Tag Archives: broadcast

Thia Megia And Naima Adedapo Eliminated From ‘American Idol’

Paul McDonald joins them in a surprise bottom-three appearance. By Gil Kaufman Thia Megia and Naima Adedapo Photo: FOX At this point, it’s anyone’s guess what will happen from week to week on “American Idol.” While the early elimination rounds are usually pretty easy to predict, “Idol” threw another curveball Thursday night (March 31) when one of the most praised and polished season 10 contenders, Paul McDonald, wound up in the bottom three. He was brought to the brink of elimination after 55 million people texted or voted online, a new record at this point in the competition. But, in the end, it was teenager Thia Megia and reggae mama Naima Adedapo who were sent packing in an episode that radically altered the usual Thursday nail-biter — in a good way. The traditional group sing-along was done away with, and instead, the show kicked off with a ready-for-radio country duet between Scotty McCreery and Lauren Alaina on Randy Travis and Carrie Underwood’s “I Told You So” that sounded like the work of seasoned veterans. After nearly showing up Underwood and Travis’ version of the song on last year’s “Idol,” both were waved over to the safe couch for another go at it next week. The same could not be said for Jacob Lusk and Adedapo, who fell flat on Ashford & Simpson’s “Solid,” failing to show any chemistry and listlessly singing the tune over a Muzak-y arrangement. Naima’s reggae-tinged “I’m Still Standing” punched her card to the bottom three, while Lusk will get another chance to find his “Jacob spot” next week. In keeping with the welcome format change, Haley Reinhart, Pia Toscano and Megia served up some trio action on Katy Perry’s “Teenage Dream,” with Toscano cementing her status as one to watch, Reinhart doing her growly thing and Megia pitching in on backing vocals. Toscano skated to safety, along with suddenly resurgent Reinhart , while Megia joined Adedapo after her “Daniel” didn’t win voters over. McDonald, Casey Abrams, James Durbin and Stefano Langone apparently formed a garage band offstage a few weeks ago, and they made their broadcast debut Thursday with Wings’ “Band on the Run.” With all four playing instruments on a soft-rock version of the already light-as-air tune, McDonald gave it his feathery best, Abrams and Langone were in imperfect harmony, Casey did some more of his shouting and Stefano struggled on half a chorus, showing why he was doomed. At least that’s what the general consensus was. While Abrams was safe again, and Durbin was also good, in another shocker, Langone dodged a bullet and it was McDonald who rounded out the bottom three. In the end, though, McDonald was ushered to safety as Adedapo and the show’s youngest-ever contestant, Megia, bid their teary farewells until they join the rest of the top 11 for this summer’s tour. Wearing a glittering crimson jumpsuit with her hair swept up in a 1940s ‘do, season-three winner Fantasia stopped by to sing her new throwback doo-wop single “Collard Greens and Cornbread.” Also performing their Carnival-esque collaboration “Hot Wings,” from the new animated feature “Rio,” were Jamie Foxx and the Black Eyed Peas’ will.i.am. Do you think America made the right choices? Let us know in comments below! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season 10 Performances

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Thia Megia And Naima Adedapo Eliminated From ‘American Idol’

Robert Pattinson To Present At Academy Of Country Music Awards

RPattz will appear with ‘Water for Elephants’ co-star Reese Witherspoon at April 3 show. By Gil Kaufman Robert Pattinson Photo: Kevin Mazur/ WireImage Robert Pattinson isn’t following in the footsteps of fellow thespian Gwyneth Paltrow and going country. Though the “Twilight” star has dabbled in music, he’s only expected to hand out the hardware, not pick up a guitar, at the upcoming Academy of Country Music Awards show in Las Vegas on April 3. According to People magazine, Pattinson will appear with his “Water for Elephants” co-star Reese Witherspoon as a presenter at the show, which will air on CBS. The onscreen couple will appear alongside hosts Reba McEntire and Blake Shelton, along with other presenters Nancy O’Dell and Ryan Seacrest. Among the performers on the broadcast will be Carrie Underwood, Dierks Bentley, Zac Brown Band with James Taylor, Alabama, Ronnie Dunn, Sara Evans, Martina McBride and the Entertainer of the Year nominees: Taylor Swift, Jason Aldean, Toby Keith, Miranda Lambert, Brad Paisley and Keith Urban. Pattinson is used to sharing the stage with his “Twilight” co-star Kristen Stewart, but he seems perfectly comfortable with Nashville native Witherspoon as well. “It felt like it was kind of magical in many ways, because we were out in the desert shooting,” he said of the shoot for “Elephants” with Witherspoon . “There was nothing from the modern world around. It was a different experience for me. It wasn’t in a studio or anything.” He might also press her for tips on appealing to the country crowd, something Reese knows plenty about thanks to her Academy Award win for her portrayal of June Carter Cash in the 2005 Johnny Cash biopic “Walk the Line.” How do you think RPattz will do in the country-music world? Let us know in the comments! Check out everything we’ve got on “Water for Elephants.” For young Hollywood news, fashion and “Twilight” updates around the clock, visit HollywoodCrush.MTV.com . Related Photos MTV First: Robert Pattinson – Photos From The Interview ‘Water For Elephants’

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Robert Pattinson To Present At Academy Of Country Music Awards

Panic! At The Disco Explain ‘The Overture,’ Prep For Vices & Virtues Release

Their mini-movie is out now; their new album is in stores Tuesday. By James Montgomery Panic! at the Disco Photo: MTV News Panic! at the Disco officially return Tuesday with Vices & Virtues, their first album in three years and the first since the departure of Ryan Ross and Jon Walker . But, of course, if you’re a fan, you probably already knew both of those things. What fans may not know is the message behind “The Overture,” the mini-movie teaser the band posted earlier this month. Opening with a scene of frontman Brendon Urie telling two shadowy specters — who most assume represent Ross and Walker — “I’m gonna miss you guys … looks like we’re going to have to part ways” and featuring Panic! and a host of fantastical characters embarking on a journey (to points unknown), most seem to assume the clip represents the band putting their past to bed and heading out into the future. And while those assumptions are (in part) correct, the way Urie and drummer Spencer Smith see it, “The Overture” (and, really, most of Vices & Virtues ) is about something else entirely: the obstacles they overcame just to make it to this point. “I guess the entire theme to be covered in a word would be ‘perseverance.’ It’s really learning to drop your baggage and keep pressing forward with what you want to do. And having the passion but also the perseverance,” Urie told MTV News. “So we’re gathering up people [and] we’re not really sure where we’re going, and how it’s going to be, how the trip’s going to be, but that’s not the point. You never really know how it’s going to end up, and that was important for us to get that message out, too, because we’ve learned that in the past couple of years.” While Urie and Smith were mum about the identities of those two darkened figures at the beginning of the video, it’s safe to speculate that they are, in fact, Ross and Walker. But they also represent basically everything Panic! at the Disco has had to endure ever since they burst onto the scene in 2005 with A Fever You Can’t Sweat Out — the labels, the gossip and, yes, the almost-breakup. Because, like everything the band does these days, they’re parting ways with the past. “[The figures are] mostly a metaphor [for] that idea of what we thought we were in the past, learning to just let that go and pushing forward with the ideas we knew we wanted to do for this record,” Urie said. Are you looking forward to new Panic! music? Let us know in the comments! Related Artists Panic! at the Disco

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Panic! At The Disco Explain ‘The Overture,’ Prep For Vices & Virtues Release

Hanson Are ‘Proud’ Of SXSW 4 Japan Benefit, But Aren’t Done Yet

Band organized an impromptu 12-hour charity event Saturday at South by Southwest. By James Montgomery Hanson Photo: Mark Mainz/ Getty Images On Saturday, with less than a day of preparation, Hanson somehow managed to pull off a 12-hour live-stream benefit for the earthquake and tsunami recovery efforts in Japan . They followed that up with an early (like, 12:20 a.m. early) morning performance on Sunday at South by Southwest. And on Monday, they finally took a minute to reflect on what turned out to be a very eventful weekend. “The whole thing was a labor of love … in the sense of nobody’s really getting anything out of it, other than our desire to give and give of ourselves. I don’t think I’ll ever forget it,” Zac Hanson told MTV News. “The people that put themselves out for this — and most of them will not really get the credit — the work that was done by the people that work for us, the friends and the colleagues that threw down and just started calling musicians they knew … we’re still having people saying they want to help out. It still continues, even though the first live broadcast is over.” The SXSW 4 Japan benefit started with the goal of raising $100,000 for the Red Cross’ disaster recovery efforts, and Zac Hanson was happy to report that not only did he and his brothers achieve that goal, they blew right past it. Though, after having some time to think back on the event, he’s more amazed by the sheer effort everyone put out to help make the broadcast a reality. “For me, I feel like we really gave as much as we could. Nobody held anything back. I think we really accomplished something. The money that was raised, the $100,000-plus and all the text donations … at the end, that is a meaningful amount of money, but … it’s more about that we did something,” he said. “And I think the feeling of saying to the people of Japan, ‘Look, we’ve got your backs, we’re here, we’re looking out for you, we’re here when you need us,’ I feel proud of everyone who was involved.” Hanson said the next step is compiling all the musical performances — and, as he put it, there is “an insane amount of music” — into a digital album that can be downloaded by fans, with all proceeds going to the Red Cross. And he added that, though he’s proud of every single person who helped out in some way, there’s still plenty more to be done. In fact, he and his brothers would’ve kept going, if not for that pesky need for sleep. “We all finally crashed at around 2 or 3 in the morning,” he laughed. “And then we slept for 12 straight hours.” Donations for the Red Cross can still be made through the SXSW 4 Japan site or by texting REDCROSS to 90999. Related Videos On The Scene At SXSW 2011 Related Photos 2011 SXSW Music Festival Related Artists Hanson

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Hanson Are ‘Proud’ Of SXSW 4 Japan Benefit, But Aren’t Done Yet

James Durbin Soars With Paul McCartney Cover On ‘American Idol’

‘Dangerous’ Durbin surprises judges with his rendition of the Wings staple ‘Maybe I’m Amazed.’ By Adam Graham James Durbin performs on “American Idol” Wednesday Photo: FOX James Durbin has one of those big, overpowering voices that can be difficult to rein in. But on Wednesday’s (March 9) episode of “American Idol,” he was able to keep it in check, and turned in one of the evening’s standout performances. After tearing through Judas Priest’s heavy metal classic “You’ve Got Another Thing Comin’ ” on last week’s show, one may have expected Durbin to go back to the metal playbook this week, when contestants were asked to sing a song by one of their personal idols. Instead, Durbin threw a curveball and opted to sing Paul McCartney’s “Maybe I’m Amazed,” which was recorded by Wings in 1976 (and may be familiar to fans of “The O.C.” as the song played at Julie Cooper’s wedding in the season-one finale). Durbin said he admired McCartney for his versatility and for being one of the best musicians, writers and singers in rock history, and said he one day also hopes to be remembered in those terms. In the studio, Durbin teamed up with producer Jim Jonsin (Lil Wayne’s “Lollipop,” T.I.’s “Whatever You Like”) to work on the song’s arrangement, and Jonsin pumped up the song with a bit of a hip-hop backbeat. Interscope Records head honcho Jimmy Iovine praised Durbin’s mighty pipes, saying “Idol” is a perfect vehicle for a voice like Durbin ‘s to be discovered. “You don’t hear many voices like that,” he said. “I didn’t even know kids were out there singin’ like that!” On the “Idol” stage, Durbin — flaunting a fresh haircut, a clean-shaven face and without the scarf “tail” he wore last week — did justice to “Amazed,” and didn’t drive it over a cliff with his over-the-top vocal wails. Instead, he held back and showed a more reserved side of himself, and displayed a range, both vocally and emotionally, that proved he was more than the one-trick-pony/ Adam Lambert clone as his detractors had him pegged. The judges dug the way he changed things up and managed to “slay” it, in Randy Jackson’s words. “I was like, ‘Yo, this dude can do anything, man!” the Dawg told him. “James Durbin is dangerous, America. This guy can sing!” Steven Tyler followed suit, saying Durbin took everything he ever felt and “kicked it into the middle of next week” — apparently that’s a good thing — and Jennifer Lopez complimented his vocal skills. “The truth is you have what the greatest rock singers have, which is a melodic quality to your voice,” she said. And it appears as though we’re going to hear plenty more of that voice in the weeks to come. What did you think of James Durbin’s performance? Let us know in the comments! Don’t miss “Idol Party Live” every Thursday on MTV.com, following the “American Idol” results show, for analysis, celebrity guests and even some karaoke — get in the conversation by tweeting with the hashtag #idolparty ! In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season 10 Performances

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James Durbin Soars With Paul McCartney Cover On ‘American Idol’

‘American Idol’ Top 13 Perform Spirited Tributes To Personal Idols

Casey Abrams shouts, James Durbin croons and Naima Adedapo puts some dancehall into Rihanna’s Umbrella on Wednesday night. By Gil Kaufman “American Idol” top 13 Photo: Michael Becker / FOX It may not have been live , but Wednesday night’s (March 9) pre-taped “American Idol” top-13 performance show was lively, with plenty of surprises as this year’s baker’s dozen sought to solidify their onstage personalities off the bat. That meant that bearded lad-killer Casey Abrams served up some more gritty soul, Naima Adedapo showed off her reggae flair and Scott McCreery, well, let’s just say he stuck with the “good ol’ boy” songbook. But first up on “Your Personal Idol” night was precocious teen Lauren Alaina, who sang a song by her musical inspiration, country/pop superstar Shania Twain. Sounding a bit out of breath, Alaina swiveled her hips to “Any Man of Mine” and used all her considerable 16-year-old hair-flipping charm and reedy country twang to win over the crowd. Showing his tough side, Steven Tyler said he loved the song, but just wished it had been “a little more kickass” and Jennifer Lopez said it was time to shift into a higher gear. Randy Jackson said it was good, but didn’t allow Alaina to unleash her big, versatile voice. Abrams was right in the pocket with Joe Cocker’s cover of the Beatles’ “With a Little Help From My Friends,” and mentor Jimmy Iovine encouraged him to feel the song with every inch of his body. Starting off sitting on the steps and singing in a soft, cuddly voice, Abrams did a slow walk down-stage as a group of gospel backup singers joined him, and his voice climbed into a high, raspy wail. Though it took a bit to warm up, by the end, Abrams was throwing in some bluesy improvisational howls that showed off his gritty side. Lopez said she was beside herself, telling a smiling Abrams, “[You] blew me away,” with Randy chiming in that he can always count on Casey to hit the notes and provide a show. “You are a rainbow of talent, man … and you are a plethora of passion,” Tyler tossed in. After scooting in as a wild card, Ashthon Jones went with Randy’s suggestion to sing Diana Ross’ “When You Tell Me That You Love Me.” She opened a bit shaky with some flat, breathy notes and never seemed to really find the right groove, singing a competent, but not stellar version of the tune. Randy deemed it safe, but complimented her for recognizing when she was going off key and pulling it back. Lopez said she also saw some budding professionalism in Jones’ stagecraft, but encouraged her to find more popular songs that the audience can sing along to. Speaking of somewhat obscure songs, resident quirky guy Paul McDonald chose indie singer/songwriter Ryan Adams’ “Come Pick Me Up.” Wearing a military jacket, McDonald seduced the crowed with a whispery delivery, building up and bouncing all around the stage like Coldplay’s Chris Martin, mixing arena stagecraft with an intimate, understated delivery. It was a bit pitchy for Tyler, who said he still loves anything Paul sings, praising his unique character. Jennifer said McDonald’s infectious smile translated into some grins in the crowd, but she wondered whether the song was too obscure. Sudden frontrunner Pia Toscano tried to solidify her status with Celine Dion’s version of the big weeper “All By Myself.” Wearing a skintight golden mini-dress, Toscano looked the part and hit he kind of showy notes a diva has to have in her pocket. Saying she topped even last week’s Pretenders showstopper, Lopez called it simply beautiful and Randy said despite taking on one of the dreaded big-three female singers, Pia nailed it. The last person you could imagine rocker James Durbin working with is hip-hopper Jim Jonsin, but the Lil Wayne producer put a thick beat to Paul McCartney’s “Maybe I’m Amazed” and Durbin showed his sensitive side while showcasing his contemporary potential. “Yo, this dude can do anything man. … James Durbin is dangerous!” Randy gushed, saying he was impressed with JD’s versatility. Tyler heaped on some of his twisted praise as well, adding, “James, you have taken everything you’ve ever felt and kicked it into the middle of next week,” whatever that means. Haley Reinhart has been singing LeAnn Rimes’ “Blue” for most of her life, so she set aside the R&B sass for some hip-swaying yodeling and country-gal charm. Tyler was blown away and said Reinhart nailed it as Lopez gave her props for the versatility of her vocals. Randy? He said it was a bit sleepy, like being at a boring luau. It was R. Kelly’s uplifting “I Believe I Can Fly” for former spa concierge Jacob Lusk, who slowed it down into a vibrato-filled pop/gospel skyscraper, complete with a crazy falsetto run in the middle. “Pure passion, pure music, I can’t even judge ya, that’s how good you are,” Tyler said, kicking off a three-judge love-fest. After getting King of Pop comparisons last week, 16-year-old Thia Megia chose Michael Jackson’s (via Charlie Chaplin) “Smile,” bringing an old-school, jazz-diva class to the gentle ballad before a corny hip-hop-lite beat broke in and she kicked it up a notch. Randy loved the soft, Adele-like acoustic intro, but he and Steven thought it went a bit pitchy and wobbly in the second half. Talk about staying in your lane: Wild card Stefano Langone chose Stevie Wonder’s “Lately” and Karen Rodriguez kept tapping into her Latin background with Selena’s “I Could Fall in Love,” while resident country boy McCreery opted for Garth Brooks’ very trad “The River.” Langone over-emoted a bit and producer Polow Da Don’s thumping beat overwhelmed him at times, forcing Stefano to rush to keep up and keep the spotlight on his often-crystalline vocals. Selena superfan Rodriguez got a Beyonc

‘American Idol’ Top 13 Perform Spirited Tributes To Personal Idols

Casey Abrams shouts, James Durbin croons and Naima Adedapo puts some dancehall into Rihanna’s Umbrella on Wednesday night. By Gil Kaufman “American Idol” top 13 Photo: Michael Becker / FOX It may not have been live , but Wednesday night’s (March 9) pre-taped “American Idol” top-13 performance show was lively, with plenty of surprises as this year’s baker’s dozen sought to solidify their onstage personalities off the bat. That meant that bearded lad-killer Casey Abrams served up some more gritty soul, Naima Adedapo showed off her reggae flair and Scott McCreery, well, let’s just say he stuck with the “good ol’ boy” songbook. But first up on “Your Personal Idol” night was precocious teen Lauren Alaina, who sang a song by her musical inspiration, country/pop superstar Shania Twain. Sounding a bit out of breath, Alaina swiveled her hips to “Any Man of Mine” and used all her considerable 16-year-old hair-flipping charm and reedy country twang to win over the crowd. Showing his tough side, Steven Tyler said he loved the song, but just wished it had been “a little more kickass” and Jennifer Lopez said it was time to shift into a higher gear. Randy Jackson said it was good, but didn’t allow Alaina to unleash her big, versatile voice. Abrams was right in the pocket with Joe Cocker’s cover of the Beatles’ “With a Little Help From My Friends,” and mentor Jimmy Iovine encouraged him to feel the song with every inch of his body. Starting off sitting on the steps and singing in a soft, cuddly voice, Abrams did a slow walk down-stage as a group of gospel backup singers joined him, and his voice climbed into a high, raspy wail. Though it took a bit to warm up, by the end, Abrams was throwing in some bluesy improvisational howls that showed off his gritty side. Lopez said she was beside herself, telling a smiling Abrams, “[You] blew me away,” with Randy chiming in that he can always count on Casey to hit the notes and provide a show. “You are a rainbow of talent, man … and you are a plethora of passion,” Tyler tossed in. After scooting in as a wild card, Ashthon Jones went with Randy’s suggestion to sing Diana Ross’ “When You Tell Me That You Love Me.” She opened a bit shaky with some flat, breathy notes and never seemed to really find the right groove, singing a competent, but not stellar version of the tune. Randy deemed it safe, but complimented her for recognizing when she was going off key and pulling it back. Lopez said she also saw some budding professionalism in Jones’ stagecraft, but encouraged her to find more popular songs that the audience can sing along to. Speaking of somewhat obscure songs, resident quirky guy Paul McDonald chose indie singer/songwriter Ryan Adams’ “Come Pick Me Up.” Wearing a military jacket, McDonald seduced the crowed with a whispery delivery, building up and bouncing all around the stage like Coldplay’s Chris Martin, mixing arena stagecraft with an intimate, understated delivery. It was a bit pitchy for Tyler, who said he still loves anything Paul sings, praising his unique character. Jennifer said McDonald’s infectious smile translated into some grins in the crowd, but she wondered whether the song was too obscure. Sudden frontrunner Pia Toscano tried to solidify her status with Celine Dion’s version of the big weeper “All By Myself.” Wearing a skintight golden mini-dress, Toscano looked the part and hit he kind of showy notes a diva has to have in her pocket. Saying she topped even last week’s Pretenders showstopper, Lopez called it simply beautiful and Randy said despite taking on one of the dreaded big-three female singers, Pia nailed it. The last person you could imagine rocker James Durbin working with is hip-hopper Jim Jonsin, but the Lil Wayne producer put a thick beat to Paul McCartney’s “Maybe I’m Amazed” and Durbin showed his sensitive side while showcasing his contemporary potential. “Yo, this dude can do anything man. … James Durbin is dangerous!” Randy gushed, saying he was impressed with JD’s versatility. Tyler heaped on some of his twisted praise as well, adding, “James, you have taken everything you’ve ever felt and kicked it into the middle of next week,” whatever that means. Haley Reinhart has been singing LeAnn Rimes’ “Blue” for most of her life, so she set aside the R&B sass for some hip-swaying yodeling and country-gal charm. Tyler was blown away and said Reinhart nailed it as Lopez gave her props for the versatility of her vocals. Randy? He said it was a bit sleepy, like being at a boring luau. It was R. Kelly’s uplifting “I Believe I Can Fly” for former spa concierge Jacob Lusk, who slowed it down into a vibrato-filled pop/gospel skyscraper, complete with a crazy falsetto run in the middle. “Pure passion, pure music, I can’t even judge ya, that’s how good you are,” Tyler said, kicking off a three-judge love-fest. After getting King of Pop comparisons last week, 16-year-old Thia Megia chose Michael Jackson’s (via Charlie Chaplin) “Smile,” bringing an old-school, jazz-diva class to the gentle ballad before a corny hip-hop-lite beat broke in and she kicked it up a notch. Randy loved the soft, Adele-like acoustic intro, but he and Steven thought it went a bit pitchy and wobbly in the second half. Talk about staying in your lane: Wild card Stefano Langone chose Stevie Wonder’s “Lately” and Karen Rodriguez kept tapping into her Latin background with Selena’s “I Could Fall in Love,” while resident country boy McCreery opted for Garth Brooks’ very trad “The River.” Langone over-emoted a bit and producer Polow Da Don’s thumping beat overwhelmed him at times, forcing Stefano to rush to keep up and keep the spotlight on his often-crystalline vocals. Selena superfan Rodriguez got a Beyonc

‘American Idol’ Top 13 Performance Show Will Be Pretaped

Producer Nigel Lythgoe says pretaping will continue for several weeks as new judges and director get up to speed. By Gil Kaufman Casey Abrams Photo: FOX If you were looking forward to watching the “American Idol” top 13 perform live for the first time on Wednesday night (March 9), well, you’ll have to just keep waiting. The singers pretaped their performances on Tuesday night after the Fox network confirmed that the show is not quite ready to go fully live. A network representative told People magazine, “we have pretaped shows at this stage of the competition before … although it’s rare.” Among the reasons the network cited for pretaping the show is to make sure that all 13 contestants’ performances make it into the two-hour broadcast. It is only the second time in “Idol” history that there have been 13 finalists, and even with 12 singers in the past, producers have sometimes struggled to get all the songs in without running over . Because some “Idol” fans are conspiracy-minded by nature, executive producer Nigel Lythgoe launched a preemptive strike on Twitter on Sunday to explain and defend the decision to keep the performances taped for the next few weeks. “We are pretaping for 2 weeks as we have a new Director & new judges. It has nothing to do with manipulation you morons.” That comment, of course, led to some spirited back-and-forth between Lythgoe and said “morons,” some of whom needled Lythgoe about the alleged manipulation. “I love you all getting riled up. The Tweet was directed at the MORONS who said we are pretaping to manipulate the show. Not the TRUE fans!” wrote Lythgoe, who eventually threw his hands up and added, “Sorry I can’t play anymore I have to go to work. There’s manipulating to be done. xox.” He updated the situation on Tuesday, lamenting , “It’s been a tough day trying to get the sound right. With a mix of live band, Jimmy Iovine’s amazing producer’s tracks and live vocals.” He also revealed later in the day that the top 13 had recorded vocals for full-length tracks, which he believes will be available on iTunes after the show airs on Wednesday. Thursday night’s elimination show will air live. Don’t miss “Idol Party Live” at 10 p.m. Thursday on MTV.com, following the “American Idol” results show, for analysis, celebrity guests and even some karaoke — get in the conversation by tweeting with the hashtag #idolparty ! In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season 10 Performances ‘American Idol’ Season 10 Top 24

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‘American Idol’ Top 13 Performance Show Will Be Pretaped

‘American Idol’ Top 13 Performance Show Will Be Pretaped

Producer Nigel Lythgoe says pretaping will continue for several weeks as new judges and director get up to speed. By Gil Kaufman Casey Abrams Photo: FOX If you were looking forward to watching the “American Idol” top 13 perform live for the first time on Wednesday night (March 9), well, you’ll have to just keep waiting. The singers pretaped their performances on Tuesday night after the Fox network confirmed that the show is not quite ready to go fully live. A network representative told People magazine, “we have pretaped shows at this stage of the competition before … although it’s rare.” Among the reasons the network cited for pretaping the show is to make sure that all 13 contestants’ performances make it into the two-hour broadcast. It is only the second time in “Idol” history that there have been 13 finalists, and even with 12 singers in the past, producers have sometimes struggled to get all the songs in without running over . Because some “Idol” fans are conspiracy-minded by nature, executive producer Nigel Lythgoe launched a preemptive strike on Twitter on Sunday to explain and defend the decision to keep the performances taped for the next few weeks. “We are pretaping for 2 weeks as we have a new Director & new judges. It has nothing to do with manipulation you morons.” That comment, of course, led to some spirited back-and-forth between Lythgoe and said “morons,” some of whom needled Lythgoe about the alleged manipulation. “I love you all getting riled up. The Tweet was directed at the MORONS who said we are pretaping to manipulate the show. Not the TRUE fans!” wrote Lythgoe, who eventually threw his hands up and added, “Sorry I can’t play anymore I have to go to work. There’s manipulating to be done. xox.” He updated the situation on Tuesday, lamenting , “It’s been a tough day trying to get the sound right. With a mix of live band, Jimmy Iovine’s amazing producer’s tracks and live vocals.” He also revealed later in the day that the top 13 had recorded vocals for full-length tracks, which he believes will be available on iTunes after the show airs on Wednesday. Thursday night’s elimination show will air live. Don’t miss “Idol Party Live” at 10 p.m. Thursday on MTV.com, following the “American Idol” results show, for analysis, celebrity guests and even some karaoke — get in the conversation by tweeting with the hashtag #idolparty ! In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season 10 Performances ‘American Idol’ Season 10 Top 24

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‘American Idol’ Top 13 Performance Show Will Be Pretaped

‘American Idol’ Elimination Episode Crushes TV Competition

‘Idol’ puts up biggest non-sports Thursday ratings numbers since 2007. By Gil Kaufman Steven Tyler holds up his swear sign on “American Idol” Photo: FOX Simon who? Perhaps putting to rest any fears that “American Idol” would nosedive without iconic judge Simon Cowell, Thursday night’s first elimination episode of season 10 put up some stellar numbers for the singing competition. On a night when most of the competition on rival networks consisted of reruns (including, count ’em, six episodes in a row of “The Office” on NBC!) after the vaults were emptied last month during sweeps, “Idol” raked in 25 million viewers to win the ratings crown. In fact, the impressive numbers for “Idol” gave Fox the most-watched non-sports Thursday night number of any network over the past four years. The two-hour extravaganza, which not only shaped the top 10 , but also featured six performances by singers vying to score three wild card spots — not to mention the debut of judge Jennifer Lopez’s “On the Floor” music video — was a 29 percent increase of last season’s first elimination night, according to Billboard With an 8.1 rating in the 18 to 49 demo, numbers were also up 13 percent over last Thursday’s “AI” episode. As you might expect, ratings climbed during the pivotal final half-hour of the broadcast, going from 25.96 million between 9 p.m. and 9:30 p.m. to 26.66 million for the final half-hour. The good ratings news bodes well for the start of live competition next week, when new judges Steven Tyler and Jennifer Lopez will have to finally show their stuff during two real-time broadcasts a week after charming viewers during the season’s pre-taped episodes. Don’t miss “Idol Party Live” every Thursday on MTV.com, following the “American Idol” results show, for analysis, celebrity guests and even some karaoke — get in the conversation by tweeting with the hashtag #idolparty ! In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Videos ‘Idol Party Live’ With MTV News’ Jim Cantiello Related Photos ‘American Idol’ Season 10 Performances ‘American Idol’ Season 10 Top 24

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‘American Idol’ Elimination Episode Crushes TV Competition