Even though no cameras were allowed inside to film, we managed to get our hands on a few shots from Beyoncé’s “I Was Here” video shoot at the United Nation’s Assembly Hall Friday. Flip through to see her work and post up with U.N. staff.
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For The Stans: BeyBey Seen On The Scene At The U.N. Filming Her “I Was Here” Video [Photos]
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Tagged Beyonce, black celebrity gossip, celeb news, hands, Hollywood, twitpic, United, video-shoot, work
A long time ago in a culture far removed from this one — 1987 to be exact — cinematic satirist Mel Brooks took on box-office game changer George Lucas’ Star Wars franchise and didn’t end up in the Hollywood equivalent of a Sarlacc Pit. Substituting the Schwartz for the Force, Yogurt for Yoda and Pizza The Hutt for Jabba, Brooks gave us Spaceballs and made us laugh harder (intentionally) than Jar Jar Binks ever did. To celebrate the movie’s 25th anniversary, Sony has released a commemorative Blu-Ray edition that mostly does justice to this comedy gem. The Film: Spaceballs (1987) Why It’s An Inessential Essential: Although Life Stinks (1991) was Mel Brooks’ last sturdy feature, the often gut-bustingly funny Spaceballs was his last really inspired comedy. Like many of Brooks’ earlier films, Spaceballs spoofs generic and genre cliches. In this case, the director aimed his blaster at science fiction and fantasy films, Star Wars in particular. Viewed 25 years after its theatrical release, Spaceballs suffers from lopsided structure and occasional laziness, but the movie repeatedly breaks down the fourth wall with such zeal and absurd charm that it’s impossible to resist. (It’s worth noting that the movie was released during the heyday of the Bruce Willis/Cybill Shepherd ABC comedy series Moonlighting , which was heralded for doing the same.) A large part of the movie’s giddy appeal is its game cast, led by SCTV Jedi the late John Candy and Rick Moranis. Candy plays the Wookiee-like Barf and Moranis is particularly hilarious as the clutzy, over-compensating Darth Vader spoof, Dark Helmet — a puny man topped by enormous circumcised headgear. As ringmaster of this circus, Brooks (who also appears in the movie as both President Skroob and Yogurt) is at a point in his career where he’s starting to toss things against the wall out of sheer desperation. And because he’s working with talented comedians and co-writers, most of what he throws sticks. The move is a collection of blisteringly strange and funny sketches, such as the one where Helmet fantasizes about seducing Princess Vespa (Daphne Zuniga) while playing with a set of action figures that includes an even tinier facsimile of himself and the Druish princess. Brooks’ wise-ass, Brecht-by-way-of-Vaudeville sensibility is at the core of the movie’s cantankerous, Yiddish sensibility, and though some of the yucks feel a tad musty, the movie is never tedious. Riffs on cash-in sequels, “Moichandizing” and “turning off the movie” demonstrate that, at that point in his career, Brooks’ cultural comedy mojo was still working. Indeed, Spaceballs doesn’t just hold up as a laugh riot. It’s still highly quotable right down to the characters’ names. (Yogurt! Pizza The Hutt!). “May the Schwartz be with you” still provokes laughter after all these years, as does Barf’s “Funny, she doesn’t look Druish” comment about Princess Vespa. And when the Spaceballs and Dark Helmet land on the Planet of the Apes, one of its denizens grouses; “Oh shit, there goes the planet.” How the Blu-Ray Edition Makes the Case for the Film: The best special features on Sony’s25th anniversary release are the least serious ones. New interviews with a doddering and-haughty Brooks don’t contribute much. (“We were looking for a new genre to destroy,” he exclaims at one point). Much more satisfying is a very funny list of continuity errors in the film, including, a scene in which Dot Matrix (Joan Rivers playing a droid even bitchier than Anthony Daniels’ C-3P0) appears to stop leaving a trail behind her in one desert scene. The film’s gag audio commentary tracks are also suitably ridiculous. One is in “Mawgese,” presumably the native language of Barf, another, in “Dinkese,” the mother tongue of the Jawa-esque Dink Dinks. Unfortunately, the Blu-Ray edition does not markedly improve the picture quality that was found on the 2005 DVD release of Spaceballs . There are still notable visual blemishes, including artifacts that resulted from poor video compression. Still, the dual Blu-Ray/DVD package is worth buying if only because the menus included on the new DVD release are more interactive and the features they include are more impressive than the last time around. Other Trivia: The new 25th anniversary Spaceballs Blu-Ray is loaded with new special features. If you’re a dedicated Mel Brooks fan — even one who lost faith or interest after Robin Hood: Men in Tights and Dracula: Dead and Loving It — you’ll probably get a big kick out of the jokey introduction he recorded to the film’s original trailer. Brooks’ audio commentary track is also worthy, even if he is more than a little full of himself after the wild (and not entirely deserved) multi-platform success of The Producers . Compared to the meager 2005 DVD release, which came with a making-of featurette and a skimpy souvenir booklet, Sony’s 25th anniversary Blu-Ray release is a much more comprehensive presentation of the film. Simon Abrams is a NY-based freelance film critic whose work has appeared in The Village Voice, Time Out New York , Vulture and Esquire . Additionally, some people like his writing, which he collects a t Extended Cut . Follow Movieline on Twitter .
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Spaceballs On Blu-Ray: 25 Years Later, The Schwartz Is Still Strong In Mel Brooks’ Star Wars Spoof
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Tagged csi, Hollywood, julie delpy, Princess, rivers, spaceballs, sunset, trivia, work, writing
Filmmaker and actress Julie Delpy won accolades at the Berlin International Film Festival back in 2007 with her hilarious 2 Days In Paris , in which she starred opposite Adam Goldberg as a couple who stop off in Paris for a short visit, staying with her parents en route back to the U.S. Delpy, who wrote and directed the feature that did solid numbers in release jiggered the formula for a sequel, 2 Days In New York , which debuted at the Sundance Film Festival in January. This time, she stars opposite Chris Rock , and similarly to Paris her family factors into the dialog-heavy plot that’s riddled with eccentricity, social commentary and crazy mishaps. In the film, Delpy’s character Marion is now living with her boyfriend Mingus (Chris Rock) in a New York apartment with their cat and two children from their previous relationships. Marion’s father (played by her real-life dad, Albert Delpy), her sister and her over the top boyfriend suddenly decide to pay a visit from France, unleashing another 48 hours of family drama. Similarly to 2 Days In Paris , Marion’s family is sometimes unnervingly open in their discussions about sexuality and other topics most would consider crosses social boundaries. The French-American cultural disconnect only amplifies the gulf and the result is laugh out loud funny. Julie Delpy and Chris Rock chatted with ML about the film at Sundance. Initially Rock was about to leave, but sat down for a few minutes before heading out of Park City. Delpy, who first acted in none other than French-Swiss maestro Jean-Luc Godard’s Détective in 1985 and has since gone on to do many roles including Before Sunset , has since taken on the director’s hat herself and is a steadfast filmmaking convert. She talks about making films outside the studio system, though she said she’d like to try it sometime and would consider it another welcome challenge. In fact, she would like to try almost everything – almost… Similarly to 2 Days In Paris , you pulled together financing through Europe, can a dialog-driven film exist within Hollywood or is this the only way to put together a film like your latest, 2 Days In New York ? Julie Delpy: I never even thought of going to a studio. It’s just the way I do things. I put the financing together through a European financing system and it’s not easy – it’s a struggle. It might be easier in a way to go to a studio Chris Rock: I think it depends on who you are as a filmmaker. JD: I’m sure if it was through a studio, I wouldn’t be able to do this film exactly the way it is. Though I’m not really sure because I’ve never really been approached by a studio. I’m not sure if they know who I am or know I’m a filmmaker. They don’t even know I’m an actress – trust me [laughs]. CR: I think it depends on who you are as a filmmaker determines how much control you will have and, you know, if you want more control, you’re better off not going through a studio, which isn’t necessarily a bad thing. JD: Some things in this movie may not have been their whole thing. They may have wanted a different ending, though honestly, I don’t know what they would want because I haven’t worked with them. For me, I just do it in the way I know how. How did you both come together for this project? CR: I saw 2 Days in Paris and I Loo-oooved 2 Days in Paris . JD: I’d seen his work and have always loved his work. I met him briefly once and he stuck in my mind. The minute I thought of doing a sequel to 2 Days in Paris , I knew I was going to be in a relationship with Mingus who is going to be Chris Rock, so he just came to my mind How has this contrasted with your most recent work Chris? CR: It’s fun, but the French thing – you have to get used to the fact you don’t understand what people around you are saying, but other than that it wasn’t much different than any other movie. I found working with the star and director was easy because you’re always talking to the boss. It’s harder when you’re talking to different people about different things. Because normally when you’re doing a movie, the star is kind-of half-way the director anyway… If the star doesn’t like what’s happening, you’re going to do what the star wants 90% of the time anyway. I hope I get to work with more star-directors… I read that when you were writing this story, you said you wanted to build on “real ground,” what did you mean by that? JD: I spent a lot of time with [Krzysztof] Kieslowski after we did White (1994) talking about movies and writing and everything. He’d tell me that I’m such a movie buff and I was obsessed. He’d tell me, ‘I haven’t seen this, or I haven’t seen that,’ and I’d say, ‘what have you seen?’ and he’d tell me, ‘real life.’ And that stuck with me. What can be more true than take some truth and build something from that. Obsession with death for instance – so something like that – and build from there into a story. 2 Days in New York is grounded in reality. There’s a couple with kids re-constructed and brought together… [ Chris Rock is pulled out of the room at this point and they say their good byes ] [ Continuing ]: I like to base my stories on simple things. It could have been a drama, but I love comedy so that’s what I did. But for this, I like to incorporate things that I know. So in it, I talk about my mother’s death. She actually passed away three years ago. She was in 2 Days in Paris and she was a wonderful actress. So she couldn’t be in this film obviously, so I had to find a way to talk about it… Your father is in this film as he was, of course, in 2 Days in Paris. Are his antics in the film similar to how he is in real-life? Yeah he’s very crazy. He’s very funny and very light, but also a very profound person. He’s not a superficial person at all. He’s fun and he likes to laugh and loves life, but he also has profound problems. He’s not happy all the time, but if we’re at a festival and the film’s playing well then we’re all happy. For me it was great to write parts for my parents in the first film and in this film for my father. It’s wonderful to be able to do that. They gave me so much by exposing me to film. My father gave me directing education through his past direction of plays. They gave me so much, so I’m glad I could give back a little bit. He keys a Hummer in this film in one memorable NYC street scene, and I was thinking it’s his almost child-like rebellious way of perhaps lashing out about global warming… Yeah exactly, that is a stand on global warming. Is he like that in real life? No, but my dad hates cars. They’re all over the place in Paris and they park on sidewalks and have no respect. As he ever keyed a car? No, but he’s joked about it for years so I let him have his fantasy in the film. I mean, I hate cars too. I live in L.A. so of course I have a car, but it’s the only real way we have for transport. But we’re polluting every moment of the day and we’ll pay for it. We’ll be gone [some day]… But Earth will be ok, but it’ll shake us out. So what do you think about Sequels? What about a 2 Days in L.A. or 2 Days in Tokyo ? I think the franchise is going to stop there. I’m not a James Bond kind of girl. I think it stops here at 2 Days in New York . But I’d certainly like to direct more films and will if given the opportunity to do it…I have a lot of friends who are directors and they call me to ask if I’d like to be in them – people like Richard Linklater etc. or maybe not someone who’s my friend but just someone I really like, but I think my first desire is filmmaking. What other kinds of stories do you want to do? Everything. Just everything from sci-fi to dramas – but maybe not sports movies. It’s not that I don’t like sports movies, but it’s just that I don’t get it. I don’t really understand sports, but everything else I’d like to do. I’d like to do a thriller, though I don’t know if I’d be good at it, but I’d like to try it. Maybe it’s pretentious and I’m crazy and all that, but I think I will do a thriller one day. It’s such a struggle to make movies. With this movie, we stopped two weeks before we started shooting and the film fell apart and then we put it all back together and then four weeks into the shoot we stopped. It was really, really hard. Was it harder than 2 Days in Paris ? In a way it was. There was more money involved with shooting in New York. I thought Paris would be more expensive. No, Paris is much less expensive. New York is… I think $3 million went into trucks, so I mean it’s really expensive. I mean like basically it’s very very expensive. And it’s fine if you have the money, and we had the money, but when the money fell apart at the last minute, it was just drama. It was the most painful experience to think you’re about to shoot and then everything just stops. Would you consider going a different route when tackling some of the other stories and genres you’re interested in doing down the line – maybe even the studios? I think I would do it if given the opportunity. But I’m also interested in working within limitations. I have limitations with my films which is typically major financial limitations, but having a studio tell you what to do would be a limitation too, but it would be manageable. I think the only thing that’s not manageable is death. People dying or people who are sick is not manageable. Everything else is nothing. You know I consider in life, people in movies lose perspective because it becomes so important… I’m not like that. It’s life, there are people dying around you, there’s craziness – that’s serious. A studio telling me what to do, that’s manageable. That’s just a boss telling you what to do and that’s fine, I’ll do my best within my limitation… So if that opportunity came along, then you’d do it? Yes, it’s almost fun to me, it would be a fun thing to do.
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Julie Delpy Unleashes More Tongue Lashing In 2 Days In New York
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Tagged adam goldberg, chris-rock, director, european, Family, film, julie delpy, mind, mma, movie, New Movie, sister, sunset, the movieline interview, work
The Bourne Legacy is a passable movie that has the peculiar misfortune of being part of a very successful, influential and distinctive franchise. Box office-wise, this is probably not going to be much of a hardship, but in terms of content and style it definitely suffers in comparison. The Bourne predecessors, particularly the two directed by Paul Greengrass, are by my count some of the most exhilarating action movies in recent cinematic history. The Bourne Legacy is not. Still, it has two very good leads in Jeremy Renner and Rachel Weisz and a few tense, rangy sequences in a half-restored house in the Maryland woods and in the sterile confines of a high-security lab. Tony Gilroy , who worked on the screenplays for the past three films in the series, gets a bump up to director in this installment (he also shares a writing credit), but, that jowly opening fight in Duplicity aside, he’s no great facilitator of action scenes. Gilroy also has to reverse engineer this ungainly “sidequel” to fit around the existing mythology of the previous trilogy without overlapping it too much — Jason Bourne ( Matt Damon ) himself is mentioned many times while never appearing, but his actions are what spur the events in this film, which takes place in approximately the same time frame as The Bourne Ultimatum . The result is a convoluted back-end story that’s grouted around what’s happened before, but is essentially the tale of a brutal clean- and cover-up. Bourne looked for clues to his identity and his reason for being; Cross (Renner), the hero of The Bourne Legacy , is just trying to stay whole. It’s a process that’s more complicated than straightforward survival for him. Cross is an agent of Outcome, which, like Blackbriar, is a successor program to Bourne’s black ops Treadstone operation. The twist for Outcome participants is that they’ve had their physical and mental abilities enhanced by a carefully managed regimen of space age pills adjusted for their specific chemistry — “chems” are what Cross calls them, and the frequency of his insistent demands for them could be the basis a decent drinking game (it turns out he’s got a good reason for not wanting to degrade back to his standard self). Out of fear it’ll be discovered in the Blackbriar/Jason Bourne fallout, Outcome is shut down and everyone involved, agents and scientists alike, are killed. Cross happens to escape the burn down, and goes in search of the sole surviving doctor from the lab, Marta Shearing (Weisz). She’s been made a target herself, and before you know it the two are off and running to a facility in the Philippines where they hope to stabilize Cross’ condition while the National Research Assay Group, led by Eric Byer (Edward Norton), use all the technology and operatives at their disposal to track them down. Renner’s Aaron Cross is no Jason Bourne, in welcome ways. Where Bourne was half traumatized boy scout, half instinctual killing machine, Cross’ eyes are wide open — he’s had no mental break, no soul-deep shock from which to recover, no dark past to rediscover. He’s also matter-of-fact and funny, with traces of the worldly swagger Renner showed as his disturbingly fearless bomb disposal expert in The Hurt Locker ; in the midst of the on-the-go running that makes up most of the film, he manages to get a laugh out of the outrage he displays when Marta reveals she doesn’t know his name. Weisz plays her character as a dorkily committed, slightly scattered professional who’s always focused on the results of rather than the reasons behind her work, and who’s only slowly realizing the seriousness of what she’s been involved in. There’s not much time for nookie in The Bourne Legacy ‘s multinational pursuit, but the pair have the crackle of legitimate chemistry, enough to make you want more scenes of them together and less of them in visually garbled clashes and chases. The Bourne Legacy mimics the nigh revelatory look of the second and third Bourne movies without sharing their stomach-dropping sense of space and awareness of the physicality of their characters (the cinematographer is Oliver Wood, who also shot The Bourne Identity and The Bourne Supremacy ). The brief fight scenes seem edited together punch by punch, while a race across Manila rooftops recalls the Tangier sequence in Ultimatum without its clammy-palmed tautness — it looks more like your now-standard blockbuster parkour display. The aspects of The Bourne Legacy that work, chief among them Renner and Weisz, feel like they should somehow be salvaged and put into their own potentially more standard action movie. As is, the film feels hampered by its own franchise, by the shoehorned-in scenes in which David Strathairn, Joan Allen, Albert Finney and others continue their covert agency cold wars that are now once removed from what’s happened to our current protagonist, and by the awkward extended intro in which Cross has been sent on a kind of probationary exercise into the wilds of Alaska during which he literally wrestles a wolf. And as the latest bureaucrat-cum-villain, Norton has distressingly little to do but bark orders at techs operating computers, the lone flashback to a past interaction with Cross giving no great sense of tie between the two, or weight to the high-tech cat-and-mouse game. Like much of the movie, Norton’s presence has a patient, diligent quality to it, as if what’s on screen is just a slog to get through before some promised fun in the next installment. Follow Alison Willmore on Twitter . Follow Movieline on Twitter .
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REVIEW: Despite Renner Power, Bourne Legacy Is A Slog Of A Sequel
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Tagged bourne, bourne legacy, cinematographer, cross, events, film, jason-bourne, movie, New Movie, rachel weisz, technology, work
I have a feeling most of you bitter losers are going to love this video because for some reason….we like seeing people fail…especially when the person failing are young millionaires, either self made or trust funders, rich enough to have a Ferrari and a model looking girlfriend…you know the kind of guy you kinda wish you were, but would never admit you did, because it is pretty pathetic that deep down you aspire to be some lame rich kid, with a model girlfriend, who may or may not be actually lame, but who is pretty hysterical when he runs over a cops foot and gets himself arrested to avoid a ticket, one of those logical moves that his lawyers will get him out of, that are so not gangster, but are so ridiculous….but not as ridiculous as seeing him struggle on the ground like a little pussy that cops will make a lesson out of, cuz every hard worker hates punks like this, even if they are self made, they are still fucking annoying….
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Guy in Ferrari Runs Over Cops Foot of the Day
Tagged bennyhollywood, celeb news, finger, Hollywood, made-or-trust, Pictures, stars, TMZ, underwear, video, video-because, work
Candice Swanepoel is so good at Bikinis that she gets paid for the shit, but unlike someone who hates his work, you know since her work involves getting half naked, she just fucking goes at it for free, pretty much giving all her paying customers the finger, saying “you motherfuckers pay me 15,000 dollars a day for shit I do for free”….and I am just glad she does, because she’s pretty perfect…all girls should look like this and if they don’t, it is our job to encourage them to stop eating Fast Food, to develop an eating disorder, to hit the gym and to make magic….or just fuckin throw the fucking towel, get pregnant by a willing man, cuz there is always a willing man desperate to fuck anything as to not live a life alone, there’s no point in trying anymore cuz Candice Swanepoel wins….you fucking loser…
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Candice Swanepoel Hot on Instagram of the Day
Tagged celeb news, finger, Hollywood, Nsfw, Pictures, pretty-perfect, stars, TMZ, topless, willing-man, window, work, work-involves
Los Angeles Plastic Surgeon Charged With Secretly Taping Patients While They Undressed What a creeper! One of the guys behind some of the knifed up action going down in Hollyweird has been arrested for acting like a Peeping Tom and a Chester The Molester AT WORK! A notable plastic surgeon who transforms Hollywood’s rich and famous also allegedly filmed them fully unclothed without their consent. He now faces serious charges that could land him in jail for two years and on the registry of sex offenders for the rest of his life. Lance Everett Wyatt, 42, of Sherman Oaks covertly videotaped his patients as they undressed, according to authorities. The Los Angeles plastic surgeon faces six misdemeanor charges. The allegations against Wyatt – director of the Wyatt Center for Plastic Surgery and the Institut d’Esthetique – include unlawful filming of another person, unlawful viewing of another person, sexual battery on a patient and unlawful use of force and violence, according to the Medical Board of California. During a post-operative exam, a patient noticed a video camera recording her undressing. She brought the camera to the police, triggering a year-long investigation by the attorney’s office and California’s Medical Board, reports KTLA. City Attorney Carmen A. Trutanich announced the accusations against Wyatt on Thursday. “Patients deserve to feel safe and secure while in the care of their physician,” Trutanich said in a press release. “Our charges allege that Dr. Wyatt violated that sacred trust and he should be held accountable.” Upon reviewing the video footage, the L.A. Attorney’s special victims section saw Wyatt allegedly touching at least one patient inappropriately, prompting the sexual battery charge. Linda Whitney, executive director of the Medical Board, is dedicated to protecting patients from such conduct violations. “The mission of the Medical Board is public protection,” she said, “and this action reflects the Board’s ongoing commitment.” Wyatt’s credentials are impressive, to say the least. He was a clinical fellow in surgery at the Harvard Medical School and the chief resident in the Harvard Combined Plastic Surgery Residency Training Program. Throughout the 1990s, he worked at the David Geffen School of Medicine at UCLA, where he received his medical degree. His peer-reviewed literature has appeared in worldwide forums and he has authored six textbook chapters, according to his website. EBONY Magazine listed Wyatt as one of the 50 Leaders of Tomorrow. Wyatt has appeared on multiple television programs, such as “The Doctors” and “20/20.” SMH… Guess he won’t be getting any more profiles in Ebony Magazine. Shame on ninja doctor! Source
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Perverts: Plastic Surgeon Popped For Secretly Videotaping Patients In The Buff!
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Tagged arrests, bennyhollywood, celeb news, Celebrity Gossip, medical-board, put on blast, TMZ, video, work, wyatt
Conor Kennedy may need to be on the lookout for future songs penned in his dishonor… because the 18-year old son of Robert Kennedy Jr. and Mary Kennedy is totally dating Taylor Swift! Consider the evidence: On July 25, Swift and Kennedy were spotted chowing down pizza in Mount Kisco, New York, walking out of the establishment”hand in hand,” according to a People Magazine source. A few days later, they dined with friends in Cape Cod, with Taylor reportedly cozying up to Conor and “smiling a lot,” onlookers say. Ironically, Swift had previously been linked to Patrick Schwarzenegger , a distant relative of Conor’s, after photos captured her hanging out with Arnold’s son during July 4 weekend. But she was actually spending time over that holiday with Kennedy. On December 3, meanwhile, the connections will continue: Swift will be honored by the Robert F. Kennedy Center for Justice and Human Rights due to her commitment to social change, notably her work against bullying and LGBT discrimination. [Photo: WENN.com]
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Conor Kennedy and Taylor Swift: Totally Dating!
Hopefully this won’t be the book cover… Dennis Rodman Writes A Children’s Book Don’t expect Dennis Rodman to look to prepaid cards or payday loans to help pay his massive child support debt …..cause he’ll be writing children’s books and selling them to your kids. Would you let NBA Hall of Famer Dennis Rodman teach life lessons to your kids? The question may soon be answered when the former basketball star releases his own children’s book entitled: Dennis The Wild Bull. Reportedly, Rodman wants to inspire kids by writing about he overcame some of the challenges he faced as a young person. The Huffington Post reports: Dennis Rodman has staked his claim in the literary world before, penning four autobiographical titles, including 2005′s “I Should Be Dead By Now.” But the Hall of Famer’s newest work, “Dennis The Wild Bull,” isn’t the latest account of his raucous life, it may actually be a prequel — written for children, TMZ reports. Details on the children’s book, which is slated to be released later this year, are minimal, but according to a website dedicated to the work, it will “convey good lessons to children based on Dennis’ own experiences as a world class athlete while overcoming obstacles as a child.” Rodman teamed up with author/screenwriter Dustin Warburton and illustrator Dan Monroe to create the book. We’re actually glad that Dennis is doing positive things now days. Would you buy his book for your children? Source
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How Not To Be Like Me: NBA Hall Of Famer Dennis “Raunchy ‘Ranny” Rodman Writes A Children’s Book
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Tagged black celebrity news, child-support, create-the-book, dennis, famer-dennis, invalid, nba, News, rodman, smh, Sports, work
Chad Everett, a television actor best known for his work on Medical Center from 1969-1976, has passed away. He was 75. The star lost a battle with lung cancer at his home in Los Angeles yesterday, according to The Associated Press. Everett’s daughter confirmed the news. A Golden Globe-nominated actor, Everett also appeared on The Love Boat , Melrose Place and more recently on episodes of Supernatural and Castle . He also took on big screen roles that includes The Firechasers and Gus Van Sant’s Psycho . Everett is survived by two daughters and six grandchildren. He is wife of 45 years, and fellow Medical Center co-star, Shelby Grant, passed away last year.
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Chad Everett, Veteran TV Star, Dead at 75
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Tagged celeb news, detected, Gossip, House, lost, lunch-at-nine, press-everett, psych, r.i.p., supernatural, work
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