Nine years after Napoleon Dynamite made Sundance darlings out of its makers, screenwriter Jerusha Hess is set to make her directorial debut with the femme-centric comedy Austenland , adapted from Shannon Hale’s best-seller about a Jane Austen obsessee on holiday at a resort where the Regency authoress is venerated like a goddess. Austenland stars Keri Russell, JJ Feild, Jennifer Coolidge, Jane Seymour, and Bret McKenzie, but there’s even more star power behind the scenes in the form of producer Stephenie Meyer ( The Twilight Saga ). Meyer, who served as producer on the final films in the Twilight franchise, Breaking Dawn Parts 1 & 2 , as well as the adaptation of her novel The Host , co-created her Fickle Fish Films shingle to create literary-themed projects, beginning with Austenland . Ahead of Austenland ‘s Sundance premiere this Friday, Hess released a director’s note emphasizing her focus on a female audience after scripting the goofy male comedies Napoleon Dynamite , Nacho Libre , and Gentlemen Broncos — “[our] most testicular film to date”: I remember thinking after my husband and I finished Gentlemen Broncos , our weirdest and most testicular film to date, that I really needed to start making movies for girls. Cut to a dinner meeting with author Shannon Hale. She was smart and funny and handed me a book she had recently published, Austenland . I read it in an evening and we started writing the screenplay within the month. The book was so fresh and read like a film; it was a joy to adapt it for the screen and write it with Shannon. Since the romantic element in the book was always strong, my goal was to make the film as quirky and light as possible. The result is a ridiculous romp in Regency culture – commenting not only on the historical time but also on the Jane Austen film genre itself. Although the film gently pokes at the Austen “afficianado” it never intends to alienate the fans, rather to celebrate the fun and funny of it all. Austenland was as girlishly indulgent to make as I hope it is for you to watch. Enjoy. Synopsis: Austenland is a romantic comedy about 30-something, single Jane Hayes (Keri Russell), a seemingly normal young woman with a secret: her obsession with all things Jane Austen. But when she decides to spend her life savings on a trip to an English resort catering to Austen – crazed women, Jane’s fantasties of meeting the perfect Regency-era gentleman suddenly become more real than she ever could have imagined. Based on the novel by Shannon Hale (who also co-wrote the script), the film was written and directed by Jerusha Hess (writer, Napoleon Dynamite ) and produced by Stephenie Meyer’s Fickle Fish Films. The film features an all-star cast including Bret McKenzie, Georgia King, Jane Seymour, JJ Field and Jennifer Coolidge. Follow Movieline’s Sundance 2013 coverage here . Follow Jen Yamato on Twitter . Follow Movieline on Twitter .
The Sundance Film Festival opens Thursday with a new crop of anticipated American indies – some of which will define the cinematic year. Last year’s narrative winner Beasts of the Southern Wild received a slew of Oscar nominations this year along with other titles. Which ones will emerge this year. Over the next week, M.L. will give a snapshot of the filmmakers themselves in their own words along with trailers. The first five filmmakers profiled today include Lynn Shelton’s Touchy Feely (U.S. Dramatic Competition), David Lowery’s Ain’t Them Bodies Saints (U.S. Dramatic Competition), directors Aaron Aites, Audrey Ewell, Nina Krstic, Lucian Reade’s 99%: The Occupy Wall Street Collaborative Film (U.S. Documentary Competition), Bastian Guenther’s Houston (World Dramatic Competition) and Stacie Passon’s Concussion (U.S. Dramatic Competition). Touchy Feely by director Lynn Shelton – [U.S. Dramatic Competition] Synopsis What happens when a family’s delicate psychic balance suddenly unravels? Abby is a free-spirited massage therapist. Her brother, Paul, an emotional zombie, owns a flagging dental practice, where he enlists the assistance of his equally emotionally stunted daughter, Jenny. Suddenly, transformation touches everyone. Abby develops an uncontrollable aversion to bodily contact, which seriously hinders her chosen profession and the passionate love life she once shared with her boyfriend. Meanwhile, rumors of Paul’s “healing touch” begin to miraculously invigorate his practice. As Abby navigates through an identity crisis, her brother discovers a whole new side of himself. Boasting superb performances from an ensemble cast that includes Rosemarie DeWitt, Josh Pais, Ellen Page, Scoot McNairy, Allison Janney, Ron Livingston, and newcomer Tomo Nakayama, Touchy Feely is about learning to live in your own skin—literally and figuratively. Written and directed by talented Sundance alumnus Lynn Shelton (Humpday, Your Sister’s Sister), Touchy Feely bristles with originality, coupled with Shelton’s trademark sensitivity to the foibles of human nature. [Courtesy of Sundance] Comments by Lynn Shelton: Touchy Feely quick pitch: Touchy Feely has an ensemble cast and multiple story-lines. At its center is a brother and sister: Abby (Rosemarie DeWitt), a free spirited massage therapist who can’t do her job after developing a mysterious aversion to touching skin, and Paul (Josh Pais), an emotionally stunted dentist who’s dying practice is suddenly invigorated when his waiting room fills with folks seeking out his “healing touch”. …and why it’s worth checking out at Sundance and beyond: I think it’s honest and emotional and funny and goes to some unexpected places. Plus, take a look at the cast list. Some quick anecdotes on how it all came together: 1. Our already short prep period became quite a bit shorter when Rosemarie DeWitt got cast in Promised Land which was shooting exactly when we were hoping to. In order to keep her in our film, we moved our schedule up by three weeks. 2. The dentist office, one of our key locations, eluded us until the eleventh, nail-biting, hour. I had nearly given up in despair, when, as if by magic, I discovered through casual conversation that the father of the very nice town car driver who took me to the airport one day, had JUST retired from dentistry at the age of 92. They turned out to be the most wonderful friends to the production. It was pure serendipity. 3. The biggest challenge for me of making this film was cutting together all the story-lines in the edit room. It was like an advanced-level jigsaw puzzle. Some background on the cast… Josh Pais and Rosemarie DeWitt functioned as muses for me; I wrote their roles specifically for them. The rest of the cast fell into place with relative ease once the script was finished. Ain’t Them Bodies Saints by director David Lowery – [U.S. Dramatic Competition] Synopsis: Bob Muldoon and Ruth Guthrie, an impassioned young outlaw couple on an extended crime spree, are finally apprehended by lawmen after a shootout in the Texas hills. Although Ruth wounds a local officer, Bob takes the blame. But four years later, Bob escapes from prison and sets out to find Ruth and their daughter, born during his incarceration. The barren landscapes of David Lowery’s poetic feature evoke the mythology of westerns and saturate the dramatic space with fatalism and an aching sense of loss. Aided by powerfully restrained performances by Casey Affleck, Rooney Mara, and Ben Foster, Lowery incorporates an unnerving tension into the film, teetering it at the edge of violence. The beautiful, irreconcilable dilemma of the story is that Ruth—compelled by the responsibilities of motherhood and her evolving relationship with the deputy she shot—remains haunted by her intense feelings for Bob. Each of them longs for some form of peace. Ironically, it’s Bob, the unrepentant criminal trapped in the romantic image of a bygone past, who is driven by an almost righteous sense of clarity. Following in the footsteps of Badlands and Bonnie and Clyde, Lowery’s humanism transcends the genre. [Courtesy of Sundance] Comments by David Lowery: Ain’t Them Bodies Saints quick pitch: Ain’t Them Bodies Saints is a classic tale of an outlaw who breaks out of prison and sets out to reunite with his family. …and why it’s worth checking out at Sundance and beyond: It’s looking like the temperature in Park City next week is going to have a high of 12, so escaping into the heat of the Texas summer – at least on screen – might be a cozy respite! Some quick anecdotes on how it all came together: That Texas summer was one of the challenges; the movie was originally set during the winter, but for scheduling reasons I rewrote the script to take place in summer. I figured that we might as well own it and make the heat an integral part of the film. It eventually became so integral that we had a few crew cases of heat exhaustion on set. Pausing in the middle of a hectic shoot day for medics to assist our fallen comrades was troubling for multiple reasons. But everyone endured and in the end, all the sweat and dirt looks amazing on film, and the summer is almost a character in the movie – burnt grass blowing in the wind, birdsongs in the morning and those amazing summer sunsets that you only get in Texas. 99%: The Occupy Wall Street Collaborative Film by directors Aaron Aites, Audrey Ewell, Nina Krstic, Lucian Reade [U.S. Documentary Competition] Synopsis: In 2011, seemingly overnight, Occupy captured the imagination of our nation—and the world. The sweeping story of the birth of a movement, 99%—The Occupy Wall Street Collaborative Film follows a disparate group of activists who converge on lower Manhattan’s Zuccotti Park to build a society organized by nonhierarchical decision-making structures. Inspired by the idea that wealth and political power are dangerously concentrated, grassroots groups from Minneapolis to Mississippi to Oakland soon follow suit, converging to focus on issues crucial to their own communities. After confrontations, expulsions, and mass arrests, the movement finds itself at a crossroad. What’s next? Designed in part as an experiment modeled on Occupy’s process, the film employs multiple cameras around the country to capture the kinetic, immediate experience on the ground, peppered with a comprehensive range of viewpoints from activists, experts, and detractors. In an era of hopelessness and resignation, this film is a reminder that another world order is still possible. Comments by Audrey Ewell: 99%: The Occupy Wall Street quick pitch: Mainstream news coverage of Occupy Wall Street left most people with a pretty inaccurate idea of what really happened. We went behind the scenes and took a hard look at one of the most tumultuous movements in contemporary American life. 99% connects the dots on who these people were, what they were doing, and why; this film will give you a whole new understanding of what was really happening in the cultural and economic environment, and why it compelled people all over the country to take to the streets. And then we look at what could be coming next. …and why it’s worth checking out at Sundance and beyond: This film gets into the lives of real people who are struggling to deal with the issues the movement propelled into the spotlight. It’s both affecting and enlightening. What’s great about 99% is that you will walk away truly understanding how all of the issues are connected. How a single mom in Minneapolis struggling with foreclosure is connected to the pension crisis faced by teachers and firefighters, and how the deregulation of banks and corporations (that led to the junk mortgage market crash) is directly linked to laws that govern lobbying and campaign finance. All of that is 100% connected and this film uses the stories of real Americans to cover the big interconnected picture in a way that has never quite been done before. It peels back the curtain and reveals who has the power in America, how they maintain it (including coordinated suppression of protest by DHS, local police forces and government), and the consequences for real people. Some quick anecdotes on how it all came together: Just two or three? Well, this film had unique challenges due to its experimental production process. Audrey Ewell (the founder of the film) was liaising with our shooters and co-directors all over the country, keeping it all coordinated and making sure we were getting material that could blended into one story. Various co-directors were responsible for various threads in the film. At one point, one of the co-directors in NY wanted to interview someone who was in Oakland, CA. Our Philadelphia co-producer had a connection to this woman, so he put us in touch, and the NY co-director and Audrey researched and wrote questions for her, and then a shooter in the Bay Area filmed the interview by proxy. And after all that, the NY co-director quit the film as it was too big a commitment for her, and all of that work got scrapped because her thread was subsequently cut. On a film like this, people came and people went, and because it was designed to be a parallel (but unaffiliated) experiment that mirrored and tested the processes of the movement, this was just the sort of thing that we’d invited in. So while it was frustrating and time-consuming, we’d decided to embrace the process and see where it would take us. What we found was that not all of the movement’s processes worked for us, and we had to adjust as we went along in order to satisfy the needs of a real-world, goal-oriented process with deadlines. And in our case, what that meant was scrapping any ideas about consensus, and instead implementing a strict hierarchy, with the more experienced filmmakers leading the process. Only then was production of the film possible. Houston by director Bastian Guenther – [World Dramatic Competition] Synopsis: Clemens Trunschka is not doing so well. With spotty employment and a shaky marriage, he’s pretty much lost any claim to being a “functional alcoholic.” The more accurate term for him would probably be “lousy drunk.” So when an opportunity arises to help a German company recruit an American candidate as its CEO, Trunschka seizes the chance to get… [Courtesy of Sundance] Comments by Bastian Guenther The Houston quick pitch: Clemens Trunschka is a corporate headhunter and an alcoholic. Drinking increasingly isolates him from his life and leads him away from reality. On the hunt for a top CEO in Houston, Texas, his addiction takes him on a haunting journey into his own darkness. …and why it’s worth checking out at Sundance and beyond: I hope that, like a good short story, the film lives on in the viewer’s imagination after leaving the theatre. It gives no answers and is certainly not didactic, but I hope it provokes some critical thoughts about how we live today. If so then the film achieved a lot beyond being 107 minutes of entertainment. We get wrapped up and lost in systems of our own creation that are organized around short-term goals and short-term satisfactions. On the individual level, this comes in the form of rampant consumerism or addiction, and on the societal level, in extreme capitalism and global corporations. These systems do not offer enduring solutions or meaning. They divide and conquer. So the film shows this and the isolation that comes with our modern way of life. Some quick anecdotes on how it all came together: I remember that during our shoot, Garret Dillahunt was shooting the TV show, Raising Hope , in which he stars. This ran all week in LA, then he would fly into Houston to shoot with us for the weekend and return late Sunday night to be on the set in LA early Monday morning. For 6 straight weeks, he worked every single day. I truly appreciate his dedication to our film. One day we shot a complicated scene in which some of the crew stood on a rooftop of a skyscraper in downtown Houston holding a fishing rod with a line that was attached to another fishing rod held by another crew member on the street below. To complicate matters, we were shooting this from another skyscraper across the street. Bad cell phone and walkie talkie reception did not help. But it was an exciting and fun moment, and I love how it turned out on screen. In general it was a challenge to shoot a feature film outside of my home country. The film sets work differently in Germany and the U.S. Each provides unique challenges. However, the experience was deeply gratifying, and I definitely want to continue making films in both countries. And background on the cast: I sent the script to Ulrich Tukur’s agent. After a while she called back and told us that he loved it. So we met several times, talked about the character, the story, and what it meant to me. Pretty soon we agreed on doing this project together. Our casting agent in LA, JC Cantu, showed me a lot of excellent actors for the role of Wagner. But when I had a Skype conversation with Garret Dillahunt, that JC organized, I knew that I found the right actor. We didn’t read any lines. We just talked about the film and the character. This was one of those rare moments where I knew immediately that I had found the right person. Our casting agent for Texas, Beth Sepko, did a fantastic job of finding stellar actors from the region for various other roles. Insight on the clip: Each of the two clips consists of one continuous shot in the film. They capture the pace and the style of the film. This was important to me. The clips should ignite viewers’ curiosity but also render in that short amount of time the condition of the main character. Concussion by director Stacie Passon – [U.S. Dramatic Competition] Synopsis: Abby is a fortysomething, wealthy, married, lesbian housewife who—after getting smacked in the head by her son’s baseball—walks around every corner of her suburban life to confront a mounting desire for something else. She takes on a new project and purchases a pied-à-terre in Manhattan. Walking around the city streets reminds Abby what it feels like to be sexy, and her pent-up libido shakes off its inhibitions. Her desire is not a take-home item for the minivan ride back home, so Abby inaugurates a double life that draws her deeply into a world of prostitution for women. In an auspicious debut effort, director Stacie Passon draws out a pitch-perfect performance from her lead actor, Robin Weigert, as a sexy, shut-down family woman stretching to bloom again. Palpably sensual and deliciously contained, Concussion is a keen observation of the complicated contours of midlife crisis. [Courtesy of Sundance] Comments by Stacie Passon: “Grateful to Sundance”: Firsts are always very fun, but with it I know there will be a lot of scrutiny. Will these films stand up? Will they move people and make them think? Sundance has been very brave here, but also I know they have a ton of confidence in the films in competition. They’ve been wonderful and supportive of Concussion in a so many ways already. We are grateful and lucky to have their support. Here’s to Technology and non-traditional distribution: I’m really encouraged. I mean, Sundance said that there where a many features made by women this year. Technology is making it easier to make films. Access to distribution platforms makes it easier to monetize films. I think as more and more women find these non-trad ways to get the work seen, we’ll see our numbers rise dramatically. The other thing is that women historically have had a hard time making more than two or three features, and many of the films at Cannes are not by new filmmakers. So women drop off huge in that category. For most of the women at Sundance in competition, this is a first or second feature. So it’s not only Sundance’s willingness to embrace women, it’s really about embracing new voices as well.
Even as it gears up for the launch of the Sundance Film Festival Thursday, the Sundance Institute unveiled 13 titles it is making available through a variety of platforms through its “Artist Services” program. Films include 2012 Sundance Film Festival titles Detropia , I Am Not A Hipster , The Atomic States of America and We’re Not Broke . Artist Services films are available on an array of online platforms including iTunes, Amazon Instant Video, Hulu, SnagFilms, Netflix, SundanceNOW, VUDU, YouTube and more. “With the proliferation of new digital outlets these days, Sundance Institute saw a real need to help filmmakers and producers easily access these platforms and to provide information on how best to navigate and take advantage of independent distribution,” commented Keri Putnam, Executive Director, Sundance Institute in a statement. “It’s exciting to see these filmmakers charting their own path towards finding audiences.” Sundance titles available starting January 15th: The American Astronaut (Director and Screenwriter: Cory McAbee) — Sundance Institute Screenwriter’s Lab Fellow Cory McAbee stars in his sci-fi feature film as an interplanetary trader. The film also stars 2012 Independent Spirit Award nominee James Ransone (Starlet, HBO’s Treme and The Wire) as Bodysuit. (2001 Sundance Film Festival) The Atomic States of America (Directors: Don Argott and Sheena M. Joyce) — Don Argott and Sheena M. Joyce’s provocative documentary takes viewers on a journey to nuclear reactor communities across the country. (2012 Sundance Film Festival) Budrus (Director: Julia Bachas) — Documentary filmmaker Julia Bacha’s award-winning 2009 documentary follows a Palestinian community organizer who unites local Fatah and Hamas members along with Israeli supporters in an unarmed movement to save the village of Budrus from destruction by Israel’s Separation Barrier. Budrus was produced by Just Vision, a nonprofit dedicated to increasing the power and legitimacy of Palestinians and Israelis working nonviolently to end the occupation and resolve the conflict. (2009 Sundance Documentary Film Grant) Detropia (Directors: Heidi Ewing and Rachel Grady) — Winner of the Best Documentary Editing Award at the 2012 Sundance Film Festival and nominated for Gotham and Cinema Eye awards, Detropia chronicles the lives of several Detroiters trying to survive and make sense of what is happening to their city – once an industrial utopia, now on the brink of bankruptcy. (2012 Sundance Documentary Film Grant, 2012 Sundance Film Festival) High School Record (Director and Screenwriter: Ben Wolfinsohn) — In Ben Wolfinsohn’s semi-improvised 2005 “mock doc,” four exceptionally awkward 17-year-olds struggle through their senior year as moments of humiliation and triumph are caught on tape in a documentary shot by fellow classmates at a performing arts high school. (2005 Sundance Film Festival) I Am Not A Hipster (Director and Screenwriter: Destin Daniel Cretton) — Featuring music by indie electronic band, Canines, and a break-out performance by Dominic Bogart (Flash Forward), Cretton’s music-focused drama premiered at sold-out screenings at the 2012 Sundance Film Festival. (2011 and 2012 Cinereach Project at Sundance Institute Grant, 2012 Sundance Film Festival) Primer (Director and Screenwriter: Shane Carruth) — Shane Carruth’s cult classic won the Grand Jury Prize and Alfred P. Sloan Prize at the 2004 Sundance Film Festival. Timed to the premiere of the director’s much-anticipated follow-up film, Upstream Color, at the 2013 Sundance Film Festival. (2004 Sundance Film Festival) Pursuit of Loneliness (Director and Screenwriter: Laurence Thrush) — Award-winning director Laurence Thrush’s (Left Handed) 2012 Sundance Film Festival premiere stars a cast of non-professional actors depicted in their own workplace roles. (2012 Sundance Film Festival) The Slaughter Rule (Directors: Alex Smith and Andrew Smith) — David Morse (Treme) and Ryan Gosling (Drive) star in Alex and Andrew Smith’s feature writing-directorial debut about a fatherless high-school quarterback. Nominated for the Independent Spirit Awards’ John Cassavetes Award.. (2002 Sundance Film Festival) Stingray Sam (Director and screenwriter: Cory McAbee) — Cory McAbee’s 2009 follow up to The American Astronaut features writer-director McAbee as Stingray Sam and “Crugie” as The Quasar Kid, two space convicts in a series of episodic adventures narrated by David Hyde Pierce (Frasier). (2009 Sundance Film Festival) to.get.her (Director and screenwriter: Erica Dunton) — Five teenage girls with a shared secret get together for a weekend of “no consequences” in this 2011 Sundance Film Festival premiere that won the Best of NEXT Audience Award. Actress-model Jazzy De Lisser stars in a “mystery” written and directed by Erica Dunton (The 27 Club). (2011 Sundance Film Festival) Wave Twisters (Directors: Eric Henry and Syd Garon) — Animators Syd Garon (Superheroes, Last Call at the Oasis) and Eric Henry’s “turntablism-based musical” won the 2001 Midnight Films Audience Award at the 2001 SXSW Film Festival. Scripted to a recording by “scratch” artist DJ Qbert, Wave Twisters follows a group of heroes traveling through inner-space on a quest to save the lost art of Hip Hop. (2001 Sundance Film Festival) We’re Not Broke (Directors: Karin Hayes and Victoria Bruce) — A timely exposé on how the government has allowed U.S. corporations to avoid paying taxes, and the growing wave of discontent that is has fostered. A 2012 Sundance Film Festival premiere from the filmmakers of The Kidnapping of Ingrid Betancourt. (2012 Sundance Film Festival)
Joseph Gordon-Levitt had quite a blockbuster 2012 with roles in The Dark Knight Rises , Lincoln and Looper , but he’s holding onto his indie big screen roots at this year’s Sundance Film Festival . Aside from his feature directorial debut, Don Jon’s Addiction , which will bow in the festival’s Premieres section, the actor and now filmmaker has been tapped to host the 2013 Sundance Film Festival Awards Ceremony. [ Related: Sundance Film Festival Reveals 2013 U.S. & World Competition Slate AND Sundance Film Festival Unveils Star-Studded Premieres & Documentary Premieres Lineup ] Gordon-Levitt is certainly no stranger to Sundance, having appeared in seven films post 3rd Rock from the Sun days including Mysterious Skin , Brick and (500) Days of Summer . He also debuted his directorial short Sparks at the fest in 2009 and his online production company hitRECord installed an exhibit in Sundance’s New Frontier in 2010, followed by a live performance in 2012. Don Jon’s Addiction , which stars Gordon-Levitt as well as Scarlett Johansson and Julianne Moore, centers on what the festival describes as “a selfish modern-day Don Juan attempts to change his ways” (above is a still from the film). It is screening Out of Competition. Last year, actress Parker Posey had been slated to host the awards show, but Sundance staff including festival Director John Cooper had to take over after she fell ill. Along with the overall festival, the awards are a harbinger of the year ahead for American indies and beyond. Beasts of the Southern Wild took last year’s Grand Jury Prize, Dramatic prize, while The House I Live In won in the Documentary category. Oscar short-listed docs Detropia , Searching for Sugar Man and The Invisible War were also among prize-winners last year. Noted Cooper in a statement: “Joseph Gordon-Levitt’s accomplished and original artistic perspectives have contributed greatly to Sundance Institute and the independent film community. As host, he is sure to add flair to our Awards Ceremony in similarly exciting ways, and we are thrilled that he will join us in recognizing outstanding achievements at this year’s festival.” The 2013 Sundance Film Festival takes place January 17 – 27. Movieline will be there with daily coverage.
Rising U.K. actress Kaya Scodelario ( Skins , Moon , Wuthering Heights ) stars as a teenager who strikes up a friendship with her mysterious neighbor ( Jessica Biel ) in the drama Emanuel and the Truth About Fishes , which premieres in competition at the Sundance Film Festival . Movieline ‘s got your first look at the poster for the surrealism-tinged thriller featuring Scodelario, who will be one to watch this month in Park City. Scodelario’s been an intriguing new talent since breaking out on the original Skins , the kids-behaving-badly hit U.K. series that inspired Project X -esque mayhem in suburban England and inspired a terrible American knockoff series on MTV. She appeared in Duncan Jones’ Moon and briefly in Clash of the Titans , but earned critical acclaim last year as Catherine in Andrea Arnold’s Wuthering Heights , and for a good while had considerable fan support vying to play the role of Katniss Everdeen in The Hunger Games which eventually went to Jen Lawrence. Emanuel should help Scodelario bolster her presence stateside (she also appears in the as-yet unreleased in the U.S. drama Now Is Good , AKA The One Where Dakota Fanning Has Cancer And A British Accent ), and it also adds some zest and indie cred to co-star Biel’s filmography following a varied year marked by the indie horror The Tall Man , the sci-fi remake Total Recall , awards hopeful Hitchcock , and the Gerard Butler vehicle Playing For Keeps . Alfred Molina, Frances O’Connor, Jimmi Simpson, and Aneurin Barnard also star in the pic from director Francesca Gregorini, who previously co-wrote and co-directed the girls school drama Tanner Hall . Check out the full hi-res poster debut below and stay tuned for Movieline ‘s coverage of the Sundance Film Festival, held January 17-27. Synopsis: A troubled girl Emanuel (Kaya Scodelario) becomes preoccupied with her mysterious new neighbor (Jessica Biel), who bears a striking resemblance to her dead mother. In offering to baby-sit Linda’s newborn, Emanuel unwittingly enters a fragile, fictional world, of which she becomes the gatekeeper. More info at the Sundance Film Festival website. Follow Jen Yamato on Twitter . Follow Movieline on Twitter .
Foo Fighters frontman Dave Grohl will be among the group of first-time filmmakers at this year’s Sundance Film Festival , but he will likely be the only one to also play an anticipated gig at the annually anticipated event which opens January 17th. [ Related: ‘Sound City’ Trailer Offers Glimpse Of Dave Grohl’s Love Letter To Rock ‘N’ Roll’s Pre-Digital Era and Foo Fighters’ Dave Grohl Gets Personal With ‘Sound City’ ] Grohl’s Sound City Players will play January 18th at the festival, featuring “core musicians and special guests” from the musician’s doc Sound City . The feature, which will screen in Sundance’s Documentary Premieres section, is the brainchild of Grohl who conceived the story after purchasing a custom-built 8028 recording console from Sound City Studios last year. The board was built in 1972 and considered to be a “crown jewel of analog recording equipment,” having recorded such artists as Neil Young, Fleetwood Mac, Tom Petty, Cheap Trick, Guns and Roses, Fear, Grohl’s former band, Nirvana as well as Rage Against the Machine, Slipknot, Nine Inch Nails, Metallica and others. The film Sound City showcases the most talented group of musicians in the world and we are thrilled they chose to celebrate the documentary at Park City Live,” said Kathryn Burns, CEO of Park City Live where the concert will take place via a statement. “The evening will be spectacular and we look forward to seeing who will join Dave Grohl and the Sound City Players onstage.” The venue is not a regular Sundance space, but will be one of many ancillary events that take place around the festival. The film’s soundtrack, Sound City — Real to Reel , is a collection of original music created specifically for the film and this companion record. Preceded by currently available first single “Cut Me Some Slack”–performed by Paul McCartney, Dave Grohl, Krist Novoselic, and Pat Smear. Grohl’s personal connection to Sound City began with the 1991 recording of Nirvana’s breakthrough album, “Nevermind”. Selling over 30 million copies worldwide.
The Batman finale was the most watched movie trailer on YouTube, though it actually placed only third overall. Also in Thursday’s round-up of news, the Palm Springs International Film Festival sets its lineup including opening and closing titles; Sundance unveiled its competition juries; and release dates are set for Arnold Schwarzenegger ‘s Ten and Paramount’s Anchorman sequel. The Dark Knight Rises Most Watched Movie Trailer in 2012 The film ranked highest of any film related trailer, placing third followed by Skyfall (4th), Ted (5th) and Hunger Games (6th). The top two spots in the rankings, based on how many times a cop was viewed, how long people stayed on the clip and how many times people searched for a clip instead of clicking on an ad, were two video games: Activision’s Call of Duty Black Ops 2 , Deadline reports . Blancanieves to Open Palm Springs Film Festival The film, directed by Spanish filmmaker Pablo Berger, is a re-imagining of the Snow White fairytale, will open the Palm Springs fest January 3. The festival will close out January 13 with Paul Andrew Williams’ Unfinished Song starring Terence Stamp and Vanessa Redgrave. As usual the festival will host a large number of Best Foreign Language Oscar contenders. In all the event will screen 180 films from 68 countries, Deadline reports . Sundance Film Festival Sets Juries Sundance Institute named its 19 members in five separate juries for the 2013 Sundance Film Festival. Former Fox head Tom Rothman, filmmaker Ed Burns, Waiting for Superman filmmaker Davis Guggenheim, 1998 Sundance Grand Jury Prize winner Liz Garbus ( The Farm: Angola, USA ), director Brett Morgen ( Crossfire Hurricane ) and Participant Media exec Diane Weyermann. Arnold Schwarzenegger’s Action Thriller Ten Set for January 2014 Schwarzenegger stars as the leader of an elite DEA task force that manages to neutralize a cartel safe house, but after the raid, the ten members of the group start getting eliminated. End of Watch ‘s David Ayer will direct, THR reports . Paramount Sets Anchorman Sequel Release Date Anchorman 2 is the follow up to the 2004 cult comedy that grossed $85 million domestically. Paramount will bow the pic December 20, 2013. The feature stars Will Ferrell, Steve Carell, Paul Rudd, David Koechner and Christina Applegate with Adam McKay directing, THR reports .
The Sundance Film Festival added four more films to its 2013 slate, including titles in its genre-heavy Park City at Midnight, Documentary Premieres and New Frontier sections. It also will feature director Robert Rodriguez ‘s El Mariachi in its “From the Collection” sidebar. [ Related: Sundance Film Festival Reveals 2013 U.S. & World Competition Slate ] With the additions, the 2013 Sundance Film Festival currently rounds out with 119 feature-length films, from 32 countries and 51 first-time filmmakers, including 27 in competition. The final 119 were selected from 12,146 submissions (429 more than for 2012), including 4,044 feature-length films and 8,102 short films. 103 feature films at the Festival will be world premieres. [ Related: Sundance Film Festival Unveils Star-Studded Premieres & Documentary Premieres Lineup ] Commented Sundance Film Festival director John Cooper in a statement: “With the addition of these four films, the 2013 Sundance Film Festival will present an even more well rounded program of independent films. Each adds to the Festival in exciting, challenging and entertaining ways.” [ Related: Sundance 2013 Sets New Matthew McConaughey, James Franco Films & Midnight Pics ] Four additional films follow with information provided by Sundance: PARK CITY AT MIDNIGHT Magic Magic / U.S.A., Chile (Director and screenwriter: Sebastián Silva) — An American girl vacationing in remote Chile mentally unravels, putting herself and those around her in danger. Cast: Michael Cera, Juno Temple, Emily Browning, Catalina Sandino Moreno, Augustín Silva. World Premiere DOCUMENTARY PREMIERES Muscle Shoals / U.S.A. (Director: Greg ‘Freddy’ Camalier) — Down in Alabama Rick Hall founded FAME Studios and gave birth to the Muscle Shoals sound. Mick Jagger, Keith Richards, Gregg Allman, Aretha Franklin, Etta James, Alicia Keys, Bono and others bear witness to the greatest untold American music story. World Premiere NEW FRONTIER (Film) Wrong Cops / U.S.A. (Director and screenwriter: Quentin Dupieux) — Imagine a Los Angeles where crime is so low that a bored cop sells drugs and harasses a teenager to pass the time. Shot in standalone chapters, as it is being financed, screened and released, watch the 45 minutes of crazy. Cast: Mark Burnham, Marilyn Manson, Steve Little, Eric Wareheim. FROM THE COLLECTION El Mariachi / U.S.A. (Director: Robert Rodriguez, Screenwriters: Carlos Gallardo, Robert Rodriguez) — A mariachi musician arrives in a Mexican border town at the same time as a hit man. Each carries a guitar case, but the mariachi’s contains his beloved instrument, while the hit man’s is full of gadgets and weapons. Cast: Carlos Gallardo, Consuelo Gomez, Jaime De Hoyos, Peter Marquardt, Reinol Martinez. El Mariachi premiered at the 1993 Sundance Film Festival. A newly struck preservation print of El Mariachi, created by Sony Pictures Entertainment to commemorate the film’s 20th anniversary, will screen on Saturday, January 19 at the Egyptian Theatre in Park City. Director Robert Rodriguez is expected to introduce the film and participate in the Q&A.
Foo Fighters frontman Dave Grohl is heading to the Sundance Film Festival next month with his directorial debut Sound City and he’s wasting no time getting the pic out there. The film’s website is now taking pre-orders for the documentary that will be released via HD digital download and stream February 1st. It will also be released theatrically February 1. Sound City is the brainchild of Grohl who conceived the story after purchasing a custom-built 8028 recording console from Sound City Studios last year. The board was built in 1972 and considered to be a “crown jewel of analog recording equipment,” having recorded such artists as Neil Young, Fleetwood Mac, Tom Petty, Cheap Trick, Guns and Roses, Fear, Grohl’s former band, Nirvana as well as Rage Against the Machine, Slipknot, Nine Inch Nails, Metallica and others. Grohl’s personal connection to Sound City began with the 1991 recording of Nirvana’s breakthrough album, “Nevermind”. Selling over 30 million copies worldwide. Grohl is getting personal with the feature, sending customers who pre-buy Sound City for $10 a letter, which follows: Hey there…. Thanks for scraping up your hard earned dough and buying the movie direct from our site! We’re stoked! Hope you love it as much as we do…. Ummm………Holy shit! I made a movie! I started this project a little over a year ago with ONE of my good old friends (Jim Rota from the band Fireball Ministry). That’s right….just me, my drinking buddy, and a crazy idea that we should tell the story of a studio we had loved hanging around for years, and our heartbreak to see it close. It soon blossomed into something truly epic! I don’t think either of us ever imagined our little project would become what it is now. Like all the best things in life, it just…….happened. From day one, it was the most incredible experience of my life. I swear. Sitting down with Neil Young talking about recording guitars, John Fogerty telling me about the day he decided to become a musician, Stevie Nicks telling me the story of how she joined Fleetwood Mac, Trent Reznor schooling me on the world of computers and digital technology, etc etc etc…..can you imagine? All I had to do was listen…I am the luckiest man on earth. And, being a completely independent film, no one told us how or what to do! Me and my crew of under 20 people did it OUR way. It was like a keg party with a camera. WE got to tell the story of a place we all held so dear. WE wanted to do it justice. And I think we did. But, SOUND CITY is only part of the story….. What is it that happens when 4 people turn on, plug in, and really play that makes the hair on the back of your neck stand up? What is it about those moments when you hear something and it immediately puts its hooks in you, and you feel…..understood? What is it that will inspire the next generation of kids wanna do what I did when I was a little punk growing up in Springfield, Virginia? That feeling like, “Wait……I can do this too….. That’s what I’m talking about. That human connection. That human feel. That human sound…that isn’t perfect…but it’s sooooo good. I really feel like SOUND CITY is my life’s most important work. I hope you do too. Psyched that you get to see it! Show it to your friends! Get together, start a band, sound like shit, and change the world. GO! Thank you, thank you, thank you………Dave [ Sources: Sound City , THR ]
The Sundance Film Festival continued its roll out of films playing its 2013 event in January, unveiling its out-of-competition Spotlight, Park City at Midnight and New Frontier sections as well as installations and performances headed to the festival’s New Frontier venue. Jeff Nichols’ Mud , starring Matthew McConaughey and Reese Witherspoon , festival favorite No with Gael García Bernal and the U.S. premiere of Ben Wheatley’s Sightseers are among the films set for Sundance’s Spotlight section, which includes North American and U.S. debuts. [ Related: Check out Sundance’s 2013 U.S. and World Competition lineup as well as films in its NEXT program ] “I couldn’t be more pleased to announce the films selected for these sections because they illustrate the tremendous creativity and vibrancy of the independent film community,” said Sundance’s Director of Programming Trevor Groth in a statement. “Spotlight features our favorite films that have premiered at other festivals and the Park City at Midnight and New Frontier sections are comprised of films that are bound to shock, intoxicate, derange or dazzle. Expect the unexpected when you venture down the path of these cinematic sensations.” The Sundance Film Festival takes place January 17 – 27 in Park City, Salt Lake City, Ogden and Sundance, Utah. Sundance’s Spotlight, Park City at Midnight and New Frontier lineups (with descriptions provided by the festival): SPOTLIGHT Regardless of where these films have played throughout the world, the Spotlight program is a tribute to the cinema we love. Fill the Void / Israel (Director and screenwriter: Rama Burshtein) — A devout 18-year-old Israeli is pressured to marry the husband of her late sister. Declaring her independence is not an option in Tel Aviv’s ultra-Orthodox Hasidic community, where religious law, tradition and the rabbi’s word are absolute. Cast: Hadas Yaron, Yiftach Klein, Irit Sheleg, Chaim Sharir, Razia Israeli, Hila Feldman. Gangs of Wasseypur / India (Director: Anurag Kashyap, Screenwriters: Anurag Kashyap, Zeishan Quadri) — Exiled and outcast for robbing British trains, Shahid Khan spurs a battle for revenge that passes down generations. Shahid’s son vows to get his father’s honor back, becoming the most feared man in the Indian town of Wasseypur. Cast: Manoj Bajpai, Nawazuddin Siddique, Richa Chadda, Huma Qureshi, Tigmanshu Dhulia. U.S. Premiere The Gatekeepers (documentary) / Israel, Germany, Belgium, France (Director: Dror Moreh) — Since its stunning military victory in 1967, Israel has hoped to achieve a long-lasting peace. Forty-five years later, this has yet to happen. Six former heads of Israel’s Secret Service reflect on the successes and failures of the “peace process.” Mud / U.S.A. (Director and screenwriter: Jeff Nichols) — Two teenage boys encounter a fugitive and form a pact to help him evade the bounty hunters on his trail and reunite him with his true love. Cast: Matthew McConaughey, Tye Sheridan, Jacob Lofland, Reese Witherspoon. North American Premiere No / Chile, U.S.A. (Director: Pablo Larraín, Screenwriter: Pedro Peirano) — When Chilean military dictator Augusto Pinochet calls for a referendum to decide his permanence in power, the opposition persuades a young advertising executive to head its campaign. With limited resources and under scrutiny, he conceives a plan to win the election. Cast: Gael García Bernal, Alfredo Castro, Antonia Zegers, Luis Gnecco, Marcial Tagle, Néstor Cantillana. Sightseers / United Kingdom (Director: Ben Wheatley, Screenwriters: Alice Lowe, Steve Oram) — Chris wants to show girlfriend Tina his world, but when events conspire against the couple, their dream caravan holiday takes a very wrong turn. Cast: Alice Lowe, Steve Oram. U.S. Premiere Stories We Tell (documentary) / Canada (Director: Sarah Polley) — Sarah Polley is both filmmaker and detective as she investigates the secrets kept by a family of storytellers. She unravels the paradoxes to reveal the essence of family: always complicated, warmly messy and fiercely loving. PARK CITY AT MIDNIGHT From horror flicks to comedies to works that defy any genre, these unruly films will keep you edge-seated and wide awake. Each is a world premiere. Ass Backwards / U.S.A. (Director: Chris Nelson, Screenwriters: June Diane Raphael, Casey Wilson) — Loveable losers Kate and Chloe take a road trip back to their hometown to claim the beauty pageant crown that eluded them as children, only to discover what really counts: friendship. Cast: June Diane Raphael, Casey Wilson, Vincent D’Onofrio, Alicia Silverstone, Jon Cryer, Brian Geraghty. Hell Baby / U.S.A. (Directors and screenwriters: Robert Ben Garant, Thomas Lennon) — An expectant couple moves into the most haunted fixer-upper in New Orleans – a house with a demonic curse. Things spiral out of control and soon only the Vatican’s elite exorcism team can save the pair – or can it? Cast: Rob Corddry, Leslie Bibb, Keegan Michael Key, Riki Lindhome, Paul Scheer, Rob Huebel. In Fear / United Kingdom (Directed and story by: Jeremy Lovering) — Trapped in a maze of country roads with only their vehicle for protection, Tom and Lucy are terrorized by an unseen tormentor exploiting their worst fears. Eventually they realize they’ve let the evil in – it’s sitting in their car. Cast: Alice Englert, Iain De Caestecker, Allen Leech. kink (documentary) / U.S.A. (Director: Christina Voros) — A story of sex, submission and big business is told through the eyes of the unlikely pornographers whose 9:00-to-5:00 work days are spent within the confines of the San Francisco Armory building, home to the sprawling porn production facilities of Kink.com. The Rambler / U.S.A. (Director and screenwriter: Calvin Lee Reeder) — After being released from prison, a man known as “The Rambler” stumbles upon a strange mystery as he attempts the treacherous journey through back roads and small towns en route to reconnecting with his long-lost brother. Cast: Dermot Mulroney, Lindsay Pulsipher, Natasha Lyonne, James Cady, Scott Sharot. S-VHS / U.S.A., Canada (Directors: Simon Barrett, Adam Wingard, Edúardo Sanchez, Gregg Hale, Timo Tjahjanto, Gareth Huw Evans, Jason Eisener, Screenwriters: Simon Barrett, Jamie Nash, Timo Tjahjanto & Gareth Huw Evans, John Davies) — Searching for a missing student, two private investigators break into his abandoned house and find another collection of mysterious VHS tapes. In viewing the horrific contents of each cassette, they realize there may be terrifying motives behind the student’s disappearance. Cast: Adam Wingard, Lawrence Levine, L.C Holt, Kelsy Abbott, Hannah Hughes. Virtually Heroes / U.S.A. (Director: GJ Echternkamp, Screenwriter: Matt Yamashita) — Two self-aware characters in a Call of Duty-style video game struggle with their screwy, frustrating existence. To find answers, one abandons his partner and mission, seeking to unravel the cheat codes of life. Cast: Robert Baker, Brent Chase, Katie Savoy, Mark Hamill, Ben Messmer. We Are What We Are / U.S.A. (Director: Jim Mickle, Screenwriters: Nick Damici, Jim Mickle) — A devastating storm washes up clues that lead authorities closer and closer to the cannibalistic Parker family. Cast: Bill Sage, Ambyr Childers, Julia Garner, Michael Parks, Wyatt Russell, Kelly McGillis. NEW FRONTIER With media installations, multimedia performances, transmedia experiences, panels, films and more, New Frontier highlights work that celebrates experimentation and the expansion of cinema culture through the convergence of film, art, and new media technology. Films Charlie Victor Romeo / U.S.A. (Directors: Robert Berger, Karlyn Michelson, Screenwriters: Robert Berger, Patrick Daniels, Irving Gregory) — An award-winning theatrical documentary derived entirely from ‘Black Box’ transcripts of six real-life major airline emergencies brought to the screen with cutting-edge stereoscopic 3D technology. Cast: Patrick Daniels, Irving Gregory, Noel Dinneen, Sam Zuckerman, Debbie Troche, Nora Woolley. Fat Shaker / Iran (Director and screenwriter: M Shirvani) — An obese father and his handsome, deaf son share extraordinary experiences in Tehran. Then a beautiful young woman upsets the balance of their relationship, forcing them to renegotiate their position with each other and the world around them. Cast: Levon Haftvan, Maryam Palizban, Hassan Rostami, Navid Mohammadzadeh. Interior. Leather Bar. / U.S.A. (Directors: Travis Mathews, James Franco, Screenwriter: Travis Mathews) — To avoid an X rating, it was rumored that 40 minutes of gay S&M footage was cut from the controversial 1980 film, Cruising. Filmmakers James Franco and Travis Mathews re-imagine what was in the lost footage. Cast: Val Lauren, James Franco, Travis Mathews, Christian Patrick, Brenden Gregory. Halley / Mexico (Director: Sebastian Hofmann, Screenwriters: Sebastian Hofmann, Julio Chavezmontes) — Alberto is dead and can no longer hide it. Before surrendering to his living death, he forms an unusual friendship with Luly, the manager of the 24-hour gym where he works as a night guard. Cast: Alberto Trujillo, Lourdes Trueba, Hugo Albores. The Meteor / Canada (Director: François Delisle, Screenwriter: François Delisle) — Forty-something Pierre, his mother and his wife are linked by crime, guilt and loneliness. Like casualties of love and desire, they are dying to stick their heads above water and breathe the air of life. Cast: Noémie Godin Vigneau, François Delisle, Laurent Lucas, Brigitte Pogonat, François Papineau, Andrée Lachapelle. INSTALLATIONS Cityscape 2095 Artists: Yannick Jacquet, Mandril, Thomas Vaquié [AntiVJ] AntiVJ artists Yannick Jacquet and Marc Ferrario blend painting with light projection to transform the walls of New Frontier into a luminous, three-dimensional cityscape that feels strangely familiar yet impossible to locate. With its disorienting sense of time and space, Cityscape 2095 places spectators on the observatory deck of a skyscraper, where they take in a sprawling, imaginary city as it glitters over the course of one day. Coral: Rekindling Venus Artist: Lynette Wallworth Inspired by the first collaboration among the international science community to witness the celestial transit of Venus in 1761, Lynette Wallworth’s visually stunning Coral: Rekindling Venus is an augmented-reality and full-dome planetarium presentation designed to nurture an emotional connection between a global audience and the planet’s endangered coral reefs. This epic project features original deep-sea photography, augmented-reality artwork and music by Antony and the Johnsons. Presented at the New Frontier venue in Park City, Salt Lake City’s Clark Planetarium and other locations nationally. Details to be announced. E.M-bed.de/d, Datamosh, Augmented Real Artist: Yung Jake Rap artist Yung Jake is Net art incarnate, flowing lyrics about tweet culture, data-moshing, hashtags, and memes as he blows up on Twitter, YouTube, Tumblr, and Instagram in his HTML5 music video, E.M-bed.de/d. This MC drops unexpectedly into your browser sessions, streams into Festival screenings, Skype-bombs live DJ performances, and pops out of floors and magazines in augmented-reality music videos. Eyjafjallalokull Artist: Joanie Lemercier [AntiVJ] Inspired by the 2010 Icelandic volcanic eruption that wreaked travel havoc across Europe, Eyjafjallalokull is a stunning, three-dimensional, audiovisual mapping installation that challenges audiences’ perception of space by creating an optical illusion that transforms the walls of New Frontier into a sweeping digital vista that artistically recreates the seismic event. North of South, West of East Artist: Meredith Danluck North of South, West of East enhances narrative storytelling by wrapping the film around the entire room. Presented to an audience in swivel chairs, Meredith Danluck’s remarkable four-channel narrative feature deftly unspools a darkly humorous tale of small-town folks as they try to make sense of a posthope America. Shot on location in Detroit, Michigan, and Marfa, Texas, this unique film features fantastic performances by Ben Foster, Stella Schnabel, and Sue Galloway, and a soundtrack by Marfa local punk band Solid Waste. Pulse Index Artist: Rafael Lozano-Hemmer Rafael Lozano-Hemmer’s beautifully resonant, interactive media installation swaths the central lounge of New Frontier with images of the warm, breathing flesh of its visitors. Pulse Index records the heart rates and fingerprints of participants and exhibits them in a beautiful Fibonacci pattern. Place your finger into the custom-made sensor, and your fingerprint appears on the largest cell of the display, pulsating to your heartbeat. Your print then travels down the sequence to join those of all the others who have visited the room, immersing the community space with the radiant glow of the human touch. What’s He Building in There? Artists: Klip Collective Ricardo Rivera and the Klip Collective transform the entire front of the New Frontier venue into an interactive, 3-D projection-mapped parable, inspired by the Tom Waits song. Sip a hot beverage in the outdoor lounge and watch the walls and windowpanes dissolve into a story about a man on a mysterious mission inside the building. Use the X-ray flashlight to peek at what he is up to. RELATED: Sundance Film Festival Reveals 2013 U.S. & World Competition Slate Follow Brian Brooks on Twitter . Follow Movieline on Twitter .
