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Lady Gaga Was ‘Spontaneous’ On ‘Judas’ Set, Norman Reedus Says

Judas himself opens up to MTV News about the just-released video. By Jocelyn Vena Norman Reedus Photo: MTV News When Norman Reedus, who played the title character in Lady Gaga’s “Judas” video , stopped by the MTV News offices Friday (May 6), he told us Gaga had everyone on their toes on set — in the best way possible. “I like the lipstick part, because that was sort of last minute,” the “Walking Dead” star said. “She just jumped up [and was like], ‘I have this great idea. I’m gonna put lipstick in front of you, and right before you kiss Jesus, I’m going to pull out this gun, and I’m gonna pull the trigger, and then a lipstick’s [gonna come out], and then I’m going to put it on you like I’m enabling the kiss!’ “She looked at me like, ‘Is that cool?’ ” he continued. “And I’m like, ‘Rad.’ And we did it. I liked how she was so spontaneous.” Reedus’ other favorite scene is the opening shot, where Judas, Mary Magdalene (Gaga) and Jesus (Rick Gonzalez) are all on the road with their biker-gang disciples. “We got there the first day, and we all took motorcycle lessons [in a parking lot and] one of the disciples trashed his motorcycle up against the curb, which was hysterical,” he recalled. “So we did that, and then they cut off part of the freeway and actually cops would fly by us and section off the road. So we rode in a pack.” While Gaga didn’t actually have to drive one of the bikes, he said her stunts were quite awe-inspiring. “She wasn’t driving the bike, but she was riding on the back. … We were flying down the freeway, and she got up on the back … and was way off the back of the seat and hanging backwards and stuff,” he said. “Which was a daredevil move; it was pretty intense. She had all these jewels all over her, and every once and a while, you could see behind her bike just a trail of jewels dropping on the freeway. It was kind of magic.” Since Reedus has had about 24 hours to think about the video, he said it gets his seal of approval. “My reaction when I saw it? I was excited to see my motorcycle in it first off, ’cause that’s my bike that I ride, and I thought it was really good,” he said. “I thought that [co-director] Laurieann [Gibson] did a really good job and Gaga did a good job, and I know there’s a lot of work put into it, and I could see all the work on the screen, so I liked it.” What did you think of the video? Let us know in the comments! Related Videos Lady Gaga’s ‘Judas’ Video Premieres Related Photos Lady Gaga’s ‘Judas’ Video: Decoded Related Artists Lady Gaga

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Lady Gaga Was ‘Spontaneous’ On ‘Judas’ Set, Norman Reedus Says

E. Dan Talks Building Wiz Khalifa’s Sound ‘From Scratch’

Rolling Papers producer tells Mixtape Daily they found ‘natural rhythm.’ By Rob Markman Wiz Khalifa Photo: Raymond Boyd/ Michael Ochs Archives/ Getty Images Mixtape Daily: Behind the Beats Fans might not know Pittsburgh producer Eric Dan (E. Dan for short), but they sure as heck know his work. After crafting six out of 14 tracks on Wiz Khalifa’s debut album, Rolling Papers , it shouldn’t be long before hip-hop heads start catching on. In 2003, Dan opened his own studio, ID Labs, outside of Pittsburgh. When a young Wiz Khalifa strolled in looking to record, the producer took the Taylor Gang general under his wing and has been working him every step of the way. “It’s been a great thing for [ID Labs] to be involved with an artist almost from his inception to where he is now,” E. Dan said. Where Wiz is now is at the top of the charts. It was the rapper’s #1 single “Black and Yellow” that spearheaded the Khalifa craze, helping Rolling Papers sell just under 300,000 copies since its March 29 release, but it was songs like the E. Dan-produced “The Race” and “When I’m Gone” that provided the LP with its substance. “With this album, we wanted to go in together from scratch,” said Dan, who splits production duties with his partner, Big Jerm. According to Dan, the bulk of the tracks on Rolling Papers came together organically, thanks to the comfortable relationship Dan and Wiz had been building for years. “Working with somebody from that young and working with him for so long, you fall into a natural rhythm, and over time you end up building this sound together,” Dan said. The recording session for Wiz’s “The Race” sticks out in E. Dan’s mind as an example of their overall organic chemistry. “Wiz fell asleep,” the producer recalled. “We put [the beat] together; a couple of hours later, Wiz woke up and said, ‘Whoa — that’s it!’ Next thing we knew, he jumped in the booth and did the song.” From there followed “Star of the Show,” “Get Your Sh–,” “Fly Solo,” “Cameras” and the intro, “When I’m Gone.” Dan has already worked with Pittsburgh breakouts Mac Miller and Chevy Woods, but said he is excited about branching out and adding to his resume. With upcoming production for international rap star K’Naan, it shouldn’t be long before the Pittsburgh producer is a worldwide name. For other artists featured in Mixtape Daily, check out . Related Videos Mixtape Daily: Wiz Khalifa, Smoke DZA, Papoose, Alchemist, Casey Veggies

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E. Dan Talks Building Wiz Khalifa’s Sound ‘From Scratch’

‘Friday’ Singer Rebecca Black Death Threats: Cyber Expert Weighs In

Cyber-security pro says teens are ‘playing crazies online as a way of acting out.’ By Gil Kaufman Rebecca Black Photo: Getty/ Jason LaVeris The Internet has brought stars closer than ever to their fans and opened up an unprecedented two-way path of communication between once-untouchable celebrities and their biggest followers. But it has also opened up a forum that deranged or attention-seeking devotees have begun exploiting as the latest and most serious form of cyber-stalking: anonymous death threats. The latest victim of such attacks is “Friday” sensation Rebecca Black, who ABC News reported has been receiving threats by e-mail and phone ever since her song became a viral sensation. Police in Anaheim, California, have begun an investigation into the actions against 13-year-old Black, and cyber-security expert Parry Aftab told MTV News that it’s important to not take such anonymous threats lightly. “The thing is: They think they can get away with it and that’s because they often do get away with it,” said Aftab, one of the leading experts on cyber-security and cyber-abuse issues. “A death threat is actionable in every state, and when someone like Justin Bieber (his girlfriend Selena Gomez ) or Rebecca Black gets them, they tend to brush them off as someone who is on the Internet and doesn’t matter, but you don’t know the difference between someone wearing Pokemon pajamas and living in their mom’s basement who is harmless and people who are really nutty enough to kill you.” Aftab warned that all the big social networks are now taking enforcement of cyber-stalking very seriously and working with law enforcement to root out the attackers. “These are people looking for attention, with nothing else to do in their lives,” she said. “They’re not mature enough to deal with society and don’t know how to get attention in good ways.” And while they may be empowered by the anonymity of the Internet and they may get the attention they seek by taking on someone with a high profile and millions of fans as a quick way to gain cyber-fame, Aftab warned that these actions are absolutely against both state and federal laws. “If you make a threat of serious bodily harm or a death threat, a true threat, the Supreme Court has ruled that that is not protected by the First Amendment,” she said. And while these actions are often the work of lonely “trolls” who are seeking attention, Aftab said even if some are posted by fellow teens who are jealous, looking for a thrill or just joking around, authorities will take them seriously. “If you’re in an airport and you’re goofing around with your friends in the security line and talk about, ‘He’s got a bomb,’ you are going to go to jail. It might be funny, but there are very clear-cut laws and this is one of them,” she said. “There are many cases where it’s a 15-year-old on the other side and they’re not crazies, but they’re playing crazies online as a way of acting out.” Friends joking around is one thing, but according to federal cyber-stalking laws, if you communicate with someone anonymously and they can’t evaluate how real the threat is and your intent is to annoy or harass, the FBI can investigate it and you can go to jail for two years. In a case like Black’s, where the singer has elicited a lot of negative response from people who are annoyed by her simplistic, insanely catchy song, Aftab chalks the death threats up to a loss of civility and people not knowing how to object to something without resorting to the most extreme words and using the secrecy of the Internet as a screen for their hate or jealously. “They think it doesn’t matter because they’re only words and they’re doing it anonymously on Facebook, but they don’t realize that it’s just as legally actionable as if you went up to [a celebrity] face to face and said, ‘I want to kill you.’ ” As for how victims of such actions can protect themselves, Aftab suggested the victim keep the communication going with the person making the threats, but not respond to them or say they’re going to report them to the authorities. In the meantime, they should contact the local authorities and, she suggested, visit a site like SpectorSoft , which offers what she called the most powerful monitoring software available, which is able to log all incoming and outgoing communications on your computers and some smartphones and trace them so authorities can find out who is behind the harassment and bring charges. “Run silent and run deep, but do not respond,” she counseled. “It only feeds this.” MTV’s ongoing project also provides stories and resources for anyone who believes they are being cyber-bullied or who is looking for ways to stop harassment by digital means. Related Videos MTV News Extended Play: Rebecca Black

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‘Friday’ Singer Rebecca Black Death Threats: Cyber Expert Weighs In

Justin Bieber, Bruno Mars, Chris Colfer Make Time’s 100 Most Influential List

Amy Poehler, Blake Lively, and Prince William and Kate Middleton also on the list. By Gil Kaufman Justin Bieber Photo: Mark Von Holden/ WireImage What kind of list includes Justin Bieber alongside Vice President Joseph Biden, Prince William and Kate Middleton, and Oprah Winfrey? It must be Time magazine’s list of the 100 most influential people in the world. The annual count of the people who, for better or worse, make our world fascinating, includes an essay by mentor Usher extolling the virtues of the Biebs. “From the minute I met Justin, I knew this kid possessed a certain confidence that only a star could have,” wrote Usher. “He was born a star. He knew what he wanted to accomplish; all he had to do was get everyone else to believe it. Now, looking back at his incredible run, the reality of who he is and what he’s accomplished far exceeds anybody’s expectations of him. What’s interesting and will keep the world watching is that at the same time he’s having this incredible success, he’s like any other kid living a normal life.” In his typically impish style, “Parks & Recreation” co-star and comedian Aziz Ansari spent most of his 150 words in praise of series star and producer Amy Poehler , after complaining about an alleged real estate scam she pulled on him. “That said, I cannot say how much I admire and respect Amy Poehler,” he wrote. “In comedy, a lot of what you see feels derivative and uninspired; with Amy, 39, there is always something fresh and unexpected, and that’s why I love her work.” Director Baz Luhrmann marveled at actress Blake Lively for pulling off the unique trick of channeling the “vitality of youth — that indefinable, natural, unprocessed glamour full of possibility and filled with anticipation for an endless future.” Actress Glenn Close wrote of the talents of her “Albert Nobbs” co-star Mia Wasikowska (“Alice in Wonderland,” “The Kids Are All Right”), saying the 21-year-old is “a sun, not a satellite. She generates her own energy. She’s seductive because she’s not compelled to reveal everything. Her shyness has made her an acute observer. At the same time, she loves a good joke, loves to laugh and can suddenly have the boisterous physicality of a teenager. Mia will be many things in life and will defy expectation because she’s brilliant and curious and not fooled by what most people define as success.” When it comes to “Glee” star Chris Colfer, co-star Dianna Agron said the 20-year-old song-and-dance man “lives by extreme truth, speaking out against the epidemic of bullying that he, too, faced in high school. The honesty that he infuses into his ‘Glee’ character, Kurt, leaves you reeling.” Elsewhere, B.o.B writes of his pal Bruno Mars, 25, that the singer/songwriter “has a musicality, a presence in his voice that I’ve never heard from anyone else.” Among the others making the list were Google executive Wael Ghonim, credited with being the voice of the revolution in Egypt; Facebook founder Mark Zuckerberg; WikiLeaks founder Julian Assange; Congresswoman and shooting victim Gabrielle Giffords; Sting; and President Obama and First Lady Michelle Obama. For the third year, South Korean pop superstar Rain made it onto the list as the result of a reader’s poll. Related Photos Justin Bieber Takes Over The Bodies Of Other Teen Idols Related Artists Justin Bieber Bruno Mars

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Justin Bieber, Bruno Mars, Chris Colfer Make Time’s 100 Most Influential List

Justin Bieber, Bruno Mars, Chris Colfer Make Time’s 100 Most Influential List

Amy Poehler, Blake Lively, and Prince William and Kate Middleton also on the list. By Gil Kaufman Justin Bieber Photo: Mark Von Holden/ WireImage What kind of list includes Justin Bieber alongside Vice President Joseph Biden, Prince William and Kate Middleton, and Oprah Winfrey? It must be Time magazine’s list of the 100 most influential people in the world. The annual count of the people who, for better or worse, make our world fascinating, includes an essay by mentor Usher extolling the virtues of the Biebs. “From the minute I met Justin, I knew this kid possessed a certain confidence that only a star could have,” wrote Usher. “He was born a star. He knew what he wanted to accomplish; all he had to do was get everyone else to believe it. Now, looking back at his incredible run, the reality of who he is and what he’s accomplished far exceeds anybody’s expectations of him. What’s interesting and will keep the world watching is that at the same time he’s having this incredible success, he’s like any other kid living a normal life.” In his typically impish style, “Parks & Recreation” co-star and comedian Aziz Ansari spent most of his 150 words in praise of series star and producer Amy Poehler , after complaining about an alleged real estate scam she pulled on him. “That said, I cannot say how much I admire and respect Amy Poehler,” he wrote. “In comedy, a lot of what you see feels derivative and uninspired; with Amy, 39, there is always something fresh and unexpected, and that’s why I love her work.” Director Baz Luhrmann marveled at actress Blake Lively for pulling off the unique trick of channeling the “vitality of youth — that indefinable, natural, unprocessed glamour full of possibility and filled with anticipation for an endless future.” Actress Glenn Close wrote of the talents of her “Albert Nobbs” co-star Mia Wasikowska (“Alice in Wonderland,” “The Kids Are All Right”), saying the 21-year-old is “a sun, not a satellite. She generates her own energy. She’s seductive because she’s not compelled to reveal everything. Her shyness has made her an acute observer. At the same time, she loves a good joke, loves to laugh and can suddenly have the boisterous physicality of a teenager. Mia will be many things in life and will defy expectation because she’s brilliant and curious and not fooled by what most people define as success.” When it comes to “Glee” star Chris Colfer, co-star Dianna Agron said the 20-year-old song-and-dance man “lives by extreme truth, speaking out against the epidemic of bullying that he, too, faced in high school. The honesty that he infuses into his ‘Glee’ character, Kurt, leaves you reeling.” Elsewhere, B.o.B writes of his pal Bruno Mars, 25, that the singer/songwriter “has a musicality, a presence in his voice that I’ve never heard from anyone else.” Among the others making the list were Google executive Wael Ghonim, credited with being the voice of the revolution in Egypt; Facebook founder Mark Zuckerberg; WikiLeaks founder Julian Assange; Congresswoman and shooting victim Gabrielle Giffords; Sting; and President Obama and First Lady Michelle Obama. For the third year, South Korean pop superstar Rain made it onto the list as the result of a reader’s poll. Related Photos Justin Bieber Takes Over The Bodies Of Other Teen Idols Related Artists Justin Bieber Bruno Mars

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Justin Bieber, Bruno Mars, Chris Colfer Make Time’s 100 Most Influential List

Kendrick Lamar And Black Hippy Go Hard For The New West

Jay Rock, Ab-Soul, Schoolboy Q and Kendrick tell MTV News in spite of shine from Dr. Dre, they’re still out to prove themselves. By Alvin Blanco, with reporting by Steven Roberts Black Hippy Photo: MTV News When covering the New West , the name Kendrick Lamar will inevitably pop up. The Compton rapper has managed to convert mixtape and hip-hop blog adulation into a co-sign from Dr. Dre, who’ll be contributing to his forthcoming Section .80 album. Despite his high-profile admirer, Kendrick remains focused on his grassroots grind and is signed to independent label Top Dawg Entertainment. The 23-year-old and his fellow TDE labelmates &#8212 Jay Rock, Ab-Soul and Schoolboy Q, all high-caliber hip-hop prospects in their own right — joined forces and formed Black Hippy. The talented rap quartet share a love for deft wordplay over thumping beats (see “Zip That Chop That” and “Rolling Stone”), making them one of L.A. hip-hop’s most highly anticipated crews. More amazing is that most of their music is created in a tiny studio. “Sometimes it gets a little difficult because there’s four or five of us, so we somehow manage to squeeze in enough time to get our work done as well as the Black Hippy material,” Ab-Soul explained to MTV News. Thankfully, cramped quarters haven’t stopped them from creating music that they continue to get out to more and more fans as their popularity grows. “It feels real good to see our music touch everybody, not just my color, his color, all colors of people and different cultures,” said Jay Rock, a former Warner Bros. Records artist. “For all of those people to come together and watch us do our thing and show us love, that [gives] us the energy to do what we do.” Kendrick is set to appear on the good Dr.’s Detox and also has a joint project in the works with Roc Nation rapper J.Cole. Jay-Z’s first signing will be producing 90 percent of the as-yet-untitled album, according to Kendrick, who specified that it won’t be just a mixtape. But props from Dr. Dre, J. Cole and others, isn’t going to stop Kendrick and his Black Hippy family from working even harder to build on the foundation they’ve already created. “A lot of people will be like, ‘You good now, Dre messing with you,’ ” Kendrick said. “No, we’re not good now. We’ve got to go 10 times harder. Just because that man is further in his career doesn’t mean he could say one word and further my career right that instant. I’ve got to have the music to back it up and prove myself still.” Stick with us all week as MTV News turns the spotlight on the New West, the next wave of hip-hop acts helping restore faith in the L.A. rap scene. From groups like Odd Future to rising MCs like Dom Kennedy, we’ll bring you up close and personal to these artists as they carve their own lanes in the post-gangsta rap era. Keep it locked here for the next week for more on the West Coast up-and-comers! Related Videos The New West: An In-Depth Look At L.A. Hip-Hop

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Kendrick Lamar And Black Hippy Go Hard For The New West

American Idol’ Recap: James Durbin Finds Muse, Jacob Lusk Nods To Luther

Scotty McCreery and Lauren Alaina play it safe with country tunes on ‘Idol’ night that called for contemporary tunes. By Gil Kaufman James Durbin on “American Idol” Wednesday Photo: FOX The theme on Wednesday’s (April 20) “American Idol” top-seven performance night was music from the 21st century , and while James Durbin blew it out with a Muse extravaganza, Jacob Lusk took it down for a touching Luther Vandross tribute and teens Scotty McCreery and Lauren Alaina played it close to the vest with traditional country tunes. First up was McCreery, who sang “Swingin’ ” by LeAnn Rimes, giving it his usual dose of country comfort. Backed by a four-piece horn section, McCreery brought the whole arsenal: the bizarre sideways-mic technique, the George W. Bush-esque facial tics and the “down-home” charm. For the first time this season, though, McCreery’s shtick seemed a bit phoned-in and fell a bit flat, lacking his usual appeal. While the crowd ate it up, Steven Tyler suggested Scotty move his body a bit more when he performs and Jennifer Lopez said it was that time in the competition for Scotty to move beyond his comfort zone and show America his full range. “It’s time to pull out the big guns,” she said, noting that McC had a whole decade of music to choose from and picked a tame song. “We were expecting more from Scotty on that one. Randy Jackson served up the ultimate “Idol” judge’s dis, calling the song choice “safe.” Looking like a rock and roll shock trooper in an all-black ensemble, James Durbin went truly contemporary by picking Muse’s bombastic “Uprising.” Mentor Jimmy Iovine loved the song choice and Durbin delivered, coming out alongside a marching band drum section and wearing a post-apocalyptic shredded black overcoat. Though tentative at first, Durbin leaned into the chorus and showed nice vocal control, swinging his truncated mic stand in the classic fashion of late Queen singer Freddie Mercury and not being shy with his glass-shattering upper register. J.Lo was blown away. “I’m gonna go out on a limb here and say that that theatrically, this is going to be the best performance of the night,” she said, marveling at how high his voice reached. Randy hopes JD follows that direction on his album and mixes the pomp with metal, predicting (correctly, as it turned out) that it could be the best performance of the night. You can’t really go wrong by picking a song from the best-selling album of 2011 to date, so Haley Reinhart’s take on Adele’s “Rolling in the Deep” was probably her best choice so far. Iovine counseled her to tap into the tune’s heartache, and wearing a throwback red and white polka-dot dress, Reinhart busted out her signature growl and put bluesy emotion into the tune, but at times still came off a bit too chipper. Randy said he’s not only looking for a winner, but also trying to figure out what direction the singers might go in after the show and he praised Haley’s choice, even if the falsetto was a bit wobbly at times. Tyler loved it, even with the slow start and Lopez said it took guts to take on such a well-known song. “There were moments when you did … you brought a little bit of Haley to it in certain moments,” she said. After all the comparisons, Jacob Lusk wisely went with the Luther Vandross classic “Dance with my Father,” (on the late R&B great’s birthday, no less), reaching deep for memories of his own long-departed father. Looking like he was straining to keep it together, Lusk sat serenely on stool center-stage and sang the uplifting tune in his breathy falsetto, bringing power and grit without his usual over-emoting. “Luther Lusk!” Tyler enthused. “You remind me all the time the reason I love music.” After a few weeks of bland platitudes, Lopez served up another of her useful real-life artist comments, telling Jacob that part of being an artist is tapping into the emotion of a track without losing control. Randy agreed and said the vocals were good, but it didn’t excite him and encouraged Lusk to “go for it” next week. Casey Abrams chose Maroon 5’s “Harder to Breathe,” strapping on an electric guitar and tapping into his blue-eyed soul man for the bouncy white-funk tune. Moving spastically across the stage slapping hands with the audience, Abrams gave a performance that was manic at points, as he flashed his unfortunate scary face a few too many times, ending the song by getting uncomfortably close to Lopez’s face and then planting a kiss on her cheek. “I loved it,” Lopez blushed, clarifying that she was talking about the performance, not the soft-lips kiss and praising Abrams for taking a pop tune into the rock zone. With memories of the disastrous Nirvana performance from earlier in the season, Jackson was worried the Maroon 5 song wouldn’t pan out, but said the risk-taking worked and said Casey should continue pushing the envelope. “There’s millions of people in America that are really angry because you piss them off because you’re so f—ing good,” Tyler said, eliciting wide-eyed looks from his fellow judges and some nimble-fingered dead air from the network censors. He’s well-acquainted with the bottom three, so Iovine said Stefano Langone needed “Closer” by Ne-Yo to have the right sex appeal and strut, without coming off like begging. Wearing a romper-stomper pseudo-punk outfit complete with drooping red suspenders, Langone served up another cheesy, vocally weak performance that felt more like an over-eager high school musical solo than the work of the next “American Idol.” Expecting it to be jerky, bad karaoke, Jackson said Stefano pulled it off and smartly took his time on the early verses, even working in a few nice dance steps. Speaking for the ladies, Lopez said Langone had his swag on and worked the audience. Thursday night’s pimp spot belonged to teen Lauren Alaina, who sang Sara Evans’ “Born to Fly” with some help from Miley Cyrus’ producers, Rock Mafia. Iovine picked them to once again motivate Alaina to bring her best and not shrink away from the pressure. Working the stage like a pro, Alaina shimmied and strutted her way through the fiddle-tastic song that most of America was probably not familiar with. It was a bit of a generic arrangement and though Alaina came off confident and brassy, the song lacked the kind of dynamics needed to show off her vocal talent. Tyler suggested some Faith Hill or Shania Twain next time, while Lopez praised the color in the 16-year-old’s voice and encouraged her to go for the big notes she hears the other singers trying. “You can do that, do that next time,” Lopez said. “Try it. Try it at home by yourself. Scream, yell, in the shower, in the closet … just let it out and see how far and how long you can hold it … because you can do that!” In a huge switch from past years, when eliminated contestants who left “Idol” were rarely heard from again, the show opened with all of this year’s booted singers doing a group sing on Pink’s “So What,” with Pia Toscano, Naima Adedapo, Karen Rodriguez, Thia Megia and Ashthon Jones. Thursday’s results show will feature the return of season-seven winner David Cook singing his new single “The Last Goodbye,” and Katy Perry beaming in for “E.T.” Don’t miss “Idol Party Live” every Thursday at noon on MTV.com for analysis, celebrity guests and even some karaoke — get in the conversation by tweeting with the hashtag #idolparty! In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season 10 Performances

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American Idol’ Recap: James Durbin Finds Muse, Jacob Lusk Nods To Luther

‘Breaking Dawn’ Wedding Day Was ‘Wet And Cold,’ Peter Facinelli Says

‘I haven’t really had that moment of remorse or blues,’ he tells MTV News of still shooting final film. By Kara Warner Peter Facinelli Photo: Frazer Harrison/ Getty Images Earlier this week, MTV News learned of an exciting “Twilight” and “American Idol” mash-up between Peter Facinelli and “Idol” castoff Paul McDonald on the “Loosies” soundtrack. Naturally, we couldn’t let Facinelli hang up the phone until we addressed another important subject matter: “Breaking Dawn.” Unlike co-star Robert Pattinson , Facinelli has yet to wrap his work on the “Twilight” saga. “I still have another two weeks of second-unit stunt work, so for me, it doesn’t feel quite done yet,” he said. “I haven’t really had that moment of remorse or blues, you know, the blues of finishing. I’m in the midst of still finishing myself.” Regarding a few key scenes that his co-stars have mentioned — specifically the Taylor Lautner vs. Kristen Stewart fight scene — Facinelli agreed that seeing the much smaller Stewart take on Lautner was entertaining. “Oh yes, I was there for that,” he said. “[It was] very funny. … But you have to kick his butt a little bit,” Facinelli added about the idea of Lautner’s character Jacob imprinting on Bella and Edward’s daughter Renesmee . Although he couldn’t go into too much detail, we asked Facinelli to describe the heavily hyped wedding scene for us. “Beautiful and spectacular,” he said. “It’s funny, because whenever we have a big important scene on ‘Twilight’ [movies], it rains. I was doing the baseball sequence [from ‘Twilight’], and it was raining. But you never see it on film,” he said of the filmmaking crew’s movie magic. “With this wedding, it rained the whole time we shot the two scenes. But you’ll never see it on film, they block out the rain. They put tarps up and you’ll never see it. But for us, it was very wet and muddy and cold.” Check out everything we’ve got on “The Twilight Saga: Breaking Dawn – Part 1.” For young Hollywood news, fashion and “Twilight” updates around the clock, visit HollywoodCrush.MTV.com . Related Photos Meet The Cast Of ‘Breaking Dawn’ On The Set Of ‘Breaking Dawn’

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‘Breaking Dawn’ Wedding Day Was ‘Wet And Cold,’ Peter Facinelli Says

‘Breaking Dawn’ Wedding Day Was ‘Wet And Cold,’ Peter Facinelli Says

‘I haven’t really had that moment of remorse or blues,’ he tells MTV News of still shooting final film. By Kara Warner Peter Facinelli Photo: Frazer Harrison/ Getty Images Earlier this week, MTV News learned of an exciting “Twilight” and “American Idol” mash-up between Peter Facinelli and “Idol” castoff Paul McDonald on the “Loosies” soundtrack. Naturally, we couldn’t let Facinelli hang up the phone until we addressed another important subject matter: “Breaking Dawn.” Unlike co-star Robert Pattinson , Facinelli has yet to wrap his work on the “Twilight” saga. “I still have another two weeks of second-unit stunt work, so for me, it doesn’t feel quite done yet,” he said. “I haven’t really had that moment of remorse or blues, you know, the blues of finishing. I’m in the midst of still finishing myself.” Regarding a few key scenes that his co-stars have mentioned — specifically the Taylor Lautner vs. Kristen Stewart fight scene — Facinelli agreed that seeing the much smaller Stewart take on Lautner was entertaining. “Oh yes, I was there for that,” he said. “[It was] very funny. … But you have to kick his butt a little bit,” Facinelli added about the idea of Lautner’s character Jacob imprinting on Bella and Edward’s daughter Renesmee . Although he couldn’t go into too much detail, we asked Facinelli to describe the heavily hyped wedding scene for us. “Beautiful and spectacular,” he said. “It’s funny, because whenever we have a big important scene on ‘Twilight’ [movies], it rains. I was doing the baseball sequence [from ‘Twilight’], and it was raining. But you never see it on film,” he said of the filmmaking crew’s movie magic. “With this wedding, it rained the whole time we shot the two scenes. But you’ll never see it on film, they block out the rain. They put tarps up and you’ll never see it. But for us, it was very wet and muddy and cold.” Check out everything we’ve got on “The Twilight Saga: Breaking Dawn – Part 1.” For young Hollywood news, fashion and “Twilight” updates around the clock, visit HollywoodCrush.MTV.com . Related Photos Meet The Cast Of ‘Breaking Dawn’ On The Set Of ‘Breaking Dawn’

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‘Breaking Dawn’ Wedding Day Was ‘Wet And Cold,’ Peter Facinelli Says

Willow Smith’s Album Is Coming ‘Very Soon,’ Teyana Taylor Reveals

Songs are ‘very her,’ Taylor says at ‘Madea’s Big Happy Family’ premiere. By Kara Warner Teyana Taylor Photo: MTV News With the crazy amount of success, downloads and radio plays derived from Willow Smith’s chart-smashing “Whip My Hair” and follow-up single, “21st Century Girl,” the precocious little 10-year-old has a lot of people wondering exactly when she’ll drop a full-length album. According to musician/actress Teyana Taylor, who is writing a few tracks for Smith, that release date is inching closer and closer, and fans of “Whip My Hair” will love what they hear. At the premiere of “Madea’s Big Happy Family” on Tuesday night, Taylor told MTV News of her work with Smith, “It’s coming along great — very her. When you hear it, you’re gonna love it.” Though she’s grown up in and around Hollywood, with her parents being Will and Jada Pinkett Smith, Willow is still a newbie to the music biz. Taylor, who appeared on MTV’s hit “My Super Sweet 16,” said she sees a little of herself in the young Ms. Smith. “She reminds me of a little me,” Taylor said. “I love her style. She’s amazing, so [I’m] very excited.” Taylor revealed that the tracks she is working on will be in the same vein as Smith’s previous singles, describing them as “up-tempo, fun, dance, young, fresh, new, in the now.” And when we might hear that album? “Very soon,” Taylor promised. “Sooner than you know.” Smith has been a very busy bee over the past few months. Since releasing “21st Century Girl” and its video, she has been touring Europe with Justin Bieber. Are you excited to hear a full album from Willow Smith? Tell us below! Related Artists Willow Smith

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Willow Smith’s Album Is Coming ‘Very Soon,’ Teyana Taylor Reveals