SMH, Newt ain’t shyte as a husband… which probably would make him an “ain’t shyte” President too. Newt Gingrich claims that it was his first wife, not Gingrich himself, who wanted their divorce in 1980, but court documents obtained by CNN appear to show otherwise. The Republican presidential candidate, now in his third marriage, has been peppered with attacks and questions about his divorce from Jackie Gingrich for the past three decades. Questions about his past — and what that past tells voters about his personal behavior — have re-emerged as he has returned to the political scene 13 years after he resigned as speaker of the House. A new defense that has arisen as Gingrich entered the presidential race this year is the insistence that she, not he, wanted the divorce. On the “Answering the attacks” page of his campaign website, Newt.org, which “(Sets) the Record Straight: Newt’s Positions on the Issues and His Record,” the campaign discusses Gingrich’s first divorce. “It was (Jackie Gingrich) that requested the divorce, not Newt,” the campaign website said, referring readers to an online column written by Gingrich’s youngest daughter, Jackie Gingrich Cushman, last May. Cushman, 13 when her parents separated in 1980, was rebutting persistent rumors that her father served divorce papers on her mother the day after cancer surgery. In the column, Cushman writes that papers were never served in the hospital, and that her mother did not actually have cancer. Dang, he brought his daughter into this and turner her against her mother?? Jackie Gingrich, who has rarely spoken to the media about the divorce, declined CNN’s request for an interview. A friend said that Jackie Gingrich did not want to comment out of concern for her daughters and grandchildren. In a brief interview in 1985, she told the Washington Post: “He can say that we had been talking about it for 10 years, but the truth is that it came as a complete surprise.” Leonard H. “Kip” Carter, a former close Gingrich friend, backed the contention that it was Newt Gingrich who wanted the divorce. “He (Gingrich) said, ‘You know and I know that she’s not young enough or pretty enough to be the wife of a president,’ ” Carter, who now lives in South Carolina, told CNN recently, relating the conversation he had with Gingrich the day Gingrich revealed he was filing for divorce. Carter served as treasurer of Gingrich’s first congressional campaigns. Carter, who was a fellow history professor when Gingrich taught at West Georgia College in Carrollton, said he broke off his friendship with Newt Gingrich because of the congressman’s treatment of his wife during the divorce. Asked in an e-mail whether that conversation in 1980 occurred the way that Carter recounted, Gingrich spokesman Hammond did not respond. We wonder why… Source
Ouch! That’s gotta hurt. Mel Gibson is probably somewhere in Hollyweird cussing up a storm right now, because his divorce is final, but his bank account is now considerably lighter. According to PEOPLE reports : Mel Gibson is now legally single after his divorce was finalized Friday in a Los Angeles courtroom, but bachelorhood came at a heavy price. Robyn, his ex-wife of nearly 30 years and the mother of their seven children, is walking away with half his fortune, once estimated to be as high as $850 million (according to the Los Angeles Business Journal in 2006) in what is considered the biggest divorce payout in Hollywood history. Because the couple didn’t have a prenuptial agreement, Robyn, 55, was legally entitled to half of everything he earned during their marriage. Among Gibson’s estimated assets: more than $600 million grossed by The Passion of the Christ alone; $100-plus million in real estate investments worldwide (he bought an island in Fiji for $15 million in 2005); and $75 million for film and TV projects for which Gibson, 55, executive produced. It appears some of his wealth has already been transferred to Robyn, in particular two Malibu homes worth a combined $22.5 million. As for film residuals, Robyn is entitled to half of every future check Gibson receives for the rest of his life. “I left my wife because we had no spiritual common ground,” Gibson told his then-girlfriend Oksana Grigorieva in secretly recorded tapes she made of the actor in February 2010. During his custody battle with Grigorieva, in which the Russian musician accused Gibson of domestic violence, Robyn filed a sworn statement in July 2010 stating that “Mel was a wonderful and loving father” and never abused Robyn or their kids. Gibson met Robyn, at the time a dental nurse, in the late 1970s after the American-born actor, who moved to Australia when he was 12, had filmed his breakout role in Mad Max. Congratulations Robyn… and Mel on being free from your cash and lack of spiritual ground. More On Bossip! Silver Spoon Swag: Stars That Were Born Rich Already! Sneaky Geniuses: Stars That Are Wayyyyy Smarter Than They Look Gone Home To Glory: The Notable Names That Passed Away In 2011 Part 1 X-Rated Bangers: The Hottest Black Adult Movie Stars In The Biz…Would You Wife Any Of Them?
In 2005, when Jonathan Safran Foer’s novel Extremely Loud and Incredibly Close was published, Walter Kirn, writing in the New York Times Book Review , summed up the book’s “grand ambition” this way: “To take on the most explosive subject available while showing no passion, giving no offense, adopting no point of view and venturing no sentiment more hazardous than that history is sad and brutal and wouldn’t it be nicer if it weren’t.” Kirn couldn’t, at that point, have seen Stephen Daldry’s film adaptation of the book. But with that sentence, he pretty much wrote the review in advance. Extremely Loud and Incredibly Close tells the story of Oskar Schell (Thomas Horn), a perpetually wan 9-year-old New Yorker struggling with his father’s death in the events of 9/11. Dad Thomas (Tom Hanks, playing a particularly insufferable kind of ultra-reasonable dadness) was a jeweler by trade, but only because he wanted to make a decent life for himself, his wife Linda (an efficient but bloodless Sandra Bullock) and young Oskar. In reality, he was a science-nerd know-it-all type who would send Oskar out on field expeditions to discover new things about the city, and, it turns out, to get him comfortable talking to people. Oskar is a bit awkward in that department — at one point he precociously announces that he was once tested for “Asperger’s Disease,” but that “the results were inconclusive.” But of course. Oskar is obviously traumatized by his father’s death, not least because in the last minutes of his life dad left several increasingly doomy messages on the family’s home answering machine, messages Oskar heard when he was sent home early from school on that fateful day. But he never tells his mother about them; instead, he turns inside himself, trying to hang onto scraps of memories of his father. Until, one day, rooting around in his parents’ closet he finds (and breaks) a vase. Inside is a small envelope, marked with the name “Black” and containing a key. Oskar takes it upon himself to locate every person named Black in the five boroughs, paying each a personal visit (on foot — the subway, along with most other things in the city, makes him anxious). He catalogs these names and visits meticulously, pasting mementos of his search in a scrapbook. He also scratches at his skin, lashes out at his mother, and indulges in a never-ending stream of obnoxious-whiz-kid quips and insights, including a breathless interior monologue about the multitudinous things in New York (people eating, sneakers wrapped around phone lines, and so forth) that give him the heebie-jeebies. Poor little Oskar! Such an adorable, pint-sized heap of neuroses. What better mouthpiece for an author, or a filmmaker, to use as a way of exploring the personal cost of a great communal tragedy. Do you get the idea that Oskar must emerge from his own teeny-tiny personal prison and, yes, embrace the world? Never has the tragedy of 9/11 been made so shrinky-dinked. Daldry has made a career out of taking acclaimed works of literary fiction ( The Hours , The Reader ) and transforming them into snoozy, self-congratulatory, assertively tasteful movies, the equivalent of book clubs that pride themselves on choosing only “quality” books. But he’s outdone himself with Incredibly Close ; there’s something cloistered and cushy about it, as if it were a movie made by Upper East Siders for Upper East Siders (the Park Avenue sort, not the 86th-and-Lex sort). Oskar isn’t supposed to be rich; though it’s not clear what his mother does, his father is a rather modest sort of jeweler. But the family does live in a building with a doorman (played by a gruff, grumpy John Goodman) and a big, clean, well-lit marble lobby — I don’t need to tell you what that kind of real estate generally costs in New York. And when Oskar is let out of school early on that horrific day, he seems to be far enough uptown that that mythical downtown, where all the terrible stuff was happening, really does seem miles away. You may also be interested to note that many of the Blacks Oskar encounters in his investigation are, yes, actually black. (Those would include Viola Davis and Jeffrey Wright, playing two people who may or may not hold the answer Oskar is looking for. Their performances are as believable as possible, considering their characters, as written, are practically made of cardboard.) That means Oskar gets experience talking to actual black people , some of them from the lower classes. How wonderful! You can’t buy that sort of education at the Browning School. Mostly, Extremely Loud and Incredibly Close isn’t even offensive. It’s too dull and spineless to get much of a rise out of you. Shot by Chris Menges, it does give us a lush, rich, patchwork-style view of New York. But even then, there’s something too novel about the workaday food-cart vendors and pedestrians who people the movie’s universe — it’s all a bit too sparkling, too easy. Alexandre Desplat gives us one of his scribbled-on-a-napkin scores, as opposed to one of his great ones: It’s timid and nice and tiptoeing, a lot like the movie itself. In fact, even though the subject matter is very different, the picture Extremely Loud and Incredibly Close most closely resembles is Peter Jackson’s botched version of Alice Sebold’s The Lovely Bones . Like that movie, it offers a view of childhood that comes from an adult who’s constantly looking over his shoulder, rather than from a real — even a fictitiously real — child. The only bright spot in Extremely Loud and Incredibly Close is Max von Sydow, as a mysterious, and mysteriously mute, older gent who, as Oskar tells us in one of his incessant voiceovers, lived in Dresden during the war and “went through some really bad stuff.” Like, maybe even 9/11 bad. If you’re the kind of moviegoer who ducks when you see an extremely loud metaphor headed your way, you don’t need me to tell you that that one is coming incredibly close. Follow Stephanie Zacharek on Twitter . Follow Movieline on Twitter .
In the decade or so since Nick Frost first made a name for himself on the BBC comedy series Spaced , much has happened. For starters, he’s not waiting tables at that Mexican restaurant. He’s moved with ease from television to film, most famously in genre riffs Shaun of the Dead and Hot Fuzz (with Spaced comrades Edgar Wright and Simon Pegg ), and in the alien geek ode Paul (which he co-wrote and stars in with Pegg). Also notably, Frost has ventured out from the fold in films like Pirate Radio and the forthcoming Snow White and the Huntsman . And, with this week’s The Adventures of Tintin , he notches another milestone: Working with his hero, Steven . Steven Spielberg . Frost, Wright, and Pegg may be stretching their wings a bit after coming to prominence as “The Guys Who Made Spaced / Shaun of the Dead / Hot Fuzz /Etc.” but they all come together, with buddy Joe Cornish (whose directing debut, this year’s Attack the Block , features Frost as a dope dealer), in Spielberg’s motion-capture adventure adaptation Tintin — Wright and Cornish scripting, with Pegg and Frost as the comically bumbling Scotland Yard detectives Thomson and Thompson. Movieline spoke with Pegg in New York about his ten years since Spaced , maintaining the Wright-Pegg “unit” while establishing himself as his own entity, his directorial aspirations, working on the upcoming Snow White and the Huntsman , completing the “Blood and Ice Cream” trilogy, how he really feels about Indiana Jones 4 , and why he missed his first phone call from Spielberg for a very, very good reason. You, along with Simon, got to do a riff on Star Wars , he’s in Star Trek , and now you’re working with Spielberg… What was the riff on Star Wars — the College Humor thing we did? Yes, in which you betrayed a deep, deep knowledge of the Star Wars universe. I was quite impressed with my sad droid noise. Do you want me to do it for you? Please! [Makes mewling R2-D2 noise] It’s so evocative. Yeah, it is! It’s just one little noise and you think, he’s crying! He’s sad . That’s what that noise says. So what remains to cross off of your geek bucket list? I don’t know, what have we had — zombies… have there been any ghosts? Aliens, we’ve had a space ship. I don’t know, I think I’d like to do lots and lots of things but I’m not necessarily going to glue myself to the genre side of it. I think it’d be quite daft to do that. I think it’s possible to have your cake and eat it, and we’ve been very lucky that we have been allowed to do what we want. And now, because of that, we are able to branch out — Simon doing Mission: Impossible , Edgar doing Scott Pilgrim , and this… We’re pretty lucky. Looking back, it has been about 10 years since the end of Spaced , and the three of you have come so far since then. Yeah, right? I was just saying, it was like 10 years ago I was serving shitty food to fucking horrible businessmen in a Mexican restaurant… Wait — during Spaced ? Yeah, after the first series I went back to work there. That was quite odd. Sometimes people would ask for the bill and then say, “Are you Mike from Spaced ?” [Hangs head] “Yes… yes, I am.” Ten years is the kind of milestone that makes you look back and reflect, isn’t it? Yes — I read something in the Times a few months ago that 10 years, or 10,000 hours, is what you need to master anything. An instrument, a language, to become a good dentist… Anything you want to do, you can learn to be great at it in 10 years, or 10,000 hours. What would you say you’ve learned in the last decade? You know what, I watch a lot. I watch what everyone does, and I’m interested in what everyone does on a set. I didn’t train as an actor so I think it would be quite stupid of me to just act, you know? I want to direct a film, films , I want to produce. Me and Simon have always said this is about the long game. This is it now, forever — this is my job. This is what I love doing. So I think it’s silly just to sit around and wait for the phone to ring, for someone to offer you a part. I might as well write it myself and shoot it myself. And you have all thrived in the arena of creating opportunities for yourself, it seems. Yeah, but that can be a double-edged sword actually, because people can also look at that and the unit that we are a part of and say, “Well, that’s all they do.” So people will not offer you things because they think you wouldn’t do it because you just hang out in this kind of unit. You think this happens to you because of the Spaced gang? Absolutely, I do. You do have this very close partnership, which people know you for, but you must also need to define yourselves separately. And that’s what it seems like you, Simon, and Edgar are all doing right now. Absolutely. And there’s no time limit on it. As long as we’re happy and working, you can go on forever in this job. Edgar and Joe [Cornish] wrote this, but how exactly did you and Simon come to be cast in Tintin ? Simon met with Steven — Spielberg … Ah, yes. That Steven. [Smiles] I’ve been doing that a lot in the past few weeks, just in case people didn’t know that I’ve been working with Steven Spielberg … [Laughs] I think Simon had a meeting with Steven, potentially to see if he would come onboard with Edgar and Joe, after Steven did his draft, to see if maybe he wanted to have a little go at the script. But that just didn’t work out, and then I think Steven said to Simon, “Do you want to be in it?” Simon did a little fanboy squeal, and shut his legs as if he was going to do a wee, and then I think Steven said to him, “Well, do you know anyone that you work with, well, that you’d want?” That guy wasn’t available, so he came to me. That was that! No hesitation, I assume, in taking the job? For me? No! Not at all! Well, his office rang me up one night, one evening. It was like 9 o’clock at night. They said, “Steven’s going to ring you in 10 minutes if you could be available,” but I was cooking my wife’s dinner. She wasn’t in, I was cooking her a meal. And it got to a really crucial point in the preparation which meant I could not answer that phone call without ruining my wife’s dinner. So I dropped it — I dropped the call! How romantic! [Laughs] It was a really confused message from Steven saying, “Um… hey, Nick. Did my office phone you? Anyway, give me a call back.” I phoned the office back and he’d gone to a meeting and I was thinking, “I’ve really fucked this up.” But eventually we got to talk to one another and, you know, we did it. I was so pleased! He’s a hero, he’s an icon of mine in terms of filmmaking, and a lot of my cinematic touchstones are films that he’s made. That said, you can’t bring that with you on set. I think me and Simon allowed ourselves like two hours of fanboy dancing, and then… Then you put on your professional hat. Yeah, absolutely. That said, sometimes we’d be sitting around the monitor and Steven would be telling a story about how they shot something in Close Encounters and I’d kind of nudge Simon under the table, and we knew that both of us were thinking, “This is fucking amazing ” When I spoke with a few of the Super 8 kids earlier this year they had pretty much the same story. Oh, cool! I watched that this morning, again. I think it’s great, I love it. It does evoke that magical something in Spielberg’s films, doesn’t it? Yeah! Well, you know, we tried to do it on Paul and J.J. did it — it’s just a big, lovely love letter to Steven. I think it says a lot about Steven’s legacy to people of J.J.’ s and my age and Simon’s age that it stayed with us, it affected us through our lives. As a self-avowed Spielberg fan, let me ask you this: How do you feel about Indiana Jones 4 ? [Takes a sip of tea] Well, you know. It’s tricky, obviously… but it’s still an Indiana Jones film. It’s still Harrison Ford as Indiana Jones! I still got that feeling when I heard the music. It’s an Indiana Jones film, you know? It’s a Steven Spielberg film. [Pauses] Yes, it’s different. It’s the same kind of things about the original Star Wars films and Phantom Menace . But that said, I am a fan of the originals. Clearly. There are generations of teenagers who prefer the new ones, and that doesn’t make them any less valid. They’re just different. If I’m trying to be democratic about things… and it’s the same with Indiana Jones 4 . I liked it. It was weird, and it was different, but it was unmistakably a Steven Spielberg film, and that’s fine with me. You just finished filming another movie. Tell me about your experience on Snow White and the Huntsman — or, as the fans call it, SWATH . SWATH ! It was great. I saw a picture of you and your fellow dwarfs in your dwarf gear and your dwarf hair . Yeah, they shaved me bald every day just to put hair on me, which was weird. It was like, well, I had hair anyway, and you shaved it all off… to then put a wig on. You’re in great company with the other seven dwarfs. What was that cast like? It was fantastic! I got to hang out with Toby Jones, Eddie Marsan, Johnny Harris, Bob Hoskins, Ray Winstone, for God’s sake. I got to just sit around and listen to those guys tell stories. I like the idea of Kristen Stewart , of all people, sitting in the middle of that group of men — and also the colliding of worlds, your universe and fan base overlapping with Twilight . Exactly! I was sitting next to Bob Hoskins and Bella Swan! Please tell me you and Bob Hoskins and Kristen Stewart talked Twilight on set. Not really. I think she’d be pretty sick to the bloody back teeth of listening about Twilight . On set she’s another actress, and a lot of the time actors just talk about nothing. Talk about shit, they just chew the fat. That’s what you do! And did you sign on for multiple SWATH films as well? Three, yeah. We’ll see where it goes. We were talking about it on set the other day, where it would start and what it would be. We’ll have to see how well it does, I guess. But I think we’d all love to do another one. We had a real laugh every day. Lastly, you’ve been talking about finishing the trilogy that begun with Shaun of the Dead and continued with Hot Fuzz . What’s the latest development — do you know when you might do it? We’d rather do it sooner than later. There is a script in place, and it’s just a question of finding the time when we can all fit it in, and when it works. But we are all really keen to just crack on. Next year has been bandied around, maybe, but I couldn’t tell you. Follow Jen Yamato on Twitter . Follow Movieline on Twitter .
Let’s discuss the newest trailer in the latest edition of The Weekly Rising. By Kevin P. Sullivan Christian Bale in “The Dark Knight Rises” Photo: Jared Wickerham/ Getty Images If you went to see “Mission: Impossible – Ghost Protocol” this weekend and you weren’t lucky enough to see the prologue for “The Dark Knight Rises,” you were lucky enough to see the second trailer. And it was a hell of a trailer! Nothing sets the tone like a young boy singing the national anthem, and tone is what the trailer really nails. When you walk away from it, the one idea that lingers is that some bad stuff is going down in Gotham. This new trailer shares that, among other things, in common with the first. It also begins quietly, just like the teaser. Alfred worries about Bruce, and he probably should. It’s been eight years, and not much is good in the city of Gotham. Gordon sits on the chopping block as the city’s police commissioner, even though he let his wife think he died to protect the city. That should be mentioned in his performance review. Selina Kyle plays a much bigger role than we have yet seen. Appropriately, she shows up at a beautifully shot masquerade ball and doesn’t bring good news with her. “A storm is coming, Mr. Wayne,” she warns. “And you and your friends better batten down the hatches.” Her role in all of this still hangs in the balance. Will she be a full-on antagonist for Batman or will she toe the line? She did do Bruce the courtesy of warning him about the storm, so maybe it’s more ambiguous than good guy vs. bad guy. She’s motivated by an idea, along the lines of what got Bruce started in the first place, so that may be the bond that connects them. What that motivating idea is has yet to be disclosed, but she comes off in the trailer sounding like an advocate for the little man. Bane, on the other hand, has no ambiguity to speak of. Between the prologue and the second trailer, we finally get a better idea of what to expect from the masked man. I love his entrance into the football stadium. Then the final punch lands firmly with one of the greatest trailer moments in years. Watching the football field crumble in near silence automatically qualifies that scene as one of the best of 2012. Other films have done similar stunts, but not with such an assured hand, so consider me on-board with Bane’s supposed earthquake machine. Admittedly, it sounded too hokey for Nolan’s Batman movies, but no one can deny the awesomeness of that football scene. Both the prologue and the new trailer prove that the talk in last month’s Empire wasn’t just talk. In just the two short clips, Nolan has established Bane’s presence and a solid argument for him as the choice for the “Rises” villain. He’s big, bad and calculated. Instead of trying to overshoot Heath Ledger’s Joker, Nolan and Tom Hardy are aiming in the opposite direction. If a trailer does its job, we should be left with an idea of what the film will be like without knowing every single story beat. That’s where the trailer succeeds the most. While the stadium lets us know exactly what happens in that moment, we don’t know why Bane does it. We know that he frees and arms prisoners, but for what purpose? Miranda Tate shows up, but we’re still not sure what evil thing — because let’s be honest — she’ll be doing later in the film. Selina Kyle has an agenda, but who’s to say what it is just yet? Now I want to hear from you. What did you think of the trailer? Tweet your impressions to me via @KPSull , and check back with Splash Page on Wednesday to see some of your responses and a discussion based on those tweets. Check out everything we’ve got on “The Dark Knight Rises.” For breaking news and previews of the latest comic book movies — updated around the clock — visit SplashPage.MTV.com .
Looks like Kobe Bryant will never be lonely. Not if bangers like this one keep throwing themselves at him. Kobe Bryant’s impending divorce may come as good news to Sanaa Lathan. A source who attended Jay-Z and Kanye West ’s Watch the Throne concert at the Staples Center in Los Angeles on Tuesday tells us that the luscious-lipped “Love & Basketball” actress was flirting seductively with the Lakers guard during the show. “She touched his face, and she was shaking her a– in front of him to the music,” says the insider. Bryant’s spokesman, Michael Sitrick, says Bryant and Lathan were “both at the concert,” but he adds: “There was no flirting. There’s nothing there.” According to our source, Lathan, 40, who’s the voice of Donna Tubbs on “The Cleveland Show,” came to the concert with a girlfriend, and Bryant, 33, who was with teammate Matt Barnes and a bodyguard, were initially seated on adjacent couches in the club-like friends-and-family VIP area behind center stage. Kim Kardashian , Beyoncé and Jake Gyllenhaal were among the other celebs in attendance. Eventually, Lathan and Bryant ended up standing next to each other, and that’s when our source said the actress, who was drinking champagne, became progressively more flirtatious with the NBA star, who stuck to soft drinks, presumably because he’s in training. Lathan, attired in a sexy white-chiffon dress over what appeared to be a black bra, was “whispering in his ear” and at one point stroked the ballplayer’s face. “It seemed like a pretty intimate gesture,” says the source. At one point she left her seat and when she came back, she made sure she was standing next to Kobe again,” says the source She also danced to Jay-Z and West’s performance in front of Bryant. “She was throwing her head everywhere. Her hair was like slapping him in the face,” laughs the source, who adds that at one point, one of the straps of Lathan’s dressed slipped enticingly off her shoulder. When West performed “All of the Lights,” Bryant and Lathan danced together. Sitrick denies this however, saying, “There was no touching of the face, and he did not dance with her.” Despite Lathan’s attentions, the source noted that Bryant seemed “moody” and “down,” and the two seemed to go their separate ways. Bryant’s glum disposition may have had to do with his wife, Vanessa Bryant ’s, decision to initiate divorce proceedings after 10½ years of marriage. The case was filed in Orange County Superior Court on Friday. We’re pretty sure Kobe stopped checking for Sanaa’s “type” over a decade ago. He’s been stepping out on ‘Nessa with Becky’s but we haven’t heard a word about any sisters, so we’re pretty sure even if she was rubbing on him it was all in good fun. Speaking of good fun, Sanaa you can rub up on us anytime, and won’t even have to worry about snakebites! Source More On Bossip! More Basketball Wives Beef!!! Evelyn, Shaunie And Tami Light Up Twitter Over “False Email Claims” Making It Rain On Them Hoes: Forbes List Top Ten Earning Women In Music 2011 #HumbleBrag: Celebrities That Talk About Their Weird Body Insecurities 2nd Time’s The Charm? Famous 2nd Marriages…Did They Work Or Fail?
Amid reports that Vanessa Bryant caught Kobe cheating recently, speculation is swirling over the identity of the mistress who ended the L.A. Lakers star’s marriage. According to borderline reliable gossip site Media Takeout, Kobe Bryant has been carrying on an affair for months with Playboy model Jessica Burciaga. In addition to appearing in Playboy , Burciaga has also appeared in men’s magazines Maxim, Stuff, FHM , as well as numerous calendars and catalogs. But has she also made appearances in Kobe’s bed? Jessica Burciaga in Playboy. In Slovenian. Hot and untranslatable! The site claims Kobe has allegedly spent a small fortune – well over a million dollars – on gifts and other goodies for Jessica Burciaga over the past few months.
After denying divorce claims in September, Deion Sanders has made it known that he and his wife Pilar are calling it quits for real this time. The couple has been married since 1999 and have three children together. Deion Sanders Played Great Football In This City Deion told TMZ , “Pilar and I have decided to end our marriage and move on to the next phase of our individual lives with mutual respect. We are friends and our top priority has and will continue to be the well-being of our children.” Read the rest of Deion’s comments about the end of his marriage here . RELATED POSTS: The Cause Of Will & Jada Pinkett Smith’s Marriage Problems Revealed Vanessa Bryant Files For Divorce From Kobe Deion Sanders Denies Divorce Claims Deion Sanders Caught Cheating On Pilar With A 19-Year-Old?
