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Liam Neeson Taking His Particular Set of Skills to Airplane Actioner Non-Stop

Ever since growling his way through 2008’s gloriously B-movie-esque B-movie Taken , Liam Neeson ‘s been enjoying his newfound status as the gruff hero with killer instincts and a particular set of skills that you want on your side in the event of a kidnapping/ assassination attempt / jailbreak / wolf attack . So why fix something that ain’t broke? Enter Non-Stop , Neeson’s next actioner and an airplane-set excuse to see Neeson smash heads and deliver straightfaced epic one-liners. Variety reports that Neeson, currently gracing screens reprising the role of Zeus in Wrath of the Titans , is in negotiations to lead the high concept action pic about “a worn-out air marshal who faces a threat while traveling on an international flight.” Simple premise, high bone-crushing potential! We don’t even need to know a single thing more about Non-Stop that what its title and setup tells us. We already know what Neeson can do with some tape and a handful of minibar bottles! Neeson’s upcoming slate features a crapton of action as is, even beyond Wrath ; he co-stars in Peter Berg’s Battleship this May and, as revealed recently, reprises his role of Ra’s Al Ghul in Chris Nolan’s The Dark Knight Rises in July. The recently-filmed Taken 2 is due in theaters this October, with a plot that sees Neeson’s onscreen daughter Maggie Grace step up to save her now-kidnapped parents. Non-Stop will be directed by Jeff Wadlow ( Cry_Wolf , Never Back Down ) from a spec script by John Richardson and Chris Roach, under superproducer Joel Silver. Fun fact: At 59, Neeson is already five years older than Harrison Ford was when he fought off evildoers thousands of feet above the ground in Air Force One , which also brings to mind the only two things that could make Non-Stop better — A) if worn-out air marshal Neeson was also the President of the United States, and B) if his plane was carrying killer snakes. (Or Sam Jackson.) [ Variety ]

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Liam Neeson Taking His Particular Set of Skills to Airplane Actioner Non-Stop

Cannes Jury President Nanni Moretti on His Plan For 2012 (and His Latest Film, We Have a Pope)

Italian filmmaker Nanni Moretti’s films speak for introverted individual concerns at work in a group dynamic. In Dear Diary , a 40 year-old Moretti rides around Rome on his motorcycle trying to figure out just how much of a part he wants in a society where legendary poet/filmmaker Pier Paolo Pasolini has died and soap operas are insanely popular. Similarly, his latest film, We Have a Pope (a.k.a. Habemus Papum ), concerns a reluctant cardinal (an excellent performance by Michel Piccoli) elected to be the next pope but is too nervous to assume the role. Pope , which opens Friday in limited release, originally screened in competition at last year’s Cannes Film Festival — to which Moretti is planning his return next month as the president of this year’s competition jury. Talk about group dynamics. Moretti’s history as a competitor and juror at Cannes Film Festival (he previously served on the jury in 1997; he won the 2001 Palme d’Or for The Son’s Room ) makes him an ideal head juror. But with regard to his new film, it’s his outsider status as an atheist that Moretti feels makes his representation of the papal conclave so unique. “I don’t know what really happens in a conclave,” Moretti told Movieline last week. “But I wanted my conclave to be different from the ones we have seen in movies and TV, with cardinals that not only didn’t represent themselves as candidates but were afraid to become the pope. I’m not a believer. I have a lot of distance from the Catholic Church. So I can give, as a gift, humanity to a pope, a cardinal or a conclave.” Meanwhile, when it comes to being arguably the most influential film festival juror on the planet, Moretti says that there’s not really much you can do to prepare beyond perhaps buying some new suits, losing weight and brushing up on your English. “I won’t be able do do any of these things,” Moretti joked. “The suits, yes, but the English and the weight, no.” Still, Moretti plans to bring his specific — even unusual — philosophy to the role. To wit, he’s not looking for a unanimous vote. “I believe that’s a mistake on the part of juries,” he said. “You’re trying to give a prize because not everybody’s film is great. Every juror has to have a vote, which has to have the same importance as every other jurors’. And all of the films need to be seen and judged with the same amount of attention.” Moretti went on to add that he’s very much committed to the idea of rewarding singular excellence, no matter how divisive it may be. “It’s not the average film that should win — not the film that everyone agrees on but doesn’t make anyone happy. It should be the film that gains the majority of the votes; the film, or the actor or the actress. The jurors aren’t conditioned by the directors or the spectators or by the people running the festival. It’s just single jury members’ opinions that count.” Check back later this week for Movieline’s full, updated review of We Have a Pope. Simon Abrams is a NY-based freelance film critic whose work has been featured in outlets like The Village Voice, Time Out New York, Vulture and Esquire. Additionally, some people like his writing, which he collects at Extended Cut . [Top photo: Getty Images]

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Cannes Jury President Nanni Moretti on His Plan For 2012 (and His Latest Film, We Have a Pope)

Skyfall: James Bond Will Swap Martinis for… Heineken?

This fall, secret agent James Bond will ditch his famous shaken martini in favor of a cold, frosty bottle of… Heineken. Hey, if sports cars and watches and swimming pools are up for product placement deals, why not 007’s drink of choice? Ad Age reports: “Bond, played by Daniel Craig , will star in a Heineken ad. The spot, which will run globally, is by brand agency-of-record Wieden & Kennedy, Amsterdam, and directed by Fredrik Bond. In the movie, Bond will swap his trademark martini for a sip of the brew — at least in one scene.” Will this change everything — or anything — about the Bond we know and love and take drinking cues from? [ Ad Age via Movie City News ]

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Skyfall: James Bond Will Swap Martinis for… Heineken?

Woody Allen’s To Rome With Love: How Do You Say ‘Neurotic’ In Italian?

Woody Allen continues his cinematic Eurotrip with To Rome With Love , which aims to repeat the formula of pitting navel-gazing privileged Americans against Old World locales with charming results. While it doesn’t go for the transformative magic of Midnight in Paris , will Woody’s Rome outing capture something special in Italy? Watch the first trailer below. To Rome With Love is comprised of four vignettes; one features Allen (in his first onscreen turn since 2006’s Scoop) and Judy Davis as a married couple; another stars Greta Gerwig, Jesse Eisenberg, Alec Baldwin and Ellen Page as Americans in Rome; a third features Penelope Cruz; and the fourth follows Roberto Benigni. While the trailer gives little away in terms of plot, it does provide a peek at how Allen’s brand of neurosis-comedy will play set against the streets and countryside of Italy. (Answer: Pretty much the same as it does in France, Spain, and New York.) Via Yahoo! : To Rome With Love debuts on June 22.

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Woody Allen’s To Rome With Love: How Do You Say ‘Neurotic’ In Italian?

WATCH: People Like Us Trailer Gets Rich Quick

The new trailer for People Like Us (nee Welcome to People ) is here, featuring Chris Pine and Elizabeth Banks as siblings who meet only after their father dies. The inheritance/estrangement/salvation plot (and a vaguely incestuous vibe that the trailer mostly counteracts with a few key shots of Olivia Wilde as Pine’s wife) thickens around the family, with Michelle Pfeiffer dropping in as Pine’s mother, which is just as bizarre as I expected it would be . Overall, though? Screenwriter Alex Kurtzman’s directorial debut looks all right! If nothing else, at least the title is an improvement. [via Moviefone ] People Like Us – Trailer No. 1 Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

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WATCH: People Like Us Trailer Gets Rich Quick

Triplets is an Early April Fool’s Joke, Right?

A Twins sequel? With ex-movie star Eddie Murphy? Haha, very funny. What, what : “Universal and Montecito Picture Co. are hoping to develop a doozy of a follow-up to the 1988 hit comedy that starred Arnold Schwarzenegger and Danny DeVito that would reunite the two stars. But wait, there’s a twist: In the new scenario, Eddie Murphy would act as a third brother. Titled Triplets , the story would see Schwarzenegger and DeVito as brothers Julius and Vincent, conceived experimentally, who discover they have third sibling.” [ THR ]

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Triplets is an Early April Fool’s Joke, Right?

Three Stooges Medical Spoof Prescribes ‘Stoogesta,’ Or Maybe Just Don’t Watch The Movie

I can picture the lightbulb that went off the day someone in marketing came up with the idea of a viral goof on a medical ad for April 13’s The Three Stooges : ‘ It’s like a disease, only moviegoers won’t want the cure !’ Actually, I’d kill for an anti-“Stoogation” remedy that’d make the Farrelly Bros.’ upcoming re-imagining seem remotely palatable. I’m hoping the entire campaign has simply misrepresented what will turn out to be the comic discovery of the year after this painfully nonsensical ad for “Stoogesta.” “Three in six billion people are afflicted by Stoogation,” begins a calmly monotone voice-over, framing “Stoogation” as a terrible condition exemplified by Larry, Curly, and Moe’s idiotic antics. To counteract this insidious disease, the ad suggests taking “Stoogesta.” But wait! “Stoogesta is not for everyone. Side effects may include impaired vision, headaches, redness of the cheeks and forehead, intestinal issues, cross-dressing, and general freak-outs…Do not take if you are pregnant or nursing.” So, wait. By this logic, we should all immunize ourselves against Stoogation by taking Stoogesta, right? But if the side effects of avoiding Stoogation then lead to Stooge-esque behavior, thus turning us into Stooges , WHAT IS THE POINT?? Are we all destined to become Stooge-like zombies who’ve given up on life? Like Sean Hayes? All these logical thought-circles have exhausted my brain juice to the point that now I’m entertaining the possibility that this Stoogesta ad is actually brilliant and not dumb, somehow. Hell, maybe I’ll go see The Three Stooges after all. Help me, someone.

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Three Stooges Medical Spoof Prescribes ‘Stoogesta,’ Or Maybe Just Don’t Watch The Movie

Paul Thomas Anderson’s The Master Sets October 2012 Release?

Looks like indie film financier/Tweeter Megan Ellison’s promise came true : According to a Box Office Mojo update, Paul Thomas Anderson ‘s The Master has been added to the fall 2012 release calendar, to open on October 12 — just in time for an awards run! No official word from distrib The Weinstein Co. on the date or final title for the Philip Seymour Hoffman-starrer, nor mention of if/when the pic will first debut at one of the season’s prestigious film festivals. While you await more info, mark your calendars… [ Box Office Mojo via The Playlist ]

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Paul Thomas Anderson’s The Master Sets October 2012 Release?

The Avengers Will Close the Tribeca Film Festival, Play Host to ‘Local Heroes’

The Tribeca Film Festival has announced The Avengers as the closing-night selection of its 11th annual event, where Joss Whedon’s summer superhero blockbuster will have its New York premiere on April 28 — and for a good cause, according to Marvel and fest organizers. “Honoring the spirit of the Tribeca Film Festival, the screening will allow the opportunity for Marvel’s The Avengers to celebrate everyday heroes from police agencies, fire departments, first responders and various branches of the U.S. military,” reads a statement just over the transom at ML HQ. “These local heroes will have an opportunity to attend the screening and meet the cast.” Marvel Studios’ producer Kevin Feige adds: “We all know and love our iconic Super Heroes, but when it really counts, it’s our real-life heroes who save the world every day by making it a better place for all of us.” Whedon, meanwhile, reacted with customary cheekiness: “Showing at Tribeca is both an honor and a double homecoming for me, who grew up in Manhattan, and for the movie, which wrapped production there. I’m thoroughly psyched to be closing the festival with our intimate little think-piece.” More to come at Movieline as Tribeca gets underway next month. Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

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The Avengers Will Close the Tribeca Film Festival, Play Host to ‘Local Heroes’

Citizen Ruth: Looking Back at Alexander Payne’s Prescient Abortion Satire

What’s the Film : Citizen Ruth (1996), available on DVD and Hulu Why it’s an Inessential Essential : The premise — one woman’s attempt to have an abortion turns into a national debate and bidding war — was a bold choice out of the gate for writer-director Alexander Payne. Citizen Ruth is his first feature film, and like his subsequent work, it has a biting wit, absurdities from every corner, and deeply flawed characters. Ruth (Laura Dern) is a dim-witted screw-up who is pregnant for the fifth time; her four offspring have been placed elsewhere because of her addiction to inhalants. When she is charged with a felony for huffing “patio sealant,” the judge coerces her to terminate the pregnancy. In jail, she meets anti-abortion crusaders who start a tug-of-war with pro-choice rivals over the unborn child, who becomes widely known as Baby Tanya after a clinic doctor manipulates Ruth into imagining keeping it. Tackling this tricky subject matter, Payne found an unreal story to tell, except that part of it was real. In the DVD commentary, he and co-writer Jim Taylor reveal that the plot was inspired by the true story of a woman who was offered money by anti-abortion and pro-choice camps to honor their respective wishes for her fetus. The parallels to reality don’t stop there. In one of Dern’s best unhinged moments, Ruth screams at two overzealous medical staffers at a clinic, who then pull out all the stops and force her to watch a video of abortion footage. That seems far-fetched, though maybe not in places like Arizona, where a lawmaker recently proposed a bill that would require women to watch an abortion before having one. The state representative, Terri Proud, calls her idea “(The) Reproductive Games.” Truth is catchier than fiction. Why We Recommend It Now : Released in 1996, Citizen Ruth resonates today, of course, because the issue of affordable health care has evolved into a fight over reproductive rights. Although Baby Tanya, were she real/alive, would be old enough to have a Sweet 16 party this year, not much has changed in the public discourse. Payne skewers the radicals on both sides, who are largely motivated by impressing their leaders — Tippi Hedren, for example, as a mother/god figure to the lunatic pro-choice activists. Their behavior is over the top, but their ideologies still echo. Among the points the movie makes so nicely is that extremists tend to lose sight of the real people and issues involved. When Sandra Fluke testified about hormonal birth control, the point she made — that the drug treats medical conditions — was lost once Rush Limbaugh piped in and turned Fluke into an abstraction and a “prostitute.” Ruth is unfit to be a mother, yet a contingent of crazies think she should take a stab at parenthood, aided by 15 grand, because somehow it’ll just all work out. There’s something to be said for laughing so we don’t cry, and Citizen Ruth allows us to do that. The DVD has few extras, but it does feature a revealing commentary track from Payne, Taylor, Dern and production designer Jane Ann Stewart. Explaining that the film doesn’t take sides, Stewart says her team strived to make both camps look a little foolish. Payne gets to the heart of the matter, saying, “Jane, you asked me, ‘Is nothing sacred?’ And it’s true. Everything is sacred, and nothing is sacred. Everyone is open for being examined as a human being.” Other Interesting Trivia : Payne says the film’s limited release was probably the reason he didn’t receive one threatening letter over it, though he was concerned about potential violence at the time from groups like the Army of God. Dern recalls a conversation with the women who ran Planned Parenthood in Texas, who called her to say how much they loved being mocked in the film. Also, let the end credits roll a couple minutes for a hint at Ruth’s fate. PREVIOUS INESSENTIAL ESSENTIALS The Last Temptation of Christ The Sitter

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Citizen Ruth: Looking Back at Alexander Payne’s Prescient Abortion Satire