Here’s some Aubrey O’Day chunky legs and fat ass in a thong for the couple dozen black dudes who still care about who she is after her making of the band, sex with diddy claim to fame….. I don’t know if she’s promoting her upcoming Celebrity Apprentice shit, or if she’s reminding us that she’s still let herelf go, and her chubbiness is here to stay cuz black guys still like her for it…if anything they like her more for it…but I know that it happened.
The craziest, most unstable girls I know are Jewish. I don’t know if it is a cultural thing, a bi-product of being rich and spoiled, or if it has something to do with the holocaust, but for some reason the biggest, out for themselves, bratty cunts I know are Jewish…. They are all guilt ridden about being bad jews….or living a life the community will deem not ideal all while letting me fuck the up the ass without a condom when they are engaged to good Jewish boys who are sitting at home planning the wedding and investing in their future kids college fund day traing….cuz no one is ever ready for the miserable, yet picture perfect futures their controlling families have planned for them….. All are self serving, with nothing but self interest, walking all over everyone they encounter….in a spoiled child way….I figure they have this power cuz they know they’ll always find a husband, cuz Jewish guys only marry Jewish girls and decent looking Jewish girls are not easy to find…even the ugly jewish girls get married…. It’s like he husbands are used to jewish cunt insane behavior cuz their moms are Jewish too and act the same way….and they really don’t mind settling with lying, cheating whores, because they know they’re going to lie and cheat as soon as the wife gets pregnant, ideally with french girls, cuz they take it up the ass on the first date, while their wife’s only take it up the ass for grimey low life fucking bloggers…and that the marriage is all for show…to make grandma holocaust survivor happy before she dies…you know cuz she worked so hard to give you the life you have…. So it only makes sense that Tila Tequila a money grubbing, self involved, spoiled cunt who is totally nuts would convert….and more importanlty that the jewish people will embrace her for the nutcase she is, because she’s been one of them, but more importantly because she’s been on TV and that’s a good story to tell at temple when bragging about your son’s new fiance….because all that matters is that she can pump out some jew baby…. Here he is showing off her jew implants on a jew beach in jew Miami like the jew that she is. TO See The Rest of the Pics FOLLOW THIS LINK
Welcome to THG’s Week in Review! Below, our staff looks back at the stories, stars and scandals that made these past seven days the craziest ALL YEAR. If you don’t already, you can FOLLOW THG on Twitter and Facebook for 24/7/365 news. Every day, week and year, let us be your celebrity gossip source! Now, a rundown of the week that was at The Hollywood Gossip : Demi Moore was hospitalized after an apparent substance abuse issue. She was reportedly taking hits of nitrous oxide , a.k.a. whippets. Heidi Klum and Seal confirmed that they are indeed divorcing. Leah Messer of Teen Mom 2 suffered a miscarriage . Miley Cyrus went to town on a cake . Kristin Cavallari is pregnant ! Jenelle Evans Fights Roommate on Teen Mom 2 Jenelle Evans suffered another meltdown , or 10, on Teen Mom 2. Oprah Winfrey is reportedly the godmother of Beyonce’s baby . Alex Roldan is rumored to be the father of Khloe Kardashian. Terrell Owens is nearly broke, having made nearly $80M. Cynthia Nixon called her homosexuality her “choice.” Joe Paterno passed away of lung cancer at 85. Ben Flajnik on Ellen The Bachelor’s Ben Flajnik got an earful from Ellen (above). Johnny Depp and Vanessa Paradis are maybe NOT over! Rumors surrounding Rihanna and Chris Brown persist. Justin Bieber and others gathered to honor MJ . Vinny is back in the fold on Jersey Shore . Welcome to Megan Fox Island! What we wouldn’t give for a trip to Megan Fox Island (above). Gabriel Aubry is accused of shoving his baby’s nanny . 50 Cent sure has a lot riding on the Super Bowl. Will Brad Pitt marry Angelina Jolie after all? Elizabeth Smart is engaged ! Greg Kelly on Good Day New York Greg Kelly of Good Day New York (above) was accused of rape . Aretha Franklin and Willie Wilkerson called off their wedding. President Obama delivered his 2012 State of the Union . John Edward visited a contrived episode of KKTNY . Jane Carrey , Jim’s daughter, is on American Idol: Jane Carrey American Idol Audition What was the highlight of the week for you? Did we leave anything out?
Some adaptations of great literature become so beloved and important in their own right that it can be hard to separate where the book ends and the movie begins. To Kill a Mockingbird is one of those cases. Released in 1962, two years after Harper Lee’s novel was published, the movie propelled the nationwide discussion on racial inequality and introduced characters that went against the norm yet were easy to relate and aspire to. Scout and Atticus Finch are finding their footing in a challenging environment, not an alien concept for generations of junior high and high school kids who are assigned to read the book. These days, those students might also be shown director Robert Mulligan’s classic film — featuring Gregory Peck in an indelible, Oscar-winning turn as Atticus Finch, a Southern attorney who defends an African-American man unjustly accused of rape — as a complement to Lee’s book. The movie has left an impression on generations of Americans, but two women with a close relationship to it — Peck’s onscreen daughter, Mary Badham, and his actual daughter, the filmmaker Cecilia Peck — found that it steered them into adulthood in a more direct way. (The Atticus role is so inseparable from Peck and his legacy that Badham, herself an Oscar nominee for her performance as Scout Finch, still refers to the actor as Atticus half a century later.) Indeed, an adult revisiting To Kill a Mockingbird will discover a new perspective on the story and its lessons, going beyond the adventures of Scout, Jem and Dill. For Badham and Peck, taking a look back also reveals how Atticus, and the man who played him so perfectly on film, shaped them as adults and as parents. Mockingbird is celebrating its 50th anniversary with a new collector’s edition DVD, due Jan. 31. Movieline caught up with Mary Badham and Cecilia Peck to talk about their memories of Gregory Peck, their affinity for Scout and the influence the film had on them and the nation. What was your relationship with each other at the time, and in the years since? Peck: It’s a family. I was 3, but Mary was like part of the family and has been ever since. Right, Mary? Badham: Yes, she’s the little sister I never had. And, yeah, Atticus was my other daddy. I lost my parents very early in my life. My mom died three weeks after I graduated from high school, and my dad died two years after I got married. So it was nothing for me to pick up the phone, and he [Peck] would be calling to check and make sure I was doing OK. If he was going to be somewhere doing his one-man show, he’d find out if I could come to him, and sometimes he’d come visit me. It was great, and whenever I’m out in California I go visit the family. Atticus and [Peck’s wife, Veronique] were great role models for me as parents, and I just can’t say enough things about what a great role model Atticus was especially. That’s so important for children when they’re growing up, to have a strong male role model. Did you realize at the time of the film’s release how important and beloved the story of To Kill a Mockingbird was? Badham: I had no idea, being all of 9 or 10 years old at the time, anything about the importance of the film at all. Now that I’m an adult, I am so pleased and honored to be a part of something that was so important to so many thousands and millions of people, and that has done so much good in this world. Peck: I had always known that my father was in a great film, and one of the favorite films of all time, and he won the Oscar for it. But for me, when my father was doing that one-man show that Mary mentioned that I filmed for a documentary called A Conversation With Gregory Peck in ’99 and 2000 — and Mary was often there — I heard how many people in the audiences had gone to law school because of Atticus or named their child Gregory or Atticus or named their daughters Scout. It wasn’t until then that I realized how lasting the influence of the film was on our whole nation, or fully became aware of how many generations of people it affected, and still does. Badham: The book is taught in all the high schools. It’s mandatory reading. A lot of my time is spent on the road visiting high schools, colleges, universities, libraries, talking about the importance of the book and the film and doing historical studies of then and when I was growing up, and to now and how it’s pertinent today. Peck: [My son] Harper’s reading it this year, in seventh grade. Badham: There you go! Peck: They’re just starting it. Badham: It’s so great that they teach it. I’ve been to England and Russia with this, and it’s just amazing. It has touched people all over the world. Has Harper seen the film? Peck: Yes, he’s seen the film. He’s seen it ever since he was little, and we all got together and watched it this spring when Mary was in Los Angeles at Grauman’s Chinese Theater as part of the TCM Classic Film Festival. So he was there — which we all were, onstage — and we were all talking about it. I think he does have a sense of what the film means. His school is doing a program on Martin Luther King right now, so reading the book and seeing the film is connected to their studies of the Civil Rights Movement. I think the film, which did come out before the civil rights legislation in our country, and before Martin Luther King’s “I Have a Dream” speech, was one of the ways that allowed people to start the dialogue about racism, which was so important at the time. It was ahead of its time, don’t you think, Mary? It was one of the first films that dealt with that subject. Badham: Exactly. And it gave the nation a way to talk about a subject that desperately needed to be discussed, and people were past ready to talk about it, but they didn’t know how to begin. But this gave them a stepping stone to work through it. That’s the way I understand it. To have a film such as The Help coming out this year, and up for nominations as well — it’s got some nominations for Academy Awards — I really feel it’s interesting that here, 50 years later, we have another film that’s still discussing this. It speaks to so much that’s going on today. To me, the root of all evil is ignorance, and this book speaks directly to the importance of getting an education because ignorance breeds things like bigotry and racism, and all that hatred. We’re still dealing with that, right here in the United States, if we’re talking about Muslims or Mexicans or immigrants, you know, it’s a major deal right now. So we’re still grappling with these issues. It’s just that people have changed their clothes, that’s all. This is not a 1930s black-and-white issue, this is here and now, today. (L-R) Mary Badham, Cecilia Peck and Veronique Peck at a screening of To Kill a Mockingbird in 2011 Do you think the 50th anniversary will shed more light on the film and introduce it to a new generation? Badham: I hope so. Peck: I know the collector’s edition that Universal has put together is such a beautiful gift and keepsake. I don’t know if you’ve seen it yet, Mary … Badham: Not yet. Peck: It’s got great script notes, some of the pages of the script with [Peck’s] notes of shooting, notes in the margin, and there are two documentaries … what else is in there? Harper [Lee] wrote something. My mother wrote something. It’s absolutely beautiful, and just full of treasures. The book, as Mary talked about, is read every year, and the movie is seen every year, but they have a really beautiful new edition coming out. What are each of your relationships with the character Scout Finch, and how would you say it’s changed over the years? Badham: Well, for me, I really feel like Scout was me as a child. I was very much a tomboy. I’ve always been rather outspoken [laughs], headstrong, and I’m pretty much that way to this day. I think that’s why they picked me for the role, and picked each of the actors for their role, because they were, in real life, so much like the character that they would be portraying. Gregory Peck was totally Atticus. I mean, there couldn’t have been anybody else picked for that role. Peck: For me, I think of all the little girls in the world who must have wished that they had Atticus as their dad, being Scout, and I did. And I think my father was so much an Atticus and became even more of an Atticus after playing this role. He parented us exactly like Atticus parented his children, except for the constant presence of his true love, my mother, Veronique. I think I wanted to be Scout, and tried to be like Scout, and look like Scout, too — right Mary? We did look alike … Badham: [Laughing] Yeah! Peck: … and maybe I took on a little bit of that dynamic with him of being a little bit of an outspoken, rebellious daughter, and then getting to have him as a real-life dad. Badham: He was such a proud but gentle daddy. He was the perfect balance, but the best thing about him was he had his sense of humor. Wouldn’t you agree, Cecilia? He loved to laugh and make other people laugh. Peck: Yes, people don’t really know that about him, but he was so witty and so charming, and so much fun to be with. I tried to show that side of him in A Conversation With Gregory Peck, which I did think gave people an insight into how funny he was. Badham: Yeah. Right. I thought you did a brilliant job with that. Peck: He was half Irish, and he had a real Irish wit. Did your view of the Atticus character change as you reached adulthood and became parents yourselves? Badham: I think it made us more mindful of what it is to be a parent. It’s one thing to have children. It’s something else to be a true parent, and the character of Atticus helped lead the way. And we had it in living, breathing reality with him because he embodied that whole sensibility of needing the respect of his children and demanding of himself to be the best role model for us that he could be. Wouldn’t you agree, Cecilia? Peck: Yes. I can’t even separate my dad and Atticus as far as parenting. My dad was extremely strict with us, but also fair and decent, but very strict. I rebelled against it, and we clashed a lot in my teenage years and I felt misunderstood, but now I’m exactly like he was. Badham: [Laughs] Peck: [Laughing] You have to set boundaries when you’re a parent, and you don’t always understand it as a teenager, but it’s so important for the parent to draw the line. How else does your child know where the boundaries are? Badham: And that’s where they find their safety. I’ve heard the saying that to say “no” is the most loving thing that you can say to your children. To Kill a Mockingbird doesn’t shy away from difficult subjects. How did your parents guide you during the making of the film, and what impression did that have on you? Peck: I think it’s a film that exists on so many different levels that you’re able to understand what you’re able to at the time of seeing it. I know that when I was little I was drawn toward the father-daughter story and the Boo Radley story, but I didn’t understand everything about the trial. So it is a movie about parenting as well, about Atticus being a single parent, as well as the issue of racism and the issue of abuse, or rape. I don’t think that my dad addressed that, or my mom, before we were ready to understand it. That’s something I came to later, and now I’m actually doing a documentary on the subject of rape, so it’s definitely something that’s been part of my awareness, and I think as a parent it’s one of the most important subjects to address. I think you get from the book and the film what you’re ready for at the time. Badham: I would agree with that. I don’t think there was any discussion on that subject. It was sort of a larger question of good against evil. And what I found with this book and this film is I have a lot of parents come to me and they say, “I just don’t know if my child is ready for that.” And I say, well, you as the parent are the only one who can judge that, and a lot of times you don’t need to worry about that. Children are going to take away from it what they want to. Most of the time, children concentrate on what the kids are doing in the film, and the trial stuff just goes by the way. So, you know, and then adults focus on the trial because that’s more the adult thing. I think that’s the way our parents approached it. If we didn’t ask, they didn’t talk about it because there was no need to. We weren’t concerned about it. Even as you were making a movie that dealt with issues so straightforwardly? Peck: Scout doesn’t know, sitting on that balcony, exactly what Tom is accused of, right? Badham: Right. I mean, Atticus said it so simply, you know, it was the carnal knowledge of a woman. OK, well, fine. A child back then was so innocent. They had no clue about any of that. What they knew was that this person accusing Tom Robinson was a very bad person. He was a very ignorant, mean person. And what the children were more concerned about was that Atticus was going to try and help Tom, who was innocent, and make everything all right. And then they’re just totally devastated when he doesn’t win. But Atticus knew he was going to lose — and that’s part of the lesson of life. You don’t always win, but you have to try. The 50th anniversary edition of To Kill a Mockingbird arrives Tuesday, Jan. 31, on DVD and Blu-ray. [Photos: Getty Images]
“I enjoy these strange and possibly creepy videos, although I’m not entirely sure why — there’s something weirdly special about memorializing a child’s untimely death with clips of her sliding across the floor in a football helmet or staring round-eyed into strobing TV static. As camp artifacts they’re unbeatable, but occasionally music and image collide just right and I get a little choked up, despite myself.” [ The Hairpin ]
It’s so hard to find a reasonably enjoyable thriller these days that anything with a marginally intriguing premise and fewer than 10 plot holes has come to seem like a minor miracle. Man on a Ledge might have been that kind of modest miracle: Sam Worthington stars as Nick Cassidy, a pissed-off ex-cop who’s been convicted of a crime he didn’t commit. Somehow – and the whole of Man on a Ledge deals with the whys and wherefores of that somehow – he springs himself from Sing Sing, suits up in some phenomenally nice-looking threads, and checks himself (under an assumed name) into a room on one of the upper floors of a midtown Manhattan luxury hotel. After a room-service breakfast of champagne, lobster and French fries, he creeps out onto the ledge and greets the cops who respond to the call with some very specific demands. Chief among those requirements is that he’ll speak with only one NYPD psychologist, Lydia Spencer (Elizabeth Banks). Spencer has been having a rough time on the force of late: When we first see her, she’s barely able to rouse herself from her bed – she’s having some sort of killer morning after, and her messy tumble of blond hair makes her look like a discarded Barbie doll. Cassidy, of course, has specific reasons for wanting to speak with Spencer. And even if he makes her day tougher than it was at the beginning, it’s clear from the way her superiors order her around – they include a sarcastic nutbuster played by Edward Burns and Titus Welliver as an overly caricatured, gum-chewing NYPD bossy-pants – that they don’t take her as seriously as Cassidy does. Somewhere in there, Jamie Bell and Genesis Rodriguez sneak around as part of a carefully orchestrated plan to… well, to tell you too much would give the game away, but it involves a giant honker of a diamond that Cassidy supposedly stole from a loathsome Donald Trump type (played with great relish by Ed Harris, who usually gets to portray only principled guys). Meanwhile, Cassidy’s close friend and former partner (played by Anthony Mackie), frets about Cassidy’s fate. Because Cassidy is, after all, clinging somewhat daintily to a narrow strip of stone some 20 stories off the ground: This is a guy who doesn’t care if he lives or dies as long as he ultimately proves his innocence. And as you watch Man on a Ledge , you’ll have good cause to wonder why he’s going to such extremes. Director Asger Leth (son of Danish filmmaker Jørgen Leth and also the director of the 2006 documentary Ghosts of Cit
Joe Carnahan ’s thriller The Grey , currently receiving kudos for its blend of red-blooded action and considered existentialism, tells the fictional tale of a group of oilrig workers who survive a plane crash only to be hunted by wolves in the wild. Among the ragtag band of comrades facing off against nature under Liam Neeson ’s steady leadership is Dermot Mulroney’s Talget, who, like the others, learns to shed his protective layers and confront his own fears when forced to face off directly with Mother Nature. For Mulroney, The Grey represents a kind of muscular, male-driven pic that no longer gets made often enough. In a conversation ranging from the film’s throwback sense of masculinity to his reasons for joining Carnahan & Co. on the unusually brutal shoot (the cast and crew filmed in snowy, sub-zero conditions for months in Canada), Mulroney spoke candidly about how much the landscape has changed for him as an actor since he burst on the scene in the ‘80s, why he was happy to be in a film with no women, and how his first time on the other side of the camera (directing last year’s Love, Wedding, Marriage , which he describes as “a badly made movie”) turned him away from directing, at least for the time being. Liam Neeson aside, you’re probably the most recognizable cast member in The Grey even though you’ve been hidden under layers of clothing and those glasses. How much consideration went into the conception of how your character looks ? I can’t say that wasn’t deliberate but that wasn’t necessarily my idea. It was in conjunction discussing it with the director, Joe [Carnahan], who saw my character as someone who has kind of receded under his protective layers whether it’s the hat and the glasses and the beard and the scarf and all this, and then slowly as the movie progresses some of those layers come off. I hope that we pulled that off. That was his goal; he was so specific with character. What appealed to you about joining this ensemble pic and working with Joe Carnahan? But even from his screenplay, really, is what hooked me, and obviously the opportunity to work with him and Liam. You know, I love to work – I still love to work – and I’d go anywhere for something good like this. It turns out I was going to northern British Colombia in sub-zero temperatures and blizzard conditions… It seems like it was an unusually extreme scenario for a film shoot! But your cast mates have described Joe as having picked a disparate group of actors who somehow shared a specific quality, a like-mindedness about the project, that made it all worthwhile . Very much so. I don’t know what it is that Joe has to be able to do that, but my understanding is that he’s done that with all of his films – he’s handpicked people that have something, as you say, other than the fact that they were right for the part. They’re also the right man that he wants to have on the experience. He wants to experience . What Joe Carnahan loves to do more than anything at all is shoot a movie, so he wants to do it with people that are also going to enjoy it and make it more enjoyable for him. So he’s not just picking actors, he’s kind of picking future friends. Were you acquainted before the film? I’d never met him before! I walk in to audition and I can tell he’s a helluva guy and that I would enjoy his company – but I think he’s actually casting for that as well. He’s casting not only for the film, but for the steak dinners after work, you know? In a way, he was. And really what I’m describing is his ability to intuitively “get” what people would have to offer, and the thing that he was determined to achieve was to get guys who were willing and able. You know, as actors we’re of course all willing, but I don’t think all of them would’ve been able to take on those extreme conditions. I couldn’t believe that you all went into those freezing climes to shoot; word is Joe got frostbite out there at one point. I know Dallas [Roberts] got frostbit on the nose, and I think Joe Anderson got some fingertips… this is, like, angry cold. This is all-the-way cold! But as an actor, your body – your fingertips, your nose – is your livelihood! That seems like a risk to take for a film. Oh, I hadn’t even thought of that! I didn’t suffer any ill effects from the cold. [Laughs] I have good circulation, so… and everybody else handled it great, too. It certainly was never life-threatening, but it never occurred to me that it might somehow affect my ability to make a living. So when you signed on to The Grey , you were signing on not only to a film but to having an extraordinary experience . We were signing on not only to an extraordinary experience but to risk, but a lot of guys would have. These were parts that a lot of people wanted, for the quality, for the personnel, for the content, but also the same as Joe – for the experience of getting to do something like this. I’ve done a lot of movies on stages, and sets, in a house, around a dining room table, sitting in a thing, going to the dance, all that – wonderful. But how often does somebody say, ‘Hey – do you want to go up further than you’ve ever been and stand around in the cold with me for a couple of months?’ For me, I had just come from a movie called Big Miracle which comes out next month where there, too, we were shooting in Anchorage, Alaska and it was cold and dark. I’m guessing Drew Barrymore did not get frostbite on her nose. She did not get frostbite, but she did get in freezing cold water! In a wetsuit, for real – she did it all. Nobody complained and nobody got hurt, and even Kristen Bell, who’s as big as this, pulled off standing around all day in zero degree temperatures. Looking at the themes in The Grey , we’re in an era where metrosexuality has become a thing and more masculine stories and themes are something of another generation. The characters, not just Liam’s but all of them, are different shades of… Grey? Yes, in many respects. But moreso these guys seem to represent a spectrum of what it means to be a man, or to come to terms with your own masculinity and mortality, when faced with this kind of life or death situation. I think that’s a wonderful diagram of the film. I hadn’t quite tapped into that myself. If I were to try to get to the bottom of what character I was playing, my idea for Talget was that he’s the mother of the group. He’s the little old lady with the babushka and the thing and ‘Come on,’ because they already have a natural leader or father type, they already have a hotheaded adolescent with Diaz, and they have a knowledgeable wise grandparent type with Henrik. Where’s the mother? So I kind of filled that slot. That doesn’t answer your masculinity question because I’d much rather be accused of being testosterone-fueled than being a little old lady, but by the same token if you’re looking at each of these characters as a facet of what manhood is, then part of what manhood is, is your mother. But that’s okay! It’s only when these guys strip away their machismo that they are able to be emotionally honest with each other. Right. [Pause] There a couple of scenes in Jaws when the shark goes out of the movie, and you don’t really get a great look at that shark anyhow, much like this movie. But then they’re sitting in that boat and they’re just talking, and Shaw goes into this whole thing about the Indianapolis and it’s this incredible moment, an historical moment in the history of our cinema. So you say this movie has some throwback qualities, or some old school manly-man qualities; that’s intentional. That’s the kind of movie Joe wants to make. Joe is one of those guys. So, guilty as charged on that; if that’s something that needs to be brought back, then let’s bring it back. It seems like people are responding to that about this movie and to my mind there haven’t been enough of them. The pendulum swung the other way since I started in this business and there were men’s movies like whatever those Tom Cruise movies… The meaty ‘80s, yes. Yeah. And then all of a sudden Sigourney Weaver comes in the Alien and we have strong women, we have Working Girl , we have all this, we have Best Friend’s Wedding , and before you know it, all the fucking movies are about the girls! Do you really think so? I do! I do. The ones that I was asked to be in, for certain. All of them. So that’s kind of what I did for a while, and every once in a while I’d get this sweet relief of being in a movie like [ The Grey ], where there are no girls in it, there are no women in it – Nobody vying for your affections… Nobody’s vying for anybody’s affections in this movie, that’s right. [Laughs] That’s one relief right there. Aren’t we kind of tired of the vying for affection in the American cinema? Well, let me ask you this — [Laughs] I know, it’s tough because “wry” doesn’t really come across in print, but you put that on the website and we’ll see how that flies. “Too many ladies in the movies for a while there.” No! I think it’s interesting you say this, given your directorial debut, Love, Wedding, Marriage . Yeah, and it couldn’t be a more womanly movie, right? Let’s skip it. Change the topic. I am interested in your directing impulses… I’m not, so much. Did you get it all out in that one film? No, it just didn’t go very well. If I ever tried again I’d do it alarmingly differently. Why so? I don’t even want to talk about that movie, to be honest with you. I don’t think it’s a very clean segue, either, from masculine guy in The Grey to director of a badly made movie. It’s only that the types of movies that they are, are interesting in juxtaposition. I like movies like The Grey to view and to act in a lot more than I like movies like that. The Grey is in theaters Friday. Follow Jen Yamato on Twitter . Follow Movieline on Twitter .
Snoop Dogg may have given Kris Humphries the best advice anyone has given since the NBA baller met Kim Kardashian ! Snoop, who has been married for several years, put it very simply in a very unique Snoop way: “You dumb a** n***a, you shouldn’t have tried to wife the b***h man, she’s not that type of a h**!” Do you agree? WARNING: EXPLICIT CONTENT RELATED: Watch Kim Kardashian End Her Marriage [VIDEO] Snoop Dogg Arrested! Kris Humphries: “Kim Planned My Wedding Proposal” Snoop Dogg & Wiz Khalifa Go To “High School” With DJ Drama [EXCLUSIVE] Kim Kardashian & Reggie Bush Speaking Again Kim Kardashian Throwing Shots Back At Amber Rose?
This ninja gets more and more pathetic with every interview…SMH We haven’t seen this many Seal interviews since ‘Kiss From A Rose’ was a hit…SMH According to TMZ reports : Seal’s marriage to Heidi Klum might not be over — in a new interview with Piers Morgan, the singer said … “Is it irreparable? You can never say never.” Seal added, “Whether we get back together or not, it may happen. I can’t speak for [Heidi].” Seal admitted, he’s not sure if he wants to reconcile — claiming, “If it were that easy — if there weren’t problems, we’d still be together. That is the reality.” Seal added, “My love for [Heidi] has not waned one iota. I love her with all my heart.” Seal also commented on his wedding ring, claiming, “I’m still wearing my wedding ring because I’m still married to this incredible woman.” Let it GO bruh, she don’t want you no mo’, it’s a wrap, finito, donezo, finished, over, in another couple months she’ll probably have her a lil’ Casper Smart keepin’ her company. Do yourself a favor and give it up while you still have some dignity left. Hit the flippy to watch the video of Seal pouring out his heart…again.
On the JoBro’s latest episode of ‘Hot in Cleveland,’ premiering Wednesday night on TV Land, his and Hewitt’s characters get engaged. By Kara Warner Joe Jonas Photo: MTV News Jet-setting actor/musician Joe Jonas has once again made time in his busy schedule for a little stop through Cleveland — “Hot in Cleveland,” that is, the popular show on TV Land starring Valerie Bertinelli, Betty White, Wendie Malick and Jane Leeves. Jonas has a guest-starring role on the sitcom as the wayward son of Bertinelli’s character. MTV News was lucky enough to visit the set of “Cleveland” on the day Jonas filmed his second guest spot, which premieres Wednesday night (January 25) at 10 p.m. ET. When we caught up with him for a few minutes between scenes, he shared some details about his return to the show. “Being back on the show, [my character Will is] engaged, and I have to be engaged to Jennifer Love Hewitt, which is really nice,” he said. “We’re both sons and daughters of characters on the show, and we show up and surprise everybody. They don’t expect us to be engaged.” Jonas said that while it was fun to work with Hewitt, their characters’ engagement doesn’t exactly last for long. “Both of our characters are really different. I think I’m a little bit blinded by the fact that she may not be the perfect person for me. I think we last probably less than Kim Kardashian in this,” he joked. Long engagements or no, Jonas said he loves his time on the show and would be happy to come back any time. “I would love to be able to return again. The first episode when I left, people were like, ‘Are you going to be back soon?’ and I said, ‘I think so.’ I don’t think my character passed away, so I think we’re good. I don’t die in this episode either,” he added. “So I’m still around, so I could definitely come back if they’d like me to. I have a fun time being on the set and I love the cast; it’s kind of like a family.” Are you excited to see Joe in “Cleveland” again? Let us know in the comments! Related Artists Joe Jonas
