Martina McBride offers a bit of a Kansas City country music announcement via Youtube. Apparently, she’s coming back to KC to play another show with the George Strait as well. Here’s her video: Martina Moments #51: Big Kansas City News Not really my style but there a few great shots in there and the video offers some nice behind the scenes footage as well. Broadcasting platform : YouTube Source : Tony’s Kansas City Discovery Date : 29/02/2012 21:51 Number of articles : 2
‘I thought it was really funny,’ Joel McHale tells MTV News. By Kara Warner Sacha Baron Cohen at the 2012 Oscars Photo: Michael Buckner/ Getty Images For all the anticipation, anxiety and general pomp and circumstance that surrounded the , there were not too many surprises with regard to the actual show or its winners, save for comedian Sacha Baron Cohen’s stunt with his appearance on the red carpet in character as Admiral General Aladeen, who is at the center of his upcoming movie “The Dictator.” Baron Cohen made Ryan Seacrest the unwitting victim of the actor’s publicity stunt when he approached the E! host armed with an urn supposedly containing the ashes of North Korea’s Kim Jong Il and spilled the powdery contents of the container all over Seacrest and his tuxedo. Baron Cohen’s antics were much appreciated, judging from the smattering of celeb reactions MTV News gathered at Elton John’s annual Oscar-viewing party and charity gala. “No way. That’s incredible,” said Mark Foster of Foster the People upon hearing the news of Baron Cohen’s stunt. “I wouldn’t want Kim Jong Il’s ashes on me.” “I thought it was funny and Ryan played along very well,” Joel McHale said of his E! colleague Seacrest. “He’s unflappable.” Both Foster and McHale agreed that Baron Cohen’s antics add an extra element of excitement to the red-carpet festivities. “It keeps things exciting. I love when people do something outside the box,” Foster said. “As long as no one was injured. No one was injured, right? I thought it was really funny,” McHale added. “Sacha Baron Cohen is genius.” For his part, Seacrest seemed to take the incident in stride, and took to Twitter to make light of the “spill.” “My mom always told me to pack two jackets for red carpets, always wondered why. Now I know.” The MTV Movies team has the 2012 Oscars covered! Keep it locked at MTV.com for updates on the night’s big winners and the best red-carpet fashion . Join the live conversation by tweeting @MTVNews with the hashtag #Oscars. Related Videos Oscars 2012: Red Carpet Highlights Oscars 2012: Show Highlights Related Photos MTV Style | 2012 Oscars Red Carpet Photos Oscars 2012: Parties Sacha Baron Cohen’s Best Stunts
Our experts pick the best-dressed at the 2012 Academy Awards. By Christina Garibaldi Emma Stone arrives at the 84th Annual Academy Awards montage Photo: Jeff Kravitz/ FilmMagic Oscar night isn’t only a huge event for the world of movies; it’s also a big night for fashion. Over the years, it has become known as the hottest runway show of the year, with the top designers clamoring to get their dresses on the night’s nominees, hoping to win a spot on the coveted best-dressed list. On Sunday night (February 26), all eyes were on the actresses working the red carpet, and they did not disappoint. There were pops of color on the carpet, but the big trend of the night seemed to be ladies in white. Gwyneth Paltrow looked glamorous in a white one-shoulder Tom Ford gown with a matching wrap. MTV Style picks their best-dressed at the Oscars. “From what I saw walking down the carpet, Gwyneth Paltrow looked amazing in Tom Ford,” Janell Snowden of VH1 told MTV News. “She was in the color of the night, which was white.” Rooney Mara, a Best Actress nominee for “The Girl With the Dragon Tattoo,” traded in her typical black garb for elegant white, wearing a lace Givenchy gown with a plunging back. “I did think a lot about what I was going to wear; it’s a long process,” Mara told MTV News. “I like to wear white also. I wanted to mix it up. This just happened to be the most beautiful dress, that’s why I wore it.” MTV Style expert Mary H.K. Choi agreed that Mara wowed in her Oscar ensemble. “White was a huge trend on the red carpet tonight, and this stark, architectural Givenchy looked absolutely surreal against the phosphorescence of her alabaster skin,” Choi said. “She looked just pristine, and the fact that her impossibly shiny, jet-black hair was in a tight bun with blunt bangs really anchored the look. She dresses with a certain severity, given her young age, but I’m a huge fan.” Of course, it wasn’t just the ladies in white who stole the show. “The Help” star Emma Stone turned heads in a stunning red Giambattista Valli gown. “I just loved this dress. There were titterings on Twitter about how people either loved or hated the bow, but I thought a dramatic, festive accent at the neckline looked stunning and complemented the side sweep of her red hair,” Choi said. “A risk, definitely, but I think it absolutely paid off.” Stone’s co-star Jessica Chastain also made a lasting impression on her first Oscar red carpet. Chastain, who was nominated for Best Supporting Actress, shined on the carpet in a black and gold Alexander McQueen gown. “This is a big moment — probably it’s the biggest moment of my life — so I needed a dress that was a big-moment dress,” Chastain told MTV News. “It’s McQueen, and the embroidery and the way it fits — to me, this dress is how I’m feeling right now.” Share your favorite Oscar red-carpet looks on our Facebook page. Track all the Oscar Fashion at MTV Style and come back every day for the latest fashion news. The MTV Movies team has the 2012 Oscars covered! Keep it locked at MTV.com all night and beyond for updates on the night’s big winners and the best red-carpet fashion . Join the live conversation by tweeting @MTVNews with the hashtag #Oscars. Related Videos Oscars 2012: Red Carpet Highlights Oscars 2012: Show Highlights Related Photos MTV Style | 2012 Oscars Red Carpet Photos
‘I’m here to get you the 18-24 demographic,’ Biebs jokes to Billy Crystal during the Academy Awards opener. By Jocelyn Vena Justin Bieber appears in a “Midnight in Paris” parody at the 2012 Oscars Photo: ABC Billy Crystal knows how to get the kids to watch the Academy Awards. When he wasn’t appearing in parody scenes from Oscar-nominated films at the opening of Sunday’s (February 26) show, he was taking a second to lock in the tween viewership, with a good dose of Holocaust-related humor for added measure. For his parody of the Woody Allen flick “Midnight in Paris,” a tux-wearing Justin Bieber rolled up to the Academy Awards host, who was sitting on a stoop. “Come here, come here,” he shouted to Crystal. “What’s up? I’m here to get you the 18-24 demographic. So how long do you want me to sit here for?” “A couple seconds, I think, will do it,” Crystal said. The two then exchanged some awkward, lingering glances waiting out the appropriate amount of time before they could move on to the next part of their gag, which, of course, focused on Hitler and the Holocaust. “So what are you going to do now?” Crystal inquired. Bieber replied, “We’re gonna go hang out with Hemingway and Fitzgerald.” That “we’re” he was referring to was Bieber and Rat Packer Sammy Davis Jr. Crystal, done up as Davis Jr., added, “And then we’re gonna go kill Hitler. Billy, is Biebs the young Sinatra, or am I nuts?” “Oh Sammy, stop it!” Bieber laughed, before pulling off. The opening sketch also included homages to “The Artist,” “The Help,” “Moneyball” and “The Descendants,” to name a few, with appearances by nominees including George Clooney and Jonah Hill. After the sketch closed out, Crystal hit the stage for a musical number. The MTV Movies team has the 2012 Oscars covered! Keep it locked at MTV.com all night and beyond for updates on the night’s big winners and the best red-carpet fashion . Join the live conversation by tweeting @MTVNews with the hashtag #Oscars. Related Videos Oscars 2012: Red Carpet Highlights Oscars 2012: Show Highlights Related Photos MTV Style | 2012 Oscars Red Carpet Photos Related Artists Justin Bieber
Critics are a bit grossed out by the raunchy comedy but still charmed by leading man Paul Rudd. By Kara Warner Paul Rud and Jennifer Aniston in “Wanderlust” Photo: Universal Fans of the big-screen pairing of Jennifer Aniston and Paul Rudd have likely been waiting for the two likable actors to reunite since their 1998 romantic dramedy “The Object of My Affection.” At long last, that wait is over with the release of “Wanderlust,” a comedy in which Aniston and Rudd play a stressed-out Manhattan couple who end up traveling through a hippie-ish community that teaches them a lesson or two about what’s really important in life. The critical response is at 55 percent “Fresh” over at Rotten Tomatoes , with some folks enjoying the awkward humor and unflappable charm of Paul Rudd and others having issues with Rudd and Aniston’s schtick. Read on as we frolic through the “Wanderlust” reviews! The Irresistible Charm of Paul Rudd “Paul Rudd is the best friend a movie comedy can have. He always delivers the goods and something extra, usually something wild and weirdly wonderful. In ‘Wanderlust,’ Rudd lets the funny fly. Like the movie he’s in, Rudd only seems normal. Inside, it’s all deliriously unhinged. Rudd plays George, an uptight Wall Street suit squeezed into a Manhattan micro-loft with his documentarian wife Linda (Jennifer Aniston) until the recession shuts them both down. Off they go to Georgia where his idiot brother (Ken Marino, the film’s co-writer) offers him a job in his porta-potty business. Unacceptable. So George and Linda take shelter in Elysium, a commune where craziness reigns along with pot, acid, dodgy hygiene and free love. When the luscious Eva (Malin Akerman) offers to get it on with him, George unravels his straight laces. Here comes the Rudd time capsule moment: In a mirror, George rehearses talking dirty to Eva, taking the word ‘dick’ and stretching it into syllables of near-pornographic hilarity. It helps that Rudd is once again working with director and co-writer David Wain, as he did in ‘Role Models’ and the immortal 2001 indie ‘Wet Hot American Summer.’ ” — Peter Travers, Rolling Stone The Comedy and Quirk Factors “In sophisticated comedy, what’s funny is the tension between proper manners and the nasty or sexy subtext. Whereas in low comedy, there are no manners, and the nasty or sexy subtext is right there on the surface. And then there’s ‘Wanderlust,’ in which the subtext is blasted through megaphones — the characters say so insanely much you want to scream. The satire is as broad as a battleship and equally bombarding. But it takes guts to do a comedy this big without gross-out slapstick, and the writers and the actors are all in. … You say it sounds like a bunch of stereotypes — and 40-year-old stereotypes? The defense concedes the point. It’s not fresh terrain. But this tribe of hippies is also a tribe of marvelously inventive comic actors doing a fair amount of inspired improvisation and grooving on the mindset.” — David Edelstein, NPR The Final Word, Pro-Con-Pro Style “The role of an uptight fish out of water is what Rudd was born for, and he plays George with the congeniality and improvisatorial brio for which he’s become deservedly famous. He and Theroux, who’s barely recognizable beneath a thatch of long hair and a beard, deliver the most well-earned laughs in ‘Wanderlust,’ which otherwise traffics in tired jokes about menstrual cycles, placenta soup and rubbing your fingers together instead of clapping. … Between this film and last summer’s ‘Horrible Bosses,’ Aniston’s coyness — starring in explicit movies without having to be explicit herself — seems to be becoming her stock in trade. It’s not a particularly commendable one, and ‘Wanderlust’ does little to disprove that she’s still a star more suited to TV rather than the big screen. As for Rudd, he still has charm to burn, even playing a type he’s long since outgrown. Like George observing the overgrown children of Elysium, it might be time for Rudd to move on.” — Ann Hornaday, The Washington Post “The production has all the style and subtlety — and, admittedly, the exuberance — of TV sketch material. A psychedelic sequence makes Madonna’s halftime show look like high art. Both the straight and hippie realms are populated by parallel groups of fevered eccentrics; the cast includes Mr. Marino, Justin Theroux, Malin Akerman, Joe Lo Truglio, Kathryn Hahn, Kerri Kenney, Lauren Ambrose and Linda Lavin. Alan Alda is the commune’s venerable founder, Carvin, whose brain long ago failed the acid test. ‘Wanderlust’ is nothing if not strenuous, strident and gross, and most of it fails the comedy test.” — Joe Morgenstern, Wall Street Journal “There are so many things to feel guilty about liking in the pure and prurient guilty pleasure that is ‘Wanderlust.’ Starring Paul Rudd and Jennifer Aniston, this is a comedy of no manners about finding your bliss and escaping the modern grind. The laughter is served up naughty and nice, and frequently au naturel, earning it an R rating when perhaps RR (really raunchy) would have been more appropriate. Appropriateness, however, has pretty much been jettisoned by the filmmakers, who have opted instead for the good-fun-found-in-bad-taste tradition of ‘The Hangover.’ Directed by David Wain and co-written with his frequent comic collaborator, Ken Marino, the film is, overall, a very wobbly affair starting with all the dangling naked body parts that greet George (Rudd) and Linda (Aniston) when the couple pulls into a free-love commune they mistake for a B&B.” — Betsy Sharkey, Los Angeles Times Check out everything we’ve got on “Wanderlust.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos MTV First: Paul Rudd & Jennifer Aniston Related Photos ‘Wanderlust’
Critics are a bit grossed out by the raunchy comedy but still charmed by leading man Paul Rudd. By Kara Warner Paul Rud and Jennifer Aniston in “Wanderlust” Photo: Universal Fans of the big-screen pairing of Jennifer Aniston and Paul Rudd have likely been waiting for the two likable actors to reunite since their 1998 romantic dramedy “The Object of My Affection.” At long last, that wait is over with the release of “Wanderlust,” a comedy in which Aniston and Rudd play a stressed-out Manhattan couple who end up traveling through a hippie-ish community that teaches them a lesson or two about what’s really important in life. The critical response is at 55 percent “Fresh” over at Rotten Tomatoes , with some folks enjoying the awkward humor and unflappable charm of Paul Rudd and others having issues with Rudd and Aniston’s schtick. Read on as we frolic through the “Wanderlust” reviews! The Irresistible Charm of Paul Rudd “Paul Rudd is the best friend a movie comedy can have. He always delivers the goods and something extra, usually something wild and weirdly wonderful. In ‘Wanderlust,’ Rudd lets the funny fly. Like the movie he’s in, Rudd only seems normal. Inside, it’s all deliriously unhinged. Rudd plays George, an uptight Wall Street suit squeezed into a Manhattan micro-loft with his documentarian wife Linda (Jennifer Aniston) until the recession shuts them both down. Off they go to Georgia where his idiot brother (Ken Marino, the film’s co-writer) offers him a job in his porta-potty business. Unacceptable. So George and Linda take shelter in Elysium, a commune where craziness reigns along with pot, acid, dodgy hygiene and free love. When the luscious Eva (Malin Akerman) offers to get it on with him, George unravels his straight laces. Here comes the Rudd time capsule moment: In a mirror, George rehearses talking dirty to Eva, taking the word ‘dick’ and stretching it into syllables of near-pornographic hilarity. It helps that Rudd is once again working with director and co-writer David Wain, as he did in ‘Role Models’ and the immortal 2001 indie ‘Wet Hot American Summer.’ ” — Peter Travers, Rolling Stone The Comedy and Quirk Factors “In sophisticated comedy, what’s funny is the tension between proper manners and the nasty or sexy subtext. Whereas in low comedy, there are no manners, and the nasty or sexy subtext is right there on the surface. And then there’s ‘Wanderlust,’ in which the subtext is blasted through megaphones — the characters say so insanely much you want to scream. The satire is as broad as a battleship and equally bombarding. But it takes guts to do a comedy this big without gross-out slapstick, and the writers and the actors are all in. … You say it sounds like a bunch of stereotypes — and 40-year-old stereotypes? The defense concedes the point. It’s not fresh terrain. But this tribe of hippies is also a tribe of marvelously inventive comic actors doing a fair amount of inspired improvisation and grooving on the mindset.” — David Edelstein, NPR The Final Word, Pro-Con-Pro Style “The role of an uptight fish out of water is what Rudd was born for, and he plays George with the congeniality and improvisatorial brio for which he’s become deservedly famous. He and Theroux, who’s barely recognizable beneath a thatch of long hair and a beard, deliver the most well-earned laughs in ‘Wanderlust,’ which otherwise traffics in tired jokes about menstrual cycles, placenta soup and rubbing your fingers together instead of clapping. … Between this film and last summer’s ‘Horrible Bosses,’ Aniston’s coyness — starring in explicit movies without having to be explicit herself — seems to be becoming her stock in trade. It’s not a particularly commendable one, and ‘Wanderlust’ does little to disprove that she’s still a star more suited to TV rather than the big screen. As for Rudd, he still has charm to burn, even playing a type he’s long since outgrown. Like George observing the overgrown children of Elysium, it might be time for Rudd to move on.” — Ann Hornaday, The Washington Post “The production has all the style and subtlety — and, admittedly, the exuberance — of TV sketch material. A psychedelic sequence makes Madonna’s halftime show look like high art. Both the straight and hippie realms are populated by parallel groups of fevered eccentrics; the cast includes Mr. Marino, Justin Theroux, Malin Akerman, Joe Lo Truglio, Kathryn Hahn, Kerri Kenney, Lauren Ambrose and Linda Lavin. Alan Alda is the commune’s venerable founder, Carvin, whose brain long ago failed the acid test. ‘Wanderlust’ is nothing if not strenuous, strident and gross, and most of it fails the comedy test.” — Joe Morgenstern, Wall Street Journal “There are so many things to feel guilty about liking in the pure and prurient guilty pleasure that is ‘Wanderlust.’ Starring Paul Rudd and Jennifer Aniston, this is a comedy of no manners about finding your bliss and escaping the modern grind. The laughter is served up naughty and nice, and frequently au naturel, earning it an R rating when perhaps RR (really raunchy) would have been more appropriate. Appropriateness, however, has pretty much been jettisoned by the filmmakers, who have opted instead for the good-fun-found-in-bad-taste tradition of ‘The Hangover.’ Directed by David Wain and co-written with his frequent comic collaborator, Ken Marino, the film is, overall, a very wobbly affair starting with all the dangling naked body parts that greet George (Rudd) and Linda (Aniston) when the couple pulls into a free-love commune they mistake for a B&B.” — Betsy Sharkey, Los Angeles Times Check out everything we’ve got on “Wanderlust.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos MTV First: Paul Rudd & Jennifer Aniston Related Photos ‘Wanderlust’
The artistry leaps off the stage as black legs, brown arms and high-yellow bodies soar through the air in dances such as “Revelations.” At an Alvin Ailey performance it’s not quite clear what’s more beautiful: the black people on stage, or the ones in the audience swelling with pride and awe as they see people who look like them performing ballet and modern dance. African Americans so rarely see themselves dancing majestically. Pop dances such as the “Fox Trot” and the “Charleston” have now been replaced by the “Dougie” and the a’Wobblea’. At an Alvin Ailey performance however, black men and women are the manifestation of hopes and dreams as well as pain and suffering. Watch this snippet of “Rock My Soul” “Ailey will rock your soul!” from AlvinAileyAmericanDanceTheater on Vimeo . Ailey, born during the Depression in Texas, grew up in the church and juke joints. The conflicting forces fueled his sense of black pride and influenced what would later become a world-renowned dance company. Ailey started his troupe after moving to New York in the late ’50s and being dissatisfied with the style of dances performed at company’s there. “Revelations” is his most notable work, but its precursor was “Blues Suite.” The piece was derived from blues songs and it conveyed the African Americans’ suffering. While “Blues Suite” focused on the pain of black folks, “Revelations” showcased the perseverance and tenacity. It is a work of celebration influenced by Ailey’s rural upbringing in Texas.
Penelope Ann Miller attends the 14th Annual Costume Designer Guild Awards at the Beverly Hilton. Penelope says she didn’t make any money off “The Artist” but is riding the awards season high, she also reveals her Oscar Dress!!! “Like” us on Facebook @ facebook.com
‘I’ve been writing this story for a long time,’ rapper tells Ryan Seacrest of her alter ego Roman Zolanski. By Jocelyn Vena Nicki Minaj performs at the 54th Annual Grammy Awards Photo: Kevin Winter/ Getty Images Nicki Minaj nearly stole the show at the 2012 Grammy Awards when she performed her frenetic Pink Friday: Roman Reloaded track, “Roman Holiday.” Rife with religious symbolism, the performance welcomed her alter-ego Roman Zolanski to the Grammy stage for the first time. On Monday (February 13), Minaj called into Ryan Seacrest’s radio show to give her take on the red-hot performance. “Well, [that religious character I walked the carpet with] is a major part of the story and the movie that I’m writing about one of my alter egos; his name is Roman,” she said. “Basically, the religious figure is there because he was called on by Roman’s mom [Martha] to rehabilitate him. I wasn’t going to do the red carpet, so you know I was backstage prepared … my people wanted me to do it. I had this amazing robe made for me by Versace sent from Milan and I said, ‘I have to wear this.’ They were so generous, and I was going to originally wear it in the performance, but then when I got it, it was a little heavy for the performance. “I had this vision for Roman. I had this vision for him to be sort of exorcised … people around tell him he’s not good enough because he’s not normal. So his mother is scared and the people around him are afraid. He wanted to show that not only is he amazing, but he’s never going to be exorcised, even when they throw holy water on him, he still rises above.” In fact, when MTV News caught up with Minaj in late 2011, she shared the origins of this particular plotline. “Well, he was there [in Moscow] secretly because [alter ego] Martha wanted him to go there,” she said. “So they put him in this thing with monks and nuns; they were trying to rehabilitate him.” Minaj told Seacrest that she feels the performance, choreographed by Laurieann Gibson and directed by Hype Williams, was a success. “It’s funny because it was the most comfortable I’ve been in my entire life,” she said. “The Grammys chose ‘Roman Holiday.’ They heard ‘Roman Holiday’ and I could not play them another record after that. I have to stay true to what I’m doing … my fanbase, they understand every single thing. Roman was created two years ago. I’ve been writing the story for a long time and yesterday was his coming-out party. It just was very literal and streamlined if you know who Roman is and if you don’t know the Roman character, you have to digest it. While she has no plans to recreate that Grammy performance, she has made it clear several times to MTV News that this April will kick off the era of Roman. In a previous interview with Minaj, she explained that Roman is definitely her favorite alter-ego. “[He’s] bad. That’s why I like Roman,” she said. “I think I started liking Roman more because everybody else starting like Roman, so he became my favorite. People are expecting him to do some real craziness on the next album.” The over-the-top spectacle was, in part, inspired by her Super Bowl performance with Madonna. “Meeting Madonna changed my life. This performance was it, and this is the first performance I’m proud of in my whole life. Madonna was the first person in history who was able to make me change my wig,” she said of the Queen of Pop’s undeniable influence over her. “When you see her vision, it’s like, ‘Oh, OK. If someone this talented and this rich is still giving it this much [then I should too].’ ” And, she explained that she cares so much for Madge as an artist that she felt “disappointment” over M.I.A.’s headline-grabbing middle finger salute . “Even though I’m a coo-coo lady too, I would never be able to do it off the strength of Madonna,” she said. “We’re kind of all firecrackers.” What did you think of Nicki’s alter ego Roman? Leave your comment below! Related Videos 2012 Grammy Awards Show Highlights Related Photos 2012 Grammy Awards: After Parties 2012 Grammy Awards: Backstage And Audience 2012 Grammy Awards: Main Show 2012 Grammy Awards: Press Room 2012 Grammys Red Carpet Photos Related Artists Nicki Minaj
‘I Will Always Love You’ is the #1 song on iTunes, and the pop legend is likely to re-enter Billboard top 10. By John Mitchell Whitney Houston Photo: Kevin Mazur/ WireImage Sales of Whitney Houston ‘s albums and singles have soared since news of her death arrived late Saturday afternoon, so much so that the late pop superstar’s 2000 hits package, Whitney: The Greatest Hits, is expected to re-enter the album charts this week in the top 10. Billboard is projecting that Houston’s Hits package likely moved 50,000 copies in the day-and-a-half window between when news of her death was first reported and the close of Nielsen SoundScan’s business week. “In terms of sales impact, it won’t quite be like Michael Jackson, but it will be big,” Billboard ‘s associate director of charts Keith Caulfield told MTV News of the spike in sales for Houston’s albums and songs. “Most big pop stars have a perfect great hits and Whitney doesn’t, and that could factor into how the sales play out. I do think her track sales are going to be really big.” Houston released only one greatest hits package in the U.S., and it has been the album fans have turned to since her passing. It is, however, considered “a flawed greatest hits to a lot of people,” Caulfield said. “Half of it is remixes of her dance songs, so it’s not the familiar version of ‘I Wanna Dance With Somebody.’ It’s not the perfect greatest hits package for fans to turn to, so I don’t think it’s going to sell as well [as Jackson’s].” A look at the iTunes song and album charts reveals that Houston’s back catalog is indeed in demand: The singer currently has 28 tracks on the iTunes top 100 sellers list, including the #1 song (“I Will Always Love You”), and her 2000 hits package is the #2 album, trailing only Adele’s 21, which is itself experiencing a post-Grammy surge. Only one of Houston’s six studio albums (2002’s Just Whitney ) is not currently charting on the iTunes top 100 albums chart. The three soundtrack albums (“The Bodyguard,” “The Preacher’s Wife” and “Waiting to Exhale”) that feature her prominently, however, do appear. Seven of the top 10 titles on Amazon’s album chart also belong to Houston. It is, of course, not uncommon for a musician’s records to re-emerge on the charts in the wake of a tragic passing. Last summer, Amy Winehouse’s two albums , Frank and Back to Black, both leapt back onto the charts after the star’s death. Back to Black even reappeared in the Billboard 200 top 10 for several weeks, and sales of her most popular singles surged, with more than 111,000 digital track sales rung up in just the first week after her passing. The previous week, Winehouse had moved 5,000 downloads. However, nothing compares to the massive sales spike experienced after Michael Jackson’s death. Jackson died on June 25, 2009, and in the six months that followed, his back catalog moved 11 million digital downloads and 8 million albums. Two years later, those numbers had increased to 16.3 million downloads and 10.6 million albums, respectively, according to Billboard. Etta James also recently saw a sales surge following her passing from leukemia and other ailments. How long Houston’s albums will continue to play strongly on the charts remains to be seen, and Caulfield noted that Jackson’s massive posthumous sales had a great deal to do with the iconic nature of his earlier works and the “well-curated” hits packages that were released during his lifetime. “Michael had a couple of albums that were de facto greatest hits album, like Thriller, Bad or Off The Wall . They were self-contained greatest hits albums, in a way. Whitney’s earlier albums are much the same but they don’t have that iconic status,” Caulfield told MTV News. “Being the biggest-selling album of all time has a certain impact that, no matter how many hits [another album] has, it’s not on the same level on a global scale.” “The second thing, Michael had the #1s album, which was a very easy, obvious choice for people to purchase because it had all the big hits, or you had The Essential Michael Jackson, which had all that and more. There was even a box set,” Caulfield added. “There was a wealth of well-curated greatest hits albums for casual fans of Michael to purchase, and Whitney doesn’t have that.” Share your condolences with Whitney’s family and friends on our Facebook page. Related Videos Whitney Houston: Life And Music Of An Icon Related Photos Whitney Houston’s Music Video Style Remembered Whitney Houston: A Life In Photos Related Artists Whitney Houston