Tag Archives: Voice

‘American Idol’ Top 13 Perform Spirited Tributes To Personal Idols

Casey Abrams shouts, James Durbin croons and Naima Adedapo puts some dancehall into Rihanna’s Umbrella on Wednesday night. By Gil Kaufman “American Idol” top 13 Photo: Michael Becker / FOX It may not have been live , but Wednesday night’s (March 9) pre-taped “American Idol” top-13 performance show was lively, with plenty of surprises as this year’s baker’s dozen sought to solidify their onstage personalities off the bat. That meant that bearded lad-killer Casey Abrams served up some more gritty soul, Naima Adedapo showed off her reggae flair and Scott McCreery, well, let’s just say he stuck with the “good ol’ boy” songbook. But first up on “Your Personal Idol” night was precocious teen Lauren Alaina, who sang a song by her musical inspiration, country/pop superstar Shania Twain. Sounding a bit out of breath, Alaina swiveled her hips to “Any Man of Mine” and used all her considerable 16-year-old hair-flipping charm and reedy country twang to win over the crowd. Showing his tough side, Steven Tyler said he loved the song, but just wished it had been “a little more kickass” and Jennifer Lopez said it was time to shift into a higher gear. Randy Jackson said it was good, but didn’t allow Alaina to unleash her big, versatile voice. Abrams was right in the pocket with Joe Cocker’s cover of the Beatles’ “With a Little Help From My Friends,” and mentor Jimmy Iovine encouraged him to feel the song with every inch of his body. Starting off sitting on the steps and singing in a soft, cuddly voice, Abrams did a slow walk down-stage as a group of gospel backup singers joined him, and his voice climbed into a high, raspy wail. Though it took a bit to warm up, by the end, Abrams was throwing in some bluesy improvisational howls that showed off his gritty side. Lopez said she was beside herself, telling a smiling Abrams, “[You] blew me away,” with Randy chiming in that he can always count on Casey to hit the notes and provide a show. “You are a rainbow of talent, man … and you are a plethora of passion,” Tyler tossed in. After scooting in as a wild card, Ashthon Jones went with Randy’s suggestion to sing Diana Ross’ “When You Tell Me That You Love Me.” She opened a bit shaky with some flat, breathy notes and never seemed to really find the right groove, singing a competent, but not stellar version of the tune. Randy deemed it safe, but complimented her for recognizing when she was going off key and pulling it back. Lopez said she also saw some budding professionalism in Jones’ stagecraft, but encouraged her to find more popular songs that the audience can sing along to. Speaking of somewhat obscure songs, resident quirky guy Paul McDonald chose indie singer/songwriter Ryan Adams’ “Come Pick Me Up.” Wearing a military jacket, McDonald seduced the crowed with a whispery delivery, building up and bouncing all around the stage like Coldplay’s Chris Martin, mixing arena stagecraft with an intimate, understated delivery. It was a bit pitchy for Tyler, who said he still loves anything Paul sings, praising his unique character. Jennifer said McDonald’s infectious smile translated into some grins in the crowd, but she wondered whether the song was too obscure. Sudden frontrunner Pia Toscano tried to solidify her status with Celine Dion’s version of the big weeper “All By Myself.” Wearing a skintight golden mini-dress, Toscano looked the part and hit he kind of showy notes a diva has to have in her pocket. Saying she topped even last week’s Pretenders showstopper, Lopez called it simply beautiful and Randy said despite taking on one of the dreaded big-three female singers, Pia nailed it. The last person you could imagine rocker James Durbin working with is hip-hopper Jim Jonsin, but the Lil Wayne producer put a thick beat to Paul McCartney’s “Maybe I’m Amazed” and Durbin showed his sensitive side while showcasing his contemporary potential. “Yo, this dude can do anything man. … James Durbin is dangerous!” Randy gushed, saying he was impressed with JD’s versatility. Tyler heaped on some of his twisted praise as well, adding, “James, you have taken everything you’ve ever felt and kicked it into the middle of next week,” whatever that means. Haley Reinhart has been singing LeAnn Rimes’ “Blue” for most of her life, so she set aside the R&B sass for some hip-swaying yodeling and country-gal charm. Tyler was blown away and said Reinhart nailed it as Lopez gave her props for the versatility of her vocals. Randy? He said it was a bit sleepy, like being at a boring luau. It was R. Kelly’s uplifting “I Believe I Can Fly” for former spa concierge Jacob Lusk, who slowed it down into a vibrato-filled pop/gospel skyscraper, complete with a crazy falsetto run in the middle. “Pure passion, pure music, I can’t even judge ya, that’s how good you are,” Tyler said, kicking off a three-judge love-fest. After getting King of Pop comparisons last week, 16-year-old Thia Megia chose Michael Jackson’s (via Charlie Chaplin) “Smile,” bringing an old-school, jazz-diva class to the gentle ballad before a corny hip-hop-lite beat broke in and she kicked it up a notch. Randy loved the soft, Adele-like acoustic intro, but he and Steven thought it went a bit pitchy and wobbly in the second half. Talk about staying in your lane: Wild card Stefano Langone chose Stevie Wonder’s “Lately” and Karen Rodriguez kept tapping into her Latin background with Selena’s “I Could Fall in Love,” while resident country boy McCreery opted for Garth Brooks’ very trad “The River.” Langone over-emoted a bit and producer Polow Da Don’s thumping beat overwhelmed him at times, forcing Stefano to rush to keep up and keep the spotlight on his often-crystalline vocals. Selena superfan Rodriguez got a Beyonc

‘American Idol’ Top 13 Perform Spirited Tributes To Personal Idols

Casey Abrams shouts, James Durbin croons and Naima Adedapo puts some dancehall into Rihanna’s Umbrella on Wednesday night. By Gil Kaufman “American Idol” top 13 Photo: Michael Becker / FOX It may not have been live , but Wednesday night’s (March 9) pre-taped “American Idol” top-13 performance show was lively, with plenty of surprises as this year’s baker’s dozen sought to solidify their onstage personalities off the bat. That meant that bearded lad-killer Casey Abrams served up some more gritty soul, Naima Adedapo showed off her reggae flair and Scott McCreery, well, let’s just say he stuck with the “good ol’ boy” songbook. But first up on “Your Personal Idol” night was precocious teen Lauren Alaina, who sang a song by her musical inspiration, country/pop superstar Shania Twain. Sounding a bit out of breath, Alaina swiveled her hips to “Any Man of Mine” and used all her considerable 16-year-old hair-flipping charm and reedy country twang to win over the crowd. Showing his tough side, Steven Tyler said he loved the song, but just wished it had been “a little more kickass” and Jennifer Lopez said it was time to shift into a higher gear. Randy Jackson said it was good, but didn’t allow Alaina to unleash her big, versatile voice. Abrams was right in the pocket with Joe Cocker’s cover of the Beatles’ “With a Little Help From My Friends,” and mentor Jimmy Iovine encouraged him to feel the song with every inch of his body. Starting off sitting on the steps and singing in a soft, cuddly voice, Abrams did a slow walk down-stage as a group of gospel backup singers joined him, and his voice climbed into a high, raspy wail. Though it took a bit to warm up, by the end, Abrams was throwing in some bluesy improvisational howls that showed off his gritty side. Lopez said she was beside herself, telling a smiling Abrams, “[You] blew me away,” with Randy chiming in that he can always count on Casey to hit the notes and provide a show. “You are a rainbow of talent, man … and you are a plethora of passion,” Tyler tossed in. After scooting in as a wild card, Ashthon Jones went with Randy’s suggestion to sing Diana Ross’ “When You Tell Me That You Love Me.” She opened a bit shaky with some flat, breathy notes and never seemed to really find the right groove, singing a competent, but not stellar version of the tune. Randy deemed it safe, but complimented her for recognizing when she was going off key and pulling it back. Lopez said she also saw some budding professionalism in Jones’ stagecraft, but encouraged her to find more popular songs that the audience can sing along to. Speaking of somewhat obscure songs, resident quirky guy Paul McDonald chose indie singer/songwriter Ryan Adams’ “Come Pick Me Up.” Wearing a military jacket, McDonald seduced the crowed with a whispery delivery, building up and bouncing all around the stage like Coldplay’s Chris Martin, mixing arena stagecraft with an intimate, understated delivery. It was a bit pitchy for Tyler, who said he still loves anything Paul sings, praising his unique character. Jennifer said McDonald’s infectious smile translated into some grins in the crowd, but she wondered whether the song was too obscure. Sudden frontrunner Pia Toscano tried to solidify her status with Celine Dion’s version of the big weeper “All By Myself.” Wearing a skintight golden mini-dress, Toscano looked the part and hit he kind of showy notes a diva has to have in her pocket. Saying she topped even last week’s Pretenders showstopper, Lopez called it simply beautiful and Randy said despite taking on one of the dreaded big-three female singers, Pia nailed it. The last person you could imagine rocker James Durbin working with is hip-hopper Jim Jonsin, but the Lil Wayne producer put a thick beat to Paul McCartney’s “Maybe I’m Amazed” and Durbin showed his sensitive side while showcasing his contemporary potential. “Yo, this dude can do anything man. … James Durbin is dangerous!” Randy gushed, saying he was impressed with JD’s versatility. Tyler heaped on some of his twisted praise as well, adding, “James, you have taken everything you’ve ever felt and kicked it into the middle of next week,” whatever that means. Haley Reinhart has been singing LeAnn Rimes’ “Blue” for most of her life, so she set aside the R&B sass for some hip-swaying yodeling and country-gal charm. Tyler was blown away and said Reinhart nailed it as Lopez gave her props for the versatility of her vocals. Randy? He said it was a bit sleepy, like being at a boring luau. It was R. Kelly’s uplifting “I Believe I Can Fly” for former spa concierge Jacob Lusk, who slowed it down into a vibrato-filled pop/gospel skyscraper, complete with a crazy falsetto run in the middle. “Pure passion, pure music, I can’t even judge ya, that’s how good you are,” Tyler said, kicking off a three-judge love-fest. After getting King of Pop comparisons last week, 16-year-old Thia Megia chose Michael Jackson’s (via Charlie Chaplin) “Smile,” bringing an old-school, jazz-diva class to the gentle ballad before a corny hip-hop-lite beat broke in and she kicked it up a notch. Randy loved the soft, Adele-like acoustic intro, but he and Steven thought it went a bit pitchy and wobbly in the second half. Talk about staying in your lane: Wild card Stefano Langone chose Stevie Wonder’s “Lately” and Karen Rodriguez kept tapping into her Latin background with Selena’s “I Could Fall in Love,” while resident country boy McCreery opted for Garth Brooks’ very trad “The River.” Langone over-emoted a bit and producer Polow Da Don’s thumping beat overwhelmed him at times, forcing Stefano to rush to keep up and keep the spotlight on his often-crystalline vocals. Selena superfan Rodriguez got a Beyonc

New Video: Melanie Fiona – “Gone And Never Coming Back”

Melanie Fiona’s camp has released the video for her new jawn “Gone and Never Coming Back”. This girl has a great team working on her project. They have truly stayed consistent when it comes to music that is made for her voice and a look that works solely for her. Check out the video for Melanie’s new jawn and tell us if you… Hate It or Love It?!?! That girl can saaaaaaannnnnggg!!!

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New Video: Melanie Fiona – “Gone And Never Coming Back”

Paris Hilton’s Hard Nipples of the Day

The only thing I really hate about Paris Hilton is her face…I mean other than everything else about her, from her voice, to the things she says, to what she’s offered the world, her legacy, her retarded behavior, the fact that she was famous for pretty nothing, and her family for brining what may be the single worst human to life….but I’m not really focusing on that in this post…I’m talking on a physical level…cuz when you erase her bird face and that obnoxious grin she’s always got…she’s thin, tall, has perky tits, and there’s really nothing wrong with that…especially when her nipples are hard…if those are even her actual nipples and not some artificial stick-on nipple she uses for paparazzi attention…because that is just the kind of scum she is… I wonder if she’s using her computer that she’s lugging around to pretend she actually writes her own twitter, or if she’s going to check out what her fat brown clone is doing to strategize her next spoiled cunt steps… To See the Rest of the Pictures with her Bird Face and Hard Nipples – Follow This LInk GO

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Paris Hilton’s Hard Nipples of the Day

Why Are Black Women So Angry?: 2-Cases Of Black Women Losing Control Discussed [Video]

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Why Are Black Women So Angry?: 2-Cases Of Black Women Losing Control Discussed [Video]

Some Afternoon Linkage

Bishop Eddie Long’s New Birth Cuts Salaries & Eliminates Staff Members (GO) Smart Women Marry For Both Love And Money (GO) Oooweee (Camille Washington in Lowrider Mag) (GO) Waka Flocka Claims He’s Better Than The XXL Freshmen (GO) Nicki Minaj’s “Pink Friday” Breaks New Record (GO) Charlie Sheen: Guinness World Recorder Breaker & ‘Hangover’ 2′ Star? (GO) Paula Abdul Dials 911 To Escape Boyfriend (GO) Karissa Shannon Probably Didn’t Sign Off On This One (GO) New Network Helps Shoppers Buy Black (GO) Jay-Z Is Worried About Rihanna’s “Deteriorating Health” (GO) Christina Aguilera Will Judge for ‘The Voice’ (GO) Mr. ColliPark Unveils New Artist: Translee (GO) Nicole Richie works it for RUSSIAN ‘HARPER’S BAZAAR’ (GO)

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Some Afternoon Linkage

‘American Idol’ Report Card: Rating The Top 12 Women

We grade Pia Toscano, Lauren Turner and the rest of the ladies while waiting to see who makes the finals. By Eric Ditzian Photo: Michael Becker / FOX On Wednesday morning, following the top 12 men’s debut on “American Idol,” MTV News sized up the competition with our first report card of the season. We doled out high marks to Paul McDonald and Casey Abrams, and delivered some tough love in the form of failing grades to Robbie Rosen and Jordan Dorsey. Now it’s the top 12 women’s turn to soar or suffer. When the ladies took the stage on Wednesday night, they busted out praiseworthy tuneage and showed off vocal chops that aren’t quite ready for the big time. Who’s up, who’s down, who might be out by next week? It’s report card time! Excellent Pia Toscano : She alone lands in this category because she alone blew us away with the iron-man strength of her vocals. Some of those sustains during the Pretenders’ “I’ll Stand by You” were dizzying. Pia made a savvy song choice, avoiding the voice-crowding din of an up-tempo tune (unlike Lauren Alaina), and showcased nothing but her best-in-show vocals. Welcome to the head of the class, Miss Toscano! Good Kendra Chantelle : Unlike her Hollywood Week duet partner Paul McDonald, who broke out of the crowd on Tuesday, Kendra didn’t fully separate herself from the pack. At least not yet. She showed off an impressive range and a soulful tone while singing, a tad boringly, Christina Aguilera’s “Impossible.” We look forward to Kendra following McDonald’s lead and delivering a breakout performance soon. Lauren Turner : Though her take on Etta James’ “Seven Day Fool” was a tad bit Broadway, there’s no denying the strength of her vocals. Still, we’re not yet ready to join our colleague Jim Cantiello in we’re-not-worthy praise of Turner. We’ll be looking for a more contemporary and radio-relevant tune before thrusting her into the upper echelon. Ashthon Jones : Steven Tyler was right: Jones has a trainload of confidence, and it’s on the strength of her self-assurance and personality, rather than her song choice of Monica’s “Love Over Me,” that she sneaks into this range. We dig her sultry, R&B soul, though we’ll stop way short, unlike Jennifer Lopez, of saying she’s a diva-in-the-making. Thia Megia : It took guts for this teen to strip down Irene Cara’s “Out Here on My Own,” stand out there on the stage under a spotlight, and live and die on the strength of her vocals. Live she did, and she came close to having a “moment.” Close. Lauren Alaina : Let’s just pretend the judges didn’t anoint Lauren as the artistic goddaughter of Kelly Clarkson and Carrie Underwood. We get it; she’s an internal “Idol” favorite. For us, her high-energy take on Reba McEntire’s “Turn On the Radio” veered too far into “Coyote Ugly” territory. Who knew she wanted to be a country rocker? But we give her credit for going big early. Satisfactory Naima Adedapo : Perhaps Naima isn’t a student of “Idol” history, because even casual viewers know that a) you can’t sing “Summertime” without being compared to Fantasia and b) you’ll never come off on top in that comparison. That being said, her vocals were solid, the arrangement had a nice, jazzy feel to it, and she ended strong. We’re expecting more from Naima going forward, and we’ll be disappointed if she doesn’t rise up next week. Karen Rodriguez : Like Naima, Karen chose a song that simply would not lead to favorable comparisons. It doesn’t matter if she sang “Hero” in English, Spanish, Dutch and Mandarin, the “Idol” contestant is never going to wow us more than Mariah Carey. Unsatisfactory Ta-Tynisa Wilson : There was something inhumanely tinny about her voice during a take on Rihanna’s “Only Girl.” Not only were there pitch problems galore, but the performance very much reeked of girl-singing-into-a-hairbrush-in-her-bedroom syndrome. Rachel Zevita : We were praying, “Please don’t throw off that cape and reveal some skimpy outfit!” Then we were praying, “Please don’t try to act all sultry!” Then we were praying, “Please just stay still because you’re running around the room like a loon, trying to hit your marks, and your vocals are suffering.” Despite our prayers, Rachel made all these mistakes and more in an all-too-“Chicago” performance. She’s in serious danger this week. (There is a god!) Julie Zorrilla : Above and beyond the unpleasant, nasal tone to her voice, the performance was all sorts of wrong. Maybe it was the dress or the forever-waving arm, but the whole thing came off as very pageant-y and practiced. Haley Reinhart : Haley’s take on Alicia Keys’ “Fallin’ ” was yet another example of poor song choice by the women. She brought nothing new to the tune, overused her rasp and growl, and unleashed the single worst note of the night when her voice actually cracked toward the end. Don’t miss “Idol Party Live” at 10 p.m. Thursday on MTV.com, following the “American Idol” results show, for analysis, celebrity guests and even some karaoke — get in the conversation by tweeting with the hashtag #idolparty ! In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season 10 Performances

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‘American Idol’ Report Card: Rating The Top 12 Women

Christina Aguilera Named a Judge on The Voice

NBC has chosen an unusual time to make the following announcement: Christina Aguilera will join Cee Lo Green and Adam Levine as a judge on The Voice , the network’s upcoming response to American Idol . Just a day after the singer was arrested for being unable to stand up in public , producer Mark Burnett has officially tapped Christina for one of four spots on the judging panel. Christina, Christina, how drunk are you right now?!? “Christina has a once in a generation talent – her voice is phenomenally distinctive and instantly recognizable,” said Paul Telegdy, Executive Vice President, Alternative Programming, NBC and Universal Media Studios. “Her journey as an artist, who started so young in the music business, will be an inspiration to the talent she coaches on the show.” The Voice will premiere in the fall and offer $100,000 and a recording contract to the winner. No word yet on what sponsors have been lined up. We hear Christina is pushing for Jack Daniel’s.

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Christina Aguilera Named a Judge on The Voice

Casey Abrams Works His ‘American Idol’ Magic On ‘I Put A Spell On You’

Judges want ‘more, more, more!’ of the unique contestant after Screamin’ Jay Hawkins cover. By Kara Warner Casey Abrams performs on “American Idol” Tuesday Photo: FOX For some “American Idol” fans, the competition doesn’t really enter must-watch territory until the decision-making is turned over to the teeming masses and their texting, phone-calling and — new this year — online-voting power. Luckily for those holdouts, that portion of the show began Tuesday (March 1), when the top 12 guys took the stage and performed in front of a live audience for the first time this season. As is custom with “Idol” performance nights, there were several questionable song choices. (We’re looking at you, Jordan Dorsey, who unsuccessfully channeled Usher via “OMG,” and Tim Halperin doing a lackluster cover of Rob Thomas’ “Come on Over.”) There were also predictable ones, namely country crooner Scotty McCreery sticking to what he knows with “Letters From Home” and Adam Lambert wannabe James Durbin, who performed the first-ever Judas Priest song on the show. Thank goodness, then, for the evening’s final performer, Casey Abrams, and his showstopping, passionate performance of the Screamin’ Jay Hawkins’ classic “I Put a Spell on You.” Abrams — who is leading the dudes in our top 24 online poll and has wowed the judges previously with his style and unique instruments — brought down the house and the audience to its feet. “That’s as good as it gets,” Steven Tyler told Abrams. “Crazy good.” “You’re sexy, Casey,” Jennifer Lopez added. “Do you know that? Somebody wants it bad,” she said of Abrams’ obvious dedication to remain in the competition. “You came out with hunger and fire, and we just ate it all up,” she said. Randy Jackson agreed, commenting on the way Abrams transformed himself to embody the spirit of Hawkins’ historic tune. “You are really that one,” Jackson said. “You’re so different, so unique, I love it, I applaud it. More, more, more!” What did you think of Abrams’ performance? Do you want more, more, more? Tell us in the comments! Don’t miss “Idol Party Live” at 10 p.m. Thursday on MTV.com, following the “American Idol” results show, for analysis, celebrity guests and even some karaoke. In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season 10 Top 24

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Casey Abrams Works His ‘American Idol’ Magic On ‘I Put A Spell On You’

‘American Idol’ Top 12 Men: Jacob Lusk And Casey Abrams Soar

James Durbin and Scotty McCreery also stand out in front of live audience. By Gil Kaufman Steven Tyler holds up his swear sign on “American Idol” Tuesday Photo: FOX By the time the top 12 men on “American Idol” make it to the big stage, it’s usually pretty easy to tell who is in it to win it and who is going to be going home after one week in the IdolDome. And Tuesday night (March 1) was no exception, with some of this season’s standouts proving again that they have their eye on the prize. While Casey Abrams and Jacob Lusk soared, James Durbin brought the rock thunder and Scotty McCreery did his country thing, dawg. And, for the first time in “Idol” history, fans could also vote online for their favorite singer. Karaoke host Clint Jun Gamboa got things started with a conservative pick, Stevie Wonder’s “Superstition,” putting his soulful touch on the song thanks to some falsetto gospel wailing and hip-hop-esque dancing. Steven Tyler dubbed it “beautiful” and “brilliant,” and Jennifer Lopez said even with some jitters at the start, Gamboa nailed it. “There’s no karaoke singer in the world that’s got that vocal talent,” Randy Jackson added. Beefcake shipyard worker Jovany Barreto settled in to what will likely be his soft pocket, a pillowy, eyelash-batting swing through Edwin McCain’s “I’ll Be,” which he turned into a Celine Dion-worthy seduction play with smooth, clean vocals. Once again, Tyler and Lopez fawned, though Randy just didn’t get it, saying it was karaoke and didn’t have any unique spark. Another Down South singer, Jordan Dorsey, went a different route, stripping off his suit jacket while over-enunciating the lyrics to Usher’s “OMG” in a performance that was at once jittery and self-assured. Lopez said he picked the wrong song and should have gone with a more mellow Nat King Cole-like tune, and Randy once again said it didn’t bring anything new, in addition to being pitchy and a bit off. It was a stroll through Rob Thomas’ uplifting “Streetcorner Serenade” for Tim Halperin, who hit the notes but failed to show much personality on the bland rock-lite tune. In his first negative comments of the night, Tyler lamented that the song didn’t do Halperin much justice and that he failed to show his strength. It’s been a wild, emotional ride for bully target Brett Loewenstern , but he brought his whole quirky bag of tricks to the Doors’ “Light My Fire.” What began as a sedate jazzy come-on turned into a showcase for his show-tune-worthy upper range and budding showmanship. “Brett, man, you did it again,” Tyler enthused, while J.Lo lauded B.Lo’s profuse hair-tossing, saying it was more tress-work than hers and Beyonc