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Kim K’s Bikini Holds on for Dear Life

Filed under: Kim Kardashian , Beauty , Hot Bodies , Paparazzi Photo Kim Kardashian and her trademark badonkadonk went for a leisurely stroll on the beach in Miami this weekend. Kim couldn’t help but crack a smile for the camera. Read more

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Kim K’s Bikini Holds on for Dear Life

The escalating chemical war on weeds and the return of Agent Orange to your fields

A few weeks back, the New York Times made mention of an astounding development, which has, for whatever reason, received little fanfare or recognition. Despite its Vietnam War notoriety, Agent Orange is in vogue again, this time down on the farm. Its reemergence, and in this particular setting, raises a host of troubling questions that are not being well considered. Over the past year, there have been increasing reports of emerging superweeds resistant to Roundup, the preferred weedkiller of America’s farmers. Roundup is sold in tandem with Roundup-ready seeds, both marquee products of the Monsanto Corporation. In the 1990s, when the latter product hit the market, it was momentous, revolutionary – a godsend: Roundup-ready seeds are genetically designed to resist application of the potent herbicide. By sowing Roundup-ready seeds and dousing their fields with the trademark weedkiller, farmers could forego the expense and toil of tilling the land, and losing valuable topsoil in the process. Production was enhanced, time and money saved. It was quite an economic boon to farmers, at least in the short run. Environmentalists were also pleased in light of the topsoil angle. Needless to say, Monsanto was thrilled that farmers were even more dependent on its products. But for years critics ominously warned that, as is the nature of ‘nature,’ weeds would eventually evolve to withstand Roundup. Monsanto brushed aside such concerns, saying it would be ages before anyone had to worry about something like that. The glory days lasted about a decade. The superweeds evolved faster than anyone imagined– and with a vengeance. Farmers accustomed to drenching their fields with Roundup are now battling a monster breed of pigweed that, the New York Times reports, “can grow three inches a day and reach seven feet or more…so sturdy that it can damage harvesting equipment.” Nature has issued quite a challenge to our ‘weed solution.’ The chemical industry has decided to respond in turn with Agent Orange. To be precise, Dow Chemical is working on seeds that are resistant to 24-D, a component of Agent Orange… presumably because it intends on spraying farmland with wartime defoliant. This is alarming on a number of fronts. But let’s be clear on one thing at the outset: we don’t necessarily need Agent Orange to deal with weeds. The Amish don’t. Never have. Superweeds– like superbugs (or superbacteria) emerging in concentrated chicken farms– are the product of industrial agriculture, which aims to squeeze as much as possible from the land, and has selected monoculture as the optimal means of doing so. Grow one crop, in great density, on huge tracts of land, demanding tremendous output. Hence the Iowa corn fields, which stretch as far as the eye can see. There’s only one problem with this: nature does not ‘farm’ this way. Monoculture is highly vulnerable to pests, disease and weeds. In monocultivated fields, predators find a vast pool of identical, fat, helpless victims. In contrast, nature ‘farms’ a diversity of crops amidst one another, which do not succumb en masse to any given plague. We have insisted on monoculture in order to produce as much as possible. Today, we’re able to extract 6 times more corn from an acre of land than 100 years ago. Industrial agriculture is to be commended for that impressive efficiency. And I know how its apologists – Dow and Monsanto included– would defend the institution and its manic drive for production. Industrial agriculture is necessary, they would say, to feed the world: you can’t feed upwards of six billion people by farming like the Amish. Though I am not qualified to contest this claim fully, I can think of one important fact that casts doubt upon it. In this country, industrial agriculture’s immense bounty has wrought skyrocketing rates of obesity, heart disease, diabetes. Agribusiness has not exactly harnessed its awesome technological advances to feed the world, but rather, to cram as many excess calories as possible into citizens of the industrial world. In particular, its bounty has subsidized a profusion of cheap fast and processed foods. Indeed, two of Monsanto’s most popular Round-up ready products are corn and soy, the building blocks of our processed foods. So, it seems clear, at least in the US, industrial agriculture can step off the gas pedal. We could use an Amish revolution across the farm belt. If we adopted Amish style polyculture, our farms might well produce less. But would that be such a bad thing? Polyculture would certainly produce less of the staple commodities, corn and soy, and less processed food in turn. It would make for a healthier—lighter– nation. But we cannot settle for less. We must have more. We’re so hell-bent on maintaining our voracious consumption habits, that we’ll engage the services of the defense industry. We’ll use Agent Orange to fight off weeds and ensure the delivery of cheap corn to Frito-Lay, Coke and Kelloggs; and when megaweeds evolve to withstand Agent Orange—eighteen-foot-tall weeds, stems like tree trunks—we’ll reach for the napalm. ‘Napalm-ready’ soy; that’s our future. All in the name of productivity, efficiency, convenience– profit. For you see, farming as nature ordains it fails on all fronts. Nature does not cut it in the USA. We think nothing of wantonly poisoning the land on which we depend for sustenance. We have gravely degraded the rich topsoil of the Prairies, much of which has flowed down the Mississippi into the Gulf of Mexico (and is now covered in a slick of oil, I presume). Our herbicides, pesticides and fungicides have stripped the land of natural nutrients, which we aim to supply in chemical doses. And when agricultural problems arise– problems that are the product of our industrial, chemical practices– we administer more of the same. Actually, I’m wrong: in the case of Agent Orange, we administer stronger poisons, as if we aim to twist Nature’s arm—as if we could. As if we could subdue her, and force her to do our bidding: ‘You WILL give us Cheetoes at 20 cents to the pound– or else!’ It is of course hubris. Not to mention tremendously short-sighted. What do we think, soaking the fields in Agent Orange? Surely, Dow must know that the very application of this chemical in strong, widespread and longterm doses is precisely the doom of this product: these are the very conditions that encourage—dare!– superweeds to evolve. So what are the chemical companies playing at? What’s the game plan? Do they intend to graduate to ever more potent and dangerous herbicides? Surely that can’t be sustainable. Or do they hope to mix and match chemical herbicides, to keep the weeds off balance? That seems marginally safer, at best. And does anyone know how these chemicals fare in the environment, once combined, over the course of years? Or is Dow simply aiming for Monsanto’s promised land, an herbicide-seed combination that will corner the market, and inflate company stock in the short run? Besides the fact that we would use these chilling chemicals in the production of our food, no less. Agent Orange is accused of having caused birth defects in Vietnam, and increased rates of cancer among American veterans of the war there. Dow has disputed these claims. And yet, in light of Agent Orange’s reputation, it is surprising that Dow would press on with its use in food production nonetheless. This shows tremendous gall. Or shocking disrespect for the consumer. cont. added by: JanforGore

Time’s Joe Klein Cheap Shots Palin: ‘She Doesn’t Know Anything’; Earns Creepy Chris Matthews Cackle

There’s something very tortuous about watching some of the talking heads assembled on NBC’s “The Chris Matthews Show,” especially when they try to dissect former Alaska Gov. Sarah Palin like she is some alien life form. On the July 11 broadcast of his weekend show, Matthews and his panel analyzed Palin’s “Mama Grizzlies” ad spot and attempted to determine what Palin’s end goal was with the ad. And Time magazine’s Joe Klein attributed credit to Palin’s charismatic ability.   “The most important thing about Sarah Palin is that she’s a great stand-up politician,” Klein said. “I mean, when you hear her talk – this is not a woman who has sat in a room with a political consultant telling her how to pronounce words. It’s just her voice.” “There’s something in the inflection which is provocative,” Matthews replied. But then came the eventual expected cheap shot from Klein. Klein had once said Sarah Palin and Fox News host Glenn Beck should be tried for sedition on that same program and he didn’t disguise his disdain for Palin on this episode either. “But I think that’s balanced against the fact that she doesn’t know anything ,” Klein said. “And that’s a big problem.” Klein’s comments earned the trademark Matthews “ha!” However, CNBC’s Trish Regan advised her co-panelists not to underestimate the power of Palin when it comes to the women vote. “Experience does matter, but let’s not forget that if women are motivated, they can make a difference at the voting booth,” Regan said. “Look at 2008 – 10 million more women voted than men.” That wasn’t good enough for Matthews or Klein. They were already looking toward the Iowa caucus in January 2012, where the demographics are a little different. “You got to Iowa, one woman, evangelical Christian against four guys,” Matthews said. “I still think the shape of the field is important, right Joe?” “Right, especially in Iowa,” Klein replied.

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Time’s Joe Klein Cheap Shots Palin: ‘She Doesn’t Know Anything’; Earns Creepy Chris Matthews Cackle

Nicki Minaj Dedicates BET Award To Lil Wayne, Shouts Out Female Rappers

MC, who’s been feuding with Lil’ Kim, also calls for ‘positive energy among women’ in speech. By Mawuse Ziegbe Nicki Minaj at the 2010 BET Awards Photo: Frederick M. Brown/ Getty Images Despite any tension that Nicki Minaj may have with other hip-hop artists , she was all about the love when she won the Best Female Hip-Hop Artist trophy at the 2010 BET Awards. Sporting red-orange hair, a cream-colored corseted gown and chunky jewels, the star took the stage after embracing her fellow Young Money superstar Drake. The rap diva dedicated her award to her mentor, Lil Wayne , saying, “This is for Dwayne Carter.” Minaj gave him credit for “predicting” her success and thanked him for his “tough love.” (Drake also thanked Weezy when he won for Best Male Hip-Hop Artist.) Flanked by a crew that included Gudda Gudda from Young Money, the hip-hop Barbie also showed love to many of the women in the building, including actress Jada Pinkett Smith, who she said she idolized. She went on to rattle off a list of other stars in her speech, including Bad Boy mogul Diddy, and shouted out her Young Money collective saying, “This is not a rap group, this is my family.” She wrapped up her speech by shouting out BET Awards host Queen Latifah and thanking her for all the “positive energy” the Hollywood Jill-of-all-trades gave her before the show. Then, in what could be interpreted as a subtle nod to all of the drama between Minaj and fellow Best Female Hip-Hop Artist nominee Lil’ Kim , Minaj called for more love among the ladies. “I think it’s so important right now for positive energy among women,” she said. “I’m fighting for women.” And just so there’s no ambiguity in the future, she closed her speech by paying tribute to her female predecessors in hip-hop: “Thank you to all the female rappers that paved the way for me.” Related Videos The 2010 BET Awards Related Photos 2010 BET Awards Show Highlights 2010 BET Awards Red Carpet Related Artists Nicki Minaj Lil Wayne

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Nicki Minaj Dedicates BET Award To Lil Wayne, Shouts Out Female Rappers

Drake Spits A Freestyle In Exclusive ‘Better Than Good Enough’ Outtake

Drizzy rips a verse about fines wines and fake women during a visit to New Orleans radio station. By Mawuse Ziegbe Drake Photo: MTV News A 20-something rap phenom with an eye for the finer things, Drake is finding that when it comes to the ladies, not all of them share his Champagne taste. In an exclusive outtake from the documentary “Drake: Better Than Good Enough,” the Young Money MC visits New Orleans radio station Q 93.3, where he spits a freestyle, going in about everything from finances to females. “Why has every woman never dined here before?/ Am I the only 23-year-old wine connoisseur?” Drizzy wonders, as the room erupts with rowdy howls co-signing the hip-hop star’s rhyming skills. The full-length doc depicts the months before Drake dropped his hotly anticipated debut, Thank Me Later. But the freestyle sequence showcases one of the qualities that has made Drake a breakout star: his charismatic, hyper-informed flow. The outtake also captures the heightened buzz that preceded his first major-label offering, as the radio DJ coaxes the star into giving “a preview” of the kinds of bars to come on Later. Ready to flex his lyrical chops, the scene opens with Drizzy animatedly accepting the challenge. A focused Drake even refuses an instrumental (“No beat,” he star insists), spitting a verse a capella. “Please make your long story shorter/ Time is of the essence for the king of second quarter/ Numbers do the talking/ I have nothing for reporters/ I just hope we make these flights and don’t get held up at the border,” Drake spits. The verse demonstrates his trademark verbal agility (“Jumpin’ to the top/ This my leap year”); his witty humor (“I got new girls / But none of they love is for certain/ And call old girls/ But none of they numbers are workin’); and his easy candor (“They ain’t rootin’ for me/ They ain’t clappin’ for me/ I’m only saying can somebody just be happy for me?”). As the station dissolve into hollers of approval, Drake’s Young Money associate Mack Maine tosses out a challenge to any rappers ready to step to the Toronto MC. “I got a mil’ on Drake!” Maine shouts gleefully. “Against any of y’all! — old school, new school, need to know this!” MTV followed Drake in the weeks leading up to the release of his new LP, Thank Me Later. The “Drake: Better Than Good Enough” documentary will re-air on MTV Saturday at 12 p.m. and 9 p.m., Sunday at 9 a.m., and Sunday at 2 p.m. on MTV2. Related Videos ‘Drake: Better Than Good Enough’ Related Photos Drake’s Style: From A To Drizzy Related Artists Drake

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Drake Spits A Freestyle In Exclusive ‘Better Than Good Enough’ Outtake

Lady Gaga Rocks Bikini, Flips The Bird At Mets Game

Singer retreats to suite after photographers turn their cameras on her. By Kara Warner Lady Gaga attends a Mets game Thursday Photo: Nick Laham/ Getty Images Lady Gaga is a dedicated New York Yankees fan , but that’s not the only reason she surprised fans, players and photographers alike on Thursday (June 10) when she showed up at Citi Field in New York for a Mets game. Sporting her trademark wardrobe choices, the singer arrived at the game in a bikini-like bra top, a large leather jacket, and, according to reports, a rather testy attitude. AOL’s Popeater received photographic evidence of the Lady via a Twitter photo sent in by Mets fan Jimmie Kassab. In the photo, Gaga looks slightly perturbed and is pointing accusingly at two gentlemen standing near her VIP seats behind home plate. According to reports from fans at the game (including one humorous account from the father of a writer/reporter at website Jezebel ), in the fifth inning, Gaga became upset when photographers who were at the game to cover the Mets suddenly noticed her presence and turned their lenses on her. Gaga reacted by giving the photographers the finger and whisked herself and her entourage out of their seats at homeplate to take refuge in a luxury suite. Speaking with MTV News during the World Series last year, Gaga compared herself to Yankees reliever Mariano Rivera — a situation that’s even more relevant today given the reaction to her latest video, “Alejandro.” “I’ve actually been making a lot of Yankee analogies in my interviews lately because I get asked, ‘Do you feel pressure? How do you feel when someone says this? Or do you feel like you have to top yourself?’ ” she explained. “I say I do feel like I have to top myself. But I feel like I’m Rivera. I’m a closer.” Related Artists Lady Gaga

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Lady Gaga Rocks Bikini, Flips The Bird At Mets Game

Kanye West’s ‘Power’ Is ‘A Loud Warning Shot,’ Experts Say

Kanye’s message is, ‘I’m here to smack you,’ RapRadar’s Elliott Wilson says. By MTV News Staff, with reporting by Akshay Bhansali Kanye West Photo: Amy Sussman/Getty Images Kanye West returned with a bang on Friday when his new track “Power” leaked online, making it the first offering from Ye’s highly-anticipated next album. The MC has been keeping a relatively low profile in recent months, following his interruption of Taylor Swift’s acceptance speech at last year’s MTV Video Music Awards and subsequent apologies. The Symbolyc One-produced “Power” finds West back in MC mode, firing away at his detractors and giving fans a preview of what’s to come on his next project, which he’s been recording in Hawaii with a slew of other artists and producers. “I’m living in the 21st Century, doing something mean to it,” West spits on the opening lines. “Do it better than anybody you ever seen do it/ Screams from the haters, got a nice ring to it/ I guess every superhero need his theme music.” MTV News spoke with a group of hip-hop pundits — both our own and from the wider rap journalism world — to get their takes on West’s latest number. “The song comes out, and it’s like everything stops,” Minya Oh of MissInfo.TV said. “It’s a really strong, aggressive beat that’s not street, but the drums are undeniable. But the lyrics really got me.” West delivers his trademark punchlines, but his rhymes are also imbued with a biting aggressiveness, particularly when he targets “Saturday Night Live.” “F— ‘SNL’ and the whole cast,” West rhymes. “Tell ’em Yeezy said they can kiss my whole ass. More specifically they can kiss my a–hole.” ” ‘SNL’ caught a bad one,” RapRadar.com’s Elliott Wilson said. “[The song is] real rap, like, ‘I want my spot back.’ [It’s like Kanye saying,] ‘Drake is cool; Wayne is my man; Jay, I bow to him, he’s a legend, he’s my father in this — but I’m here to smack you.’ It’s sport: ‘F— all of you, I’m the best.’ ” “Kanye is tired of being messed with,” MTV News’ Jayson Rodriguez said. “The same way we got tired of the Kanye rants or the Kanye antics, he’s pushing back: ‘You know what, I’m tired of you f—in’ with me.’ “It’s a really loud warning shot,” Rodriguez added. “Anybody who had the feeling, ‘Watch out for Kanye’s next album,’ this song confirmed: You were right.” The combination of an embattled West, rapping with the spirit of an underdog but delivering masterful arrangements is nothing new, according to MTV News’ Shaheem Reid. “To me, that kind of embodies his whole career,” Reid said of “Power.” “Because there’s always been people that doubted Kanye; there’s always been people, for one reason or another, that just don’t like the dude. But just like Kobe Bryant wins championships, Kanye West makes classic albums.” Everyone agreed that West now has the game’s attention. “Kanye did what he’s supposed to do,” MTV News’ Sean Lee said. “He said he was back, and artists at his level, when they come back big with records, it’s got to be an event.” What do you think of “Power”? How excited are you to hear Kanye West’s next album? Let us know in the comments! Related Photos What Has Kanye West Been Up To This Past Year? Related Artists Kanye West

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Kanye West’s ‘Power’ Is ‘A Loud Warning Shot,’ Experts Say

Giorgio Armani Hotel in Dubai: Raw Video

Italian designer Giorgio Armani opened his first hotel at the world's tallest tower in Dubai on Tuesday (April 27), giving a boost to the Gulf Arab emirate's bid to recover from a debt crisis. The designer brought his trademark minimalist style to a city famous for excess, with the Armani Hotel Dubai designed with an understated palette of cream and earth colours. Armani — whose business is worth around 2.4 billion USD a year in sales — partnered with Emaar Properties, the Arab world's largest listed developer, in 2005 to develop a series of hotels, resorts and residences in key cities around the world. From man-made islands shaped like palm trees to an indoor ski slope in the desert, Dubai has marketed itself as the city of bling, putting itself on the map with a bigger is better policy. A standard room in the hotel, which does not have a single picture on its walls, will cost 4,000 dirhams (1,089USD) a night, while the best suite has a price tag of 40,000 dirhams. A table at the Prive lounge, which is home to the world's largest LCD screen, will cost at least 3,000 dirhams a visit, as guests can feast their eyes on Armani shows and videos. The 160-room Armani hotel occupies six floors in the Burj Khalifa tower, which opened on January 4, in addition to eight floors dedicated to 144 Armani luxurious residences. The two parties declined to reveal the cost of the hotel. Dubai, one of seven members comprising the United Arab Emirates and the Arab world's trade and tourism hub, saw the sharpest drop in hotel revenues in the Middle East for 2009, hit by the global financial crisis. The heavily indebted emirate generates around 19 percent of its gross domestic product from tourism and its economy has suffered as people tightened budgets after the crisis. Dubai's construction boom started when it first allowed foreigners to buy into its property market in 2002. Luxury resorts, hotels, serviced apartments and holiday villas mushroomed, drawing nearly 7 million tourists in 2007. The Middle East, despite being hit by the global downturn, has shown some resilience over the past year with revenue dropping less than other regions, industry figures showed. Dubai's hotel market is closest to the bottom of the cycle and is showing signs of recovery with beach hotels leading the way and showing positive growth, a recent report by real estate service company Jones Lang LaSalle said. added by: ctv

Shakira’s ‘Gypsy’ Gets A Boost From Rascal Flatts On ‘American Idol’

Singer plays the harmonica, harmonizes with Gary LeVox for free-sprit performance. By Katie Byrne Shakira performs on “American Idol” Wednesday Photo: Fox Shakira busted out her best Stevie Nicks ensemble during “American Idol” to perform her new single, “Gypsy,” with a little help from Rascal Flatts. The free-spirit singer — wearing a sparkly tank top, dangling earrings and a floor-length brown skirt — started the song out on harmonica. During the first verse, she was joined by some interpretive backup dancers and even threw in some moves herself. Rascal Flatts singer Gary LeVox then chimed in with backing vocals. As the pair harmonized, they headed to a platform behind the “Idol” judges and Shakira showed off some of her trademark hip-swiveling. She even pulled the harmonica back out to close up the song. After the performance, host Ryan Seacrest said what most of the viewers were probably thinking: “Gary LeVox and Shakira — I never thought I’d see that!” He also had a tough question for the Flatts frontman: “What was it like to move your hips with her?” “I recommend to him to wear a skirt, but he refused,” Shakira chimed in. Rascal Flatts kicked off the “Idol” elimination episode by performing their new single, “Unstoppable,” in place of a top-six group number. Back in February, Shakira released a steamy video for “Gypsy” starring Spanish tennis player Rafael Nadal. The video, like the song paired with it, has a much more organic vibe than other tracks from Shakira’s 2009 album She Wolf. Directed by frequent Shakira collaborator Jaume de Laiguana, the video tells a love story that plays out on a desert backdrop. It’s an ideal setting for the romance between the smiling Shakira and her often-shirtless tennis pro to unfold. What did you think of Shakira’s collaboration with Rascal Flatts? Let us know in the comments below! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season Nine Performances Related Artists Shakira

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Shakira’s ‘Gypsy’ Gets A Boost From Rascal Flatts On ‘American Idol’

Original Idol Producer Nigel Lythgoe: ‘I Would Replace the Entire Judging Panel’

As the co-creator of Pop Idol and American Idol , Nigel Lythgoe is never short on opinions, and as a panelist on his self-created show So You Think You Can Dance , Lythgoe’s deadpan candor is his trademark. Still, the 60-year-old former dancer reached a new level of unfiltered commentary when he was asked to open up about Idol ‘s current season, laying into Simon Cowell, Ryan Seacrest, and most of all, Ellen DeGeneres.

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Original Idol Producer Nigel Lythgoe: ‘I Would Replace the Entire Judging Panel’