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John Lennon’s Final Interview Published On 30th Anniversary Of His Death

Rolling Stone releases full-length interview conducted three days before Lennon’s death in its year-end issue. By Gil Kaufman John Lennon Photo: Susan Wood/ Getty Images It was 30 years ago today that former Beatle John Lennon was murdered by a crazed fan outside his home in New York. To mark that tragic event, fans around the world are planning commemorations of the singer’s life and legacy on Wednesday (December 8), remembering his message of peace and love and paying tribute to one of the premier songwriters of the modern era. As part of that celebration of Lennon’s life, Rolling Stone magazine has devoted its final 2010 issue to a nine-hour interview the singer did just three days before his death on December 8, 1980. Select excerpts from the interview writer Jonathan Cott conducted with Lennon ran in a tribute issue put out by the magazine in January 1981, but the full talk sat on a shelf in Cott’s closet for nearly 30 years. “Earlier this year I was cleaning up to find some files in the recesses of my closet when I came across two cassette tapes marked ‘John Lennon, December 5th, 1980,'” Cott told the magazine about Lennon’s final print interview. “It had been 30 years since I listened to them, and when I put them on, this totally alive, uplifting voice started speaking on this magical strip of magnetic tape.” On the tapes, Cott found a Lennon who was still angry at fans and critics who had taken him to task for a five-year musical hiatus, during which the singer devoted his time to raising his son Sean with wife Yoko Ono and decompressing from more than 15 years in the intense media spotlight. “These critics with the illusions they’ve created about artists — it’s like idol worship. They only like people when they’re on their way up,” he said. “I cannot be on the way up again. What they want is dead heroes, like Sid Vicious and James Dean,” he added in an eerily prescient screed. “I’m not interested in being a dead f—ing hero … so forget ’em, forget ’em.” With Bruce Springsteen then the face of rock’s future, Lennon expressed fear that the Boss would fall victim to the same kind of pressures as he did. “And God help Bruce Springsteen when they decide he’s no longer God. … They’ll turn on him, and I hope he survives it.” Seemingly recharged after his hiatus, Lennon also contemplated going back out on the road to play some shows. “We just might do it,” he said. “But there will be no smoke bombs, no lipstick, no flashing lights. It just has to be comfy. But we could have a laugh. We’re born-again rockers, and we’re starting over. … There’s plenty of time, right? Plenty of time.” In audio excerpts from the interview on Rolling Stone ‘s website, Lennon laments, “I cannot live up to other people’s expectations of me, because they’re illusory,” he said of his efforts to include positive messages of hope and togetherness in his music and the pressure to live up to his legacy. “Give peace a chance, not shoot people for peace … I only put out songs and answer questions … I cannot be 18 and a be a punk … I see the world through different eyes. I still believe in love, peace and understanding, as Elvis Costello says.” At the time of his murder, Lennon, then 40, had just released what would be his final album, Double Fantasy. In excerpts from the Rolling Stone tapes, he discusses the musical hiatus he took before that time, going on at length about an electric guitar he had purchased before the Fantasy sessions and how it had never seen any “professional” work until he used it on the album. The ex-Beatle sounds at times reflective and whimsical when discussing the winding road he took back to music, while also hitting on a note of bitterness about the loss of innocence and privacy he’s endured as part of the biggest band in music history. Ono released a statement on Tuesday night in tribute to her late husband, telling fans, “On this tragic anniversary, please join me in remembering John with deep love and respect,” Ono said. “In his short-lived life of 40 years, he has given so much to the world. The world was lucky to have known him. We still learn so much from him today. John, I love you!” Share your thoughts on John Lennon in our comments section below. Related Artists John Lennon

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John Lennon’s Final Interview Published On 30th Anniversary Of His Death

I am Julian Assange.

I want information so that I can hold my government accountable. If my country acts improperly and in my name, I want the proof. I want to know if there actually is no evidence proving weapons of mass destruction. I want to know if America is working with Israel to overthrow Iran's leadership. I want data that has not been spun by reporters that work for publishers and broadcasters with political and business goals that conflict with the facts. I want to know. I am Julian Assange because I know unfettered information is valuable to democracy and a peaceful world. I can make the best decisions with the most knowledge. I can vote for the best candidates. I can support the smartest policies to help my country and the world. I am not na

Powerful and Deadly Hurricanes, As Seen From Outer Space (Slideshow)

Photo credit: NASA Goddard For coastal regions around the world, the threat of hurricanes —strong storms fueled by warm air and water—is a seasonal reality. Each year, storm cells form over the ocean and begin moving towards land, sometimes growing into massive tropical cyclones—like Hurricane Gordon, seen here—capable of causing damage with heavy rain,

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Powerful and Deadly Hurricanes, As Seen From Outer Space (Slideshow)

U.S. Will Briefly Stop Persecuting Reporters to Host World Press Freedom Day [Cluelessness]

The State Department just announced that Washington, D.C., will host the United Nations’ 2011 World Press Freedom Day celebration, which honors the capacity for states to criminally prosecute and relentlessly seek to silence web sites that publish illegal information. More

Daft Punk’s ‘Derezzed’ Video Revives The ‘Tron’ Legacy

French electro duo tease their unmasking in just-premiered clip. By James Montgomery Daft Punk’s “Derezzed” music video premieres Photo: Walt Disney Records As if the gigantic electronic pyramid and constantly worn robot helmets weren’t proof enough, I’m beginning to suspect that Daft Punk derive some sort of bizarre pleasure from messing with us. The latest example of this occurred Tuesday (December 7) with the premiere of “Derezzed,” the first single from their much-anticipated “Tron Legacy” soundtrack. As any “Tron”/ Daft Punk obsessive (and they’re basically the same people) will tell you, it not only comes after years of bated-breath waiting, but after October’s premiere of a teaser trailer that pretty much everyone assumed was the actual video for the song anyway. So, right off the bat, Daft Punk have you on the ropes. You probably just finished wrapping your head around the teaser version of “Derezzed,” and now, well, there’s a whole new version to digest. And while I’ll get to the video in a second, it bears mentioning here that the music in the clip is also a bit of a mind-frick, because after telling anyone who would listen that their score to the “Tron” sequel would be a departure from their four-on-the-floor, French house-ified past — mentioning “90-piece orchestras” in interviews about the project — they come right back and hit you with a slab of downright classic Daft Punk: spindly synths and robo voices and piston-pumping backbone and the full nine. The video itself? Well, it’s sure to be a treat for everyone who’s been holding their breath since Daft Punk began working on the score nearly two years ago. It’s a loving nod to the “Tron” past — all retro grids and tracing light cycles, not to mention the sly working of ENCOM into the proceedings — but it also keeps DP obsessives watching until the last possible frame — because it keeps teasing the very real possibility that the French duo may actually be unmasked. Turns out, all we get to see is actress Olivia Wilde. It’s a cruel — if not cunning — trick, and after watching the video time and time again, I get the very real feeling that somewhere, in their robotic headquarters high atop the Parisian sprawl, Daft Punk are laughing. They win again. What did you think of the “Derezzed” video? Share your reviews in the comments! Related Videos Daft Punk’s ‘Derezzed’ Music Video Premieres Related Photos Daft Punk’s ‘Derezzed’ Decoded

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Daft Punk’s ‘Derezzed’ Video Revives The ‘Tron’ Legacy

Jay-Z’s ‘On To The Next One’ Is MTV News’ #8 Song Of 2010

Hov’s diabolical Swizz Beatz record (and its snarling video) blaze onto our Top 25 songs of the year. By James Montgomery Jay-Z Photo: Mark Metcalf/ Getty Images Last week, MTV News kicked off our countdown of the Top 25 Songs of 2010 , a list that’s already featured the likes of Rick Ross and Robyn, Lady Gaga and Kanye West , to name just a few. On Monday, we began rolling out our Top 10 — starting with Gaga’s “Telephone” and rolling on to Eminem and Rihanna’s “Love the Way You Lie.” Now, we’re set to unveil our pick for #8 … Jay-Z’s “On to the Next One,” a diabolical track that floored pretty much everybody, thanks in no small part to its snarl, its swagger and, yes, its sorta-Satanic video too. First things first: Yes, this song is from an album that came out in 2009. And, yes, it was technically released to radio in December of that same year. No, it didn’t match the chart-topping success of its predecessor, the world-uniting “Empire State of Mind.” In fact, it didn’t even come close. And, frankly, with its leering, inky backbeat and macabre music video, it confounded many of Jay-Z’s most ardent supporters. So why are we still talking about it at the end of 2010? Well, why not ? Because despite everything we just mentioned, and no matter what the detractors had to say, no one can deny the fact that “On to the Next One” is a jaw-dropping piece of work. From Swizz Beatz’s serpentine track — all fits and starts, rewinds and fast forwards (and Justice samples) — to Jay’s deft, defiant wordplay (“N—as want my old sh–/ Buy my old album”) to Sam Brown’s video, which had the world convinced that Jigga was either A) a Satanist, B) a member of the Illuminati, or C) both, there wasn’t a more purposefully diabolical song released by a major-label artist this year. Not even Kanye could match its power, no matter how many King Crimson samples he threw into the mix. Because, like the title implies, “On to the Next One” is Jay-Z distancing himself from the pack, kissing the past (and his critics) goodbye and moving boldly — probably blindly — into the future. He’s over throwbacks and Auto-Tune and Cristal, and you should be, too, mostly because hip-hop needs you to be. He’s not just a rapper, he’s a cultural ambassador … and this song is proof. There’s nothing about it that’s easy to digest, but more often than not, the important songs — the necessary ones — aren’t meant to be swallowed in one sitting. They’re designed to be gnawed on, to agitate and anger and, ultimately, inspire. This is how revolutions begin and pearls are made, after all. Of course, leading a movement can be a messy affair, and Jay caught it from all sides thanks to the video for “On to the Next One,” an arty, black-and-white thing that combined cocksure swagger with images of crucifixes and bullets, Damien Hirst homages and even, perhaps, a baphomet or two. It is not, shall we say, your traditional hip-hop clip, and because of that (months after its release), Jigga was branded all sorts of nasty things, to the point that he felt compelled to address his supposed secret-society leanings on “Free Mason,” a devilish track he cut with Rick Ross . But even then, as he was (in theory) acknowledging the naysayers, he was telling them to f— off too. Take note: He said he was amazing, not a Mason. So hate if you want to. Whisper as loud as you’d like. Jay doesn’t care. With “On to the Next One,” he’s moved beyond your earthly concerns. You can drag your feet if you’d like, but eventually, you’ll be where he’s at. Only, by that time, he’ll be somewhere else entirely. That’s what the greats do, after all: They destroy, they rebuild and then they move on to something completely new. So, in a way, it makes sense that it took nearly a year for everyone to catch on to a song like this. In fact, we’re willing to bet that’s exactly how Jay-Z planned it. Kind of makes you want to invest in some white Louis boat shoes, doesn’t it? Where would you place Jay’s “On to the Next One” among the top songs of 2010? Let us know in the comments! MTV News’ Top 25 Songs of 2010 countdown continues. Make sure to keep checking back to see what song we’ve named #1, and don’t forget to share your picks with us in the comments below! Related Photos MTV News’ Top 25 Songs Of 2010

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Jay-Z’s ‘On To The Next One’ Is MTV News’ #8 Song Of 2010

TEDWomen documentary "Shape What’s to Come"

Katie Spotz rows solo from Darfur to Guyana for safe drinking water. Photo by Lucian Bartosik TED launches TEDWomen , its latest in a series of global gatherings, this Tuesday and Wednesday, December 7-8, in Washington, D.C. The inaugural event, called “Reshaping the Future,” will bring together the world’s female farmers, economists and roboticists to examine how women are championing innovative ideas. Attendees include Nobel Peace Prize winner Jody Wil… Read the full story on TreeHugger

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TEDWomen documentary "Shape What’s to Come"

BBC News – List of facilities ‘vital to US security’ leaked

A long list of key facilities around the world that the US describes as vital to its national security has been released by Wikileaks. The US State Department in February 2009 asked all US missions abroad to list all installations whose loss could critically affect US national security. The list includes pipelines, communication and transport hubs. Several UK sites are listed, including cable locations, satellite sites and BAE Systems plants. This is probably the most controversial document yet from the Wikileaks organisation. The definition of US national security revealed by the cable is broad and all embracing. In addition to obvious pieces of strategic infrastructure like communications hubs, gas pipelines and so on, it contains, amongst other things, a cobalt mine in Congo, an anti-snake venom factory in Australia and an insulin plant in Denmark. The US missions were asked to list all installations whose loss could critically impact the public health, economic security or national security of the United States. In Britain, for example, the list ranges from Cornwall to Scotland, including key satellite communications sites and the places where trans-Atlantic cables make landfall. “What the list might do is to prompt potential attackers to look at a broader range of targets” A number of BAE Systems plants involved in joint weapons programmes with the Americans are listed, along with a marine engineering firm in Edinburgh which is said to be “critical” for nuclear powered submarines. 'Targets for terror' The geographical range of the document is extraordinary. If the US sees itself as waging a “global war on terror” then this represents a global directory of the key installations and facilities – many of them medical or industrial – that are seen as being of vital importance to Washington. No wonder then that the Times newspaper in London has published the story under the headline “Wikileaks lists 'targets for terror' against the US”. Some locations are given unique billing. The Nadym gas pipeline junction in western Siberia, for example, is described as “the most critical gas facility in the world”. Continue reading the main story The Main Leaks So Far Fears that terrorists may acquire Pakistani nuclear material Several Arab leaders urged attack on Iran over nuclear issue US instructs spying on key UN officials China's changing relationship with North Korea Yemen approved US strikes on militants Personal and embarrassing comments on world leaders Afghan leader Hamid Karzai freed dangerous detainees Russia is a “virtual mafia state” with widespread corruption and bribery Afghan President Hamid Karzai is “paranoid and weak” Comments on the extent of alleged corruption in Afghanistan Chinese leadership was 'behind hacking of Google' Wikileaks cables: Key issues It is a crucial transit point for Russian gas heading for western Europe. In some cases, specific pharmaceutical plants or those making blood products are highlighted for their crucial importance to the global supply chain. Of course the critical question is that raised by the Times newspaper's headline: Is this really a listing of potential targets that might be of use to a terrorist? The cable contains a simple listing. In many cases towns are noted as the location but not actual street addresses. That, of course, is not going to hinder anyone with access to the internet. There are also no details of security measures at any of the listed sites. What the list might do is to prompt potential attackers to look at a broader range of targets, especially given that the US authorities classify them as being so important. It is not perhaps a major security breach, but many governments may see it as an unhelpful development. It inevitably prompts the question as to exactly what positive benefit Wikileaks was intending in releasing this document. Former UK Foreign Secretary Malcolm Rifkind condemned the move. “This is further evidence that they have been generally irresponsible, bordering on criminal,” Mr Rifkind said. “This is the kind of information terrorists are interested in knowing.” added by: Itsbatman_Durr

Watch the Cast of Glee Perform Live(-ish) For Simon Cowell

The cast of Glee has performed live for the most influential humans in the world like Oprah and the president , so it made sense that Fox flew their singing cash cows to the U.K. to perform “Don’t Stop Believin'” for Dannii Minogue during The X Factor ‘s live semi-finals results show. Well, not really, but those Glee kids had a Christmas album to promote. So watch, dear Gleek s, as Cory Monteith does not even try to convincingly lip sync to back-up vocals, and Simon Cowell does not even try to look pleased when Amber Riley belts the highest Journey notes in his face. But hey, at least Sue Sylvester was there…via tape.

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Watch the Cast of Glee Perform Live(-ish) For Simon Cowell

Josh Duhamel to Bullied Youth: It Gets Better

Josh Duhamel wants those who have been bullied to see there is light at the end of the tunnel. Unless you’re a flight attendant who bothers him while he texts. In which case, get out of his face. Things will not get better then by any means. While an interview Fergie’s hubby gave at a Trevor Project benefit lends another voice to an important topic, it’s hard to take seriously in light of last week’s drama. Anyway, check it out after the jump … It Gets Better, Josh Duhamel Says

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Josh Duhamel to Bullied Youth: It Gets Better