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Flashback 2008: CNN’s Roberts Declares ‘Rev. Wright-Free Zone’ During Obama Interview

In the wake of Tuesday’s revelations concerning liberal media members trying to bury the Rev. Jeremiah Wright story in the spring of 2008, one has to wonder how many mainstream organizations played a hand. On May 5 of that year, at the beginning of an interview with Democrat presidential candidate Barack Obama, CNN’s John Roberts said ( video available here courtesy Ed Driscoll, relevant section at 3:43): I want to just stipulate at the beginning of this interview, we are declaring a Reverend Wright-free zone today. So, no questions about Reverend Wright. Our viewers want us to move on, so this morning we’re going to move on. As NewsBusters noted at the time, this came eight days after CNN personalities David Gergen, Tony Harris, and Roland Martin had a discussion about why the media should stop talking about Wright (video follows with transcript and commentary): TONY HARRIS: I guess the point I would make, David, is that it seems to me that [presidential] race seems more and more — you look at the results in Pennsylvania — and it looks like more and more there are camps forming here, and that race, whether we speak of it or not, is seemingly finding its way more and more into this [presidential] race. And I was wondering if that was a moment being used — that window being used by Reverend Wright to make that point, which I thought was powerful, that different does not mean deficient. DAVID GERGEN: You know, those are important points to make — he’s not the right person to be making them on behalf of Barack Obama’s campaign. Every time he appears, he just gives legitimacy and a hunger by those who oppose Barack Obama to re-run those tapes, to keep him at the center of controversy, to let this overhang and define Barack Obama, when it has, you know — it has very, very little to do — it’s a very marginal piece of who Barack Obama is and what he stands for. And it takes attention away — we have huge, huge problems facing this country. The candidates are increasingly coming down on opposite sides. We’re having no discussion of that. Instead, we’re off on this sideshow, which is — and I think that, you know, this good preacher, I’m sure he’s a fine man, and if he had taken Bill Moyers on a walking tour of his parish, and shown people the good works that church was doing, you know, how it is helping the hungry, how it is looking after young kids, and the many other good things that church does — that would have been totally appropriate. But to be on this publicity blitz, when we have to listen to his varied views, you know, I think it’s time for him to get off the stage and frankly, for the media, I suggest, to move on. (CROSSTALK) TONY HARRIS: Go ahead, Roland. ROLAND MARTIN: You know, David, when he spoke at the National Press Club today, he actually did that. He talked about all these ministries the church is involved in. I mean, I thought his opening statement — he gave a theological, a sound opening statement. But again, the focus will not be on any of that. The focus will not be on the war, will not be on their HIV/AIDS ministry, will not be [on] any of that. It’s going to be his answer to the AIDS question, it’s going to be his answer towards — talking about Dick Cheney. That’s the problem with that. (CROSSTALK) GERGEN: If this man cares one wit about electing an African-American to the highest office in the land, he should get off the national stage. You know that. HARRIS: Point-blank. MARTIN: I know. I agree. I agree. It just — it did not help at all, and frankly, it’s going to invite more questions, and so now the question is, Reverend Wright — where does he go next? Does he continue? Does he keep talking, because absolutely, people are going to perceive… GERGEN: He should just go away, go back to the pulpit. MARTIN: Well, I tell my radio listeners that every day. HARRIS: One final question for both of you: what does Barack Obama do now in the face of this? (PAUSE) HARRIS: Wow. MARTIN: Well, I know Barack Obama does — I think what Senator Obama does — he keeps moving, he keeps focusing on his message. But also, he interates consistantly, I am running for president. I speak for myself. I am the one advocating these policies. And I am the one who is going to be sitting 1600 Pennsylvania Avenue, making the decisions to affect you. That’s what he has to do. He has to make it clear it is not about anyone else out there but me, Barack Obama. HARRIS: David? GERGEN: I also think that Barack Obama would serve himself well if he sat down now for additional interviews with the press that start off pushing off and away from this. He handled himself well on Fox yesterday with Chris Wallace. I think that if he now — in Indiana and North Carolina — were to buy an hour’s worth of time in each media market and sit down in a round-table discussion with the voters from that area, with working people and talk about his hopes and plans, and let them fire away questions for what he’s going to do. And let them just get a chance to know what’s on his mind and what his priorities are, as opposed to this sideshow. HARRIS: Yeah. GERGEN: He needs to have a direct conversation with voters now, not a speech — we all know how marvelous he is in those speeches — but a direct converstation about what his hopes and dreams are, to transform this country, and he needs to that very directly with voters, with working people. HARRIS: David Gergen, thank you. Roland Martin, thank you. Boy, we needed this this morning, just a better handle to put it in a little bit better context. Thank you both. GERGEN: Thank you. MARTIN: Thank you. With what was now reported by the Daily Caller concerning folks on the left-wing JournoList actively trying to squelch all media references to Wright, one has to seriously wonder just how many news outlets participated in this disgusting cover-up. Stay tuned. 

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Flashback 2008: CNN’s Roberts Declares ‘Rev. Wright-Free Zone’ During Obama Interview

Bozell Column: Art in America

The Bravo cable network has a new reality show called “Work of Art,” a competition dedicated to finding the next great American artist. The half-dozen contestants, 20-something aspiring artists all, enter the famous Phillips de Pury art auction house. Mr. de Pury himself ushers them into the special room where they are presented with a collection of paintings by Andres Serrano, the man who came to fame in 1989 with the ghastly painting, sponsored by the National Endowment of the Arts, depicting a crucifix dunked in a jar of urine. They are hugely impressed. The final painting they are shown is just that — the original “Piss Christ.” They are in awe, quietly expressing their amazement at the talent. And then the door opens and in steps the master. The students freeze, eyes bright, mouths agape. The curator announces, “the great, great Serrano!” One girl instinctively bows reverently. Serrano explains his art. “Life, art, politics. It’s all the same s—-…. People in general always think their s—- is the best. So if you really want to see some real s—-, check out my s—-.” Six times he utters the expletive; the students giggle with glee. And now the contestants are given their assignment: Create a body of art as shocking as that of Serrano. The judges will select the four contestants who will proceed to the next round. More giggles and laughter. Each artist is given a $100 voucher with which to buy supplies. One man says he will make an artwork about that “taboo theme,” the sexually abusive priest. “It’s not an anti-religion piece,” he claims. “I don’t know anybody personally who’s been sexually abused by a priest, but I read a statistic once that said there were more Catholic priests living with AIDS than there were everyone else.” Besides garbled syntax, it is pure idiocy. He can’t possibly think a small group of homosexual priests represents the largest grouping of the million-plus Americans living with HIV or AIDS. But he is an artist, and he does. He shoots a crude photograph of two pairs of feet in a bed, below a crucifix. One is meant to represent the priest, the other the abused boy. That’s just the beginning. Now a girl, handsomely endowed, takes a batch of pictures of herself wearing only panties. “High art” is how she describes her product. The curator examines her semi-naked pictures, with emphasis on her naked breasts, and deems the display to be “gorgeous.” But what the judges would later describe as “brilliant” is her special touch: setting these pictures next to a black felt-tip pen so the gallery audience could scrawl on them whatever graffiti or obscenities they inspire. One contestant is a reputed Christian. Her presentation is a weird distortion of the Last Supper, with a beardless Jesus Christ surrounded by gossipy people holding weapons. Another woman paints models with bloodied faces with the slogans “Syphilis by Prada” and “Herpes by Chanel.” There is the dreaded self-described “performance artist,” who constructs some sort of demented, dilapidated cardboard tepee, then sits in the middle of it with a plastic bag over her head, like a mental patient, fondling what looks like a bag of excrement. Serrano likes it but complains, “I don’t smell anything.” Then there are the men. The self-described gay man is fixated on the vision of a friend who once told him he was capable of “auto-fellatio” — performing oral sex on himself. (We’re told he’s become a recluse since discovering this talent, chuckle, chuckle.) Our artist paints the scene, but the judges are appalled. There is no shock value, they proclaim. “It should have been a photograph of you attempting this position,” a judge laments. One artist explains that he had his first erection while watching “The Little Mermaid,” so he decides to create a line drawing of the iconic shape of Mickey Mouse’s head filled with “misshapen genitals, b—-holes and nipples.” But it’s not shocking enough, he concludes, so he goes into the bathroom and decorates it with his own semen. This isn’t the only work of “art” with that theme. There’s the man who titles his painting “My Tranny Porno Fantasy.” He explains what he’s going to paint: “I have this vision of myself as post-coital, post-bondage, post-(ejaculation) tranny with really bad makeup, an electrical cord around my neck and a pink wig.” He worries aloud, laughing out loud, that the semen isn’t visible enough on his painted face. His colleagues are shocked — and love it. “Ryan’s piece is just … a little … yeah,” one contestant laughs nervously, approvingly. The winners are chosen and move on. Another episode of “Work of Art” is complete, a program aired on national television via your basic cable subscription by the Bravo network, owned by NBC, soon to be owned by Comcast, sponsored by the likes of Geico insurance and Crest toothpaste, and rated TV-14, meaning it is appropriate for any youngster at that age. There is no outcry because our popular culture is thoroughly rotten. There reaches a point where you have to say it: I believe in evil. Satan is laughing.

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Bozell Column: Art in America

Newsweek Promotes Parent-Free Pill Access for Teens

Should it be easier for your teenage daughter to get birth control pills without your knowledge? One Newsweek contributor thinks so. In a July 7 op-ed , Meredith Melnick praised the “movement” to make the Pill more accessible by making it available over the counter, in part because it would remove parents from the equation. “ Teenagers are particularly vulnerable to access problems because it is harder for them to get to a doctor without a parent’s help,” Melnick said. “Almost 20 percent of sexually active teens who do not want to become pregnant are not using contraceptives, according to the Guttmacher Institute,” Melnick wrote. “And teenage girls who do not use contraception during their first sexual experience are twice as likely to become teen mothers as their counterparts who use protection.” Melnick did not inform readers that the Guttmacher Institute is affiliated with Planned Parenthood, a liberal pro-abortion organization. Melnick highlighted complaints that prescription-based access to birth control is “patronizing to women, limits contraceptive freedom, and is ineffective against intractably high teen-pregnancy rates.” But she never mentioned the fact that the pill does not protect against HIV/AIDS or other sexually transmitted diseases (STD’s). Melnick glossed over the side effects of birth control hormones, suggesting that an over-the-counter, progestin-only pill “might be safer to use” than so-called “combined” pills, which include progestin and estrogen. Melnick’s report and others like it, including June 21 New York Times op-ed Ibis Reproductive Health President Kelly Blanchard, have joined what has been a month-long media celebration of the 50 th anniversary of the Pill. Media outlets have used the anniversary to provide one-sided coverage of the Pill, promote more potent hormone contraceptives and criticize abstinence education .

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Newsweek Promotes Parent-Free Pill Access for Teens

Paul McCartney, Pearl Jam, Stevie Wonder Shine At Hard Rock Festival In London

Corinne Bailey Rae, Elvis Costello, Ben Harper also appear at three-day event. By Matt Elias Paul McCartney performs at Hard Rock Calling 2010 Photo: Andy Paradise This past weekend was one of the warmest on record in London, and the hottest ticket in town was the Hard Rock Calling festival in Hyde Park. The three-day festival boasted headliners Pearl Jam , Stevie Wonder and Paul McCartney , with a mix of rock and pop acts rounding out the bill, including Ben Harper and Relentless7, the Gaslight Anthem, Jamiroquai, Corinne Bailey Rae and Elvis Costello. It was the headliners who stole the show each night, and on Friday Pearl Jam had the honor of closing out the first night’s festivities. Eddie Vedder hit the stage prior to PJ’s set, joining Harper and his band for a rousing rendition of Queen and David Bowie’s “Under Pressure.” By 8 p.m. the estimated 55,000 in attendance packed the grounds when Pearl Jam kicked off their two-hour set with “Given to Fly.” The energy was massive from the get-go, with fists pumping and women sitting atop shoulders throughout the crowd (a few hedonistic ones popped their tops off for the JumboTron). After tearing through the first few songs, Vedder addressed the crowd, which stretched all the way back to the entrance. Swigging from a bottle of wine, he said, “It feels incredibly good to be here. Somehow over the years we’ve been given the license to make as much f—in’ noise as possible.” But concerned for the crushing crowd, he asked all 55,000 to take three steps backwards. The energy continued with “Once” and “World Wide Suicide” until Pearl Jam slowed things down with a crowd sing-along, “Elderly Woman Behind the Counter in a Small Town.” But they picked up the pace just a few songs later with “Even Flow” as fans sang the chorus even louder than the stage’s massive speakers. Guitarist Mike McCready wowed fans by playing his guitar solo behind his head. PJ then upped the ante, treating fans to a new song called “Of the Earth.” Vedder noted that it had never been recorded and that if things went well it would end up on the next album. He then joked that it was like auditioning for “American Idol.” Judging by the crowd’s approval, the upbeat song was a success. The band capped off the night with “Better Man,” an emotional rendition of “Just Breathe” and an encore of “Go” and “Alive,” the last of which was the loudest sing-along of the night. Saturday, though just as crowded as Friday, was a much mellower day, with Corinne Bailey Rae’s sultry sounds and Jamiroquai’s funky tunes leading into Stevie Wonder’s headlining set. Jam’s frontman Jay Kay (wearing what could be described as an offensive Native American headdress) called Stevie “the Master.” He urged fans to give Wonder a proper English welcome, and they did when the legend finally hit the stage. Not known for being punctual, Wonder only kept fans waiting 15 minutes for his scheduled set. Hyde Park enforces a 10:15 p.m. curfew, so Stevie was just barely able to squeeze in his two-hour set. But he squeezed in a lot, playing songs that spanned his massive 50-year catalogue. Wonder hit the stage with a gleaming white keytar and got the crowd involved instantly with the first of many call and responses. The enthusiasm was mutual, as Stevie got down on the ground and jammed on his keytar while he was on his back. By the second song, “Master Blaster,” he had the crowd dancing. Amy Winehouse was spotted on the side of the stage during Wonder’s set, sparking rumors that she would join him onstage. That never happened, but his two hours, a mix of comedic and poignant moments, were full enough without any guest appearances. At one point Stevie freestyled, “We love you, Michael Jackson. We’ll see you when you get to heaven,” and later he covered MJ’s “Human Nature,” a touching moment one year after the King of Pop’s death. The set closed out with rousing renditions of “Sir Duke”, a Temptations cover of “My Girl” that lead right into “Isn’t She Lovely”, “My Cherie Amour” and “Superstition”. From one legend to the next, Sunday saw the headlining set of Sir Paul McCartney. Backstage was abuzz in celebrity activity, as the Jonas Brothers, Kings of Leon, Kate Beckinsale and Gwyneth Paltrow were all on hand for Macca’s set. Sir Paul hit the stage promptly at 7:30 p.m., dressed in black from head to toe. It was a brave wardrobe choice as temperatures hit 90 degrees that day. After the first couple of tunes, McCartney addressed the crowd. He declared, “Good evening, Hyde Park. Gotta feelin’ we’re gonna have a rockin’ good time tonight!” Then he took a moment to soak it all in before launching into the Beatles classic “All My Loving,” an instant sing-along. McCartney was a delight, sharing jovial banter with the crowd between songs. For most of the tunes, which, you guessed it, spanned his entire catalogue, Paul took time to explain their origins. It was almost like an episode of VH1 “Storytellers” and felt like an intimate club show, despite the 50,000 in attendance. McCartney recalled seeing Jimi Hendrix cover “Sgt. Pepper’s Lonely Hearts Club Band” just days after its release. He discussed songs he’d written for his late wife, Linda, and fellow Beatle John Lennon. After every song, he gave a heartfelt “Thank you” and a bow, as if each was his last. Of all those songs, it’s hard to single out moments, but highlights came toward the end of the set with a slew of classics: “Let It Be,” “Live and Let Die” (with a huge fireworks display) and “Hey Jude,” delivered with boisterous “na na na nas” from the crowd. McCartney returned with two encores that pushed the show well into three amazing hours, far exceeding the 10:15 curfew (but that’s something you can get away with when you’ve been knighted). Songs included “Get Back,” “Helter Skelter” and “Sgt. Pepper’s Lonely Hearts Club Band,” capping off a great weekend of headlining performances as well as the end of Sir Paul’s worldwide tour. Moments after McCartney exited the stage, an ecstatic Joe and Nick Jonas shared their highlights of the show. Nick told MTV News, “My favorite song? Obviously ‘Hey Jude’ comes first always.” The brothers agreed that “Blackbird” was a second favorite, and Nick admitted to recording it on his phone. Joe added, ” ‘Got to Get You Into My Life’ is pretty incredible.” Related Photos Pearl Jam, Paul McCartney And More Come Out For ‘Hard Rock Calling 2010’ Related Artists Pearl Jam Paul McCartney Stevie Wonder

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Paul McCartney, Pearl Jam, Stevie Wonder Shine At Hard Rock Festival In London

Lady Gaga Debuts New Song ‘You And I’ At Elton John Benefit

Video of Gaga performing new ‘rock-and-roll tune’ hits the Net. By Gil Kaufman Lady Gaga and Elton John (file) Photo: Kevin Kane/ WireImage We already know that Lady Gaga is pretty much finished with the follow-up to her smash full-length debut, The Fame. But now we finally have a peek at some of the material that might be on the album, thanks to footage of Gaga performing at Elton John ‘s White Tie and Tiara Ball last Thursday. “This is a brand-new record that no one’s ever heard before … ever,” she said while seated at one of her signature deconstructed pianos and wearing a bedazzled black bra and panties with black boots. “And I’ve never, ever played it live, ever.” On her Twitter , she described “You and I” as a “new song … written in NY on the piano I grew up on.” Sounding a tad hoarse, Gaga described the song to her audience as a bit of a “rock-and-roll tune,” predicting that for that reason it will not likely get used as a single, but that it is “very dear” to her heart. “It’s been a long time since I came around/ It’s been a long time, but I’m back in town/ And this time, I’m not leaving without you,” she sang, describing a whiskey-breathed lover for whom she’s pining. “He said, ‘Sit back down where you belong, in the corner of my bar with your high heels on,’ ” she continued, her voice rising and getting a bit more growly just before the band came in and provided a swaying backdrop to the bluesy rocker. ” ‘Sit back down on the couch where we made out the first time, and you said to me/ “Something, something about this place/ Something about lonely lights and my lipstick on your face.” ‘ ” She wasn’t kidding about the song having a rock edge, as the tune eschewed most of her dance flavor, right down to a rollicking barrelhouse piano solo, during which she stood up on the piano bench and bashed out some John-worthy runs on the black and whites. She finished the tune crouched on the bench, wailing, “You and I,” while pumping her fist, before giving it a big finish that included kicking a heel up on the keyboard and lying across the piano bench with her head on the ground. Gaga tweeted about her performance at the 12th annual fundraiser for the Elton John AIDS Foundation, writing, “What a brilliant evening with wonderful friends. Thank you to everyone who donated to the Elton John AIDS Foundation. What a magical stage.” Gaga also took the stage in a wheelchair with her chest covered in fake blood and accompanied by an oiled-up male dancer for a run through “Alejandro,” and she performed her ballad “Speechless.” During the latter, John came out and joined her for a dueling-pianos showdown, trading off verses on the tune dedicated to Gaga’s dad and then reprising their Grammys duet with a snippet of his hit “Your Song,” during which he improvised the line, “I hope you don’t mind that I wrote down in words/ How wonderful life is with Gaga in the world.” The gothic-themed event took place at a Windsor mansion owned by John and partner David Furnish and featured performance artists wearing straight jackets and dangling from fake trees and bandaged men in white coats serving cocktails in medicine bottles. According to reports, guests included Elizabeth Hurley, Kate Beckinsale, Sharon and Kelly Osbourne, Jon Bon Jovi and Kid Rock. What do you think of Gaga’s new song? Let us know in comments below. Related Photos The Fashions Of Lady Gaga’s ‘Alejandro’ Lady Gaga, Elton John Perform At Rainforest Benefit The Evolution Of: Lady Gaga Related Artists Lady Gaga Elton John

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Lady Gaga Debuts New Song ‘You And I’ At Elton John Benefit

Ciara Urges Everyone To Get Tested For HIV/AIDS: ‘You Gotta Do It’

‘Knowing is greater than doubt,’ the singer says before National Annual HIV Testing Day. By Mawuse Ziegbe Ciara Photo: Rick Diamond/ Getty Images Sunday marks the 17th year of National Annual HIV Testing Day, and as part of MTV’s GYT: Get Yourself Tested campaign, R&B star Ciara wants everyone to make sure they are informed of their status. “You gotta do it,” Ciara told MTV News’ Sway about getting tested. “Knowing is greater than doubt.” The GYT campaign was launched to help combat STDs among young people around the country. Statistics demonstrate that young Americans must remain vigilant when it comes to STDs. One in two people will contract an STD by age 25, and many of those people will get an STD without realizing it. In addition, one out of every five people in the U.S. has HIV and doesn’t know it. The R&B star also urges young people to get tested because knowing what’s up with your health makes it much easier to deal with: “You’ll feel so much better if you know what’s going on with your body, and you don’t want to be surprised.” To learn how to find events and free HIV-testing locations, young people can check out MTV’s GYTnow.org . The site also has key facts about HIV/AIDS as well as ways young people can broach the subject of getting tested with their significant others. Young people who do get tested soon will join another high-profile person who has recently committed to knowing his status. “I’m about to go get tested right now when we get done,” Sway confided in Ciara during their interview. “You convinced me.” For her part, Ciara seemed excited that her words were having an immediate effect. “Perfect!” said the star, with a triumphant fist-pump. “It worked!” Will you get tested? Share your thoughts in the comments. Head to Think.MTV.com to find a community where you, your friends and your favorite celebrities can get informed, get heard and take action on the issues that matter to you most.

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Ciara Urges Everyone To Get Tested For HIV/AIDS: ‘You Gotta Do It’

Five Actors Who Should Retire Instead of Amanda Bynes [Listicle]

Yes folks, sad news. The What I Like About You actress has quit the acting game , at the tender age of 24. That’s, um, too bad. There are at least five other actors who should quit before her. More

What Is Sarah Palin’s Latest Endorsee, Star Parker, Like? [Meet Your Candidates]

Sarah Palin has read the local campaign literature and decided to endorse the brilliant Star Parker for California’s 37th congressional district. So, Star Parker: what lovely thoughts does she have about the connection between gay marriage and AIDS, for example? More

Eva Mendes Knows She’s a Whore of the Day

Sure Eva Mendes may not be doing much in these pictures…She’s sloppy like an off duty stripper on her way to the drug store to get Plan B…but she’s Hispanic and she has money in the bank even after sending out payments to all her lazy relatives, what do you really expect. Hispanics don’t do things….especially when they don’t have to for survival… But I like her because she gets naked in movies…and I know most actors are whores…but she actually accepts and rationalizes the fact that she will do whatever it takes to get movie roles so that she doesn’t end up on the street doing whatever it takes to get her baby formula…I guess it’s that Hispanic suvival instinct in her where she can go farther being naked on screen than naked in a back alley with a stranger’s big black AIDS dick inside her… She told W magazine: “I’ve never had a problem with nudity, but I don’t put it out there without a reason – I’m not an exhibitionist – but, honestly, for my art I’ll do anything almost. I’ll go there. I know I walk a fine line between being a respected actor and being what they call a sex symbol. But I’ve never felt objectified. Nothing you see me do is an accident. I might act like it’s an accident but the opposite is true. I’m incredibly calculated when it comes to my career.” And I always love pussy that rationalizes being a whore… Here’s a throwback clip of her in her earlier roles doing what she had to do for the part…you know calculated career moves…cuz if she didn’t get naked another Spic bitch woulda got the part…since they are a dime a dozen in America… Pics via Fame

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Eva Mendes Knows She’s a Whore of the Day

WaPo Says World Cup’s ‘Most Essential Accessory’ Is Condoms

Thursday’s Washington Post Express tabloid carried the headline “Health Activists Eye World Cup.” When the world “health” breaks in before “activist,” sadly, you can often define that as a sly euphemism you could replace more accurately with “sex.” Post reporter Liz Clarke offered an interesting definition of the tournament’s most essential accessory, which isn’t cleats or Gatorade or even sunscreen:  Slathered in face paint, toting samba drums and waving national flags, the world’s most ardent soccer fans are streaming into South Africa for the 2010 World Cup. And they’re being met by a host of reminders not to forget the tournament’s most essential accessory: a condom. She forwarded how AIDS activists pressured FIFA, the World Cup organizers, of being “half-hearted” in condom promotion, and noted Cape Town hoteliers are offering condoms with the slogan “Play It Safe in Cape Town.” Then Clarke offered an  update. FIFA bowed to the sexual entitlement mentality: free condoms have now been offered in eight-packs for women (do they each have a day of the week inscribed?) Cases of condoms (bundled in packets of eight) were prominently displayed and free for the taking in the women’s restrooms at Soccer Stadium for Friday’s World Cup stadium, evidence of FIFA’s awareness of and commitment to the need to confront the epidemic of HIV/AIDS in the host nation. The “Choice” brand condoms were provided by South Africa’s Department of Health, and the packaging included a toll-free number for the AIDS Hotline, as well as a six-panel illustration of proper use and disposal. Related: Brent Bozell on FIFA’s half-hearted response to massive influx of prostitutes for World Cup

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WaPo Says World Cup’s ‘Most Essential Accessory’ Is Condoms