voice evokes every emotion I want to as a singer.” Things took a turn just before the battle, however, when Erin revealed that her father, who is suffering from stage 4 pancreatic cancer, is not doing that well. In fact, he’d only been given days to live, but he wanted her to stay in the competition, “I’m trying to be as present as I can be,” Willett told Shelton, who praised her devotion to both her father’s wishes and the competition. “I’m going to push from a place of wanting my father to be proud of me,” Willett said before she went on. Each judge commented on how radically different the two singers’ vocal styles were when they hit the stage, and it divided them. Christina and Adam went with Erin while Cee Lo picked Gwen. In the end, Blake sided with Xtina and Adam and picked Willett, who dedicated her win to her father. Moving On

’21 Jump Street’: The Reviews Are In!

Critics mostly agree that Jonah Hill and Channing Tatum’s undercover cop comedy is ‘a vibrant reboot of a rather forgettable ’80s TV series.’ By Eric Ditzian Channing Tatum and Jonah Hill in “21 Jump Street” Photo: Sony Where my laughs at? We’ve been suffering through a far-too-serious start at the 2012 box office. The first three-and-a-half months of the year have been dominated by weepy dramas (“The Vow”), kid-friendly animated fare (“The Lorax”), middling horror flicks (“The Devil Inside”) and films that should have kept geek flags around the country flying high but instead could barely inspire a gust of nerdy enthusiasm (“John Carter,” “Ghost Rider: Spirit of Vengeance”). Even the adventure-comedy “Journey 2: The Mystery Island” — #4, somehow, on the year’s top-grossing-movies list — elicited more forehead-smacking guffaws than genuine belly laughs. “21 Jump Street” is about to change all of that. As our friends over at NextMovie put it, Jonah Hill’s new film is the “first must-see comedy of the year.” The majority of critics agree, praising the movie’s big laughs, star players and killer supporting performances. Read on for a deep dive into the “21 Jump Street” reviews. The Story “Jonah Hill and Channing Tatum as novice cops who are forced to go undercover as high-school students to bust up a drug ring? Come on, that movie’s going to blow, right? But ’21 Jump Street’ doesn’t blow — which could have been this movie’s raunchy, self-deprecating tagline if it didn’t already have several. ’21 Jump Street’ isn’t a wild, fresh reinvention of the movie-clich

‘Casa De Mi Padre’: The Reviews Are In!

Critics are divided over Will Ferrell’s campy telenovela parody. By Kara Warner Will Ferrell and Diego Luna in “Cada de mi Padre” Photo: Pantelion Films At this point in his storied career, Will Ferrell has taught his fans to expect the unexpected. His latest film, “Casa de Mi Padre,” is a perfect example. The outrageous, purposefully campy and telenovela-esque flick is most certainly not a movie for everyone, and critics are divided on whether its ridiculousness is fun or just plain ridiculous; it currently has a 46 percent Fresh rating over at Rotten Tomatoes . Vamanos a las criticas de “Casa de Mi Padre”! The Premise : “Will Ferrell, speaking passable Spanish (with English subtitles), plays Armando Alvarez, a Mexican rancher hot for the fianc

Nicole Richie talks ‘Fashion Star’ in New York.

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Nicole Richie was at the Red-Carpet premiere of “Fashion Star” in New York last night, and talked to us about the new show. “Fashion Star” (sponsored by Macy’s) will allow viewers to buy clothing they’ve seen on the show immediately after it airs. “Like” our new Facebook page @ facebook.com

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Nicole Richie talks ‘Fashion Star’ in New York.

Elle McPherson talks about "Fashion Star"

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Elle McPherson was at Macy’s Herald Square last night for the red-carpet premiere of “Fashion Star”. The show (sponsored by Macy’s) will allow viewers to buy the clothes they see on TV immediately after they see them on the red carpet. “Like” us on Facebook @ facebook.com

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Elle McPherson talks about "Fashion Star"

She’s Trying to Erykah Badu Me: Men Whose Style Changed For Their Lady

These celeb men morphed their style to fit the lady in their life. Some were upgraded, others just looked a mess.

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She’s Trying to Erykah Badu Me: Men Whose Style Changed For Their Lady

Kim Kardashian: Dumped by Reggie Bush! Dating a Saudi Billionaire!

So much for a pretend elopement . Kim Kardashian and Reggie Bush have now gone through a fake breakup. According to Life & Style , Bush has “been seeing” a Kim lookalike, despite the fact that Kardashian believed these two would give it another shot after she divorced Kris Humphries. “Reggie’s her one true love,” an anonymous friend told the tabloid. “He could easily fire things up with Kim now, but he’s chosen not to.” But don’t cry too hard for Kim, people! Star Magazine claims she has many other options, namely a Saudi billionaire who gave her his phone number when she was in Dubai last November. “She wants to be taken care of,” a source tells this magazine. “She’s done being a sugar mama.” In other Kim news from this week: She’s a freak in bed !

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Kim Kardashian: Dumped by Reggie Bush! Dating a Saudi Billionaire!