Tag Archives: work

Drake’s ‘Miss Me’ Video Shoot Complicated By Lil Wayne’s Absence

‘It wasn’t shot the way I would have shot it,’ Anthony Mandler says of Lil Wayne footage shot before he came onboard as director. By Jayson Rodriguez, with reporting by Audrey Kim Lil Wayne and Drake Photo: Kevin Winter/ Getty Images Drake’s “Miss Me” video is the third project between the rapper and director Anthony Mandler (Jay-Z, Rihanna, Mary J. Blige), following their work together on the Toronto star’s “Over” and “Find Your Love.” According to Mandler, he and Drake are establishing an aesthetic via their collaborations. Mandler said that “Over” was about reestablishing Drake visually and “Find Your Love” was intended to make Drake the lead in an anti-love story. With “Miss Me,” however, the director said the video was a particular challenge because co-star Lil Wayne’s footage was shot prior to Mandler coming onboard. “It wasn’t shot the way I would have shot it,” Mandler explained to MTV News. “So I had to come up with a world where I had ultimate control. I think with Drake, we’re always looking for overarching themes. We’re always looking for bigger themes to hang our hat on. With ‘Miss Me,’ what was interesting to me was not the idea of ‘miss me because Wayne was gong to jail.’ Because it was deeper than that. It was the attainability verses the unattainability. And how stars and people who are public figures are expected to sit on a platform and be grabbed and watched and photographed and controlled. “The idea for me was, what happens if it’s not that clear,” he added. The director said he incorporated a set where everything was slightly off. The set was built with a converging ceiling, in order to appear smaller. The lead actress in the video was never fully shown. The Young Money star appears but then quickly disappears. “Everything is a click off,” Mandler explained. “All these unrelated scenarios are related by a textual theme and trying to play that into that, rather than some straight narrative, because we didn’t have control … ’cause we didn’t have Wayne,” he said. Related Artists Drake Lil Wayne

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Drake’s ‘Miss Me’ Video Shoot Complicated By Lil Wayne’s Absence

CNN’s Toobin: Judge’s Ruling a ‘Major Setback For Stem Cell Research’

On Monday’s Situation Room, CNN’s Jeffrey Toobin used dire language to describe a federal judge’s decision which struck down federal funding for embryonic stem cell research: “The bottom line is this is a major setback for stem cell research and for the Obama administration ….it will certainly cut way back on federal funding.” Anchor Suzanne Malveaux labeled it a ” potential wedge issue .” Malveaux led the 5 pm Eastern hour with the “breaking news” about Judge Royce Lamberth’s decision, who issued a preliminary injunction against federal funding for the life-destroying research. The anchor brought in Toobin and asked, “What does this mean today?” Toobin immediately gave his “major setback” assessment and described the grounds on which Judge Lamberth gave in his 15-page opinion. The CNN senior legal analyst, like many in the media, omitted that embryonic stem cell research isn’t the only field when it comes to stem cell research. The federal government has actually spent much more on adult stem cell research. According to a July 18, 2008 report by PBS , the NIH “spent $200 million funding non-embryonic stem cell research, and only $38 million on embryonic stem cells.” Less than a month ago, on August 2, the Associated Press actually highlighted the successes of adult stem cell research. Toobin used similarly dire language later in the report: “To be sure, the Obama administration will appeal this ruling to the D.C. Circuit, and it may well be overturned. This case has already been to the appeals court once. But if it stands up, it will certainly cut way back on federal funding for stem cell research .” But he also refreshingly noted that ” this is yet another battleground, broadly defined, of the abortion struggle in America, because, ultimately, that’s what stem cell research and the fight over embryos has really come down to .” Malveaux concluded the report with her “wedge issue” label of the controversial research. The full transcript of Suzanne Malveaux and Jeffrey Toobin’s segment from Monday’s Situation Room: MALVEAUX: Federal funding for embryonic stem cell research is now on hold- a U.S. District Court judge here in Washington issuing a preliminary injunction a short while ago. In the ruling, the judge says the research involves the destruction of human embryos, against the will of Congress. Now, this comes over a year after President Obama signed an executive order repealing Bush-era limits on federal tax dollars to study embryonic stem cells. Many Americans see that research as key to finding cures for spinal cord injuries, cancer, Parkinson’s- other diseases. I want to bring in our senior legal analyst Jeffrey Toobin, who is on the phone, to help us explain what this means.  Now, Jeffrey, in covering President Bush for all of those years, one of the things he was dead-set against was allowing for these federal dollars to be used for embryonic stem cell research. What he proposed was a compromise, saying- look, no more new funding- just allow the funding for 21 existing lines. President Obama reversed that, and now, we have the courts involved in this. What does this mean today? TOOBIN: Well, the bottom line is this is a major setback for stem cell research and for the Obama administration, because what the judge said was, that in 1996, while President Clinton was in office, Congress passed a law that said there could not be any use of federal money for research where embryos are destroyed. Both President Bush and President Obama worked within the framework because the president, unilaterally, can’t overturn a law. By expanding the opportunities for federal funding of research, as President Obama did shortly after he was elected, Judge Royce Lamberth, the judge in Washington, today said he- President Obama- violated that 1996 law. He tried to basically say that that law didn’t count any more, and the president can’t unilaterally overturn an act of Congress, and that’s why the judge suspended the Obama rule today. MALVEAUX: So, Jeff, what does this mean, in terms of projects that have already been funded? Do they continue, or do they stop, or does this mean that there’s just not additional funding for new projects? How does this work today? TOOBIN: Well, as usual, those questions will mean more work for lawyers, because Judge Lamberth’s 15-page opinion does not really deal with all the details of how this will play out in the real world. To be sure, the Obama administration will appeal this ruling to the D.C. Circuit, and it may well be overturned. This case has already been to the appeals court once. But if it stands up, it will certainly cut way back on federal funding for stem cell research, and it is not clear, from Judge Lamberth’s order, what happens to those projects that are under way as we speak. MALVEAUX: And Jeff, just real quick here, what is the next step in the legal process? Where does this go? TOOBIN: Well, the Obama administration, I assume, will go D.C. Circuit Court of Appeals and ask for a stay of this ruling while it’s appealed, but the anti-abortion/pro-life forces who were behind this lawsuit, among others, will certainly oppose that, and this is yet another battleground, broadly defined, of the abortion struggle in America, because, ultimately, that’s what stem cell research and the fight over embryos has really come down to. MALVEAUX: Okay, Jeffrey Toobin, thank you so much. Again, another potential wedge issue that may weigh-in in the midterm elections- this decision coming down today, just earlier this afternoon. 

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CNN’s Toobin: Judge’s Ruling a ‘Major Setback For Stem Cell Research’

ABC Hides Identity of Liberal Activists Advocating for More Government Intervention in Business

Good Morning America’s Bianna Golodryga on Sunday featured a liberal activist arguing for more government intervention in the form of paid time off laws and “affordable” child care. The ABC host never identified Kristin Rowe-Finkbeiner’s ideology or the fact that she’s a  Huffington Post contributor. Instead, Golodryga fretted about “bias” against women who have children. The Rowe-Finkbeiner interview and the preceding segment lamented the fact that women who have children often don’t end up making as much as men and also females who don’t have kids. Neither segment even hinted that there could be two sides to the story. Instead, Rowe-Finkbeiner was allowed to lobby, “We know that passing family-friendly policies and programs like paid family leave, like affordable child care, like access to paid sick days, like access to flexible work options, those things actually help lower the gap between women and men.” Rowe-Finkbeiner’s blogs on the Huffington Post have advocated for a number of left-wing causes, including attacking Arizona for its tough immigration law. The segment also featured a woman by the name of Kiki Peppard. Golodryga explained: “Kiki Peppard spent a decade as a successful bookkeeper before taking leave to spend more time with her kids. But, when she went to reenter the work force after a divorce, she found herself on the outside looking in.” An ABC graphic blandly identified that Kiki “had a hard time finding work.” However, according to MomsRising.org , where Rowe-Finkbeiner is the executive director, Peppard has ties to the organization dating back to 2006. Golodryga also skipped this fact. Instead, she wondered, ” So, we heard Kiki’s story. How common and widespread are stories like hers? ” Rowe-Finkbeiner played dumb: “You know, I hear from women like Kiki everyday. Kiki is definitely not alone.” ABC on Sunday went way beyond being one-sided. Not identifying either of these women, their agendas and their connections is incredibly misleading. A transcript of the August 22 segment, which aired at 8:40 am EDT, follows: BIANNA GOLODRYGA: In America’s Jobs this morning, we’re going to look at the pay gap. The disparity between what men and women make has been shrinking over the years. And while it’s still not exactly equal, it is getting better, except for one particular group of women. They’re some of the most accomplished women in the world. Supreme Court justices. A former secretary of state. Even the head of Homeland Security. But, despite their widely varying political differences, they all have one thing in common: These woman don’t have children. And experts say, that fact may contribute directly to their success. According to the University of Chicago, men and women right out of school had nearly identical incomes and hours worked. But, 15 Years later, the men made 75 percent more than the women in the group. The only exception to the room? A small group of women who never had children. Their pay equaled the men. KIKI PEPPARD: There is such a double standard. GOLODRYGA: Kiki Peppard spent a decade as a successful bookkeeper before taking leave to spend more time with her kids. But, when she went to reenter the work force after a divorce, she found herself on the outside looking in. PEPPARD: The very first question asked me was, “Are you married?” And the second question was, “Do you have any children? This went on for the first 18 job interviews. On my19th job interview, they did not ask me about my marital status. They did not ask if I had children and hired me. GOLODRYGA: It’s long been assumed women make less than men because they have more career disruptions. But the unequal pay disparity also pits moms against non-moms. Women with kids are 44 percent less likely to be hired than women without. And they’re paid $11,000 less. And in this economy, that bias can be devastating to many families just trying to get by. And joining me now from Seattle to talk more about this is Kristin Rowe-Finkbeiner, the co-founder and executive director of MomRising.org. Good morning. Thanks for joining us, Kristin. KRISTIN ROWE-FINKBEINER (executive director, Momsrising.org): Good morning. GOLODRYGA: So, we heard Kiki’s story. How common and widespread are stories like hers? ROWE-FINKBEINER: You know, I hear from women like Kiki everyday. Kiki is definitely not alone. One of the thing is that this problem is bigger than most people realized. In fact, the maternal wall standing in the way of the glass ceiling. And here’s what it looks like: Women without children make 90 cents to a man’s dollar. Women with children make only 73 cents to a man’s dollar. So, this is a big discrepancy. And we have a big issue with pay discrimination against mothers. GOLODRYGA: So, when we hear statistics like that, what can be done to level out the playing field in the workforce? ROWE-FINKBEINER: Well, we have a big issue to address. And that’s that we have a 1950s work policy structure but we have a modern labor force. We’re now more than 50 percent of the labor force are women for the first time in history. But, that doesn’t mean we’ve reached full equality as we just heard in the segment. Because, right now, women and mothers are struggling. Moms are working full time and can’t put food on the table. In fact, one in four children in our nation are experiencing food scarcity in their households because of economic limitations, according to the USDA. So, the solutions are there. We have solutions. We know that passing family-friendly policies and programs like paid family leave, like affordable child care, like access to paid sick days, like access to flexible work options , those things actually help lower the gap between women and men. And they raise all boats. Because, it’s not just moms who need the policies, but everybody needs those policies in order to excel in their life, in the workplace and with their families. GOLODRYGA: But, now of all times, with the economy being so bumpy, with jobs being even more difficult to find, what should moms who are planning on taking time off do to avoid falling behind? ROWE-FINKBEINER: Well, professional women who decide to take time out of the labor force need to do four things. One, and most importantly, they really need to keep up with their professional contacts. Maintain those contacts so they have smooth sailing when they move back into the labor force. Two, they need to make sure that their professional accreditations are up to date while their out of the labor force. Three, this is really important. They need to find a mentor. Somebody who has navigated this interesting seas before and can help them navigate through. And fourth, one thing that’s very important is to find volunteer positions that you can put on the resume while you’re out of the labor force to show that you were productive while you were staying home with kids. Not that staying home with kids isn’t an important job in and of itself. Because it is. One of the things, though that is critically important to understand is that because we have a 1950s work policy structure in our nation still, we haven’t updated our policies like most other countries have, that most women can’t stay out of the labor force. So, we have a huge problem where we, you know, don’t have paid family leave, like 177 other countries do. And because of that, we see the implications on kids with a quarter of families with young children living in poverty. So, it’s important to recognize that not that many people can stay out of the labor force. GOLODRYGA: That is true, indeed. Especially in these times.

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ABC Hides Identity of Liberal Activists Advocating for More Government Intervention in Business

3OH!3 Re-Create The Internet On The Internet In New ‘Double Vision’ Video

Clip is complete with banner ads and an arrow scrolling down the page that is the video. By James Montgomery 3OH!3 in their video for “Double Vision” Photo: Photo Finish Records When we last saw the guys in 3OH!3 , they were going green-screen crazy in the video for “My First Kiss,” a clip that took their patented brand of anti-subtlety to newfound heights. Simply put, it was a video all about kissing. A lot of kissing. In their new video for “Double Vision,” they’ve ditched the digital effects and gone DIY, with a clip that re-creates the sprawling ephemera of the Internet with a bunch of man-made tricks. In a lot of ways, it recalls the work of Michel Gondry, who eschews big-budget effects in favor of in-camera trickery and rough-hewn, eternally moving set pieces. And really, did you ever think you’d see a time when 3OH!3 would be compared to a noted French auteur? Working with director Evan Bernard (he of the Beastie Boys lyrical shout-out and eye-catching clips like Green Day’s “Minority” and the Ben Folds Five’s “Army”), 3OH!3 have done something pretty great with “Double Vision,” and it’s no stretch to say it’s their shining moment, video-wise at least. Because aside from the concept itself — let’s remake the Internet using only stuff found at most Home Depots — there are at least a dozen moments in the clip that are genuinely clever, too: subtle touches like the arrow icon that continually scrolls the screen downward (it’s controlled by a long while pipe held off-camera) and the rainbow-colored loading wheel Sean Foreman picks up and spins (while he freezes in place). There’s the way the “live” footage is presented — as video clips that only spring to life when they’re “clicked” on — and a bit that pays homage to the now-famous “Daft Hands” YouTube clip (and I’m pretty sure they got the “Daft Bodies” girls to do it). And while, sure, the inclusion of those “Plenty of Fish” ads — last seen in Lady Gaga’s “Telephone” video — is rather cloying, they’re at least done cleverly. And really, when you think about it, aren’t banner ads supposed to be annoying? (For maximum annoyance, Bernard should’ve cast some wenches to re-create those “Evony” ads.) So “Double Vision” works on many levels — it’s sort of “Inception-y” in that regard (the Internet … on the Internet) — and it’s because of all that wink-winkery that it works as well as it does. It’s a great concept, greatly executed. And it only proves that perhaps the guys in 3OH!3 would do well to show a little restraint now and then … a video doesn’t need hyper-color explosions and kissing co-eds to be successful. Though, for that to happen, they’d probably have to release a song called “Subtlety.” Who knows, maybe they’ll do it on their next record. What do you think of 3OH!3’s “Double Vision” video? Let us know in the comments. Related Artists 3OH!3

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3OH!3 Re-Create The Internet On The Internet In New ‘Double Vision’ Video

‘So-called Gay Mafia’ Adding Bias to the New York Times

The Times Business section Wednesday carried a press release of a story headlined “A Resort for Gays Rises in Manhattan: Similar Nightlife Complexes Are Springing Up in Several Cities.” Reporter Beth Greenfield talked to no one in this story except the gay entrepreneurs behind the forthcoming “Out NYC Urban Resort.” The text box was “Looking for ‘a concentrated feeling of community.'” There’s nothing in the story, for example, about the developers’ active support for Washington-based gay-left advocacy groups , as well as donations to liberal city pols and congressmen and the William J. Clinton Foundation.  Sympathy for the gay “community” is apparently growing by leaps and bounds, according to Reacttoyournews.org , the official blog of the National Lesbian and Gay Journalists Association. Michael Triplett wrote: We’ve talked about changes at the NYT before on this blog , but it’s important to remember that the last 20 years have seen a pretty amazing change at how the paper covers LGBT issues and treats its LGBT journalists.  There is still room for growth, especially in regards to promotion of lesbians and its treatment of transgender employees and issues, but the paper has come a remarkable distance in the time that NLGJA has been advocating for LGBT journalists and fair and accurate coverage of LGBT issues. After revisiting history, including some questionable comparisons of the AIDS epidemic with the Holocaust, Triplett concluded: Because of the work of NLGJA and pioneering LGBT journalists, things have changed dramatically at the paper. We are indebted to the journalists and activists who pushed for change at the paper. In a piece for Mediaite , Triplett was more explicit: Twenty years after [reporter Jeffrey] Schmalz feared telling anyone he was gay because it would harm his career, a gay man– Richard Berke –is now the national editor and a so-called gay mafia – which includes Ben Brantley, Frank Bruni, Stuart Elliot, Adam Nagourney, and Eric Wilson – hold key positions at the paper. Alas, the paper has no openly gay or lesbian voices on it editorial pages. Now, of course, gays are everywhere in the paper’s coverage and in the newsroom. Triplett also mentioned the top Times officials attending an event sympathizing with overturning the California Prop 8 vote to defend traditional marriage, which caused former Timesman Charles Kaiser to gush that the Times was now “one of the most gay-friendly institutions in the world.” Mysteriously, after all this touting of the staunchly pro-gay sympathies, Triplett thinks the question of liberal bias remains a puzzle that conservatives can’t seriously expose: Concluding “[w]hat a difference a new generation can make,” [former Timesman Charles] Kaiser said “Andy Rosenthal’s editorial page has published more brilliant editorials in defense of equal rights for gay people than any other editorial page in the world.” So does the NYT have a bias now in how it covers same-sex marriage and gays generally?  That’s probably something for the next public editor to explore. There’s no doubt that few papers cover the LGBT community  as extensively as the New York Times , but it is far from perfect. Some critics argue that gay people are much more likely to show up on the culture and arts pages than the news pages, and locals complain that the paper does a poor job of handling news that involves the local LGBT community. In addition,  lesbians still remain largely invisible in coverage (and in the newsroom). And, of course, conservative critics of the paper will always contend there is a strong pro-gay bias, not [sic] matter the facts on the ground.

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‘So-called Gay Mafia’ Adding Bias to the New York Times

Drake And Lil Wayne: We Rank Their Top 5 Collabos!

From Young Money posse cuts to the latest ‘Miss Me,’ the MCs are a dynamic duo when they share a track. By Jayson Rodriguez Drake and Lil Wayne Photo: John Shearer/Wireimage Drake premiered his latest video, “Miss Me,” on Thursday. After dropping his first two singles, “Over” and “Find Your Love,” the Toronto lyricist decided to deliver a collaborative effort on this round, teaming up with his mentor, Lil Wayne. And as this clip shows, from mixtape offerings to Young Money posse cuts and beyond, the pair have proven adept at trading rhymes on the same track. Earlier this year, Drake even confirmed he and Weezy would work on a joint LP together. Before that project arrives, MTV News went back through their work to present Drake and Lil Wayne’s top 5 collabos thus far.

Clint Eastwood’s Hereafter to Close 2010 NY Film Festival

The Film Society of Lincoln Center this morning announced its selections for the 48th New York Film Festival, which includes the U.S. premiere of Clint Eastwood’s mortality drama Hereafter among other work by Jean-Luc Godard, Mike Leigh, Olivier Assayas, centenarian Manoel de Oliveira and this year’s Palme d’Or winner Apichatpong Weerasethakul. And while we’re importing from Cannes, we might as well include that notorious Mexican cannibal flick while we’re at it. Click through for the full line-up (Including previously announced opening-night and centerpiece selections).

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Clint Eastwood’s Hereafter to Close 2010 NY Film Festival

Obama, Daughter Take a Dip in the Gulf

President Barack Obama and his daughter Sasha took a dip in the water on Saturday afternoon during their brief family vacation in Panama City Beach. White House officials said the two went for a swim at Alligator Point, behind their hotel, before eating lunch at Lime's, a waterfront restaurant at the Bay Point Marriott. Below are earlier versions of this report: 3:30 p.m.: PANAMA CITY BEACH — The first family indulged in a simple lunch by Grand Lagoon at Lime’s Bayside Bar and Grill at the Bay Point Marriott on Saturday afternoon. Early rain eased for the family, allowing them to dine outside on the dock under a partly cloudy sky, despite the heat and humidity. The first family’s menu included chicken tenders, fish tacos and a burger with an order of guacomole. White House officials said the family shared each of the items. Lunch was taken at a leisurely pace appropriate for the family vacation; President Barack Obama, first lady Michelle and their daughter Sasha spent a few hours at the hotel before departing for their next destination, which has not been announced. — 2:15 p.m.: PANAMA CITY BEACH — The oil has stopped flowing and the well has been capped, but the work is far from over in restoring the Gulf region to the pristine condition it enjoyed before the Deepwater Horizon oil spill. With a backdrop of U.S. Coast Guard ships at Navy Support Activity Panama City, President Barack Obama on Saturday vowed he and his administration will not slacken their efforts in the Gulf until the environment and economy are fully recovered. “Our job is not finished, and we are not going anywhere until it is,” he said. VIDEO: President speaks at Naval Support Activity Panama City

‘Scott Pilgrim vs. the World’: The Reviews Are In!

One critic hails a ‘more heroic’ portrayal by star Michael Cera, while another calls the comic book flick ‘one long, sneering in-joke.’ By Eric Ditzian Michael Cera in “Scott Pilgrim Vs. The World” Depending on who you hang out with and what websites you frequent, “Scott Pilgrim vs. the World” is either the most authentic coming-of-age love story that’s ever been told about kids who grew up with 8-bit video games or a movie that will leave you screaming, “Death to hipsters!” What else is there to say? To read through reviews of Edgar Wright’s film is to understand how fully a critic’s biography and aesthetic vision influence his or her writing. We bring our own personal baggage to the cinema, even if we all feed from the same bin of stale popcorn. We’ve gathered together a few of these wildly divergent reviews. Before making up your mind about whether you’re a “Scott Pilgrim” fan or hater, you can check out what the critics are saying. Or better yet, see the movie yourself, and then make up your mind. The Story “Over-explaining Scott Pilgrim’s plot would take away from the Pop Rocks-exploding fun. Scott (Michael Cera) is the 22-year-old bassist for a mediocre Toronto punk band called Sex Bob-Omb. (Their songs, which I found a bit too realistically mediocre, were written by Beck.) Scott has a sassy gay roommate (Kieran Culkin), a meddling sister (Anna Kendrick), and a girlfriend, Knives Chau (Ellen Wong), a Sex Bob-Omb superfan who’s still in high school. But Scott falls hard when the purple-haired, poker-faced Ramona Flowers (Mary Elizabeth Winstead) moves to town. To win her, he must not only summon the courage to break up with Knives; he must defeat an evil legion of Ramona’s seven exes, who include a vegan rock star (Brandon Routh), a Bollywood-dancing Goth (Satya Bhabha), and twin Japanese DJs (Shota and Keita Saito).” — Dana Stevens, Slate . The Visuals “The movie does everything its makers can dream up to imitate a manga: Screens split in half and then in half again. Action speeds up or slows down. Comic book word sounds — ‘whoosh,’ ‘r-i-i-i-i-n-g,’ ‘thud’ and the like — pepper the screen. Backstories about exes are told in rudimentary sketches. The movie frame becomes a graffiti zone where the filmmakers can insert all sorts of written commentary including the fact that a character has to pee.” — Kirk Honeycutt, The Hollywood Reporter. Michael Cera “As Pilgrim, Cera is more assertive and, yes, heroic than he has been in most of his work (though there is ‘Youth in Revolt’ to bear in mind). He’s gone past the stammering gawkiness of his early work into something less adolescent, if not fully mature. The transformation hasn’t reached a conclusion yet, but it’s interesting to watch.” — Shawn Levy, The Oregonian. The Director “Much of the movie’s whacked-out humor is the work of the director. Wright’s facility with eccentric ornamentation — bursts of canned laugh-track laughter, proudly cartoonish graphics, dreamscape enchantments and sudden split-screenery — is irresistibly endearing; and his whiz-bang editing is a marvel throughout. (He’s always one step ahead of the viewer, suddenly taking us places we didn’t realize we were ready to go to yet.) And the script, which he co-wrote, is a feast of deadpan throwaways. (‘I’ve dabbled with being a bitch,’ says Ramona. ‘My brother is permanently enfeebled,’ notes Stacey.)” — Kurt Loder, MTV News . The Dissenters “The story and characters of ‘Scott Pilgrim vs. the World,’ then, are negligible. But fans of the novel aren’t likely to care, reserving their most passionate interest for how director Edgar Wright has brought their precious antihero to the screen … He dials ‘Scott Pilgrim vs. the World’ up to 11 within minutes, leaving him nowhere to take the narrative energy. Trippy onscreen titles (‘Riiiing!’ when a telephone rings, ‘Dddddd’ when someone plays the bass), Super Mario Bros. graphics, light saber duels, jump cuts, screen wipes, zingers, quips and doggerel — it’s all played with the same emphasis and knowing insularity. Unless you can hear its particular whistle, ‘Scott Pilgrim vs. the World’ is a grind, as monotonous and enervating as one long, sneering in-joke.” — Ann Hornaday, The Washington Post. The Final Word “There is plenty of [visual wit] in ‘Scott Pilgrim vs. the World’ — fast cuts, off-kilter puns, sight gags and sound effects in such profusion that you may want to see it again as soon as it’s over. But underneath is a disarming sincerity and a remarkable willingness to acknowledge ambivalence, self-doubt, hurt feelings and all the other complications of youth. At the end, the movie comes home to the well-known territory of the coming-of-age story, with an account of lessons learned and conflicts resolved. But you’ll swear you’ve never seen anything like it before.” — A.O. Scott, The New York Times. What did you think of Michael Cera’s latest flick? Share your reviews in the comments! Check out everything we’ve got on “Scott Pilgrim vs. the World.” For breaking news and previews of the latest comic book movies — updated around the clock — visit SplashPage.MTV.com . Related Videos MTV Rough Cut: ‘Scott Pilgrim Vs. The World’ ‘Scott Pilgrim’ Takes Over The World ‘Scott Pilgrim Vs. The World’ Clips Related Photos ‘Scott Pilgrim Vs. The World’ ‘Scott Pilgrim Vs. The World’ Premieres In Los Angeles ‘Scott Pilgrim Vs. The World’ Exclusive Clip Highlights

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‘American Idol’ Producer Nigel Lythgoe Discusses Show’s Future

‘I’m reading so much baloney,’ Lythgoe says of rumor-filled search for new judges. By James Montgomery Nigel Lythgoe Photo: Stephen Shugerman/Getty Images Earlier this month, it was announced that Nigel Lythgoe would be returning to “American Idol” as an executive producer, ending a two-year absence during which the once-mighty show took a tumble, in terms of both ratings and cultural relevance. His return couldn’t have come during a more tenuous time for “Idol,” which has already seen the departures of iconic judge Simon Cowell , quickly improving Kara DioGuardi and, uh, genuinely nice Ellen DeGeneres . In fact, at the moment, the show has just one judge under contract for next season (that would be Randy Jackson) and has embarked on a lengthy, rumor-filled search to find two new talents to pair him with, with Aerosmith frontman Steven Tyler and, until recently, Jennifer Lopez the reported frontrunners. Obviously, Lythgoe has his work cut out for him. Rumors abound that he’s contemplating a massive overhaul of the show, though in a new interview with Yahoo Music he kept his plans close to the vest while making it very clear that he believes “Idol” ‘s flagging fortunes can be reversed. “Listen, I wouldn’t be going back if I didn’t think the show could be turned around,” he said. “I do think if we put the focus back in the right place, which is on that young talent, [then] why wouldn’t it be successful?” Lythgoe also downplayed reports that J.Lo’s diva-like demands had taken her out of consideration for the “Idol” judges’ table, and cautioned that no one should believe anything they’ve read about just who will be joining Jackson on the show. It’s still very early in the process, after all. “I’m reading so much baloney in everything. There was something in the press saying Jennifer Lopez is a diva. That woman is in no way a diva, they don’t know what divas are if they think Jennifer Lopez is one. … There is so much rubbish going on,” he said. “My feeling is [the selection process] depends on the content of the panel, and the chemistry within it. I don’t care if they’re Romanian, as long as they fit in with the people around them, and we get a feeling that they know what they’re talking about. “All you want [in an “Idol” judge] is somebody who’s going to be honest with their decisions, not somebody who’s going to say things to be nice,” he continued. “And why would a star, in truth, want to come on that show and say, ‘You were crap tonight?’ because that star is going to be booed. … So it’s going to be really difficult. You just want honest people.” To that end, Lythgoe added that “Idol” might just choose a few lesser-known talents to serve as judges. After all, it worked in the past, and Lythgoe sees no reason why it couldn’t happen again. Such a move just might return the focus of the show back towards the contestants. “Don’t forget, when I started ‘American Idol,’ I brought over Simon Cowell, who no one had heard of, and a young man called Randy Jackson … and Paula Abdul, who a lot of people had said, well, her career is over,” he said. “And that was the start of a team that will be revered every time judges are spoken about. So it isn’t just about what you’ve done in your career, it’s about how you fit in with other people around you. And at the end of the day, it’s about the contestants and their talent, and it’s not about the judges.” Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos Who Should Replace Simon Cowell On ‘American Idol’?

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‘American Idol’ Producer Nigel Lythgoe Discusses Show’s Future