Tag Archives: Voice

Wiz Khalifa, Odd Future To Perform At 2011 mtvU Woodie Awards

Sleigh Bells, Two Door Cinema club also take the stage air when the show airs live on March 16 at midnight. By James Montgomery Wiz Khalifa Photo: Al Pereira/ WireImage On Tuesday (March 1), Wiz Khalifa, Sleigh Bells and Two Door Cinema Club were announced as performers at the 2011 mtvU Woodie Awards , set to air live on MTV, MTV2 and mtvU from the South by Southwest Music Festival in Austin, Texas, on Wednesday, March 16, at midnight (ET/PT). Wiz, Sleigh Bells and Two Door Cinema Club are also up for awards at the seventh-annual show — Wiz is in the running for Woodie of the Year, given to the year’s best artist, and Sleigh Bells and TDCC are facing off against each other in the Breaking Woodie category, given to the year’s best breakout act. But you don’t have to be an actual nominee to perform, as evidenced by the fourth act confirmed to take the stage: insane L.A. rap collective Odd Future , who will most certainly keep the censors on their toes. The Woodies also announced the first wave of presenters for the 2011 show: Matt and Kim, Lupe Fiasco, Dev, Chiddy Bang, emerging Eminem prot

Chris Medina Calls Post-‘American Idol’ Single ‘Heartfelt’

‘He was really good in the studio,’ producer Rodney Jerkins recalls of recording ‘What Are Words.’ By Kara Warner, with additional reporting by Jim Cantiello Chris Medina Photo: MTV News While Chris Medina’s exit from “American Idol” is still a shock to many fans, the fact that the early favorite has already lined up his first post-“Idol” project (by way of super-producer Rodney Jerkins and the single “What Are Words”) should alleviate the burn. MTV News was lucky enough to catch up with both Medina and Jerkins recently to get the inside scoop on the heartfelt track. “I always knew who Rodney Jerkins was, but after doing some research, I didn’t realize how ‘the man’ he actually was,” Medina explained of his reaction to getting a phone call two days after his unexpected elimination. “I got a call on Friday and then that Monday I recorded,” he said. “It was surreal. It was great.” Medina went on to say that while the song isn’t technically his style, it’s not entirely out of his “wheelhouse.” “The words totally embody what my situation is,” he said. “It’s heartfelt, it’s real, and it was an honor to be asked to put my voice to this wonderful material.” For his part, Jerkins, who was inspired to write the song after seeing Medina’s first audition, said the 26-year-old was a total pro during their recording session. “He was really good in the studio,” Jerkins said. “That’s always the fearful moment for myself as a producer. The first time you work with a new artist [you wonder], ‘What is it going to sound like when you get in the studio?’ “[Medina] came in here and he listened to it one time down and then he was like, ‘I think I got it.’ He started singing it for us in the room, and we were just floored,” Jerkins recalled. “Like, ‘Wow,’ he learned it that fast. I’m like, ‘OK, it’s time for you to get in the booth.’ He was great.” Regarding the higher vocals Medina uses in the track, Jerkins said that is all about his technique of challenging his artists. “A lot of technology has made it where we don’t push the artist like we used to,” he said. “I’m a ’90s guy. I come from the school of the ’90s, where you didn’t have Auto-Tune, we didn’t have the tricks of technology. You had to get in there and work the artist and get the best out of them, and that’s what we did.” Don’t miss “Idol Party Live” at 10 p.m. Thursday on MTV.com, following the “American Idol” results show, for analysis, celebrity guests and even some karaoke. In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions.

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Chris Medina Calls Post-‘American Idol’ Single ‘Heartfelt’

‘Drive Angry’ Cheat Sheet: Everything You Need To Know!

MTV News has been on the road with the Nicolas Cage flick since the start. By Eric Ditzian David Morse and Nicolas Cage in “Drive Angry” Photo: Summit Publicity “Drive Angry” is perhaps the Nicolas Cage-iest Nicolas Cage movie ever. The ever-unpredictable, often wacky, potentially out-of-his-gourd actor stars as a man who literally breaks out of hell to exact a bloody, muscle-car-assisted revenge plot … in 3-D. It’s deeply weird stuff, and yet, with Cage at the center of it all, it makes a whole lot of sense. MTV News, it should be said, has been at the center of “Drive Angry” coverage, securing the very first interview about the project and continuing to track it from the first trailer to the brink of opening weekend. Read on for everything you need to know about the movie before it hits theaters Friday (February 25). Going on the Road Coming off the $100 million success of 2009’s “My Bloody Valentine,” director Patrick Lussier and his writing partner, Todd Farmer, asked themselves one question: “What movie do we want to see and what movie do we want to shoot in 3-D?” as Lussier later explained to us . “We didn’t really have anything in mind beyond that,” he added. “We started writing an opening scene about a guy named Milton killing these three guys called the F—ers, who are totally scared sh–less and totally deserve it. From there, ‘Drive Angry’ was born. We wanted to come up with something that wasn’t a horror movie but was just a hard-R, action-driven road movie, because that would be a great film to see in 3-D.” Ditching any notion of converting the film to three dimensions during post-production, Lussier hauled 3-D cameras down to Shreveport, Louisiana, and began shooting in the spring of 2010. To share the screen with Cage, Lussier hired Amber Heard to play a sassy waitress who gets pulled into Cage’s scheme and William Fichtner as the agent of the devil’s evil agenda. 3-D, From Scratch When we caught up with Cage in the spring at Wonder-Con , he joked that the pollen in Louisiana made him sound like an “old blues singer” and raved about how the flick would meld an old-school cinematic vibe with cutting-edge technology. “It’s like if you got to see an old ’70s action movie, but in 3-D,” he explained. “We’re doing something semi-historical, because it’s the first 3-D movie shot [in the] style of a ’70s action film. You could see Charles Bronson or [Clint] Eastwood [starring in a film like this] in those days.” Months later, with the shoot behind him and his voice back to normal, Cage marveled at how he escaped the production injury-free. “In this case, I did quite a few stunts with people literally on the hood of the car driving at very high speeds, so it reminded me of those old movies where you have people on top of the wing of a biplane,” he said. “It was a little intense. That was definitely new to me and I was always very concerned about the stunt people I was working with.” Hell on Earth The film’s first trailer popped up online in October and featured everything we could have hoped for: big guns and fast cars, Cage walking slowly away from explosions without looking back, and fab lines like, “Hell already is walking the Earth.” Months later, a Super Bowl ad delivered further peeks at the hard-R craziness. There’s action aplenty, and that’s exactly how Lussier planned it. “We have this great car chase with Nic’s character chasing after Amber Heard’s character, who’s in the middle of a fight inside this RV,” he teased of one scene. “You’re in this claustrophobic space, and suddenly you’re outside with Nic in hot pursuit. There’s all sorts of gunplay on the road. It’s spectacular.” Check out everything we’ve got on “Drive Angry.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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‘Drive Angry’ Cheat Sheet: Everything You Need To Know!

Diora Baird maxim magzine cover

Diora Baird had featured photo spreads in several magazines including Playboy, FHM, Stuff, Maxim (in which she was ranked #76 on the Maxim magazine Hot 100 of 2007 list and #64 on the Maxim magazine Hot 100 of 2008 list), Toro and Esquire (UK). Her bust measures 32DD.She lent her voice to the Scarface video game as one of Tony Montana#39;s possible girlfriends. Baird has also guest-starred in episodes of Big Day, Shark, The Loop, and Two and a Half Men (the 2009 episode “She#39;ll Still Be Dead

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Diora Baird maxim magzine cover

New Music: K. Michelle – How Many Times

New Black Kid On The Block K. Michelle dropped a new song penned by none other than Sean “The Pen” Garrett today. Here’s what she has to say about “How Many Times”: This record for me is deeper than just encompassing another song crying over a man, or ones repeated hope of change in a relationship. I challenge myself daily to be the voice of single mothers who must exhibit strength for their children, broken hearted women who aspire to have love in the future, victims of heartache, as well as, women who are often judged and misunderstood. I am a reflection of the woman you may see in the mirror daily or the woman standing next to you; a multi-faceted individual with a heart filled with experiences in life, good and bad. Peep the new joint below. Do you think K. Michelle has what it takes to be that new voice in R&B??

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New Music: K. Michelle – How Many Times

Music Exec. Pens Open Letter to Protest Beiber, Eminem Grammy Snub

*Ad man, brand manager and occasional consigliere to many of hip-hop’s most powerful stars, marketing mogul Steve Stoute took out a full page ad in Sunday’s New York Times Style Section blasting the Grammy Awards, its parent organizational, The National Academy of Recording Arts and Sciences (NARAS), and its president, Neil Portnow, for what he feels is both increasing irrelevance and possible malfeasance. “Over the course of my 20-year history as an executive in the music business and as the owner of a firm that specializes in in-culture advertising, I have come to the conclusion that the Grammy Awards have clearly lost touch with contemporary popular culture,” he wrote in the ad, which took the form of an open letter. “The awards show has become a series of hypocrisies and contradictions, leaving me to question why any contemporary popular artist would even participate.” In particular, Stoute (pictured) focused on the relatively recent snubs of Eminem, Kayne West, and Justin Bieber, all musicians he believes have been unfairly beaten for awards by inferior artistic and commercial acts. “We must acknowledge the massive cultural impact of Eminem and Kanye West and how their music is shaping, influencing and defining the voice of a generation,” Stoute wrote of the two hip-hop superstars, adding of Bieber, “How is it that Justin Bieber, an artist that defines what it means to be a modern artist, did not win Best New Artist?” Read MORE of this story at MTV News .

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Music Exec. Pens Open Letter to Protest Beiber, Eminem Grammy Snub

Music Exec. Pens Open Letter to Protest Beiber, Eminem Grammy Snub

*Ad man, brand manager and occasional consigliere to many of hip-hop’s most powerful stars, marketing mogul Steve Stoute took out a full page ad in Sunday’s New York Times Style Section blasting the Grammy Awards, its parent organizational, The National Academy of Recording Arts and Sciences (NARAS), and its president, Neil Portnow, for what he feels is both increasing irrelevance and possible malfeasance. “Over the course of my 20-year history as an executive in the music business and as the owner of a firm that specializes in in-culture advertising, I have come to the conclusion that the Grammy Awards have clearly lost touch with contemporary popular culture,” he wrote in the ad, which took the form of an open letter. “The awards show has become a series of hypocrisies and contradictions, leaving me to question why any contemporary popular artist would even participate.” In particular, Stoute (pictured) focused on the relatively recent snubs of Eminem, Kayne West, and Justin Bieber, all musicians he believes have been unfairly beaten for awards by inferior artistic and commercial acts. “We must acknowledge the massive cultural impact of Eminem and Kanye West and how their music is shaping, influencing and defining the voice of a generation,” Stoute wrote of the two hip-hop superstars, adding of Bieber, “How is it that Justin Bieber, an artist that defines what it means to be a modern artist, did not win Best New Artist?” Read MORE of this story at MTV News .

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Music Exec. Pens Open Letter to Protest Beiber, Eminem Grammy Snub

Some Sunday Controversy: David Aldridge Labels NBA All-Star Weekend As The “Black Thanksgiving”

Here’s what CNN writer David Aldridge feels about NBA All-Star Weekend (which caused quite the stir in the sports world) …Via CNN : So, you want to know about Black Thanksgiving? That’s what sports writer Mike Wilbon calls NBA All-Star Weekend. First of all, what you need to know about Wilbon, whom I love, is that he has been known to exaggerate just a touch on occasion. But on this one, he’s on point. For those of us who cover the NBA for a living, like me and Wilbon — now an ESPN yakker and writer, formerly a Washington Post yakker and writer, and my friend –All-Star Weekend is a long four days of work. But for most of the people who descend into town — this year it’s Los Angeles, with its still sparkling Staples Center and the surrounding “L.A. Live” area — it’s an opportunity to go wild (sometimes a little too wild, as happened in Las Vegas a few years ago) and get together. Other folks have Tweetups. Black people have All-Star Weekend, or ASW. It’s a national holiday, sort of. ASW is the only time of the year that people call me. I don’t say that to be maudlin, ’cause most of the time, I don’t want people to call me. (Dirty little secret: I don’t really like talking on the phone.) But they come out of the woodwork this time of year, because NBA players are royalty in Black America, and everyone wants to be near them. The old saying is that ballers want to be rappers, and rappers want to be ballers. That’s really, really true. Basketball is a culture. It isn’t for everyone, though the game is loved by people of all colors. There is a rhythm to it, just as if McCoy Tyner was dribbling a ball instead of playing piano. “Considering that the culture of basketball in a predominantly black league like the NBA is so strongly connected to African American culture, the NBA All-Star weekend has turned into a celebration of African American culture by extension,” says Todd Boyd, professor of critical studies at the University of Southern California School of Cinematic Arts. The season begins just as baseball’s ends, when the days grow short and the weather turns windy and cold. The tempo is slow at first, like the beginning strains of John Coltrane’s “A Love Supreme,” but then, just as with Coltrane, it picks up steam. Rookies like the Clippers’ Blake Griffin find their voice, and their game blossoms, as the calendar turns to a new year. While older, wiser veteran players and teams tinker here and there, not much interested in the daily standings, knowing that the important games come in the spring. They can wait. Does this offend you???

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Some Sunday Controversy: David Aldridge Labels NBA All-Star Weekend As The “Black Thanksgiving”

Judge Throws The Book At The Somali Pirate Who Hijacked The American Freightliner

Glad to see the judge throw the book at this piece of sh*t. She shed some tears for his victims, then keel-hauled the black-hearted buccaneer. An emotional judge today lowered the boom on a scrawny Somali pirate who led the armed hijacking of an American freighter and kidnapped its captain. Manhattan federal Judge Loretta Preska imposed a maximum, 405-month sentence on 21-year-old Abduwali Muse after tearfully reading aloud from letters written by crew members of the Maersk Alamaba and their family members. The judge choked up repeatedly — at one point removing her glasses and wiping her eyes with a tissue — as she highlighted the anguish inflicted by the ordeal off the Horn of Africa. The nature of the crimes and the victims testimony seem to seal the deal for the judge to hand down her sentence. “Bullets rang off the bulkhead right next to me. It was a very scary experience,” Wright, 44, told the packed courtroom. The Galveston, Texas, resident urged no leniency for Muse, who faced at least 27 years behind bars under terms of his plea deal. “I believe he needs to serve the extra seven years in an American prison where he can have proper food,” Wright said. Prosecutor Brendan McGuire focused on the “horrific” nature of Muse’s crimes, noting that he played a one-sided game of Russian roulette with Phillips, and also threatened the captain of previously hijacked yacht with dismemberment and death by an improvised explosive device. “He relished the suffering of his victims,” McGuire said. “It was his face they saw, it was his voice they will remember and it was his his laughter that will haunt them.” Muse — whose lawyer, Fiona Doherty, sought leniency due to Muse’s “very young” age and impoverished upbringing — shut his eyes and winced slightly as his punishment was imposed. “I ask for forgiveness from all the people that I harmed, and also the U.S. government,” he said earlier through a Somali interpreter. Homie do you REALLY think we believe you want forgiveness people have seen that sick smile on your face as you were arrested??? You need more people sir… Source

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Judge Throws The Book At The Somali Pirate Who Hijacked The American Freightliner

Justin Bieber Talks Sex, Abortion In Rolling Stone

Justin Bieber Talks Sex, Abortion In Rolling Stone Justin Bieber is the cover boy for the latest issue of Rolling Stone magazine, and he’s speaking out about abortion, girls, politics…and, to the delight of girlie tweens and teens, his take on sex. The Biebs, 16, who has been romantically linked to Selena Gomez , thinks love should come before sex. “I don’t think you should have sex with anyone unless you love them … I think you should just wait for the person you’re in love with,” he says. Check out some more interview highlights below: On politics: “I’m not sure about the parties. But whatever they have in Korea, that’s bad.” On abortion: “I really don’t believe in abortion. It’s like killing a baby?” When asked about in the case of rape, he said, “Um. Well, I think that’s really sad, but everything happens for a reason. I guess I haven’t been in that position, so I wouldn’t be able to judge that.” Selena Gomez is his desktop background: “Near the end of their time together [contributing editor Vanessa] Grigoriadis caught a glimpse of Bieber’s desktop image: It was him and [Selena] Gomez against an orange sunset.” Bieber quickly shut his laptop when Grigoriadis caught sight of it. On never becoming a US citizen: “You guys are evil. Canada’s the best country in the world. We go to the doctor and we don’t need to worry about paying him, but here, your whole life, you’re broke because of medical bills. My bodyguard’s baby was premature, and now he has to pay for it. In Canada, if your baby’s premature, he stays in the hospital as long as he needs to, and then you go home.” On his voice changing Bieber’s voice began to change on his last tour. He’s now working with a vocal couch, which involves doing 20 push-ups before before a session to warm up his chest. “He’s got a nice tone tone to his voice now,” says his vocal coach Jan Smith. “It’s a good texture, but it doesn’t sound like what his fans think he sounds like. He’ll get four octaves eventually. He’s still young.” Click on over to Rollingstone.com for the full interview.

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Justin Bieber Talks Sex, Abortion In Rolling Stone