Pop star singer Katy Perry was caught by the paparazzi at waterpark losing her bikini bottoms! You have got to see this busty singer celeb Katy Perry flashing her ass like never before. Continue reading →
At the 2012 Olympic games in London recently it was a given that we would probably see some nipples in the diving since they do not wear bra’s to the event and so here they are Continue reading →
Also in Monday afternoon’s round-up of news briefs, Martin Scorsese ‘s Frank Sinatra pic gets a writer. Harvey Weinstein is tapped to MC Toronto Film Festival -Asian film event. Haley Joel Osment’s Sassy Pants is heading to theaters and Jodie Foster boards a mob drama as director for Showtime. Harvey Weinstein to MC Toronto Asian Film Summit The Weinstein Company chief will act as the master of ceremonies for the closing banquet of the event, hosted by the Toronto International Film Festival that will spotlight the relationship between East and West. Previously announced guests include Jackie Chan who will attend as Guest of Honor and MPAA Chairman Senator Chris Dodd. “We’ve received tremendous support and interest from the industry and we’re confident this event will help foster deeper relationships and generate new business opportunities between key film players in the East and West,” said TIFF CEO Piers Handling. Sassy Pants Heads to Theaters North American rights to the coming-of-age comedy/drama have been picked up by Phase 4 Films. Haley Joel Osment, Ashely Rickards (MTV’s Awkward ) and Anna Gunn (AMC’s Breaking Bad ) star in the film about teen Bethany who flees her over-protective mother and goest to live with her dad where she forms a bond with his much younger boyfriend. The film, which made its world premiere at the Santa Barbara International Film Festival, will release the title in theaters and VOD this fall. Around the ‘net… Cosmopolitan Editor Helen Gurley Brown Dead at 90 The former Cosmopolitan editor-in-chief died at 90 in New York shortly after being admitted to a hospital. She edited the magazine for 32 years and was the author of the groundbreaking Sex and the Single Girl . During her tenure at Cosmopolitan she became known for encouraging women to have sex regardless of marital status. She said her goal was to let tell readers “how to get everything out of life – the money, recognition, success, men, prestige, authority, dignity – whatever she is looking at through the glass her nose is pressed against,” BBC reports . Paul Thomas Anderson’s The Master to Head to Toronto The Toronto International Film Festival’s Artistic Director Cameron Bailey tweeted that The Master will join the lineup at the event, which opens September 6th. The film, which debuts in Venice, stars Philip Seymour Hoffman, Joaquin Phoenix and Amy Adams in a story said to be inspired by the early days of Scientology, THR reports . Billy Ray to Write Sinatra for Martin Scorsese Universal Pictures has tapped Billy Ray to write the script for the Frank Sinatra biopic that Martin Scorsese will direct. Scorsese is currently filming Leonardo DiCaprio in The Wolf Of Wall Street , Deadline reports . Jodie Foster to Direct & Produce Mob Drama This is her first move behind-the-camera for television. She’ll direct and executive produce Angie’s Body for Showtime. The concept centers on a shrew, sexy and sometimes lethal woman who runs a family-based crime syndicate, Deadline reports .
Kourtney Kardashian gave birth to Penelope Scotland Disick on July 8. Us Weekly has photos of the one-month old to prove it. But apparently the love and joy of having a second child – along with the six figures she raked in for posing with Penelope on the cover of a tabloid – aren’t enough for Kourtney. She says she may share the event with the world. Yes, we’re serious… If you think this photo of Kourtney Kardashian is wild… “We haven’t decided if we’ll show this birth on TV,” Kardashian says in that same issue of Us Weekly . “But Scott taped footage, and some other people were recording too.” Would E! really let this happen? Would viewers want it to happen? Try to hold down your lunch and sound off now: Would you watch Kourtney Kardashian give birth?
Tony Gilroy ‘s tumultuous history with the Jason Bourne franchise is, as he calls it, “well-documented.” But after penning or co-scripting the first three Matt Damon-starring spy pics in the series — navigating a maelstrom of widely reported behind the scenes beefs, including Damon’s snipe last year at Gilroy’s Bourne Ultimatum script — the writer-director was lured back to this weekend’s The Bourne Legacy by the opportunity to create a new secret agent ( Jeremy Renner ) to build insidious political conspiracies and impossible action sequences and existential questions around. “In a strange way,” he tells Movieline, “I felt more of a personal connection with this character than I ever felt with Jason Bourne.” Prior to Gilroy coming aboard The Bourne Legacy , which introduces Renner’s highly-skilled agent Aaron Cross as Jason Bourne’s gentler, funnier, and more genetically-modified contemporary ( Chems! He needs chems! ), Universal and author Robert Ludlum’s estate were in a bind to find a new, fresh way to continue the lucrative spy franchise. Gilroy, who had left the series behind to helm his own Michael Clayton and Duplicity — and up to that point, he admits, had never even seen the Paul Greengrass-directed The Bourne Ultimatum — took a polite coffee meeting, which turned into a few weeks’ worth of scripting help, which in turn rekindled his interest in the property so much so he signed on to direct. The result is a Bourne “sidequel” that runs parallel to the events of Ultimatum but follows new hero Renner as he and Rachel Weisz’s comely, brainy scientist Dr. Marta Shearing evade a government burn-down of their top secret Outcome program. The action takes the pair from the labs to the woods of Maryland to the streets of Manila, through an assortment of set pieces including one physics-defying sequence inspired, Gilroy reveals, by Alfonso Cuarón’s Children of Men . Gilroy rang Movieline to discuss those eye-catching stunts and more, including why he returned to Bourne after all that drama, how Renner and Weisz’s crackling chemistry dictated on-set rewrites of Aaron and Marta’s “will they/won’t they?” romantic relationship, and what, if any, master plan is in place to reunite both Damon and Renner as a superspy duo in future Bourne installments. There’s an unusual history between you and this franchise; you’re not just any director who’s been hired, and you’re not just any screenwriter tackling the next sequel in this series. You know, it came about in such a random, incremental way. I turned in the script for Bourne Ultimatum about three weeks before I started pre-production on Michael Clayton and then I couldn’t have been more outside [the process]. They greenlit the script and they started and everyone was happy, then I went to do Clayton and was completely outside, for years. I really didn’t have any involvement whatsoever. I mean, I’d hear anecdotally from people but my main source of information would be whatever was in the press. So the movie came out and it was like, “What are they going to do next?” And a lot of really switched-on people spent a lot of time trying to figure out what to do — I wasn’t part of any of that — and then they all fell apart. They ran out of road. That’s a tough problem. I’m not sure I would have been able to solve that exact problem, of where you go with Jason Bourne. And then they all left! So then you came in with the idea for Aaron Cross? More time went by and I took a very casual meeting with the guys from the estate who were in New York — really, just a cup of coffee, a 20-minute meeting, and they said, “We don’t know what to do! We don’t have Matt, and we don’t have Jason Bourne anymore — somebody has to figure out a way to go forward.” I said, “I haven’t seen the third movie but I’ll go and look at it, and if I can think of a way to help you out, I will.” A couple weeks later I called them back with just the very first idea for [ Bourne Legacy ]: What if there was this larger conspiracy — what if there was another program? What if there was someone, a mastermind, sitting behind all of this? If you’d asked me then I’d have said the last thing I’ll ever be doing was this. Then the idea got a little sexier — Oh my god, you can have Ultimatum playing in the background, you can do all these really cool things that no one’s ever done before! I really came on for a couple of weeks; it was like a problem-solving job, it wasn’t even a writing job. And then I got the character and I got sucked in. So there was no master plan. What was your feeling in returning to helm Bourne Legacy given your past relationships with these movies? Feelings-wise, at this point it’s been 13 years. It’s been very good to me in some ways, and it’s been very frustrating in other ways which are well documented. It’s been very successful and certainly helped me get Clayton made. So I’m very happy that I did it all those years ago. Is it gratifying to step into the director’s chair after being a writer for so long on this franchise? The places to be anxious are in terms of the quality of the other films and being beholden to the DNA of the other films in key areas, the really fundamental things that make it what it is. But I never really felt like, wow, this is finally mine! It was interesting to me; I like the character, the story came together, and I thought, wow — I’m really into this. This could be something that would be worth two years of your life, that’s what you’re looking at. You’d never base a decision like that on anything petty or competitive. It’s too big a decision. So the solution to the Bourne series’ problem was creating Aaron Cross. I liked Jason Bourne as a character, but as played by Jeremy Renner, Aaron Cross is pretty much the perfect spy boyfriend you’d want to be on the run with. How did you approach carving this guy out, giving him a different purpose in life, with a personality that’s not only a stark contrast to Bourne but from the other agents we’ve encountered in this world? [Laughs] You know, part of getting here in the script is like math, problem-solving, craftsmanship. And then part of it is wherever dumb luck and inspiration meet up. As excited as everybody else got about it, I was like, this is really empty — you’ve got to have a character here that’s huge. I don’t think we realized in the beginning — we certainly didn’t realize it when we did the first one — what a great problem it was for an assassin to have an identity problem and a morality problem. You could get three movies out of it! But the idea for [Aaron Cross] just sort of dropped one day as I was sketching it. I’ve never worked on a character like this before, I’ve never quite seen this problem and certainly have never seen this problem expressed in an action or adventure movie before. In a strange way I felt more of a personal connection with this character than I ever felt with Jason Bourne — the idea of being alive and losing your awareness, the idea of turning down the dimmer switch on your appreciation of life, even, is such a terrifying thing and something that we all worry about. [Laughs] I was really happy it was sitting in front of me on a piece of paper! You chose to wrap up Bourne Legacy ’s conclusion by not falling prey to the easy romantic moments one might expect from a guy-and-girl on the lam movie like this. Was there a specific intention behind that Aaron-Marta relationship? We had a really big advantage, I think, in that when we started and even while we were shooting — well, we shot Norton’s stuff first, then Rachel came in and did the lab stuff, and then Jeremy came in and they started working together — at the end of our shoot in New York we still didn’t really know how far we would go with [the romance], but we were kind of liberated in that I didn’t feel like a win for us had to necessarily be that. The movie could have been weirdly satisfying if they ended up sort of as brother and sister or co-conspirators. If they’d just been two people that survived it would have been interesting, or if it had ended up with just a doctor-patient relationship — a really strange one. I’ve been on movies where you start off, these two people have to be in love at the end of the movie, or have to be in love in the movie and fall apart and then get back together, and you have to have that. But we didn’t have to have that, so we didn’t have to force it. For instance, the motel scene, where that chemistry really builds. We shot that motel room scene — in point of fact, we did it once and didn’t like it, and went back and did it again a week later. In the rewrite of that, I really had to cop to the idea that this was really happening and really wrote into it, and then we shot it and they were just so kinda hot with each other, in a scene that’s not like that at all. So the rest of the way in we put up the spinnaker and went for it. But it was nice to know that we didn’t have to do that. Well, all that said, I’d still like to thank you for all the male topless scenes. All these half-naked Jeremy Renner shots and not a single gratuitous look at Rachel Weisz. [Laughs] You’re welcome! You shot a number of ambitious action sequences — the motorcycle chase in the Philippines among them — but there’s one particular impossible shot of Jeremy as Aaron free-climbing up the side of Marta’s house, up the walls, and into the second-story window. How did you conceive of that coming together? We had the idea for it and we had the house — there was a real house that we had found, and we went there. You wrote action to fit your locations, right? Exactly. I can’t really do them unless they’re really specific. If we were to say we’re in the Four Seasons hotel right now and we need to do an action sequence, I’d say okay, let’s walk around and figure out what works, and what’s fun, whatever. We saw this house and it wasn’t just all the opportunities inside – we looked at the outside and it was really cool. And filming it in a faux unbroken shot enhances the movie illusion that Aaron is an enhanced human being. I’m a huge fan of Children of Men — I think it’s the greatest action movie in the last many years. And I love how seamless it is, they never make you think about what’s going on. So there’s a little bit of trickery but a lot of reality; you can’t do them unless you really rehearse them. And really, our climbing up the house is a small fractional piece of what they’re doing in Children of Men . I watched it thinking I would love to believe that Jeremy Renner really just crawled up that house. A lot of it really happened! That’s really Jeremy going up the side of that house. I mean, a camera can’t fit through that window and follow him through the window, that’s not physically possible. Was that easier or tougher than filming Jeremy jump straight down perfectly into that skinny alley in the Philippines? Oh that , you do. That’s a real place, a real thing. So that’s him and that’s a real practical thing that we built. It’s actually an easy thing to do — dropping down is easier than going up. There’s been a lot of talk about bringing Matt Damon back to join with Renner in future Bourne installments — has there been any concrete movement in that direction so far? That’s beyond hypothetical. There’s nothing concrete at all, and anytime anybody says anything in print it turns into a whole… no, really, really nothing. Zero conversations. Do you think the chances are good that that’ll actually ever happen? I have no insight into that at all. We’ll be running around gabbing away and doing all this stuff and the audience will tell us what should happen, I should think. But the idea that we have some sort of organized thing here is such an amusing idea. [Laughs] There’s no master plan. Previously: Tony Gilroy (Fondly) Remembers His 1992 Olympic Skating Romance The Cutting Edge The Bourne Legacy is in theaters today. Follow Jen Yamato on Twitter . Follow Movieline on Twitter .
Miami Cannibal Face Eating Attack Victim Ronald Poppo Speaks Out For First Time SMH: Two months after he was viciously attacked on the MacArthur Causeway by the so-called Miami Zombie, Ronald Poppo succinctly summed up the events that captured the country’s attention. “He attacked me,” Poppo said of Rudy Eugene. “He just ripped me to ribbons. He chewed up my face. He plucked out my eyes. Basically that’s all there is to say about it.” Poppo was left blind by the attack. After several surgeries at Jackson Memorial Hospital, he was transferred to the Perdue Medical Center, Jackson’s long-term care facility located in South Miami-Dade. Poppo said he does not understand why Eugene attacked him, “For a very short amount of time I thought he was a good guy,” Poppo said. “But he just went and turned berserk. He apparently didn’t have a good day at the Beach and he — he was coming back. And I guess he took it out, took it out on me or something. I don’t know.” Poppo’s statements were made and recorded during a July 19 interview with Miami homicide Det. Sgt. Altarr Williams and Det. Frankie Sanchez. CBS4 News obtained a copy of the taped interview on Wednesday. Sgt. Williams asked Poppo what Eugene was saying when he attacked him. “‘You, me, buddy, and nobody else here,’” Poppo recalled. “‘I’m gonna — gonna kill you.’ Or something like that, I guess.” “Did he say why?” Williams inquired. “No, he just started to scream,” Poppo explained. “And was talking kind of funny talk for a while too.” “What do you mean by funny talk?” Williams asked. “That I was gonna die. And he was gonna die,” Poppo said. “He must have been souped up on something.” During another part of the interview, Poppo said Eugene expressed frustration at not being able to “score” on Miami Beach. “He didn’t like the Beach,” Poppo said. “He said he wasn’t scoring there. He went to the Beach to score or something.” Although he seemed at peace with what happened to him, certain details of the attack were still vivid in Poppo’s mind. “He mashed my face into the sidewalk,” he said. “My face is all bent and mashed up. My eyes, my eyes got plucked out. He was strangling me in wrestling holds at the same time he was plucking my eyes out.” In a subsequent interview, Poppo told detectives that Rudy Eugene blamed Poppo for stealing his bible. Pieces of Eugene’s bible were found scattered along the causeway. Poppo said he never saw Eugene with a bible and denied taking it. “Did Mr. Eugene have anything in his hands?” Williams asked. “No.” Poppo said, his New York accent still evident despite decades of homelessness and living on the streets of Miami. “Mr. Eugene did not have any type of weapon. He did not use any weapon on me. He basically was using brute force.” “But before he attacked you,” Williams wondered, “did he have any clothes? Any materials? Any books? “No,” Poppo said. “I don’t recall him having anything.” Poppo also denied doing anything to provoke Eugene. “What can provoke an attack of that type?” Poppo asked matter-of-factly. “I certainly didn’t curse at the guy or say anything mean or nasty to him.” Although some media reports suggested the two men may have previously met — and that Eugene may have served Poppo in one of the homeless shelters — Poppo said he does not recall ever meeting or seeing Eugene before the day of the attack. The interview, however, also revealed Poppo’s confusion about some details. He thought Rudy Eugene had hitch-hiked across the causeway and may have gotten out of a car before attacking him. Video in the area shows there was no car. Poppo also recalled Eugene being dressed when he attacked him. In fact, Eugene had shed off his clothes and was naked. The very first time Poppo spoke to detectives — on the day of the attack — Poppo told them that Eugene appeared “out of the blue,” according to police reports obtained by CBS4 News. In one of those reports, dated May 26, 2012, Poppo claimed that when Eugene approached him Eugene said: “You’re going to be my wife and this is going to be a Lover’s Concerto.” He also claimed Eugene began singing, “Lover’s Concerto” — a song originally recorded by The Toys and later covered by The Supremes in 1966. But in addition to those moments that may show Poppo’s confusion, there are also moments on the tape that reveal the sadness of his life even before the attack. The detectives ask him, other than the hospital’s address, does Poppo have any other addresses they can use to reach him. “No, not at all,” Poppo said. “Too old.” And when they asked if he was employed, he responded: “I’m over 65. So it’s going to be kind of hard for me to get anything.” Get well, Poppo CBS youtube
10th Annual Hoodie Awards Red Carpet The 10th Annual Hoodie Awards were held last night in Las Vegas to honor African-American achievement and success in local communities throughout the United States. There was plenty of Hollyweird starpower to go around on the red carpet including bangers Selita Ebanks,Sallie Richardson and many more. Check out both of the ladies rockin the red carpet and before you check out our gallery of photos from the event, let us know, who looked more bangin? Images via Wenn
After teaming up for a pair of medal-winning relay swims this week, Michael Phelps and Ryan Lochte squared off today in the 200-meter individual medley final. The Americans were co-favorites, with Phelps having owned the event in the last two Olympics, but Lochte annihilating the field in the 400-meter IM this year. Not surprisingly, one took gold and one silver today … but who won? Michael Phelps ! The most-decorated Olympian ever took home the gold in 1:54.27, just 0.27 off the world record and 0.04 off the Olympic record. Ryan Lochte won the silver medal, 0.63 back. Hungary’s Laszlo Cseh fell away through three legs but earned the bronze. Brazil’s Thiago Pereira was actually second after the breaststroke leg. The medal was Phelps’ 16th gold and record 20th overall, while Lochte reached double digits in career medals, earning #10 with the silver. He probably won’t hear from President Obama this time, but Michael Phelps’ mom was definitely psyched as he continues to cement his legacy Way to go, both of you guys! U-S-A! U-S-A!
Janet Jackson Denies Slapping Paris Jackson Or Calling Her Expletive Janet Jackson is so upset over reports that she slapped her niece Paris and called her a lil beyotch that she’s considering suing the media outlet that first published the story: Last week, internet rumors surfaced concerning an alleged altercation between Janet Jackson and her niece Paris. Today, Janet Jackson’s attorney, Blair G. Brown, tells The Insider that Janet vehemently denies the altercation. “Ms. Jackson did not slap Paris, and did not call her a ‘spoiled little b!tch’ or a ‘b!tch,’” says Brown. According to Brown, Janet is threatening legal action towards the source that originally reported the claims. Brown says that the “false statements are highly damaging to Ms. Jackson’s reputation and have caused her significant harm.” Yesterday, attorneys for the estate of Michael Jackson confirmed to The Insider that Janet, Randy, Rebbie and Jermaine Jackson (and all of Katherine’s GRANDCHILDREN belonging to them) were prohibited from entering the Calabasas home shared by Paris, Prince, Blanket and Katherine Jackson “following the events of July 23 in which certain members of the Jackson family showed up unannounced at the Calabasas residence of Michael Jackson’s mother and children, causing a very public disturbance.” The attorneys for Michael Jackson’s estate did not elaborate on the nature of the disturbance and what exactly took place. This whole thing is a mess and we still can’t understand why Janet got involved in the first place — especially to side with her adult hoodrat brothers Randy and Jermaine who wed and had kids with the same woman! SMH, you know that family got problems when there are kids running around who are brothers AND cousins! Source
This past Thursday the Common Ground Foundation and Virgin Mobile hosted From the Ground Up, a benefit to help raise funds for The Night Ministry of Chicago . Held in his hometown, the day was also reason to celebrate the opening of Virgin Mobile’s first ever flagship store. The Night Ministry of Chicago works to provide housing, healthcare, and human connection to members of the community struggling with poverty or homelessness. The event included poetry, singing, and other performances with kids and young adults from The Night Ministry. Common even did a quick freestyle and gave individual critiques during his meet and greet. All ticket proceeds went to the foundation. It’s stories like this one that give us a break from shaking our heads at all the crazies out there.
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