Tag Archives: we bought a zoo

New Year’s Weekend Receipts: 2011 Ends with a Box Office Boost

It was a buoyant holiday frame for the last releases of 2011, with audiences turning out in droves (and likely family-loaded minivans) to boost just about every film in theaters. Biggest congrats are in order for Mission: Impossible – Ghost Protocol , which is indeed set to make in 17 days what Mission: Impossible III made in its entire theatrical run. And, look! A bunch more people caught the timely holiday spirit and bought a Zoo this week, along with a War Horse and, uh, Garry Marshall’s New Year’s Eve . Enjoy it while it lasts, Garry. Auld lang syne, 2011. Your holiday weekend receipts after the jump! 1. Mission: Impossible – Ghost Protocol Gross: $31,250,000 ($134,139,000 ) Screens: 3,455 (PSA $9,045) Weeks: 3 (Change: +5.9%) Tom Cruise’s latest spy outing dominates yet again. Pop the champagne and commence the couch-jumping! (I know, I know. That joke is so 2005.) 2. Sherlock Holmes: A Game of Shadows Gross: $22,095,000 ($132,100,000) Screens: 3,703 (PSA $5,967) Weeks: 3 (Change: +9.1%) Sherlock 2 may not have the flashy buzz that MI:4 has enjoyed, and it’s trailed behind Ghotocol all these weeks, but consider: its domestic tally is only $2 million behind that of the box office champ. Pat on the back, good sirs! 3. Alvin and the Chipmunks: Chipwrecked Gross: $18,250,000 ($94,609,000) Screens: 3,724 (PSA $4,901) Weeks: 3 (Change: +45%) Chipwrecked is on track to cross $100 million this week. Look at what you’ve done, America. 4. War Horse Gross: $16,940,000 ($42,969,000) Screens: 2,547 (PSA $6,651) Weeks: 2 (Change: +125.4%) At least one of Spielberg’s two new jams is picking up speed, and how : War Horse ‘s whopping increase, up 125.4 percent from last week, only solidifies those designs on the Oscars. And what a no brainer, anyway — what movie screams “Take the aunts and uncles and cousins and gramps to the movies since you’re still stuck at home after Christmas” like a movie that combines Spielbergian sentiment, old-timey war, and a horse? 5. The Girl with the Dragon Tattoo Gross: $16,300,000 ($57,100,000) Screens: 2,914 (PSA: $5,594) Weeks: 2 (Change: +27.8%) …unless Fincher + goth punk intrigue + the Yeah Yeah Yeahs + a little rape ‘n’ revenge in the icy climes of Sweden is more your family’s style. In which case, can I come visit next Christmas? 6. We Bought a Zoo Gross: $14,300,000 ($41,787,000) Screens: 3,163 (PSA: $4,521) Weeks: 2 (Change: +52.8) Great! The new Cameron Crowe caught on better this week, probably thanks to those billboards featuring gift-wrapped exotic animals. Just another irresponsible message for audiences to eat up to add to the pile. 7. The Adventures of Tintin Gross: $12,000,000 ($47,841,000) Screens: 3,087 (PSA: $3,887) Weeks: 2 (Change: +23.6%) One out of two ain’t bad, I suppose… especially when the foreign box office is carrying the Belgian boy detective adventure to the tune of $239 million and counting. 8. New Year’s Eve Gross: $6,741,000 ($46,372,000) Screens: 2,225 (PSA: $3,030) Weeks: 4 (Change: +103.7%) Of course there were people who went to the multiplex this week, skimmed past the War Horses and Girls with the Dragon Tattoos , and the Mission: Impossibles , and thought “Y’know what? LET’S GO SEE THAT ONE ABOUT NEW YEAR’S EVE!” Of course. Just die already, movie. 9. The Darkest Hour Gross: $4,300,000 ($13,200,000) Screens: 2,327 (PSA: $1,848) Weeks: 2 (Change: +43.3%) Summit farted a new action-packed adventure into theaters this Christmas with nary a peep of marketing, so we can assume anyone who went to see The Darkest Hour — a movie about killer aliens who look like lightbulbs or light or something — were just playing movie roulette when they bought their tickets. It’ll be out of the top 10 by next week, and out of our collective consciousness even sooner. I guess when you have all that Twilight money you can create your own pre-dumping ground frame before the January dumping grounds even begin? 10. The Descendants Gross: $3,650,000 ($39,675,000) Screens: 758 (PSA: $4,815) Weeks: 7 (Change: +76%) Good on the Alexander Payne drama that, in its seventh week, it managed to sneak into the top 10 with a totally decent per-screen average on less than 800 screens to boot. Let’s see if The Descendants can prove its awards season mettle by sticking it out in the coming weeks. [Figures via Box Office Mojo ]

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New Year’s Weekend Receipts: 2011 Ends with a Box Office Boost

From Say Anything to We Bought a Zoo, a Brief History of Great Cameron Crowe Musical Moments

Few filmmakers use music as unabashedly and emotionally as former rock journalist Cameron Crowe , the man who turned Peter Gabriel’s “In Your Eyes” into an enduring emblem of ’80s teen longing and illuminated the power of Elton John’s “Tiny Dancer” as a late night bonding tune for even the most estranged of friends. Crowe’s latest, We Bought a Zoo , is no different; the instant the reverberating beats of Tom Petty’s “Don’t Come Around Here No More” kick in, lonely and sparse, turning increasingly anthemic by the verse as Matt Damon’s son is expelled from school and Damon uproots his family to a rural fixer-upper of a zoo with the promise of new beginnings, you know you’re in for yet another Crowe Moment.

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From Say Anything to We Bought a Zoo, a Brief History of Great Cameron Crowe Musical Moments

Smug New Yorker Critic Somehow Manages to Compel Sympathy For Scott Rudin

This kind of silly public skirmish seems a little too convenient to just naturally occur in a week when The Artist and War Horse are dominating awards chatter, but either way, stroppy megaproducer Scott Rudin is furious with The New Yorker for breaking a review embargo on The Girl With the Dragon Tattoo . Who can blame him, especially since critic David Denby — along with the rest of the members of the New York Film Critics Circle who saw the film before voting last week — signed an agreement assenting to hold his review until Dec. 13 at the earliest? Or maybe the more important question is: Why should you care? I can think of a few reasons, chief among them being that Denby’s excuse for breaking his word is hilarious .

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Smug New Yorker Critic Somehow Manages to Compel Sympathy For Scott Rudin

Cameron Crowe Believes He Got the Definitive Performance from Crystal the Monkey in We Bought a Zoo

This December, Cameron Crowe returns with We Bought a Zoo — his first feature film since 2005. According to a new article in USA Today , the writer/director is not relying on performances from stars Matt Damon and Scarlett Johansson to recover the critical reputation he damaged with Elizabethtown — but the groundbreaking work of Crystal, the capuchin monkey from The Hangover Part II .

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Cameron Crowe Believes He Got the Definitive Performance from Crystal the Monkey in We Bought a Zoo