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Geraldo Rivera changes mind about 9/11 Truth after hearing new ads – Lexington courts | Examiner.com

Geraldo Rivera claims that he is now more open to the idea that 9/11 involved planted explosives after hearing new ad campaign. Rivera claims that the fact that the families of the victims and over 1300 architects and engineers are behind the new information has caused him to take a second look. The following is the press release for the ad: FOR IMMEDIATE RELEASE November 2, 2010 CONTACT: http://buildingwhat.org/contact/ PDF VERSION: http://buildingwhat.org/downloads/BuildingWhatPressRelease.pdf 9/11 Family Group Releases TV Ad Calling for World Trade Center Building 7 Investigation NEW YORK CITY — The NYC Coalition for Accountability Now (NYC CAN) is launching a television ad campaign on Election Day in New York City calling for an investigation into the destruction of World Trade Center Building 7, the third building to collapse on 9/11. Building 7 came down at 5:20 in the afternoon although it had not been hit by an aircraft. The ad, which is entitled “BuildingWhat?” and can be viewed at BuildingWhat.org, will air 350+ times from November 2 through November 10 and is estimated to be seen by millions of viewers in the New York Metropolitan Area, reaching core target audiences multiple times. NYC CAN’s goal is to generate public pressure on the New York City Council to open an investigation into the destruction of Building 7, which until 9/11 housed the City’s Emergency Operations Center, also known as “Mayor Giuliani’s bunker.” “We’ve been educating the City Council about Building 7 and the need for a new investigation for the past six months,” said Bob McIlvaine, father of Bobby McIlvaine and one of the 9/11 family members who appear in the ad. “We are asking them now to do something about it.” Patricia Perry, mother of NYPD officer John Perry, opens the ad saying, “Most people don’t know that a third tower fell on September 11th.” Footage of Building 7’s destruction begins to play while other 9/11 family members explain that 1,200 architects and engineers have examined the evidence and disagree with the official report issued by the National Institute of Standards and Technology (NIST), which concluded that office fires brought down Building 7. This would mark the first and only time in history that fire has caused a steel-framed skyscraper to collapse. The ad closes by asking viewers to go to BuildingWhat.org to learn more. Find out more at the link: http://www.examiner.com/courts-in-lexington/geraldo-rivera-changes-mind-about-9-… added by: Monkey_Films

Drake Brings Out J. Cole, Young Jeezy And Birdman At NYC Show

Light Dreams and Nightmares Tour sells out two nights at Radio City Music Hall. By Shaheem Reid Drake Photo: Mike Coppola/ Getty Images NEW YORK — Let’s face it: Drake is big enough to be doing arenas like Madison Square Garden by himself. On his Light Dreams and Nightmares Tour, he’s selling out theaters in back-to-back nights in major cities such as Miami and Chicago. But, although he’s ascended to the top of the music game way quicker than most MCs and singers, the 23-year-old is into paying dues and taking it slow.

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Drake Brings Out J. Cole, Young Jeezy And Birdman At NYC Show

Trey Songz Makes Audience Swoon On NYC Tour Stop

R&B singer joined onstage by Ludacris and Fabolous, with Monica opening the show. By Rebecca L. Thomas Trey Songz Photo: Bennett Raglin/ WireImage NEW YORK — Trey Songz turned New York’s Beacon Theatre into his own private “Sex Room” on Thursday. It was just him and a sea of adoring women who erupted into orgasmic screams at even the slightest gesture: a shirt button come undone, a lingering gaze. Oh, did he ask, you, the single girl who came date-less to this first of two final stops on his Passion, Pain & Pleasure tour , if he could be your boyfriend for the night? Cue shrieking girls. The R&B prince seemed to have no trouble finding that, um, special spot, kicking off the rollicking concert with the audacious “I Invented Sex,” before slowing things down to the back-arching tempo that dominated the evening’s first half. Suited up in a gray suit vest and matching trousers, the 25-year-old Virginia native descended from a riser and made his introductions. “My name is Trey Songz.” A simple enough greeting, but in this particular setting, it had the effect of setting matches to fireworks. Above the squeals and awash in dim red lighting, Trigger Trey launched into a plaintive “I Need a Girl,” also from his career-shaping 2009 album, Ready. He soon kicked it back to ’07’s Trey Day for “Can’t Help But Wait” and “Last Time.” The swoon-inducing singer also sampled from the newly released album that gave the tour its name, thrusting his way through the naughty “Love Faces” and “Massage.” By now, Trey was beginning the “we’re on a first-date” narrative he would masterfully unspool over the course of a stormy New York night. Like the guy you spend the post-dinner cab ride gushing to your girls about, Songz was exceedingly attentive and generous with compliments: “You look too good to spend the night by yourself,” he said. For this outing, Trey insisted on planning everything. The date would go from the crib to the club. After transporting fans on “Jupiter Love,” he loosened his tie and leaned into the front row, allowing a concertgoer to (slowly) undo and remove the accessory altogether, one of the few moments the house turned quiet. Then he planted a kiss on her, and hush turned to howl. Between his urgent vocals and the hypnotic pillow talk, Mr. Steal Your Girl seemed dangerously close to scooping up not only someone else’s lady, but also to leaping ahead of his rivals to take the R&B throne out from under its reigning kings. After taking stabs at R. Kelly on record, Trey recently admitted to MTV News that his single biggest influence is in fact Kells. And to watch Songz in concert — giving a girl plucked from the audience a back rub, graphically simulating the various positions he’d like to try out on you — it’s hard not to think of R. Kelly. But where Kells’ “You remind me of my jeep” game served up sex in a few clumsy metaphors, Trey’s “panty-droppa” slow seduction is careful, wrapped in high-thread-count sheets. “You can scream as loud as you want,” a smiling Trigger, a.k.a. Mr. Double Entendre, told us midway through “Neighbors Know My Name.” Then ATL lyrical beast Ludacris turned up for his Songz-assisted “Sex Room,” and we were officially getting comped bottle service at the hot spot. The bounce-heavy “Bottoms Up” electrified the room, as energetic Trey spit the banger fast and furious. For the closer, Trey had one of Brooklyn’s finest, Fabolous, come through for ladies’ favorite, “Say Aah.” Trigger challenged the audience to rap Loso’s verse, which they did ecstatically for their homegrown MC. Finally down to a black T-shirt, Trey seemed to sense it had to come off. He dabbed a sweaty brow with the drenched tee, then up it went, over his head … and sailing into the waiting arms of hundreds and hundreds of incredibly satisfied women. Opening act Monica was 14 when she dropped her first album in 1995; there was no Facebook, no Twitter and definitely no celebrity blogs, a sphere in which the now-29-year-old Monica has at times found herself a target. “I know who I am and whose I am,” she said in response. But her commanding set was about expressing gratitude and empowerment. “Where all my real strong women at?” she asked, stalking the stage in a sequined superhero-inspired bodysuit. The singer’s alto, with its soaring vibrato, is a wonder. Sixteen years in the game, the former teen R&B queen proved why she’s “Still Standing,” using her tight opening set to revisit her early chart classics like “Don’t Take It Personal (Just One of Dem Days),” “Before You Walk Out of My Life” and the still-swagged-out (Jermaine Dupri!) “First Night,” but also recent hits like “So Gone,” “Everything to Me” and “Love All Over Me.” Fawning fans repaid the overjoyed star by singing along word-for-word and shouting their approval. Related Artists Trey Songz

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Trey Songz Makes Audience Swoon On NYC Tour Stop

ABC Champions White House’s ‘Greatest Hits of the Stimulus Program,’ Sawyer Trumpets ‘We Have the List!’

ABC’s World News whored itself out Thursday night to a hapless effort by the White House to prove its “stimulus” spending created a lot of jobs. “Still ahead on World News,” an easily impressed Diane Sawyer hyped, “We have the list! That White House stimulus, the top success stories. An exclusive report.” Jon Karl proceeded to highlight “the greatest hits of the stimulus program,” including a payout to the owner of MSNBC, but the White House examples he touted totaled a piddling 418 jobs. Sawyer announced the “President’s stimulus program” of $818 billion was “designated to create or save millions of jobs” and though “Republicans say it’s been largely unsuccessful,” the “White House is firing back, and our Jon Karl has a look at the top of the list, the ones that have worked the best.” Previewing a report to be released Friday by the Vice President’s office, “100 Recovery Act Projects that Are Changing America” ( AP dispatch ), Karl trumpeted how “the White House will detail the top 100 stimulus programs in the country. We have an exclusive list at what they considered the greatest hits of the stimulus program.” Karl began with a project in New Jersey “where a toxic area contaminated by an old electronics plant is being transformed into a new industrial park, thanks to $30 million stimulus dollars” and, he raved, “the project has already created 68 jobs.” Showing the effort to which ABC went to produce the advertisement for President Obama, the Washington DC-based Karl showed himself at the site of his second example in New York City, to which he credited 120 jobs: “The White House is also touting the $175 million in stimulus funds being spent here at New York’s Staten Island ferry terminal, replacing nine bridges like this one that are in a dangerous state of disrepair.” Next, after noting Senator John McCain’s claim the spending has been a waste, Karl cited “230 jobs created” by “$51 million for a new facility for injured veterans at Fort Bliss, Texas” and, finally, without any job creation claim, “$25 million in tax credits for GE to build a new plant for energy efficient appliances in Louisville, Kentucky.” That would be a little corporate welfare for MSNBC’s owner. Karl concluded that adding up all the jobs in the 100 projects in the White House list, though he did not cite a total claimed number, “comes to $250,000 per job, but the White House says the actual cost per job is much lower, because each of these projects will have ripple effects, creating many more jobs in the future.” Sawyer then reiterated the White House line: “So they say these are facts, too, and these are the facts that show it’s been working.” The MRC’s Brad Wilmouth corrected the closed-captioning against the video to provide this transcript of the story on the Thursday, September 16 edition of ABC’s World News: DIANE SAWYER: As we know, there’s been an ongoing debate in this country about the jobs crisis, and the President’s stimulus program – $818 billion designated to create or save millions of jobs. Republicans say it’s been largely unsuccessful. But tonight, the White House is firing back, and our Jon Karl has a look at the top of the list, the ones that have worked the best. Jon? JONATHAN KARL: That’s right. This is in direct response to all those Republican attacks. The White House will detail the top 100 stimulus programs in the country. We have an exclusive list at what they considered the greatest hits of the stimulus program. The report highlights projects like this one in South Plainfield, New Jersey, where a toxic area contaminated by an old electronics plant is being transformed into a new industrial park, thanks to $30 million stimulus dollars.                          JARED BERNSTEIN, WHITE HOUSE CHIEF ECONOMIST: We’re creating employment, getting folks in there, cleaning up that environment, and this will be a new industrial park creating hundreds of thousands of new jobs in decades to come. KARL: The project has already created 68 jobs and is designed to be an economic boon to the South Plainfield area once it’s completed next year. The White House is also touting the $175 million in stimulus funds being spent here at New York’s Staten Island ferry terminal, replacing nine bridges like this one that are in a dangerous state of disrepair. JANETTE SADIK-KHAN, NEW YORK CITY DEPARTMENT OF TRANSPORTATION: We’re thrilled to have stimulus money available to repair the vital links that will keep New York City strong. KARL: There are now 120 workers on the job here, rebuilding a transportation hub that services 65,000 commuters every day. The White House report is a direct response to Senators John McCain and Tom Coburn, who have issued three separate reports on what they call the top 100 wasteful stimulus projects. Those reports highlighted things like the $3.4 million spent on the so-called “turtle tunnel,” allowing animals to go from one side of Florida’s Route 27 to the other. Here’s what McCain told us about his last report. SENATOR JOHN MCCAIN (R-AZ): I think all of them are waste. I think none of them, really, have any meaningful impact on creating jobs. BERNSTEIN: Republicans have often criticized the recovery act without recognizing projects specifically like the ones in this report. KARL: Projects like $51 million for a new facility for injured veterans at Fort Bliss, Texas –  230 jobs created; $25 million in tax credits for GE to build a new plant for energy efficient appliances in Louisville, Kentucky. GE is investing $600 million of its own money, bringing production now done in China back to the U.S. The White House lists the total cost and the number of jobs created for each of these top projects. Now, Diane, doing a little math, it comes to $250,000 per job, but the White House says the actual cost per job is much lower, because each of these projects will have ripple effects, creating many more jobs in the future. SAWYER: So they say these are facts, too, and these are the facts that show it’s been working. Okay, thank you, Jon Karl.

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ABC Champions White House’s ‘Greatest Hits of the Stimulus Program,’ Sawyer Trumpets ‘We Have the List!’

Jay-Z, Eminem Close Yankee Stadium Shows With Kanye West, Drake

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Jay-Z, Eminem Joined By Kanye West, Beyonce More At Yankee Stadium

Drake, Chris Martin, Nicki Minaj also appear at first New York stop of Home and Home tour. By Shaheem Reid Eminem and Jay-Z perform at Yankee Stadium on Monday Photo: Kevin Mazur/ WireImage NEW YORK — A year ago, Jay-Z showed why he’s music’s Emperor of the Empire State with a historic charity concert at Madison Square Garden , which Jay called “the house that Hovie built.” On Monday night, “the God MC” took his mastery of performance to the front stoop of Derek Jeter and Alex Rodriguez, Yankee Stadium. And because that’s no setting in which to go small, he brought out special guests like Kanye West, Drake, Chris Martin, Swizz Beatz, Nicki Minaj and, of course, Beyonc#233;. After kicking off in Detroit two weeks ago, Jay and Eminem’s Home and Home concerts landed on the Jiggaman’s soil for shows on Monday and Tuesday (September 14). This time, after J. Cole opened , Slim Shady shook the stadium in the second slot, with special guests the G-Unit and Dr. Dre. Then Jay took over with a bevy of surprises and a catalog of hard-line hits. “Before I start this piece, let me say, rest in peace to the boss, George [Steinbrenner],” Hov began, freestyling a reference to the late Yankees owner after commencing his program with the “Dynasty Intro.” “By the time we sliding home/ I hope we playing in the dome,” he continued rapping. During “Run This Town,” Jay asked, “Where you at, boy?” And out came 2010 VMA closer Kanye West in a red suit. The roar was thunderous for the Louis Vuitton Don, who also rocked a huge gold link chain. They followed up with the first live performance of the “Power” remix — where all 50,000-plus people did the soulful “power clap” — and “Monster.” There was no Rick Ross on the latter, but ‘Ye and Hov brought out Nicki Minaj, who was showered with love from her hometown. Hov said that since they were in New York, he couldn’t let Kanye off the hook that easy. West told the audience he was going to “take them back.” The Chicago-born icon then crushed the concert with “Can’t Tell Me Nothing” and a follow-up haymaker of the stadium friendly “Good Life.” “It’s one of the most unbelievable feelings in the world, being from New York and being in Yankee stadium,” Jay said about the night. “That’s how you feel, New York City?” Hov continued, in response to the crowd’s overwhelming cheers. “New York City, is that how you feel tonight? I can’t believe this sh–!” Jay’s next guest was Bronx native Swizz Beatz, who was also celebrating his birthday. What a present! Further along in his set list, Jay rolled out his jaw-dropping verse from “Free Mason.” Like in most of shows, the Jiggaman constantly spoke to the crowd. “Just because you question religion doesn’t mean you don’t believe in God,” he said after his rumor-admonishing verse. “Don’t let anybody scare you into having their beliefs. Be a muthaf—in- renegade.” Out came Eminem for their classic colossal meeting of the minds. No matter how many times they perform the track, it’s still surreal to see the two biggest names in rap stand unified, side by side. Memphis Bleek then came out for a parade of familiar Jay knockers, including “U Don’t Know,” “99 Problems” and “Big Pimpin’.” There was a tribute to hip-hop’s passed away greats that included B.I.G., D12’s Proof, Pimp C and Tupac Shakur. Monday was the 14th anniversary of Pac’s tragic death. Chris Martin from Coldplay came out to sing the hook on “Heart of the City.” Martin was crisp and soulful on the mic. Jay kicked the graceful lines to “Most Kingz,” and then Martin took the energy up a few levels with “Viva la Vida.” “I used to rule the world,” the crowd sang. “Seas would rise/ When I gave the word/ Now in the morning I sleep alone/ Sweep the streets I used to own/ I used to roll the dice/ Feel the fear in my enemy’s eyes.” Hov then told his DJ to throw on any song, and out came Drake for “Miss Me.” “Tellllllll me/ What’s really going / Drizzy back up in this bitch/ What’s happenin!!!” Drake came on rapping. The approval for the 23-year-old was vibrant. “Say, ‘Free Weezy!’ ” Drake commanded during Lil Wayne’s verse. Jay and Drizzy then let the mics explode with “Light Up.” Not letting the audience catch their breath, Beyonc

Kanye West Is Singing About Himself In ‘Runaway,’ Fans Say

MTV News asks Jay-Z and Eminem fans at Yankee Stadium what they thought of ‘Ye’s VMA performance. By Mawuse Ziegbe Kanye West performs during the 2010 MTV Video Music Awards Photo: Kevin Winter/Getty Images NEW YORK — Kanye West drops some choice insults in his latest song, which he debuted at Sunday’s MTV Video Music Awards . “I always find, yeah, I always find something wrong/ You been putting up with my sh– just way too long/ I’m so gifted at finding what I don’t like the most/ So I think it’s time for us to have a toast,” ‘Ye rhymes in “Runaway.” “Let’s have a toast for the douche bags!/ Let’s have a toast for the a–holes!/ Let’s have a toast for the scumbags!” The chorus has nods to an array of “bags,” however, fans believe the MC is, in a very un-hip-hop move, taking swipes at himself. MTV News caught up with a bunch of hip-hop heads at Jay-Z and Eminem’s Home and Home Tour stop at Yankee Stadium on Monday night (September 13), and many felt that Jigga’s “little brother” was using the track to air out his insecurities. “That was a funny song,” Steve Bananti said. “I liked the song a lot. It was good. I feel like he was making fun of himself.” Jamal Hairston said Yeezy’s lyrics reference “the stuff that he does” including the Taylor Swift 2009 VMA controversy . “I don’t think he was trying to insult [Swift]. I think it was self-deprecating. He was maybe talking about himself,” Hairston said, adding that the track is “a toast for the people who mess up.” “[He’s] trying to find some redemption, maybe.” Brian Bennett, who didn’t like the track, said ‘Ye was simply dropping insults for shock value. “I just thought that he was trying to get the crowd going crazy because he said the word ‘douche bag,’ ” he said. “I just feel like he was trying to get the crowd stirred.” Todd Read said he wasn’t feeling the track at first but might get into it after a few listens. “I’m a big Kanye fan but … I gotta hear the track un-performed. Maybe I’ll like it then. His music grows on me like that,” he said. Read, however, did enjoy West’s performance: “I liked to see him playing with the MPC and everything. I see he’s bringing it back to the real hip-hop roots, so I appreciated that.” Christian Contreras agreed that ‘Ye’s VMA set, which was low on props but big on impact, was another singular moment from the Chicago superstar. “I actually liked the song. I [liked] the whole performance; it was different. It’s definitely something that I wasn’t expecting, but Kanye always comes out of left field with everything,” he said. “The little toast to the douche bags, it’s cool.” Contreras speculated that ‘Ye’s track was not merely about how he feels, but rather how he’s been perceived by the media and fans alike. “All those names that he said — douche bag, a–hole, all that stuff — people have actually made that connection with him,” he observed. “I’m sure he got those names called to him a couple times. Maybe it was a little stab to the industry, talking about himself and how he’s changed.” What do you think Kanye West’s new song is about? Let us know in the comments! The Moonmen have all been handed out and the stars have gone home, but there’s plenty of MTV Video Music Awards news, interviews, behind-the-scenes scoop, party reports and more still to come, so keep it locked on MTVNews.com. Related Videos VMA 2010: Performances VMA 2010: Most Talked About Moments Related Photos VMA 2010: Performers Related Artists Kanye West

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Kanye West Is Singing About Himself In ‘Runaway,’ Fans Say

CBS’s Harry Smith on Face the Nation: No Time to ‘Continue Cutting Taxes,’ So ‘What About, Say, Something Like a New WPA?’

Filling in for Bob Schieffer as host of Face the Nation , Early Show co-host Harry Smith brought his liberal sensibilities to the Sunday show, pressing his economic panel to agree the Bush tax cuts should not be extended, the stimulus was too small and so another would be wise – even suggesting a return to an FDR-era government make-work jobs program: “What about, say, something like a new WPA?”   Presuming the pre-2003 levels are the real rates, Smith questioned Gretchen Morganson of the New York Times: “Is now the time to continue cutting taxes if there is this overwhelming deficit out there?” He soon cued up White House economic adviser Laura Tyson to agree with his premise: “Should the Bush tax cuts stay in place for the middle class but be rescinded for the top wage earners?” Turning back to Morganson, Smith showed exasperation with public opposition to government spending programs as he wondered if the stimulus wasn’t big enough: I want to go back to the stimulus because as so many of these Congress folks are going back out of their districts and people complain about the size of government, they’re complaining about the deficit, they’re complaining about TARP and who knows what all else. As we’re standing here looking at it right now, just if you can step away, was the stimulus big enough? Morganson afirmed “the stimulus was not big enough” and Smith next pushed Mark Zandi, of Moody’s Analytics: “There are plenty of economists out there, Mark Zandi, who say what’s needed is is a second stimulus. Could those words cross your lips?” After Zandi’s reply, Smith arrived at his Works Progress Administration idea: All right. Laura Tyson, what about a more significant stimulus, beyond the things, these, you know, a block here, a block here, a block here, but another say couple hundred billion dollars, what about say something like a new WPA? Tyson used that as a cue to advocate more “infrastructure” spending. The CBSNews.com posting summarizing the program reflected Smith’s agenda, “ Economists: Second Economic Stimulus Needed .” From the Sunday, September 5 Face the Nation on CBS, picking up a few minutes into the segment: HARRY SMITH: Gretchen, let me ask you this. This whole idea of the President talking about moving in the right direction, wanting to pick up the pace. Is there a pre-dominant idea of what it is that is hindering the economy from catching fire? GRETCHEN MORGANSON, NEW YORK TIMES: Definitely. It is debt. We had a debt binge the likes that we have hardly ever seen before. Frankly, Harry, it just takes a long, long time to get that out of the system. We’re still really working down the debt that homeowners took on. And it’s a difficult and really excruciating process. You can’t do it overnight. SMITH: Which brings up the whole idea, Gretchen, of this debate: Is now the time to continue cutting taxes if there is this overwhelming deficit out there? MORGANSON: Well, I think what you have to worry about immediately is job creation and let’s just forget about the deficit for the moment because when you have the unemployment rate where it is now and you have incomes really being stretched, I think that that is the key to any kind of activity and economic activity by consumers is an enormous part of our economy. That is really why we are in such dire straits. SMITH: Which is maybe one of the ideas that has to be in play is do we have the wrong model to begin with? I want to get back to that in a second. First, though, I want to talk about the Bush tax cuts which are due to expire in January. Laura Tyson, should the Bush tax cuts stay in place for the middle class but be rescinded for the top wage earners? LAURA TYSON: I think that is the right thing to do… …. SMITH, TO MARK ZANDI: Because you hear small business owners say if those tax cuts come back, I’m not going to hire a single person. I mean, that’s anecdotal, but is that really the predominant feeling among small businessmen? …. SMITH: Gretchen Morganson, I want to go back to the stimulus because as so many of these Congress folks are going back out of their districts and people complain about the size of government, they’re complaining about the deficit, they’re complaining about TARP and who knows what all else. As we’re standing here looking at it right now, just if you can step away, was the stimulus big enough? MORGANSON: The stimulus was not big enough… SMITH: One of the things you write so much about for the Times is the housing market. One of the other ideas that’s out this this week is this notion of giving people whose homes are underwater, mortgage holders whose homes are underwater, the opportunity to get out. People who are paying their mortgages, but to get out from underwater and basically handing the federal government the bill. In the short term, or even in the long term, Gretchen, does that seem like a viable option? And oh, by the way, we should say the government’s efforts on some of these levels have not been particularly good in the last two years. MORGANSON: That’s right. I mean, I think that the devil is in the details. The HAMP program has been a big disappointment. That was the helping homeowners, the initial program that treasury put out there. It’s been very disappointing. I think these matters are so complicated with so many different people and debt, second loans, first loans, it’s really very complex. And I just don’t see how it’s going to provide immediate help, the kind that we really need. SMITH: So is it time — it’s crazy to even talk about — but there are plenty of economists out there, Mark Zandi, who say what’s needed is is a second stimulus. Could those words cross your lips? MARK ZANDI: Well, we are talking about other stimulus, right? I mean, An r&d tax credit, payroll tax holiday. Job tax credit. All these things are different forms of stimulus. In fact, the federal government has provided a couple hundred billions dollars in additional stimulus beyond the recovery act stimulus that we put in place a year-and-a-half ago. We are doing that. In my view the recovery needs more help. It would be prudent, I think, to provide some additional help through some of the things that we’re talking about. SMITH: All right. Laura Tyson, what about a more significant stimulus, beyond the things,  these, you know, a block here, a block here, a block here, but another say couple hundred billion dollars, what about, say, something like a new WPA? LAURA TYSON: Well I believe that we should look at infrastructure because we know before the recession, before the great recession, we know that we were vastly underspending on the nation’s infrastructure. You can sort of, therefore, start with the notion that infrastructure spending is terrific in two ways. It creates demand right away when you go out and get the project start and get the worker started. It also creates the ability to grow and be productive in the future. SMITH: Although Japan tried that and they don’t have a lot to show for it.

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CBS’s Harry Smith on Face the Nation: No Time to ‘Continue Cutting Taxes,’ So ‘What About, Say, Something Like a New WPA?’

‘Going The Distance’ Stars Share Romantic Gestures Gone Awry

Drew Barrymore recalls an ex’s unsuccessful love letter, while Justin Long’s flower purchase backfires. By Kara Warner Justin Long and Drew Barrymore Photo: Kevin Winter/Getty Images The topic of love and relationships is a loaded one. It’s full of drama, angst, joy — basically a smorgasbord of complex emotions that, no matter how serious and life-changing, can also be rife for comedic interpretation. One such interpretation is Drew Barrymore and Justin Long’s R-rated romp “Going the Distance,” which opens Friday. In the film, the are-they-or-aren’t-they-dating Barrymore and Long play a new couple who try to make a long-distance relationship work. There are expensive plane tickets, romantic gestures, arguments, etc. Speaking to the romantic gestures, because there are a few in the film, we asked Barrymore and Long if they had ever had one backfire. “I once got sent an e-mail that was written in a sarcastic tone, but the person buried the lead and didn’t say he was joking,” Barrymore said of an ex’s attempt at a love letter. “So everything in it was as horrible as you can imagine. That wasn’t funny. That was a really poorly executed romantic gesture. I remember another boyfriend, he bought me a cameo [silhouette pendant], and he said it reminded him of me. And I thought, ‘This old, silhouetted lady reminds you of me? Huh. OK.’ ” Long (who was not the giver of the aforementioned cameo) revealed that his good-intentions-gone-bad gesture involved an unfortunate mix-up of an ex’s preference in flowers. “This was actually a Valentine’s Day thing,” he said. “I went to the florist, and I saw these amazing orchids. There were, like, six orchids. It was tons of money … but I thought, ‘I’m going to do it. These are beautiful, and I’m pretty sure this person loves orchids,’ ” Long recalled. “I brought them home. She was always so appreciative of just the smallest gestures I did, so I was like, ‘Her head’s going to explode.’ ” Unfortunately for Long, his memory was a little skewed. “She was like [ he winces ] ‘I … oh … thank you,’ ” Long re-enacted. “She had this story that was like a really troubling, traumatic experience that had happened to her that involved orchids that she had told me. I knew there was something with orchids, I just didn’t remember that it was an awful association. It was bad. She was molested by a guy named Fred Orchid,” he joked. Have you had any romantic gestures go bad? Share your memories in the comments! Check out everything we’ve got on “Going the Distance.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos Drew Barrymore And Justin Long Are ‘Going The Distance’ Related Photos ‘Going The Distance’ Premieres In L.A.

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‘Going The Distance’ Stars Share Romantic Gestures Gone Awry

Justin Bieber Fans Hope To Squeeze Into His 3-D Movie At NYC Show

‘I’ll probably cry if I see myself,’ one die-hard says of Biebs’ upcoming flick, which is filming at Madison Square Garden concert. By Peter de Saint Phalle Justin Bieber (file) Photo: Jeffrey Ufberg/ Getty Images NEW YORK — A sea of tween girls clad in purple flooded the steps of Madison Square Garden on Tuesday night (August 31) as Justin Bieber fans made their way into the sold-out arena. It was no secret that the show was going to be a special one. Director John Chu previously revealed that much of the upcoming Justin Bieber 3-D movie would be filmed during the night’s performance. Fans traveled far and wide with hopes of making it onscreen. “Me and my friend drove from Virginia for five hours,” Erin Sweeney told MTV News. “Since I’ll see [the 3-D film] in the theaters, I’ll probably cry if I see myself.” When fans were asked whether Biebs had a shot at winning Best New Artist at the upcoming VMAs , most were pretty confident in the teen dream — especially since fan voting is involved. “Most of the fans he has are really big fans,” Bailey Solomons reasoned. “So if they vote for him, they’ll vote for him every single day, so he has a good chance.” Some Bieber enthusiasts proved you did not have to be between the ages of 8 and 18 to enjoy Bieber’s music. “Love has no age,” Amanda Farina said when asked if she had Bieber fever. “We caught it. We heard the song on the radio, and then suddenly we bought it on iTunes, and then it was a phenomenon. It doesn’t matter how old we are. We just love him.” How excited would you be to end up in Bieber’s 3-D movie? Let us know in the comments! Related Photos Justin Bieber Brings His My World Tour To NYC Related Artists Justin Bieber

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Justin Bieber Fans Hope To Squeeze Into His 3-D Movie At NYC Show