Tag Archives: Actors

REVIEW: High School Makes Getting High Look Less Than Fun

High School has such a winning premise that you want to send everyone involved in making it back to the drawing board for a do-over — just take it from the top, folks, and this time everyone actually have a good time. Directed by John Stalberg, who wrote the film with Erik Linthorst and Stephen Susco, this debut feature follows uptight overachiever Henry Burke (Matt Bush) as, on the eve of finals, he dabbles in pot for the first time with his childhood friend-turned-burnout king Travis Breaux (Sean Marquette) — only to be told the next day that principal Leslie Gordon (an almost unrecognizable Michael Chiklis) is instating a student body-wide zero tolerance drug test. The plan the pair come up with to salvage Travis’s years of hard work and scholarship to MIT? They’re going to get the entire school high to throw off the results. This is, as far as stoner movies go, kind of ingenious, but  High School rushes through the parts it should savor and then pads out its runtime with filler elsewhere — and, less forgivably, it doesn’t make getting high look like fun. The stoner comedy as a genre has few requirements other than summoning up a THC haze and being generally good-natured, but  High School leaves you feeling like the sober person at a party, wincing at how everyone’s acting and wondering if that’s how you look when under the influence. This may be because that’s how Henry feels all the time — he’s a tightly wound scold who belongs to that wan breed of recent high school protagonists (see It’s Kind of a Funny Story and  The Art of Getting By ) who seem on the verge of implosion thanks to some vague, self-imposed psychological distress. The hollow-eyed Henry reunites with Travis, who is leading a seemingly parentless life on a perpetual high, after nearly running into him in the parking lot and instead hitting the principal’s car and earning a detention. “You come to see how the other half lives?” sneers Travis, who’s stuck there too. It rings strange — the division between the pair isn’t due to any class difference but to a lifestyle one, and Travis hasn’t exactly been forced to smoke pot constantly. But the two feel enough nostalgia for their younger days to end up hanging out afterward, where Travis coaxes Henry in smoking his way to an unpleasant first-time high that leaves him paranoid, dazed and with a black eye from falling out of a tree house. Because this is a stoner comedy, the fact that the setup is creaky and doesn’t quite make sense shouldn’t be a problem — except that none of the ways in which the film exaggerates are all that funny. Take Chiklis’s pompous Principal Gordon, with his flop of greasy hair and secret pervert vibe. He’s in the style of an ’80s movie authority figure like Mr. Rooney in  Ferris Bueller’s Day Off , one whose sole motivation is ego and spite — except that High School isn’t stylized in the same way. It’s grounded enough to realize that parents would instantly protest the gross invasion of privacy represented by mandatory drug testing, but not enough to explain why an administrator would be eager to expel the graduating class’ likely valedictorian. Its sense of rebellion is completely phony — that of a kid who, like Henry, got high one time and still talks about it. The film’s major asset, one that’s also wasted (in both senses), is Adrien Brody hamming it up as twitchy drug dealer Psycho Ed, a tattooed law school grad (he has “BOOK WORM” across his knuckles) who lost it after smoking a laced joint and has chosen instead to apply his smarts to growing high-octane weed. Sporting cornrows, his bug eyes rolling, Brody should be funny, though Ed’s a better idea than he is in practice — you’re aggressively aware that he’s just an actor showing off the way he’s playing against type rather than a character who’s amusing in his own right. There are other side figures who don’t click: Sebastian (Adhir Kalyan), Henry’s mustache-twirlingly evil rival for the top academic slot; stoner spelling bee champ Charlyne Phuc (Julia Ling), whose last name gets used for a lame joke; well-meaning assistant principal Brandon Ellis (Colin Hanks); a loopy former Deadhead teacher (Yeardley Smith). The movie’s big event — the spiking of bake sale brownies with THC crystals — takes place early on rather than toward the end, so it doesn’t result in the kind of delirious chaotic payoff you’d expect or want from the film. Students and teachers look dazed, lose focus and say some inexplicable things, and by the time the goofiness comes along, it’s too late. It is, horror of horrors, a portrayal of a mildly realistic high, which in the context of what should be an over-the-top film is really the last thing you want. What’s the use of a stoner film if it can’t convince you that there’s at least some fun to be had in the warm embrace of cannabis? Follow Alison Willmore on Twitter . Follow Movieline on Twitter .

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REVIEW: High School Makes Getting High Look Less Than Fun

CBGB Biopic Adds Stars, Will Shoot in Georgia, Naturally

Casting news continues to trickle out for the film based on the wild life and times of CBGB, none of which is quite as eye-opening as word that the story of one of New York City’s most legendary, lamented live-music venues will be filmed largely in… Savannah, Georgia. So it goes! We get some stuntbozo driving a sportscar into a Sbarro for Jerry Bruckheimer, and Savannah gets Malin Åkerman as Debbie Harry , Rupert Grint as Cheetah Chrome, Joel David Moore as Joey Ramone, and Alan Rickman in the aforementioned role of club proprietor Hilly Kristal, all reviving the dawn of punk and new wave in the edgy metropolis where the Girl Scouts were founded Hollywood honchos go to self-immolate . Rock on, bitches : All of the movie’s interior shots will be done at Meddin Studios, which will be transformed to look like the iconic New York club, said director Randall Miller. “We’re going to build the interior of the club on the stages here,” Miller said. “Then the plan is we’ll do some shooting on the streets of downtown Savannah — and finally a few days in New York. “We’re using both Georgia and New York for New York,” he joked. “Savannah has a kind of downtown area that could really work for so many cities,” Miller said. “That translates pretty well in what we’re doing.” Fine, do what you’ve gotta do. By which I mean cast James Franco as Richard Hell already . [ The Strut , Savannah Morning News via EV Grieve ]

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CBGB Biopic Adds Stars, Will Shoot in Georgia, Naturally

Ex-Warner Bros Chief Alan Horn Wins Disney Gig

In the wake of Rich Ross’s departure from Disney , former Warner Bros. chairman Alan Horn has landed the job of replacing him — and turning the studio around from its John Carter epic fail. Horn, who guided WB to hit franchises like Harry Potter and The Dark Knight (and, fun fact, was also in the Air Force!), will now head all of Disney, Pixar, and Marvel Studios films, along with Touchstone-distributed DreamWorks titles. So, best of luck. No pressure or anything! Full press release: BURBANK, Calif. – May 31, 2012 – Bob Iger, Chairman and CEO of The Walt Disney Company, announced today that Alan Horn has been named Chairman of The Walt Disney Studios effective June 11. Horn will oversee worldwide operations for The Walt Disney Studios including production, distribution and marketing for live-action and animated films from Disney, Pixar and Marvel, as well as marketing and distribution for DreamWorks Studios films released under the Touchstone Pictures banner. Disney’s music and theatrical divisions will also report to Horn. Horn has been a prominent figure in the film and television industry overseeing creative executive teams responsible for some of the world’s most successful entertainment properties including the Harry Potter film franchise and the hit television series Seinfeld among others. “Alan not only has an incredible wealth of knowledge and experience in the business, he has a true appreciation of movie making as both an art and a business,” said Iger. “He’s earned the respect of the industry for driving tremendous, sustained creative and financial success, and is also known and admired for his impeccable taste and integrity. He brings all of this to his new role leading our studio group, and I truly look forward to working with him.” “I’m incredibly excited about joining The Walt Disney Company, one of the most iconic and beloved entertainment companies in the world,” said Horn. “I love the motion picture business and look forward to making a contribution as part of Bob Iger’s team working closely with the dedicated and talented group at the studio.” Horn was most recently President and COO of Warner Bros. Entertainment where he had oversight of the Studios’ theatrical and home entertainment operations, including the Warner Bros. Pictures Group, Warner Premiere (direct-to-platform production), Warner Bros. Theatrical Ventures (live stage) and Warner Home Video. During his 12 year tenure, Warner Bros. Studios was the global box office leader seven times. Among the numerous critically acclaimed films and box office hits released during his tenure are all eight films in the Harry Potter series, The Dark Knight, Charlie and the Chocolate Factory, Happy Feet, Sherlock Holmes, The Departed, Batman Begins, Million Dollar Baby, the second and third Matrix films and the Ocean’s Eleven trilogy. Horn is also an executive producer of The Hobbit: An Unexpected Journey. Before joining Warner Bros., Horn co-founded Castle Rock Entertainment where he served as Chairman and Chief Executive Officer. He oversaw the creation of many critically acclaimed and beloved films including Best Picture Oscar nominees A Few Good Men, The Shawshank Redemption and The Green Mile as well as When Harry Met Sally, City Slickers, In the Line of Fire and the most successful show in television history, Seinfeld. Horn has also served as President and Chief Operating Officer of Twentieth Century Fox Film Corporation and was Chairman and CEO of Embassy Communications. He is a member of the Academy of Motion Picture Arts and Sciences, the Academy of Television Arts and Sciences, the American Film Institute and the Museum of Broadcasting. He serves on the Board of Directors of the American Film Institute; as a Vice Chairman of the Natural Resources Defense Council (NRDC); is a co-founder of the Environmental Media Association (EMA); on the Board of Trustees for the Autry National Center in Los Angeles; and on the board of Harvard-Westlake School. Horn received his MBA from Harvard Business School and served as a captain in the U.S. Air Force. [ Deadline ]

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Ex-Warner Bros Chief Alan Horn Wins Disney Gig

Channing Tatum Strips And Four Other Reasons To Tune In Tonight!

Actor introduces exclusive ‘Magic Mike’ clip during Movie Awards Sneak Peek Week at 11 p.m. ET on MTV. By Fallon Prinzivalli Channing Tatum in “Magic Mike” Photo: Warner Bros Sneak Peek Week kicked off strong with Kristen Stewart and Sam Claflin bringing you an exclusive look at “Snow White and the Huntsman” on Tuesday. On Wednesday, the cast of “That’s My Boy,” including Andy Samberg, Will Forte and Vanilla Ice, kept everyone laughing with a sneak peek at their R-rated comedy . And the first looks continue as Channing Tatum hits Universal’s CityWalk to bring us “Magic Mike” on Thursday (May 31). The film is loosely based on Tatum’s time as a stripper. He plays an exotic dancer named Mike who takes newbie performer the Kid (Alex Pettyfer) under his wing to teach him the ways of partying, women and money. Watch as Tatum reveals it all live on MTV at 11 p.m. ET, and log on to MTV.com immediately after to catch a Q&A with the actor. As if the film’s plot isn’t enough to get you to tune in, here are five reasons to check it out! Never-Before-Seen Clip Who doesn’t love exclusives? With a steamy hot trailer satiating our thirst for a glimpse at the actors taking it all off, aren’t you ready to see a scene from the movie — possibly a full strip tease or maybe a closer look at the Kid? We certainly are! Grab your dollar bills, your favorite late-night snack and get ready to be entertained. Your Burning Questions Answered If you haven’t been tweeting @ MTVNews your questions with the hashtag #MTVSneak, hop to it! Immediately following the exclusive clip, our very own Josh Horowitz will be sitting down with Tatum to ask him your Twitter questions! Spill everything you’re dying to know — in 140 characters or less — and maybe the hunky actor will be answering you live on MTV.com! Juicy Movie Details During that same Q&A session, we’ll have some questions of our own for Tatum while the actor’s in the hot, hot, hot seat. We were able to get Stewart and Claflin to revisit “Fifty Shades of Grey” and garnered details from “That’s My Boy” star Milo Ventimiglia regarding Taylor Lautner’s role in “Grown Ups 2.” You never know what our persuasive power will get Tatum to spill — maybe some “G.I. Joe” news? You’ll have to watch to find out! A Hilariously Good Time If you haven’t noticed, we like to have fun with celebrities who visit MTV headquarters. Last night we took the liberty of mashing up the faces of the actors in “That’s My Boy” to see what their children would look like. (Horowitz and Ventimiglia made a surprisingly attractive child.) With Tatum revealing his knack for comedy in “21 Jump Street” — his talent proven by the film’s ability to nab six Movie Award nominations — our time with the actor will be nothing short of entertaining. Channing Tatum + Stripper Movie = Impromptu Dance Party? Hey, it’s MTV Movie Awards week. We’re known for having some seriously outrageous moments and Tatum just so happens to be known for — aside from being an incredibly successful actor — his impressive dancing skill. So who knows, maybe Horowitz will get a lap dance. Anything can happen. Don’t miss it! Head over to MovieAwards.MTV.com to vote for your favorite flicks now! The 21st annual MTV Movie Awards air live this Sunday, June 3, at 9 p.m. ET. Related Photos ‘Magic Mike’ Trailer: Five Key Scenes

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Channing Tatum Strips And Four Other Reasons To Tune In Tonight!

‘Les Miserables’ Trailer: Five Key Scenes

Anne Hathaway and Hugh Jackman look rough and ragged in first clip from Tom Hooper’s musical adaptation. By Kevin P. Sullivan Anne Hathaway as Fantine in ‘Les Miserables’ Photo: Universal Pictures For his adaptation of the mega-musical “Les Mis

Amour Gets Awards-Friendly Release Date, G.I. Joe 2 Debate Stirs: Biz Break

Also among this morning news briefs: James Bond gets a complete retrospective in Los Angeles, a film journalist jumps to the production side, Men in Black 3 melts at the British box office, and more… Sony Pictures Classics Sets U.S. Release for Palme d’Or Winner Amour Michael Haneke’s Amour will open Dec. 19 in New York and Los Angeles, the distributor announced on Tuesday. Amour is the director’s third Cannes prize-winner released domestically via Sony Classics, including his Best Director-nabbing Caché in 2005 and his Palme d’Or triumph The White Ribbon in 2009. Screen International’s Mike Goodridge Heads to Protagonist The longtime Screen journalist, who spent time with the publication in the U.S. before his appointment as editor in London in 2009, has been named CEO of the international sales and financing company Protagonist Pictures. He replaces outgoing CEO Ben Roberts, who was appointed as head of the Film Fund at the BFI in April. Protagonist titles include Tyrannosaur , Kill List , The Deep Blue Sea and Submarine ; its current slate includes Nick Love’s action thriller The Sweeney and Sightseers from Ben Wheatley. BAFTA to Mark James Bond’s 50th with Retrospective The British Academy of Film and Television Arts Los Angeles will team with the American Cinematheque to celebrate the 50th anniversary of 007 and the 25th anniversary of BAFTA LA with a complete retrospective of the James Bond series at the Egyptian Theatre in Hollywood and the Aero Theatre in Santa Monica. The series commences June 8; find the complete schedule and more details here . Ethiopian Filmmakers Feted by Monaco and Cannes Filmmakers Henok Mebratu, Olisarali Olibui and Yidnekachew Shumete are participants of an educational program sponsored by The International Emerging Film Talent Association (IEFTA). The trio traveled to France/Monaco for the full works including premieres, meetings, workshops, seminars and parties presenting their work. Actor Billy Zane flew in to mentor the group, which also attended a benefit dinner hosted by IEFTA head Marco Orsini. IEFTA has supported emerging talent from the African country since 2008. Around the ‘net… Controversy Continues to Plague G.I. Joe 2 Officially adding 3-D was the excuse for a nine-month delay in the roll out of the previously planned summer blockbuster, but everything from Battleship’s failure to Channing Tatum’s diminished presence and more is now cited among the real reasons Paramount suddenly, shockingly delayed its summer tentpole. Deadline and THR report. Men in Black 3 Can’t Take Heat in U.K. The film opened on one of the warmest days of the year in Britain, and its £2.94 million ($4.58 million) opening weekend compares much more modestly to other recent debuts including The Dictator, American Reunion, The Avengers and The Hunger Games . The Guardian reports .

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Amour Gets Awards-Friendly Release Date, G.I. Joe 2 Debate Stirs: Biz Break

Coming Soon: ‘Major League Meets Zombieland’

I mean, naturally : “Broken Road Production’s Todd Garner has teamed up with Adam Herz and Joshua Shader of Terra Firma Films to produce an adaptation of Sullivan’s Sluggers , a horror baseball graphic novel by Mark Andrew Smith and James Stokoe. Described by Smith as a ‘ Major League meets Zombieland and then some,’ Sluggers follows a has-been baseball manager Casey Sullivan and his dysfunctional minor league Sluggers who get an invitation to play a small venue game. Soon enough, they find themselves fighting for their lives against a town of shape-shifting monsters on a feeding frenzy and the has-beens and wannabes must use long-forgotten skills of teamwork to get out alive.” [ THR ]

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Coming Soon: ‘Major League Meets Zombieland’

Mirror Images: 9 More Occasions When Hollywood Made Similar Movies at the Same Time

This weekend welcomes Snow White and the Huntsman to theaters, mere months after Relativity’s Mirror, Mirror preceded Universal’s Kristen Stewart film in the race to produce live-action versions of the fairy tale that Disney animators arguably perfected decades ago. And odd as it is to behold this practice of two serpents eating the other’s tail, stranger still is the thought of a studio executive ensconced in a corner office, slamming his fist down on the old-growth polished conference table, and bellowing to the suits, “Dammit! Where in the hell is OUR Snow White script!?!?!” Yet variations on this scenario are not so unique in Hollywood. Many of the actions surrounding these productions — wrestling over promotions, insistence of originality, chess games played with release dates — have played out for generations. Find below some of the more notable occasions when studio execs didn’t let redundancy stop them from flashing the green light: 1964 – The Cold Shoulder War: Dr. Strangelove (Jan.) / Fail-Safe (Sept.) With the Cold War at its peak, it came as little surprise that movies of the time might reflect the American public’s fear, dread and paranoia. But these competing efforts bore many similarities for such wide, ripe terrain: Each had a major young director at the helm, a cast choked with stars, and a storyline about a rogue mission that may spark a global conflict. Stanley Kubrick’s ambitious Strangelove , based on the book Red Alert , took shape as a satirical indictment of the geopolitical climate. Sidney Lumet’s Fail-Safe , meanwhile, sporting more of a spartan stage setting and relying on close-ups, hewed closer to the tense spirit of its own eponymous source novel. Many people found them more than similar — and for good reason. Result: While both are hailed as classics, Strangelove stole much of Fail-Safe ‘s thunder both culturally and financially — a predicament made all the more curious since Columbia released both films. (Kubrick reportedly lobbied the studio to release his movie first.) And despite Kubrick and co-writer Terry Southern’s comic vision of his novel, Red Alert author Peter George sued the studio over Fail-Safe , accusing it of plagiarism because of the similarities in the stories. 1989 – Paw Enforcement: K-9 (April) / Turner & Hooch (July) Studio experts must have test-marketed for — and found — results showing audiences salivating at the prospect of comedies with cops involuntarily partnered with a four-legged ride-along. How else to explain these mirrored attempts at mirth? The cops are given one-note characters (Jim Belushi is a loose-cannon loner, Tom Hanks a fastidious short-timer) simply to make the dog’s entrance more compelling; both films even have scenes of the hound destroying the interior of the beleaguered officer’s car. Result : Neither did blockbuster numbers, but considering the low-concept redundancy, returns of $43 million for K-9 and $71 million for Turner & Hooch are nothing to bark at. 1989 – Plunging Returns: Deepstar Six (Jan.) / Leviathan (Mar.) / The Abyss (Aug.) Was there something in the Hollywood water supply in 1989? Because executives sure had water on the brain that year, when audiences were actually given three identical deep-sea stories within an eight-month period. (To say nothing of straight-to-video efforts like The Rift and Endless Descent .) Incidentally, Deepstar was written by Lewis Abernathy, a pal of James Cameron’s who was later cast in Titanic as the wisecracking best friend of Bill Paxton’s character. In between their shared visions, MGM released its own deep-sea-alien hybrid film directed by George P. Cosmatos, ( Rambo, Cobra ), creating a viewing experience that almost produces the bends. Result : The Abyss earned a paltry (by Cameron standards, anyway) $54 million, but it holds up far better than its lower-budget counterparts ( Leviathan even dispensed with underwater photography; they shot in what is described as a “dry-wet” look), neither approached $10 million at the box office. Bonus points to Fox marketing for its poster touting The Abyss as “summer’s most original adventure.” 1992 – Non-Event on the Horizon: Christopher Columbus: The Discovery (Aug.) / 1492: Conquest of Paradise (Oct.) The 500th anniversary of Columbus finding America was deemed ripe for the plucking of historical events surrounding the explorer. Big names were used, sweeping epic visuals were displayed, and colons were inserted into the titles. Yet strangely, a subject that had long amounted to a cornerstone of many Americans’ primary education was passed over by audiences of all ages. Result : Both productions sported budgets well over $40 million both films drew the same paltry sum domestically, around $8 million. 1997 – Blowing Their Tops: Dante’s Peak (February) / Volcano (April) At one point in history, a tremor of excitement ran through Hollywood suggesting that volcanic eruptions would be next big thing. Universal gave us Dante’s Peak , a thriller with Pierce Brosnan and Linda Hamilton loosely based on the eruption of Mount St. Helens in 1980. Just a couple of months later came the 20th Century Fox version with Tommy Lee Jones and Anne Heche, a more traditional disaster film with large sets, a large cast and a large departure from reality as an eruption threatens Los Angeles. Given the lack of explosive imagery in Volcano audiences soon wondered why it had not been simply titled Lava instead. Result : Although, of the pair, only Volcano enjoyed a No. 1 opening at the domestic box office, Dante’s Peak far outgrossed the later effort with a global take of $178 million. 1998 – You Bet Your Asteroid: Deep Impact (May) / Armageddon (July) The prospect of our planet getting sucker-punched by a supernal rock form is the kind of disaster that carries the ultimate pathos: We are doomed, and there is nothing we can do about it. Unless you are Michael Bay, that is, because you’ll just send oil-rig roughnecks into space to blow up the flying rock. Or unless you’re Morgan Freeman, who, as the President in Deep Impact , collaborates with Russia to nuke the lethal comet. Crises averted? In one summer audiences were served up competing disaster films of similar size and scale, and who would have guessed there was an appetite for this sort of scientific chicanery? Result : Both movies were hits, combining for more than $900 million at the worldwide box office. 1998 – Colony Thinking: Antz (Oct.) / A Bug’s Life (Nov.) In the first real showdown between the established Pixar and the fledgling DreamWorks animation wing, ex-Disney boss Jeffrey Katzenberg claimed he was pitched the idea for Antz four years prior to his exit. Tension arrived when Pixar head John Lasseter said Katzenberg requested that Bug’s Life move its release date so as not to compete against DreamWorks’ animated title Prince of Egypt . When Lasseter declined, Antz had its release date changed from March ’99 to just over a month before Bug’s Life . Result : The bitterness did not hurt the box office: A Bug’s Life drew $363 million worldwide — more than twice Antz ‘s global take of $171 million, yet both still proving milestones for both studios the viability computer animation. 2000 – Fourth Rock from Profitability: Mission to Mars (Mar.) / Red Planet (Nov.) Talk about a studio not learning a lesson: While everyone is now familiar with the failure of John Carter , that release actually makes for the third time Disney has released a failed movie set on Mars – and all in the month of March (including Mars Needs Moms in March, 2011). Originally intended as a Gore Verbinski production, Mission to Mars wound up in the hands of Brian DePalma. Meanwhile, later in the year, Val Kilmer headed another mission to space — one said to be such a factual challenge to science that NASA backed away from assisting the production. Result : Both titles experienced critical and commercial difficulty, with Mission to Mars barely breaking even and Red Planet bombing spectacularly with a global total of just $33 million. 2006 – Sleight of Script: The Illusionist (Aug.) / The Prestige (Oct.) Odd to think that studios would gravitate towards similar stories centered upon turn of the century magicians. Odder still that both would be critically favored and find strong audience reception. Christopher Nolan and his brother Jonathan actually spent years adapting the screenplay of The Prestige from Christopher Priest’s novel of the same name, finally immersing himself in production for Warner Bros. following the success of his superhero reboot Batman Begins . Neil Burger’s The Illusionist , meanwhile, debuted at Sundance in 2006, trickling out ahead of The Prestige in limited release. Result : Both movies were warmly embraced critically and commercially and even nabbed nominations for their respective cinematographers Dick Pope and Wally Pfister. Neat trick, that. Brad Slager has written about movies and entertainment for Film Threat, Mediaite, and is a columnist at CHUD.com . His less insightful impressions on entertainment can be found on Twitter .

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Mirror Images: 9 More Occasions When Hollywood Made Similar Movies at the Same Time

Michelle Rodriguez Shares the Secret to Snagging an Oscar Nomination: ‘Be Trashy and Black’

When one reporter caught up with Michelle Rodriguez at Cannes , the Fast & Furious star waxed ecstatic about Lee Daniels’ Southern potboiler The Paperboy — but she’s not holding out hopes for a Nicole Kidman Oscar nod. And she’s definitely not worried about making controversial statements explaining why. “I fucking loved it,” she told Vulture. “One of my friends said, ‘She’s going to get nominated for an Oscar for that.’ I was like, ‘Nah, man. She’s not black!’ I laugh, but it’s also very sad. It makes me want to cry. But I really believe. You have to be trashy and black to get nominated. You can’t just be trashy.” [ Vulture ]

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Michelle Rodriguez Shares the Secret to Snagging an Oscar Nomination: ‘Be Trashy and Black’

‘That’s My Boy’ Heads To Sneak Peek Week: Tune In Tonight!

Andy Samberg and co-stars will introduce an exclusive clip from their new comedy on MTV at 11 p.m. ET. By Fallon Prinzivalli That’s My Boy Photo: Sony Pictures Entertainment After kicking off our second annual Sneak Peek Week with Kristen Stewart revealing an exclusive clip from “Snow White and the Huntsman,” our coverage rolls on Wednesday night (May 30) with Andy Samberg, Vanilla Ice, Will Forte, Ciara and Eva Amurri will hit Universal’s CityWalk to give us a preview of their R-rated comedy. The film stars Adam Sandler as Donny, who knocked up his teacher while he was just a teenager and raised his son Han Solo Berger (Samberg) as a single parent until Han turned 18. After a financial mishap, Donny reappears in Han’s life on the eve of his wedding. As Donny tries desperately to reconnect with his son, now named Todd, he must face the consequences of his terrible parenting. A few lucky viewers will screen the film before Samberg introduces an exclusive clip on MTV at 11 p.m. ET. Immediately following the on-air presentation, Josh Horowitz will sit down for a Q&A session with the actors live on MTV.com. You can follow along with the action on Twitter using the hash tag #MTVSneak. The fun continues throughout the week with stars from “Magic Mike” and “Rock of Ages,” all leading up to the 21st annual MTV Movie Awards live on Sunday, June 3, at 9 p.m. ET. Head over to MovieAwards.MTV.com to vote for your favorite flicks now! The 21st annual MTV Movie Awards air live this Sunday, June 3, at 9 p.m. ET. Check out everything we’ve got on “That’s My Boy.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos Summer Movie Preview 2012

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‘That’s My Boy’ Heads To Sneak Peek Week: Tune In Tonight!