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‘American Idol’ Shocker: Lilly Scott, Alex Lambert, Katelyn Epperly, Todrick Hall Exit

Shaky singers Aaron Kelly and Paige Miles survive to make it to the season-nine top 12. By Gil Kaufman Lilly Scott on ‘American Idol’ Thursday Photo: Fox After months of auditions, nail-biting Hollywood drama and three sometimes-painful live-performance weeks, America finally got its top 12 on “American Idol” Thursday night (March 11) on a show that provided some of the first true surprises — and shocking exits — of season nine. The handful of singers who appeared certain to end their runs on the show after crash-and-burn performances got miracle reprieves as Katelyn Epperly, Lilly Scott, Todrick Hall and Alex Lambert were voted off. In the first elimination group, host Ryan Seacrest waved through potential singer/songwriter Didi Benami and quirky dark horse Siobhan Magnus. That left Katelyn Epperly and Paige Miles standing center stage, with one facing elimination. It seemed certain that Miles, whom the judges have repeatedly said had the strongest voice in the competition, would be the one to go after her poorly received cover of “Smile,” a song made famous by Michael Jackson. But in a surprise, it was Epperly, who went home after an equally slammed cover of Carole King’s “I Feel the Earth Move.” Miles looked shocked and not quite as elated as one would suspect, while the somewhat emotional Epperly began to well up when she said she’d learned a ton on the show and her elimination was “just a push for me to go do more stuff.” The second go-round for “Earth” was a bit more energetic and had the personality the judges had been missing, though the vocals were still not great. Then it was the guys’ turn, as Tim Urban, Todrick Hall, Lee Dewyze and Casey James lined up on the stage. First to go through was sensitive pinup James, who played it safe with Keith Urban’s “You’ll Think of Me,” followed by this year’s true wild card, Urban, who seemed destined to go home after two horrendous weeks but somehow pulled out a strong vocal on Wednesday night with his cover of Leonard Cohen’s “Hallelujah.” Not surprisingly, the much-praised Dewyze was safe, thanks to his serviceable cover of Owl City’s “Fireflies,” while dancer Hall was sent packing even after his big gamble with a gospel version of Queen’s “Somebody to Love” that drew praise but didn’t seem to endear him to voters. Hall seemed to sense his number was up, staring blank-faced into the camera with a resigned look. He said he was just happy that fans came up to him over the weekend and said they’d voted for him. “This has been an awesome experience,” he said. “I came here to prove that I’m not just a dancer, I can also sing. I think I’ve done that.” The reprise of the bombastic glam-rock tune indeed proved that Hall has a powerful voice and strong performance chops that will likely keep the former Broadway star — who performed with onetime “Idol” Fantasia in “The Color Purple” — gainfully employed. Seacrest mixed it up as he built the second half of the top 12, starting out with leading female contender Crystal Bowersox, who looked more nervous than she should have been as she got the good news, followed by Michael Lynche, who was a shoo-in following his searing, tear-jerking cover of Kate Bush’s “This Woman’s Work.” During her second go-round on the show, Lacey Brown made it further than last year, when she washed out just before the live rounds. This year will be different, as she took a seat, along with jittery teen Aaron Kelly, who managed to make it to the top 12 despite a so-so performance of Lonestar’s “I’m Already There.” That left Alex Lambert and Andrew Garcia standing with their arms around each other’s shoulders awaiting the news. It was another shocking exit, as Lambert, who was beginning to overcome his paralyzing case of stage fright, got the bad news. The men gave each other several deep hugs, and Lambert lamented how nervous he was during his run. “There’s a lot of things America hasn’t seen me do yet,” he said. “And a lot of things I know I’m capable of. … I wish I could have just broken out of my shell.” Magnus was brought to tears, and Bowersox mouthed along as Lambert tried his best to keep his emotions in check during one more run through Ray LaMontagne’s “Trouble,” earning a group hug from the male top six at song’s end. The final pairing featured teen Katie Stevens and Lilly Scott awaiting their fate. Stevens, who was tagged as a potential winner of the whole thing early on, stumbled in the live rounds, unable to find a performance personality and repeatedly getting feedback from the judges that she came off as much older than 17 and needed to get more experience under her belt. But, despite another poorly received performance on Tuesday, this time of Kelly Clarkson’s “Breakaway,” America gave her the nod over Scott, a unique performer who won the judges over with her offbeat style, musical chops and a solid cover of Patsy Cline’s “I Fall to Pieces.” Scott looked dumbfounded at the news and genuinely bummed. “I thought I did really well, I thought I was appealing to a lot of people,” she said, shaking her head while Stevens wiped away tears of joy. “I put my heart into every performance. I really gave it my all every time. … I don’t know what America wants to hear.” Without her mandolin, Scott sang another solid rendition of the 50-year-old country classic, singing it even more powerfully than she did earlier in the week, perhaps leaving the audience with a sense of an opportunity missed. The show opened with one of the blandest group lip-synch numbers in recent memory, a vanilla waltz through Michael Bubl

American Idol: It’s Reigning Men [American Idol]

Well. I think it’s official. Men are more interesting and better at things than women. Sorry JezeFriskyXX.com. It’s just how things played out in the ol’ game of evolution. I’m basing this on scientific Idol Evidence, mind you. Truly credible. Last night the final eight dudes crooned for their life and, I gotta say, they did well. They did better , and were more interesting, than the ladies. It had a lot to do with song selection, but it also had to do with the fact that the Girls side of the competition is four versions of the same white lady singing and then Paige Miles wandering around and bumping into walls. Whereas the Boys team is five versions of the same white lady. VARIATIONS. If it worked for Diabelli, it should work for Idol . But here’s the real reason the girls officially lost last night. Kara Dio Gordy cried. Yes, she wept like a nincompoop after Big Mike sang his stirring Kate Bush number and it was the most ridiculous and awful thing any of us have ever seen. I was watching the show last night with an old fellow who liberated the camps during the war. He shook his head at Kara of the Gourds crying there and said “Worst damn thing I ever seen.” Lynne Curtin’s husband stopped staring at his wife in mild terror for a moment to watch Idol last night and when Kara started crying he thought This is the ugliest thing I’ve ever seen . It was very, very bad. Not that Big Mike’s performance wasn’t good. It totally was. But Kara. Kara . This is American freaking Idol , not the end of Gallipoli . You don’t cry. The singers can cry if they want I suppose. But the judges?? That is only allowed if you are Paula Abdul. And Kara, I served with Paula Abdul, I knew Paula Abdul, Paula Abdul was a friend of mine. Kara, you’re no Paula Abdul. So can it with the waterworks please. Also, Ellen? If you like Tim so much why don’t you just marry him? Did you see when she ran out and hugged Tim Urban after his emotions-lite performance? I don’t understand what she’s doing on this show. Is it some sort of weird, inscrutable sexual politics performance art? I really hope that’s what it is. So that’s why the girls lost last night. Here’s Why the Boys Won As mentioned above, Big Mike did a nice job. He sang Kate Bush’s “A Woman’s Work,” though I suppose he was really taking his inspiration from Maxwell’s version, if Randy Jackson is to be believed. And, actually, he’s not, so Big Mike was doing a Kate Bush homage last night. Normally I’ve found him to be super boring, and he still sort of is — his voice and carriage in performances are rather bland, potato buds from a box rather than mom’s homemade heartattack mashed. But he just picked such a great song. Have we ever heard that on Idol before? I really don’t think we have. Which makes it an automatic win, as long as it’s pulled off with some level of competency. So yes, it was good. Not worth blubbering and stopping the show completely and standing up and clapping robotically while mascara streams artfully down your face, but good. I don’t think Big Mike is destined to win the big dance, but this ought to guarantee him safe passage for a least a few more rounds. Carol Brady with the Carol Brady hair did well again. I don’t know. I think I kind of like him. He just sort of has this weird, interesting tone to his voice. He sounds not unlike Jennifer Coolidge’s character in A Mighty Wind . But he’s always clear and clean and crisp and seems to actually know his limits, which is something of a compliment for this particular season of Idol , for this miserable overreaching theatre troupe. Well done, Carol. I wonder if he misses his son, Johnny Bravo nee Greg. I’m sure he does. Why the Rest of Us Are Crying Oh my beloved Egghead Latino. Where did he go? There used to be a guy named Andrew Garcia who was interesting and had big Carol Channing glasses and sang fun, moody reworked covers of pop songs. I don’t know where that dude went. He hopped a plane to Biarritz. He rode a bicycle over a hill one day and no one ever saw him again. He disappeared into the abstract. Now we’ve got something else, a snatched body, an avatar. Last night there was a dark-ish cover of “Genie in a Bottle,” but it just didn’t feel right, it didn’t work. Plus, there’s an element of the grotesque in singing about getting rubbed the right way on American Idol . It’s just unpleasant. I’m sorry, Mr. Garcia. Might he go home tonight? Casey Potato Head Johnson is in danger too. I can’t even remember what he sang. It was something, y’know, strummy and croony and all that other stuff that he does, or tries to do. But he’s such a blur, so insubstantial in one’s memory. He’s like trying to remember what you did in high school. Not things that happened in high school, but what you did. How did classes work, day in, day out? What did you do on the weekends? I don’t know about you, but I can’t remember that stuff for the life of me. When I was seventeen, what did I do on a Saturday afternoon? What did Casey Johnson sing last night? I don’t know. But I’m sure both involved watching TV. Dweezil Zappa or whatever that reheated David Cook (recooked?) guy’s name is can’t really sing all that well, can he? I mean for the world he can, but for the music industry, I don’t know. He kind of overthrows it every night, doesn’t he? He’s going for stadium roar and it just comes out like a reasonably talented kid in a garage band and they’ve got the door open because it’s spring and getting warm and then a cute girl from school walks by so he tries to sound extra Into It and Emotive. But I’m just not sure America is going to want to make out with you at Mike Fenster’s party next Friday after hearing that, Dweezil. I’m just not sure that’s how it’s going to play out. The teenaged boy who sang “I’m Already There” just makes me sad — a kind of soft, sprawling sad — so I don’t really want to say anything about him. He’s got miles to go before he’s himself, I’ll just say. Urban Renewal Well, well, well. They liked it, they really liked it. After last week’s slight uptick, Tim Urban studied his recent Idol history and busted out the “Hallelujah,” Jeff Buckley edition, which served Jason Castro so well during semis two years ago. This has gone from a song that makes pond-eyed 19-year-olds who smoke too much feel deep and weary to a song that makes the souls of pimply explode-o-teens do mournful jigs. Yes being Sad is sort of in these days, like it was almost twenty years ago for a different generation I suppose, and Jason Castro sang “Hallelujah” and then Justin Timberlake sang it (very well) with another dude on the Hope for Haiti telethon thing, so it’s just very Now. So it was a clever choice on Timmy Kapowski’s part. How’d he sing that shit? Oh, well enough. It was near flat as Nebraska, not dynamic at all, but it’ll do, it’ll do. One thing that was funny and annoyed me was at the very end (you can see it above) he was like “Hahhh layyy looooooo…” and then took this breathy pause and went “Yahhhhhhhhh.” Which, like, a full separated “Yuh” is not a terribly pretty way to end a pretty song. If you go listen to professionals sing the tune, they smooth out that ending, shade it. It was sort of another little cutesy telling sign that wee Timothy Bertinelli has no idea what he’s doing. So who will go home tonight? Of the ladies I suspect it will be Lacey and Paige. Or maybe Katie instead of Lacey. Of the fellows? Well, I didn’t even mention Todrick Hall, so probably him. He sang something that Simon declared “Broadway.” Great, Simon. You watch this kid drag himself OUT of the musical theater and you keep him on the show this far and this long only to tell him, “Hey, why aren’t you in the theater?” Blergh. Other than Todrick… I dunno, dawg. Maybe the sad, Texas-evening teenager. Sigh. That poor kid. He makes me feel a little like this:

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American Idol: It’s Reigning Men [American Idol]

‘This Woman’s Work’: Story Behind Michael Lynche’s ‘Idol’ Cover

Lynche sang Kate Bush’s 1989 song, which was later covered by Maxwell. By Gil Kaufman Michael Lynche on Wednesday’s episode of “American Idol” Photo: Frank Micelotta/ Getty Images “American Idol” judges often rail on contestants for not making the right song choices. But on Wednesday night, personal trainer and new dad Michael Lynche provided a textbook example of how to pick the perfect song. The 26-year-old Florida native, whose wife gave birth their firstborn while he was performing during the show’s Hollywood Week, moved judge Kara DioGuardi to tears with his sensitive take on British singer Kate Bush’s “This Woman’s Work.” On a night when the judges criticized some singers for not connecting with the words they sang, Lynche astutely picked a song that mirrored the tumultuous changes in his personal life. The combination of Lynche’s velvety, gospelized vocals and the song’s connection to his life’s journey made for dramatic TV. DioGuardi felt the emotion, tearfully telling Lynche, “I’ve never cried after hearing something like that. It’s amazing. You were amazing. And it’s so relevant for you and I can feel it. It’s your life right now. It’s your respect for your wife, what you’ve gone through … and as a woman who doesn’t have a child, I can relate to it so much and it brought me to tears.” “This Woman’s Work” is one of Bush’s most beloved tunes, and the biggest commercial success from an artist who has always followed her peculiar muse. Bush’s career began in the late 1970s, when Pink Floyd guitarist David Gilmour turned label EMI on to the then-teenaged songwriting prodigy. In 1985, she released her most celebrated album, Hounds of Love . That album featured the hits “Running Up That Hill” and “Cloudbursting,” and it helped cement her reputation as an enigmatic pop poet. In 1988, Bush provided “This Woman’s Work” to director John Hughes for his coming-of-age drama “She’s Having a Baby.” The song, reportedly written specifically for the film, plays during a scene in which new father Kevin Bacon is pacing outside the delivery room where his wife is having their first child, fretting about the changes his family is about to face. Bush’s self-directed video for “Work” parallels the story of the film. The primly dressed singer, seated at a grand piano, plays the haunting melody, and shots of her are intercut with images of a nervous man in the waiting room of a hospital. A ghostly image of Bush stands behind the man and hugs him as he breaks into tears and stares ominously into the dark. A flashback then reveals Bush collapsing and being rushed to the hospital as the man wails in agony. At the end of the clip, a smiling nurse comes over to the man and puts her hand on his shoulder, appearing to give him good news as Bush quietly shuts the lid on the piano. “Work” later appeared on Bush’s 1989 album The Sensual World , which contained a number of tunes about the perils and pitfalls of love (“Love and Anger,” “Between a Man and a Woman”) and a title track inspired by Irish author James Joyce’s epic “Ulysses.” In the years that followed, the song underscored dramatic scenes in a number of TV shows (“Felicity,” “Alias,” “Party of Five”). In 1997, it was covered by Maxwell during his MTV Unplugged appearance. He later included a studio version of the track on his 2001 album Now , and it peaked at No. 58 on the Billboard Hot 100 that year. Bush has rarely toured, and she took a lengthy break between her 1993 album The Red Shoes — which featured contributions from Prince, Jeff Beck and Eric Clapton — and her 2005 double album Aerial to raise her family. Related Videos ‘American Idol’ In 60 Seconds Related Photos ‘American Idol’ Season Nine Performances Related Artists Kate Bush

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‘This Woman’s Work’: Story Behind Michael Lynche’s ‘Idol’ Cover

Michael Lynche Makes Kara Cry on American Idol

Casey James and Crystal Bowersox who?!? With a performance of Kate Bush’s “This Woman’s Work,” Michael Lynche established himself as the new American Idol favorite last night. Showing incredible range, from an amazing falsetto to an impressive baritone, the man known as Big Mike brought Kara DioGuardi to tears. A lot of tears. She could barely get her words of praise out as she choked up. It was actually a very sweet moment. Below, we’ve ranked the eight performances from last night. Lynche aside, who was your favorite? Michael Lynche : So this is what happens when your wife is in the audience, huh? Casey James : Not his best performance, and we agree the Keith Urban song was a safe choice… but who else deserves this spot? Alex Lambert : You can stop with the banana references now, Ellen. Solid rendition of a Ray LaMontagne classic proves Lambert is simply a great singer. Andrew Garcia : The judges have forced him to get as creative as possible each week, taking his focus off actual singing, it seems. Can we all just forget about his “Straight Up” arrangement at this point? Todrick Hall : Points of taking a risk. But “Somebody to Love” almost belongs to the Glee cast at this point. We just think of them when we hear it. Aaron Kelly : Solid version of “I’m Already There.” We’re glad Simon shut Kara up about taking the song so literally and making it seem like a young crooner couldn’t take it on. Lee DeWyze : He’ll likely stick around, but our least favorite performance from this rocker. Tim Urban : Were we listening to a different version of “Hallelujah?” We didn’t buy him at all singing this classic.

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Michael Lynche Makes Kara Cry on American Idol

Michael Lynche’s ‘This Woman’s Work’ Brings Kara To Tears On ‘American Idol’

Simon Cowell dubbed it ‘the best performance we’ve had of all these live shows so far.’ By Gil Kaufman Michael Lynche Photo: Fox Praise from the “American Idol” judges is one thing, but tears? That’s when you know you’ve really nailed it. And big Michael Lynche definitely brought down the house Wednesday night (March 10) when he closed the top eight men’s live performances with a seductive, between-the-sheets cover of one of British singer Kate Bush’s most iconic tunes, “This Woman’s Work,” that made judge Kara DioGuardi openly weep. Wearing a black suit coat with a red pocket square, black tie, jeans and a white dress shirt, the brawny Lynche opened with a fragile, operatic falsetto vocalization over piano that sent chills. The choice was a bold one, as Bush is a beloved figure and the song is a tricky-to-sing modern classic has been used to dramatic effect in a number of TV shows over the years (“Felicity,” “Alias,” “Party of Five”). It was also famously covered by soul singer Maxwell on his 1997 MTV Unplugged album and later on his 2001 Now studio album, a version that clearly informed Lynche’s take on the song. Bush wrote it specifically for a sequence in the 1987 John Hughes film “She’s Having a Baby,” during which Kevin Bacon is pacing outside the delivery room where his wife is having their first child and he’s fretting about the changes they’re about to face and the rush of emotions he’s feeling. Making expert use of his breathy falsetto, Lynche, a new father whose firstborn arrived while he was toiling during Hollywood Week, wrenched every bit of emotion from the lyrics about life-changing events. “Ooh, it’s hard on the man/ Now his part is over/ Now starts the craft of the father,” he crooned in a clean, clear voice. On a night when the judges said some of the singers didn’t connect with their chosen lyrics, Lynche astutely picked a song that mirrored the tumultuous adult changes he’s going through in his personal life, helping to give the performance an added gravity and believability. As he leaned into the second verse, Lynche came out from behind the mic stand and began laying a gospel edge on the song, shaking his head and shoulders, bobbing up and down and waving his hands as if giving a Sunday sermon. With a long, sustained note on the line “Oh, darling, make it go,” Lynche provided the night’s much-needed “wow” moment and easily punched his ticket to the top 12. How good was it? DioGuardi was literally brought to tears. “I’ve never cried after hearing something like that,” she said, her voice cracking with emotion. “It’s amazing. You were amazing. And it’s so relevant for you, and I can feel it. It’s your life right now. It’s your respect for your wife, what you’ve gone through … and as a woman who doesn’t have a child, I can relate to it so much and it brought me to tears.” All Randy Jackson could say was, “Really?” telling Mike he was going to put Maxwell on notice that he should watch his back. “For everybody that doesn’t know, it was dope, it was unbelievable,” he said. “I wanna call Maxwell and tell him, ‘Yo, big Mike is knockin’ on the door, dog, be ready! But the last note? … I was like, what?” Ellen DeGeneres said it was so good it felt like the show had just begun and Lynche was suddenly the one to beat. “This was so needed tonight,” Simon Cowell said of the breath of fresh air on an otherwise-boring show. “You come out with an incredibly difficult song to sing and you 100 percent nailed it. Not just the best performance of the night, it’s the best performance we’ve had of all these live shows so far.” Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season Nine Performances The ‘American Idol’ Season 9 Top 24

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Michael Lynche’s ‘This Woman’s Work’ Brings Kara To Tears On ‘American Idol’

The Strange Case of Jihad Jane, Blonde Terrorist from Pennsylvania and MySpace [Homegrown]

Seven Muslims were arrested Tuesday for trying to kill yet another Muhammad-doodling European cartoonist. Among them was Colleen LaRose , a blond-haired green-eyed suburbanite who met her co-conspirators on YouTube and online forums, under the name JihadJane. According to a federal indictment , the 46-year-old LaRose began her jihad in June of 2008 when, under the username JihadJane, she commented on YouTube that she was “desperate to do something somehow to help” Muslims. She began corresponding with like-minded people in South Asia and Europe, two of whom advised Jihad Jane to take advantage of her imperviousness to racial profiling so they could attack a target CNN identifies as Swedish cartoonist Lars Vilks, who earned a fatwa for depicting Muhammad astride a donkey. Instructed a conspirator: “go to sweden . . . find location of [Vilks, presumably] . . . and kill him . . . this is what i say to u.” Jihadis: They hate the “shift” key, just like us! Later, the same conspirator would note that LaRose “can get access to many places due to ur nationality,” asking her to “marry me or get me inside europe.” Romantic. Jihad Jane went on to raise funds and recruit more co-conspirators for her mission, the indictment says. She infiltrated an artist colony Vilks frequented and, in the fall of 2009, was revved up for the kill. The New York Times describes Jihad Jane’s now-defunct MySpace page. From the cache for myspace.com/BeyondPrincessForever , here it is. Click images to enlarge. Meanwhile, some other white lady named Colleen LaRose is having a really shitty day. Pennsylvania Woman Tied to Plot on Cartoonist [NYT] ‘Jihad Jane’ Indictment Alleges Threat from Within U.S. [LAT] U.S.: Pennsylvania Woman Tried to Recruit Terrorists [CNN] Jihad Jane’s MySpace [cached]

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The Strange Case of Jihad Jane, Blonde Terrorist from Pennsylvania and MySpace [Homegrown]

Papa Heath explains family’s use of Canadian health care and accidentally calls daughter Sarah Palin out on one of her lies.

(Photo courtesy of Dennis Zaki) So as everybody and the their brother know by now, Sarah Palin has told two very different stories about her brother jumping through a campfire and burning his foot which required medical treatment either in Canada, or possibly Juneau, depending on which version you prefer. But what we have NOT known is exactly which version is the TRUE version. That is until now. The AP managed to interview the always loquacious, and often out of the loop, Chuck “I saw the baby pop out” Heath. And here is what Papa Heath had to say. “There was no road out of there at that time,” said retired teacher Chuck Heath, reached by phone in Wasilla. “The ferry schedule was very erratic. We had no doctor in Skagway. The plane schedule was very erratic. The winds dictated whether the planes could come in or not.” Palin’s father said his family probably boarded the train for the Whitehorse hospital only twice — once when a daughter had rheumatic fever, and once when his son, also named Chuck, severely burned his leg and an infection set in. “We much preferred to use our facilities because my insurance didn’t cover anything in Whitehorse. And even though they have socialized medicine, I still had to pay the bill, being an American citizen,” Heath said. Heath worked part-time for the White Pass & Yukon Railroad and had a pass allowing him and his family to ride for free. So there you go, end of story. Yes the Heaths took their kids to Canada (probably no more than two times) to use their medical facilities. But there is no scandal here because being American citizens they could not take advantage of Canada’s socialized health care so Papa Heath paid the bill in good old American dollars. So all of those people saying that Sarah is a hypocrite for attacking the Obama health care plan by calling it “socialized medicine” are wrong since Sarah and her family did NOT use socialized health care! Well…that is until she married Todd..which allowed their children access to the Alaska Native Hospital…which I guess…still kind of makes her a hypocrite. Holy crap! It is just impossible to defend this woman isn’t it? No wonder Meg quit! Well at least we can finally stop talking about this “burned foot” story and move on to the nex…wait…am I forgetting something? Okay, according to Sarah’s dad the family went to Whitehorse to fix up her brother’s burned foot just like she said during her speech in Canada, but isn’t there some other version of this story that Sarah also told? Say to the Skagway News back in 2007? Palin drew from her Skagway past to illustrate her point. Her brother burned his foot badly jumping through a fire, and her mother had to take him down to Juneau on the ferry to the hospital. “All these years later, that’s still what people have to rely on here in some instances,” she said. Well gee Sarah your own father just called bullshit on the story you told the Skagway News. And do you know the ironic part? It would be this quote from that same article: A proud father, Chuck Heath, said later that his daughter was honest to the core. Really? “Honest to the core”? Sarah Palin? You see the real story here is that Sarah Palin is a liar. She lies as easily and as often as other people fill their lungs with air. She does it cover for something she did. She does it to make herself seem important or special. And sometimes she does for no good reason at all, just because she can. And she will continue to do it as long as the media lets her get away with it, and as long as there are people like RAM, C4P, and Fox News willing to provide cover for her. (Do you want to know a secret? I found this AP story over on C4P. They were using it to discredit the people calling Palin out for her Canadian health care story. Don’tcha just love it?)

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Papa Heath explains family’s use of Canadian health care and accidentally calls daughter Sarah Palin out on one of her lies.

‘American Idol’ Top Eight Women: What They Need To Do

Paige Miles and Didi Benami need to step it up, while Crystal Bowersox and Lilly Scott should keep doing their thing. By Gil Kaufman Crystal Bowersox on “American Idol” last week Photo: Frank Micelotta/ Getty Images This is the week we’ve all been waiting for. Following Tuesday and Wednesday night’s performances, we will be down to season nine’s top 12, and the competition on “American Idol” will start to get serious. After last week’s surprise switcheroo due to Crystal Bowersox’s illness , the remaining 12 ladies served up a mixed bag of good, bad and eh on Wednesday night. Lilly Scott and Siobhan Magnus proved to be suddenly strong competition for Bowersox, who stormed back from her undisclosed ailment to regain her spot as the woman to beat this year. So what do the rest of the ladies need to do to win the hearts — and ears — of the nation? How can they get enough votes to avoid landing in the bottom two? Here’s what we do (and don’t) want to see from these “Idol” hopefuls, starting with those who need the most work. Didi Benami It feels like this once-promising singer has seriously lost her way. After ditching the thing that got her to the big show (i.e., sensitive singer/songwriter material with a jazzy twist), Benami was undone by a hard-to-watch warble through the Bill Withers soul classic “Lean on Me.” Didi would be wise to dig into the Lily Allen or Corinne Bailey Rae songbook to get back into the game. Paige Miles The judges have told Miles she has the strongest voice in the competition this year, but so far, she’s failed to make much of an impression personality-wise. Last week, Kara DioGuardi faulted her for smiling through a cover of Kelly Clarkson’s “Walk Away,” dissing Miles for not getting the angry mood of the song right. And she should know — she co-wrote it! She needs to put the coloring books away and bite off a meaty Alicia Keys song that will allow her to open up and show some serious emotion. Katie Stevens This teenager needs to find her inner child. After weeks of going too old, Stevens is in danger of losing her spot if she doesn’t show the panel that she could be a youthful, contemporary artist. She tried to display her younger side by singing Bailey Rae’s signature “Put Your Records On,” but even that didn’t work because the judges said it felt too unfocused and bland, with Simon Cowell suggesting she needed a bit more time to figure out what kind of artist she wants to be. Unless Stevens can smash it with a convincing tumble through a Katy Perry or Rihanna song, she might be back in her old classroom next week. Lacey Brown Proving you’re damned if you do and damned if you don’t, Brown followed the judges’ advice and performed Sixpence None the Richer’s “Kiss Me” — and they didn’t like it. In order to stick around, she needs the kind of signature moment Magnus provided with her Aretha Franklin power note, so this week’s selection should focus on displaying her range and originality. Siobhan Magnus Has one note ever meant so much? Magnus, this year’s token quirky girl, could very well have stamped her ticket to the top 12 last week thanks to that massive wail at the end of her version of Franklin’s “Think.” Now, Magnus just has to keep surprising the judges and audience to stay in the running. Luckily, she hasn’t painted herself into a genre corner so far and has displayed an indie-leaning sensibility , so she’s free to try out anything on the charts, from Lady Gaga to Owl City. Katelyn Epperly The judges weren’t crazy about Epperly’s slow take on Coldplay’s “The Scientist,” but America gave it a thumbs-up and she made it to sing another day. She should strap the guitar back on this week and give us a new twist on a contemporary singer/songwriter, perhaps even putting some jazz into a Taylor Swift tune. Lilly Scott Scott is on a roll. She nailed her Beatles cover two weeks ago, gave another solid performance with Sam Cooke’s “A Change Is Gonna Come” last week, again proving that while she may not have the best voice, she’s got a unique stage presence and memorable delivery. It would be great to see her sit at a piano this week and rework a contemporary ballad, say something from Muse or Carrie Underwood. Crystal Bowersox At this point, it’s Crystal’s game to lose. She’s proven she can kill it with classic-rock tunes, thanks to a very strong gospel-tinged rendition of Creedence Clearwater Revival’s “Long as I Can See the Light,” but this week might be her chance to tackle a newer artist and prove that she can be relevant now. A Jack Johnson song might do the trick. What do you want to see from the girls on Tuesday night? Who do you hope steps up their game this week? Let us know below! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Videos ‘American Idol’ In 60 Seconds Related Photos ‘American Idol’ Season Nine Performances

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‘American Idol’ Top Eight Women: What They Need To Do

Jason and Mollys Wedding // The Bachelor // Part 1

is.gd Jason and Mollys Wedding // The Bachelor // Part 1 Jason Mesnick, “The Bachelor” for 2009, and Molly Malaney, the woman he chose after rejecting her at the final rose ceremony, exchange vows in Palos Verdes, Cal. Performing at the wedding: Gavin degraw and 2008 “American Idol” contestant Jason Castro. The program also includes wedding preparations and highlights of bachelor and bachelorette parties, as well as interviews with “Bachelor” and “Bachelorette” alumni, including deanna Pappas, and Trista Rehn and Ryan Sutter The Bachelor Jason and Mollys Wedding 3/8/2010 March 08 2010 “The Bachelor” “The Bachelor Jason and Mollys Wedding” “The Bachelor” “Jason and Mollys Wedding” “Jason Mesnick and Molly Malaney” “Jason Mesnick” “Molly Malaney” “Jason and Molly” “The Bachelor 2009” “Gavin degraw” “American Idol” “Jason Castro” “Bachelorette” 2009 Jason Castro Part 01 02 03 04 05 “Part 1” “Part 2” “Part 3” “Part 4” “Part 5” Watch Full Videos Clips

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D’Angelo Arrested For Soliciting Female Police Officer

Singer reportedly offered undercover police woman $40 for sex. By MTV News staff, with additional reporting by Jayson Rodriguez D’Angelo Photo: MTV R&B singer D’Angelo was arrested and charged with soliciting a prostitute Saturday in New York, a police spokesperson confirmed to MTV News on Sunday (March 7). While the spokesperson declined to provide further details, according to The New York Post, the singer allegedly offered an undercover policewoman $40 for oral sex. D’Angelo was driving alone in his Range Rover at Greenwich and Horatio streets at about 2:30 a.m. when he saw a woman he believed to be a prostitute, unnamed sources told the Post. He was arrested and charged with solicitation after asking the woman for sex, according to the sources, who added that the singer had $12,000 in his car. A rep for the singer had not responded to MTV News’ requests for comment at press time. Powered by his 1995 Brown Sugar debut LP, D’Angelo was one of the leading lights of R&B during the 1990s, but he has released little music since his 2000 sophomore effort, Voodoo. He has been plagued by legal troubles in the years since. In 2002, he allegedly resisted arrest when police went to his suburban Richmond, Virginia, home to serve a warrant for misdemeanor charges of aggressive driving and other counts. In 2005, he pleaded guilty to charges of marijuana possession and driving under the influence and was fined $250 and given a 90-day suspended jail term for the DUI conviction, and his driver’s license was suspended for one year. In 2007, he received suspended jail sentences after pleading guilty to charges of driving under the influence and driving with a suspended license. A Virginia judge revoked his license for 13 and a half months and fined him $1,250, with additional penalties suspended. He also was injured in a car accident in 2005. Related Artists D’Angelo

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D’Angelo Arrested For Soliciting Female Police Officer