Tag Archives: artist

Wiz Khalifa, Nas To Headline Annual Roots Picnic

Esperanza Spalding and others also scheduled to perform at daylong Philadelphia event on June 4. By Alvin Blanco Nas Photo: Peter Kramer/ Getty Images Grammy Award-winning hip-hop group the Roots have announced that their fourth annual Roots Picnic will be held on Saturday, June 4. The headliners for the daylong mini-music festival are NYC rap veteran Nas and Wiz Khalifa. This year’s picnic will be held at Festival Pier at Penn’s Landing in Philadelphia. The event’s bill is loaded with its usual eclectic mix of acts, spanning multiple genres, including Best New Artist Grammy Award winner Esperanza Spalding . Other artists scheduled to perform include folk artist Ariel Pink, electronic/pop band Little Dragon, and rappers Mac Miller and Yelawolf. Special and surprise guests are sure to be added as June 4 approaches, and many of the acts (such as Nas and Spalding) will receive their musical accompaniment from the Roots. In addition to holding down a regular gig as the resident band for “Late Night With Jimmy Fallon,” the legendary Roots crew have maintained their recording career and perform concerts regularly. Led by drummer Ahmir “?uestlove” Thompson and MC Tariq “Black Thought” Trotter, they recently held their annual star-studded Pre-Grammy Jam Session in Hollywood. Their collaborative album with R&B singer John Legend, Wake Up! was nominated for five Grammy Awards this year, winning three for Best Traditional R&B Vocal Performance, Best R&B Song and Best R&B Vocal Album. The Roots’ 11th album, How I Got Over, was also nominated, for Best Rap Album. Tickets for the Roots Picnic go on sale Friday, March 4, at 10 a.m. via Live Nation and Ticketmaster. Related Artists Nas Wiz Khalifa The Roots

See the original post:
Wiz Khalifa, Nas To Headline Annual Roots Picnic

Chris Medina Calls Post-‘American Idol’ Single ‘Heartfelt’

‘He was really good in the studio,’ producer Rodney Jerkins recalls of recording ‘What Are Words.’ By Kara Warner, with additional reporting by Jim Cantiello Chris Medina Photo: MTV News While Chris Medina’s exit from “American Idol” is still a shock to many fans, the fact that the early favorite has already lined up his first post-“Idol” project (by way of super-producer Rodney Jerkins and the single “What Are Words”) should alleviate the burn. MTV News was lucky enough to catch up with both Medina and Jerkins recently to get the inside scoop on the heartfelt track. “I always knew who Rodney Jerkins was, but after doing some research, I didn’t realize how ‘the man’ he actually was,” Medina explained of his reaction to getting a phone call two days after his unexpected elimination. “I got a call on Friday and then that Monday I recorded,” he said. “It was surreal. It was great.” Medina went on to say that while the song isn’t technically his style, it’s not entirely out of his “wheelhouse.” “The words totally embody what my situation is,” he said. “It’s heartfelt, it’s real, and it was an honor to be asked to put my voice to this wonderful material.” For his part, Jerkins, who was inspired to write the song after seeing Medina’s first audition, said the 26-year-old was a total pro during their recording session. “He was really good in the studio,” Jerkins said. “That’s always the fearful moment for myself as a producer. The first time you work with a new artist [you wonder], ‘What is it going to sound like when you get in the studio?’ “[Medina] came in here and he listened to it one time down and then he was like, ‘I think I got it.’ He started singing it for us in the room, and we were just floored,” Jerkins recalled. “Like, ‘Wow,’ he learned it that fast. I’m like, ‘OK, it’s time for you to get in the booth.’ He was great.” Regarding the higher vocals Medina uses in the track, Jerkins said that is all about his technique of challenging his artists. “A lot of technology has made it where we don’t push the artist like we used to,” he said. “I’m a ’90s guy. I come from the school of the ’90s, where you didn’t have Auto-Tune, we didn’t have the tricks of technology. You had to get in there and work the artist and get the best out of them, and that’s what we did.” Don’t miss “Idol Party Live” at 10 p.m. Thursday on MTV.com, following the “American Idol” results show, for analysis, celebrity guests and even some karaoke. In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions.

Go here to see the original:
Chris Medina Calls Post-‘American Idol’ Single ‘Heartfelt’

Esperanza Spalding Interview at 53rd Annual GRAMMY Awards – GRAMMY Live

http://www.youtube.com/v/JAtn7wUZozo?f=user_uploads&app=youtube_gdata

See the article here:

Best New Artist winner Esperanza Spalding with John Norris backstage at the 53rd GRAMMY Awards!

Esperanza Spalding Interview at 53rd Annual GRAMMY Awards – GRAMMY Live

Esperanza Spalding Interview at 53rd Annual GRAMMY Awards – GRAMMY Live

http://www.youtube.com/v/JAtn7wUZozo?f=user_uploads&app=youtube_gdata

Here is the original post:

Best New Artist winner Esperanza Spalding with John Norris backstage at the 53rd GRAMMY Awards!

Esperanza Spalding Interview at 53rd Annual GRAMMY Awards – GRAMMY Live

‘Drive Angry’: The Reviews Are In!

Should you hit the road with Nicolas Cage? See what the critics have to say. By Eric Ditzian David Morse and Nicolas Cage in “Drive Angry” Photo: Summit Publicity “Drive Angry” marks three-straight supernatural films for Nicolas Cage, though each could not be more different. “The Sorcerer’s Apprentice” was a Disney-driven tale of magical realism. “Season of the Witch” dove into the intersection of medieval black magic and campy B-movie wackiness. And “Drive Angry” literally begins with Cage driving a muscle car straight outta hell with the devil’s henchman fast on his heels and doesn’t slow down as it splashes blood and fire across the screen. All three flicks share something else in common: below-average reviews. “Sorcerer’s” and “Season” each went on to conjure up lukewarm box-office receipts. Can “Drive Angry” break the spell? Check out what the critics are saying and decide if the new 3-D film is the right choice for you this weekend. The Story “[It] may be a bit too slickly self-aware for its own good, but it’s also rivetingly paced, outrageously funny and makes retina-scorching use of the new 3D technology. Nicolas Cage is on teeth-baring, eye-rolling form as John Milton (nice), the deceased felon who busts out of hell to track down the Southern death cult who kidnapped his baby granddaughter. Hooking up with mouthy muscle-car-driving white-trash waitress Piper (Amber Heard), Milton sets off in pursuit, all the while attempting to avoid the attentions of Satan’s right-hand man, The Accountant (a majestically arch William Fichtner).” — Tom Huddleston, Time Out Crazy Nic Cage “A little respect, if you please, for His Satanic Majesty Nicolas Cage. Nobody goes off the deep end like Nic. Nobody gives better value in bad movies than the sleepy-eyed Oscar winner with a gift for picking bad movies. ‘Drive Angry’ is a very entertaining B, C or D-movie, an over-the-top and in-your-face grindhouse gore, guns and ‘Gun it’ picture that’s about epic shootouts, bone-snapping brawls, bare breasts and muscle cars. The gunplay is funny and the sex hilarious in this ‘Ghost Rider is Gone in 60 Seconds’ mashup.” — Roger Moore, Orlando Sentinel The 3-D ” ‘Drive Angry’ is intensely bloody, violent and carries quite a few payoffs that are well delivered. It’s also a movie you’d actually want to see in 3-D, unlike so many frauds in the marketplace these days. In fact, Lussier, who directed ‘My Bloody Valentine 3D,’ shows his growth as a 3-dimensional director by taking ‘Drive Angry’ to new heights. Seeing it in Real D, the depth was astounding, and Lussier throws a few CGI tricks right in the viewer’s face. Even more impressive was his flashback sequence that could easily become one of the most influential in the 3-D age (the way he layers three ‘thoughts’ at once is mind-blowing visually). In short, it’s worth the extra few bucks.” — Brad Miska, Bloody Disgusting Going Grindhouse ” ‘Drive Angry’ is loud and busy, and it’s rarely boring. But it’s also never really good. ‘Drive Angry’ comes at the tail end of the grindhouse revival trend, and while it’s better made than films like ‘Machete’ or the scores of indie films that followed in Quentin Tarantino’s wake, it succumbs to the same problem so many of those movies do: it’s a movie about the things that the filmmakers think are cool, and that’s never cool. ‘Drive Angry’ isn’t about anything, it’s just a series of ideas that struck Lussier and Farmer as awesome, strung together at feature length. There’s a lot of balls in Drive Angry, and even some brains, but no heart.” — Devin Faraci, Badass Digest The Final Word ” ‘Drive Angry’ is, in the end, a genre romp. It’s not aiming any higher than that. But it is made with real skill and style, and there’s such knowledge of genre in the way they have built the script and both embraced and avoided certain conventions that it makes me feel like we’re just seeing Farmer and Lussier warm up. Hopefully they’ll keep working with collaborators as game as their partners in this particular crime, because ‘Drive Angry’ is a white-knuckle ride worth taking.” — Drew McWeeny, HitFix Check out everything we’ve got on “Drive Angry.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

Read the rest here:
‘Drive Angry’: The Reviews Are In!

Rhymefest Explains How Hip-Hop Career Helps Him In Politics

Kanye West prot

Rhymefest Explains How Hip-Hop Career Helps Him In Politics

Kanye West prot

Rhymefest Explains How Hip-Hop Career Helps Him In Politics

Kanye West prot

10 Great Singers That Never Would Have Won American Idol

American Idol has fallen off without Simon and the crazed cokehead. J. Lo and Mouf haven’t exactly set the world on fire. But the show had its downfalls even when it was at its peak. So many of us thought that the artists were pretty cookie cutter and didn’t reflect true musicianship. The judges didn’t think outside the box enough and even gave The Artist Formerly Known As Thick J-Hud the boot because she was chunky. Here are 10 more artists that would have gotten the boot because American Idol doesn’t know true talent when they see it.

Read this article:
10 Great Singers That Never Would Have Won American Idol

Music Exec. Pens Open Letter to Protest Beiber, Eminem Grammy Snub

*Ad man, brand manager and occasional consigliere to many of hip-hop’s most powerful stars, marketing mogul Steve Stoute took out a full page ad in Sunday’s New York Times Style Section blasting the Grammy Awards, its parent organizational, The National Academy of Recording Arts and Sciences (NARAS), and its president, Neil Portnow, for what he feels is both increasing irrelevance and possible malfeasance. “Over the course of my 20-year history as an executive in the music business and as the owner of a firm that specializes in in-culture advertising, I have come to the conclusion that the Grammy Awards have clearly lost touch with contemporary popular culture,” he wrote in the ad, which took the form of an open letter. “The awards show has become a series of hypocrisies and contradictions, leaving me to question why any contemporary popular artist would even participate.” In particular, Stoute (pictured) focused on the relatively recent snubs of Eminem, Kayne West, and Justin Bieber, all musicians he believes have been unfairly beaten for awards by inferior artistic and commercial acts. “We must acknowledge the massive cultural impact of Eminem and Kanye West and how their music is shaping, influencing and defining the voice of a generation,” Stoute wrote of the two hip-hop superstars, adding of Bieber, “How is it that Justin Bieber, an artist that defines what it means to be a modern artist, did not win Best New Artist?” Read MORE of this story at MTV News .

Read the original here:
Music Exec. Pens Open Letter to Protest Beiber, Eminem Grammy Snub