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Lady Gaga Backstage At The VMAs: The Realest Girl, The Meatiest Dress

Bigger Than the Sound captures a few moments when the cameras weren’t rolling. By James Montgomery Lady Gaga Photo: Mark Ralston/ Getty Images On Sunday night at the Video Music Awards , Lady Gaga won everything besides Best Contemporary World Music Album, but you probably couldn’t tell by the way she acted. Or at least I couldn’t. After all, I was standing roughly 3 feet from her as she descended from the stage, Video of the Year Moonman in one hand, short-loin inspired clutch in the other. And at that moment, she didn’t seem like the biggest pop icon on the planet, a woman who genuinely inspires millions and appears determined to speak for the voiceless and use her status to elicit actual social change . Instead, she seemed like a very demure, very humble human being. This may have had something to do with the fact that she had just accepted an award from Cher (which can definitely be a disorienting experience), or because she had just won her eighth Moonman of the night, but it definitely struck me as odd. After all, if you take everything you know or have read about her, combine it with her videos, fashion sense and over-the-top, decidedly feisty live performances, you are left with a picture that is less human and more, well, deity. Gaga does not appear to be human — more like a pneumatic lion tamer with a penchant for creative haberdashery, or a fire-breathing neo-Shiva in sunglasses — which is sort of the point, I suppose. But, as I learned on VMA night, it’s not actually the truth. I don’t know why it took me so long to realize this. After all, I have interviewed her and used this very space earlier this year to examine her transformation from otherworldly star to a normal girl . But there was something about watching her fight back tears at the VMAs — something she continued to do backstage, just in case you were wondering — that made it click for me. I watched as she hugged Cher, whispered something to her and then made the trek down to her dressing room, still shaking slightly, still saying “thank you” to the various stagehands and show producers who shouted their congratulations as she passed. I followed her and her entourage out of the theater, trying to keep my eyes on her tiny shoulders as she was surrounded by a ring of beefy security guards. This is much tougher to do than you would imagine; after all, Gaga is very small in person, practically delicate. She does not walk as much as she tiptoes, mostly because of the McQueen armadillo heels she wears, but also because you get the sense that the slightest breeze would knock her over. There is a fine, almost-porcelain quality to her. You want to put her on a glass shelf. You want to run a feather duster over her. There are not many deities you can say this about. Her entourage headed downstairs, and again, I followed. They made their way into the hallway beneath the stage, a carpeted pathway lined with dressing rooms. Most of the stars heard her coming and popped their heads out to catch a glimpse of her. Yes, she has that kind of clout. I watched from a wall as her team of stylists emerged from her dressing room and started clapping and cheering, and only then did I notice that Gaga was smiling. This was the real her, the person that only her closest friends — and, I suppose, nosy reporters — get to see. The Gaga that only comes out when the camera’s aren’t around (which is something, like, three hours of each day). There were still tears in her eyes, though now she wasn’t crying; she was laughing, making a kind of gulping sound. It was exactly the kind of thing you or I would do in a situation like this, when we have just triumphed and are now getting to share that moment with our friends. And I watched as she disappeared into her room, followed by her inner circle. The door closed, and her security guards fell into place, but you could definitely hear the celebratory whoop that happened immediately afterward. It was certainly genuine. After all, Gaga cares about winning awards, though I suspect it has more to do with the fact that she gets to share the victory with her friends. That’s the kind of person I’m guessing she is. I don’t know how long she stayed in there, because I was already making my way down to the other end of the hallway, where Kanye West was having an impromptu, celeb-filled party in his dressing room. It stopped traffic. Usher popped in. Rihanna did too. There were ballerinas involved. The contrast between the two rooms was noteworthy. Because even when the lights aren’t on, Kanye still carries himself like a deity. It’s part of his mystique. Gaga is different. She doesn’t need a mystique; being human seems to be enough for her. And, yes, I realize I’m making tremendous assumptions based on a few unguarded moments, but you learn a lot from someone when they know the cameras aren’t rolling, when it’s just them, their closest confidants and maybe a Moonman or two. For a minute, I got to see the real Lady Gaga, and it was all I needed. She cries and laughs and even gulps on occasion. She is humble and genuine. She is human, after all, even when she’s wearing a meat dress. You learn something new every day. Share your thoughts on Gaga’s victorious VMA night in the comments below. The Moonmen have all been handed out and the stars have gone home, but there’s plenty of MTV Video Music Awards news, interviews, behind-the-scenes scoop, party reports and more still to come, so keep it locked on MTVNews.com. Related Videos VMA 2010: Performances 2010 VMA Pre-Show Uncensored VMA 2010: Lady Gaga’s VMA Moments Related Photos VMA 2010: Top Fashion Trends

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Lady Gaga Backstage At The VMAs: The Realest Girl, The Meatiest Dress

Lady Gaga’s VMA Interview, Uncut: Watch It Now!

Night’s big winner put white-carpet spotlight on repealing ‘don’t ask, don’t tell.’ By James Montgomery Lady Gaga at the 2010 VMAs Photo: Kevin Mazur/ Getty Images When Lady Gaga arrived at the 2010 Video Music Awards on Sunday, she did so with her usual aplomb — in a dress by the late Alexander McQueen — but, for perhaps the first time ever, it was her entourage that grabbed the headlines.

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Lady Gaga’s VMA Interview, Uncut: Watch It Now!

AP, Crutsinger Publish Three Clear Falsehoods in August Report on Deficit

I tried to find a nicer way to put it in the headline. But I can’t. At the Associated Press, Economics Writer Martin Crutsinger’s apparent plug-and-play report less than an hour after the issuance of Uncle Sam’s August Monthly Treasury Statement on Monday (his item is time-stamped at 2:56 p.m., which follows the Treasury Department’s 2:00 p.m. release by less than an hour) contains three obviously false statements that a news organization which really subscribes to its own ” Statement of News Values and Principles ” would retract and/or correct. The specific AP standard in question is whether it has violated its promise not to “knowingly introduce false information into material intended for publication or broadcast.” The only conceivable excuse at this point is that Crutsinger and his employer don’t realize what they have done. The three falsehoods involved are not arcane or open to interpretation. Rather, they are significant obvious, irrefutable, and in need of correction. What follows are the three statements, the first of which contradicts itself in the report’s own subsequent sentence: 1. ” Deficits of $1 trillion in a single year had never happened until two years ago. The $1.4 trillion deficit in 2009 was more than three times the size of the previous record-holder, a $454.8 billion deficit recorded in 2008.” The fiscal year that ended on September 30, 2008 was “two years ago.” The reported deficit that year was $454.8 billion, as reported. $454.8 billion is less than $1 trillion. There was not a $1 trillion deficit “two years ago.” 2009 was one year ago. That’s the year the deficit first topped $1 trillion for the first time. There is no way to twist the meaning of the bolded statement above to make it true, because it’s false. Is this breathtaking carelessness, or an indicator that AP is bent on assigning any and all economic blame to the previous administration? 2. “Through August, government revenues totaled $1.92 trillion, 1.6 percent higher than a year ago, reflecting small increases in government tax collections compared to 2009. ” Tax collections have not increased, as shown in the following graphics: The first graphic comes from Page 2 of the Monthly Treasury Statement, and identifies the major sources of federal receipts. The second contains the August 2010 detail of “Miscellaneous Receipts” obtained from “Page 5(2)” of this year’s Statement, and compares it to the related year-to-date detail found in the August 2009 Monthly Treasury Statement (there is a $235 million difference between the two reported “Miscellaneous Receipts” amounts that is not relevant to this post). The third boils things down, and proves that tax collections have declined. Even if one dubiously considers every line except “Deposits of Earning by Federal Reserve” to be “taxes,” those Federal Reserve Deposits are not. Don’t take my word for it. Here is how the Congressional Budget Office described these deposits in its Monthly Budget Review last week: In case the AP and Martin Crutsinger need to be reminded: “Profits” are not “taxes.” Thus, as seen in the final graphic above, deposits from the Fed must be excluded when comparing year-over-year tax collections. When one does that, the result is that tax collections are down from a year ago by over $9.5 billion, or about 0.5%. Crutsinger’s statement that the overall increase in federal receipts “reflect(s) small increases in government tax collections compared to 2009″ is false. 3. ” Spending has totaled $3.18 trillion, down 2.5 percent from the same period a year ago.” Yes, reported “outlays” — a contrived term the government uses as a proxy for “spending” (but is not the same thing) — are down. But Crutsinger wrote that “spending” is down. The definition of “spending,” taken from the word ” spend ,” involves “pay(ing) out, disburs(ing), or expend(ing) funds.” As described back in April (at NewsBusters ; at BizzyBlog ) after it occurred in March, Uncle Sam’s reported “outlays” were reduced by means of a $115 billion non-cash entry to reflect the government’s revised estimate that it will ultimately lose less on its Troubled Asset Relief Program “investments” than originally thought. This entry did not involve “spending,” nor did the extra identical amount incorrectly added to “outlays” last year. As I wrote in April: In essence what happened is that the administration pushed as much “bad news” (asset writedowns) as it could into last year’s (i.e., fiscal 2009’s) financial reporting, since last year was going to be a disaster no matter what. But since they overdid it with the writedowns last year (”Gosh, how did that happen?”), they can make this year (fiscal 2010) look better than it really has been. Good old Martin played along by calling it “dramatic.” As noted, Crutsinger and AP should know about this $115 billion item. After all, the AP reporter discussed it in his April report on the March Monthly Treasury Statement. After appropriately adjusting for the non-cash item, “spending” (the word Crutsinger chose to use) has not totaled $3.18 trillion; it has really been $3.29 trillion. Last year’s “spending” wasn’t the $3.26 trillion shown in Table 3 of August 2010’s Monthly Treasury Statement; it was $3.15 trillion. “Spending” is not “down 2.5 percent from the same period a year ago,” as the AP reporter claimed. “Spending” is up by $.14 trillion ($3.29 tril – $3.15 tril). That’s a 4.4% increase ($.14 tril divided by $3.15 tril). Since “spending” means what the dictionary says it means, Crutsinger’s statement about federal “spending” is false. As seen in the graphic at this link , which shows Monthly Treasury Statement data comparing 2010 and 2009 spending in all major functional areas, spending is up in the large majority of them. The following is supposed to represent what the Associated Press does when it commits errors of fact in its reporting: CORRECTIONS/CORRECTIVES: Staffers must notify supervisory editors as soon as possible of errors or potential errors, whether in their work or that of a colleague. Every effort should be made to contact the staffer and his or her supervisor before a correction is moved. When we’re wrong, we must say so as soon as possible. When we make a correction in the current cycle, we point out the error and its fix in the editor’s note. A correction must always be labeled a correction in the editor’s note. We do not use euphemisms such as “recasts,” “fixes,” “clarifies” or “changes” when correcting a factual error. A corrective corrects a mistake from a previous cycle. The AP asks papers or broadcasters that used the erroneous information to use the corrective, too. For corrections on live, online stories, we overwrite the previous version. We send separate corrective stories online as warranted. The three demonstrably false statements described here have misled and will continue to mislead readers and other news consumers into erroneously believing that trillion-dollar deficits go back to 2008; that fiscal year-to-date tax collections are greater than last year; and that federal “spending” in 2010 is down from 2009. AP has “introduced false information into material intended for publication or broadcast” — something it says it won’t “knowingly” do. Your move, guys and gals. You know what you should do. Will you do it? If you choose to do nothing, could you guys at least spare us the sanctimony and remove your “Statement of News Values and Principles” web page? Cross-posted at BizzyBlog.com .

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AP, Crutsinger Publish Three Clear Falsehoods in August Report on Deficit

Lady Gaga Gets Born This Way Unicorn Tattoo

Singer pays homage to her new album title on her left thigh. By Gil Kaufman Lady Gaga at the 2010 Video Music Awards Photo: Kevin Winter/ Getty Images Unless she hit the tattoo parlor on Monday morning in the wake of her record-setting eight VMA wins the night before, we’re surprised Lady Gaga’s keen-eyed Little Monsters didn’t already know the title of her upcoming album.

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Lady Gaga Gets Born This Way Unicorn Tattoo

Justin Beiber VMA 2010

“I#39;m single,” Justin Beiber, 16, told us at the MTV Video Music Awards on Sunday. “I#39;m kind of looking, but I#39;m kind of trying to stay single.” All Kim Kardashian jokes aside, Justin Bieber is still an unattached teen. Even though a girlfriend isn#39;t a priority for the pop star, he still knows what he what he wants in his match. “An ideal girl is someone who is funny – who can make me laugh,” Bieber says. “And someone who has nice eyes and a nice smile.” But above all else, the “B

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Justin Beiber VMA 2010

Rihanna, Cher, Katy Perry, More Stars Tweet About VMAs

Diddy promises to set the ‘stage on fire’ as a performer next year. By Josh Wigler Rihanna performs at the 2010 VMAs Photo: Kevin Winter/ Getty Images Although the curtains have closed on the 2010 MTV Video Music Awards , the show goes on in the form of Twitter reactions from the various celebrities in attendance Sunday night. From the show’s various performers to mere spectators out in the crowd, just about everybody has had something to say about this year’s event. The first big surprise of the show occurred when Rihanna unexpectedly arrived to sing “Love the Way You Lie” opposite Eminem. The R&B artist wasn’t expected to appear at the VMAs, but Rihanna stormed the stage nonetheless, later explaining to her fans on Twitter : “SURPRISE!!! Just had to do it guys.” Rihanna’s performance alongside Slim Shady was considered one of the highlights of the night, especially for Paramore vocalist Hayley Williams. “The best thing was seeing Eminem live,” she wrote , “and being only a few feet away from Gaga.” Indeed, it was hard not to notice Lady G, what with her eight VMA victories and her now-infamous meat dress . Legendary singer and actress Cher got an up-close glimpse at Gaga’s controversial wardrobe, describing it as “interesting” and “amazing.” “The way it was cut and fitted to her body was amazing! The meat purse was genius,” she assessed . “As [an] art piece, it was astonishing!” The show moved along at a brisk pace, thanks to the hilarious work of host Chelsea Handler, though there was at least one attendee pining for last year’s host, Russell Brand. “California Gurls” singer Katy Perry, who began her relationship with Brand at the VMAs in 2009, offered a tribute to her fianc

30 Seconds To Mars Caught In ‘Glitter Bomb’ On Way To VMAs

Best Rock Video winners found themselves strewn in glitter when arriving at the VMAs Sunday night. By Jocelyn Vena, with reporting by James Montgomery 30 Seconds to Mars arrives at the 2010 MTV Video Music Awards Photo: Kevin Mazur/WireImage If anyone thought that 30 Seconds to Mars ‘ partial re-creation of their VMA-winning video, “Kings and Queens,” when they entered the big show’s white carpet would prove to be the most dangerous part of the band’s appearance on Sunday night, they were wrong. When MTV News caught up with the band as they hit the white carpet, frontman Jared Leto explained that they had not only braved L.A. traffic for their entrance, they also endured an explosion of sorts. “We were in the middle of a glitter bomb. The entrance was fun and chaotic and crazy.”

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30 Seconds To Mars Caught In ‘Glitter Bomb’ On Way To VMAs

Tupac Remembered By Rick Ross, Paul Wall, Zaytoven

‘ ‘Pac was our prophet,’ Gorilla Zoe tells MTV News 14 years after iconic MC’s death. By Shaheem Reid Tupac Shakur Photo: Steve Granitz/ Wireimage It’s one of the moments you just don’t forget. Most hip-hop fans can remember exactly where they were when they heard Tupac Skakur died, 14 years ago on September 13. While celebrating the 2010 VMAs in Los Angeles over the weekend, some of your favorite artists took time out to remember one of music’s biggest icons. “I’m from Carol City, and in Carol City we got a park [where] if somebody passes away, we go to the park,” Rick Ross told MTV News. “So if something happen, we split up, go to the park. So I’ll never forget: I was coming home and riding by the park. I saw all my homies, Chevys lined up. I was like, ‘Damn, somebody died.’ ” Ross said had just been at the park a week prior mourning the loss of a childhood friend, Little Pete, who was killed in a vehicular accident. The day ‘Pac died, Ross had d

Lady Gaga’s VMA Meat Dress: Style Experts Weigh In!

‘Too bad she didn’t wear it with a grill,’ Nylon ‘s Faran Krentcil quips By Jocelyn Vena Lady Gaga at the 2010 VMAs Photo: Kevin Mazur/ Getty Images Lady Gaga wore several very interesting outfits to the VMAs on Sunday night. While she went glam in two creations (one by Alexander McQueen and one by Giorgio Armani), she was more grisly in her meat dress, shoes, bag and hat, designed by Franc Fernandez and put together by her frequent stylist, Nicola Formichetti. The look had the fashion world buzzing by Monday morning, spawning blog headlines such as, “Was it offensive or awesome?” “Too bad she didn’t wear it with a grill,” Nylon digital director Faran Krentcil told MTV News in an e-mail about the gutsy design that echoes the bikini Gaga wore on the cover of Vogue Hommes Japan. Kelly Cutrone was all about the look. “I don’t get it what’s the beef with Gaga — Gaga is the Queen of the Universe, and no one should say anything negative about her or they will be attacked by her millions of fans,” the PR maven and star of “The City” told MTV News. “I am happy to see her looking so healthy and to see she put a little extra meat on!” Meanwhile, TV personality and “Telephone” co-star Jai Rodriguez commented that Gaga is creating a professional challenge for him. “Well, I am currently playing a character where the script says, ‘Take it a step further than Gaga would,’ ” he explained. “I’m no longer sure that’s possible after last night’s dinner frock.” Food was certainly on other fashion-minded folks’ minds. “It’s creepy and amazing at the same time, but I know what I won’t be eating today,” Fashion Critic wrote on RedCarpet-FashionAwards.com . The

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Lady Gaga’s VMA Meat Dress: Style Experts Weigh In!

Taylor Swift, Kanye West Have Critics Debating VMAs Again

The media weighs in on what ‘Innocent’ and ‘Runaway’ are saying about last year’s incident. By Paul Cantor Taylor Swift and Kanye West at the 2010 Video Music Awards Photo: Kevin Winter/ Kevin Mazur/ Getty Images/ WireImage Oscar Wilde once wrote, “Always forgive your enemies; nothing annoys them so much.” Taylor Swift definitely got that memo. At the 2010 MTV Video Music Awards, she seemed to be forgiving someone, maybe Kanye West , as she crooned, “Who you are is not what you did. … You’re still an innocent.” Kanye, who apologized to Swift via Twitter earlier this month, seemed to be acknowledging his wrongdoing in the lyrics of his new song, “Runaway.” Though the pair didn’t appear onstage together on Sunday night, as some hoped, many in the media took the opportunity to weigh in on whether the evening’s performances had settled the score between them. “She seems to have forgiven him,” Jennifer Armstrong wrote in Entertainment Weekly. “She looked gorgeous, as she is wont to do, but, um, the actual song was a pretty opaque.” Kanye’s performance was looked upon more favorably. “It was a complete victory,” EW ‘s Brad Wete wrote, “addressing his character flaws and acknowledging public opinion without relinquishing any of his power.” Spin ‘s Steve Kandell thinks the two stars reluctantly met somewhere in the middle. “Kanye implored a toast to the douche bags and jerkoffs, among whom he undoubtedly counts himself, albeit with reservations,” he wrote. “She thinks he isn’t what he did, but he’s putting the lie to that — no, I am that, it’s just a shame you got in the crossfire. But, to paraphrase another great poet of the VMA era, he’s not that innocent.” Over at The New York Times, Jon Caramanica wrote of West, “Wearing a red suit, he looked amateurish and vulnerable, and also affecting. At the end, Mr. West’s knowing, bombastic humility won.” With respect to Taylor Swift, Caramanica continued, “Ms. Swift — a victim, but no na