Tag Archives: Career

‘The Other Guys’: Idiots Delight, By Kurt Loder

Will Ferrell and Mark Wahlberg score a comic bull’s eye. Will Ferrell, Steve Coogan and Mark Wahlberg in “The Other Guys” Photo: Sony Pictures “The Other Guys” is that rare thing, a goofball summer buddy comedy that actually delivers. The movie is a return to form for Will Ferrell, who finally reins in the idiot frenzy he’s so often deployed in the past (most recently in last year’s dismal “Land of the Lost”) and — an added blessing — shows no skin, either. It’s also a breakthrough for Mark Wahlberg, who dipped a toe into the comedy waters of “Date Night,” but here makes a sizeable splash. Wahlberg isn’t an all-out clown in the Ferrell style, but his careful restraint in this picture — his comic simmering and his lag-timed reactions — is just as funny in a different way. The stars play Allen Gamble and Terry Hoitz, two New York City police detectives stuck in the paper-pushing backwaters of their department while a pair of more charismatic cops (Dwayne Johnson and Samuel L. Jackson in fleeting cameos) get all the action, and the headlines. Allen (Ferrell) is a forensic accountant — he loves paperwork. His partner Hoitz (Wahlberg) hates it — but his career was sidelined after he accidentally shot Yankees star Derek Jeter one night. (“You shoulda shot A-Rod,” another cop snipes.) Then these two stumble onto a big Wall Street financial scam — a Ponzi scheme being run by an English investment mogul named Ershon (Steve Coogan). If Allen and Terry can crack this case, career resuscitation will surely follow. This thicket of financial shenanigans is the movie’s most strained element — it’s essentially a platform for the filmmakers to lecture the audience about the evils of capitalism. (Addressing a business audience, Ershon cackles, “Live for excess — it is the American way.”) As always, though, this rote Hollywood moralizing sits awkwardly in a big-budget film, especially one starring a man who reportedly makes $20-million a picture. The high-finance plot is in any case a distraction that’s generally obscured by the laugh-bombs going off all around it. Allen is endlessly castigated by his fellow cops as an overgrown sissy (drives a Prius, loves the Little River Band), but he’s also, inexplicably, a major chick magnet. (Taking Terry to his home, he warns that his wife is something of a dog: “She’s a big old broad.” Then she turns out to be played by the definitively un-doglike Eva Mendes.) He has also written a downloadable app called Faceback — scan in the back of someone’s head and it shows you the face. The script, by director Adam McKay and Chris Henchy, also provides some nifty business for the boys’ boss, Chief Mauch (Michael Keaton), who moonlights as a sales clerk at Bed, Bath & Beyond, and is prone to converse in TLC lyrics (a joke that’s milked a little too much). It’s good to have Keaton back in the big-time, and in solid comic form; he’s been away too long. The movie is a full-throated parody of the urban action genre: many cars crash, many bullets fly, and a whole lot of stuff blows up. But even the pandemonium has a comic shape. (The sequence in which a helicopter attack is repelled by a blizzard of golf balls is explosively funny.) And the ricocheting one-liners rise above even the most clamorous mayhem. When Terry erupts in frustration over being a desk-job drone — “I’m a peacock! You gotta let me fly!” — the movie earns the highest possible praise for this sort of project: It’s a truly ridiculous picture. Check out everything we’ve got on “The Other Guys.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos MTV Rough Cut: ‘The Other Guys’ ‘The Other Guys’ Clips

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‘The Other Guys’: Idiots Delight, By Kurt Loder

From Ludacris To Lil Wayne, Bangladesh Remembers His Best Beats

‘When I made it, I knew it was an important track,’ producer tells Mixtape Daily about ‘A Milli.’ By Shaheem Reid, with reporting by Jayson Rodriguez Bangladesh and Ludacris Photo: Courtesy of Bangladesh Behind the Beats: Bangladesh Shondrae “Bangladesh” Crawford has made some of the biggest hip-hop and R&B hits of the past decade. His r

Wyclef Jean’s History With Haiti: From Birth To Presidential Bid

Throughout his career, former Fugees leader has been an outspoken advocate for his homeland. By Gil Kaufman Wyclef Jean Photo: Steve Mack/ Getty Images Wyclef Jean officially announced his bid for the presidency of his native Haiti on Thursday’s (August 5) “Larry King Live.” Word began to surface last month that he was considering a run for the position . The job comes with a five-year term that would likely keep him out of the music game until 2015. If news of Jean’s political ambitions caught anyone by surprise, they clearly haven’t been paying attention to the former Fugees leader’s non-musical efforts for the past 15 years. While Wyclef — who was born outside the country’s capital, Port-au-Prince, and raised in Brooklyn, New York — was one of the first celebrities to call for assistance for his Caribbean homeland in the wake of January’s devastating earthquake, the 37-year-old has been at the forefront of Haitian relief for much of his career. Back in 1997, when the Fugees — whose Pras Michel and Lauryn Hill also are of Haitian descent — were still riding high, the trio headlined a benefit concert in Port-au-Prince. The six-hour homecoming show drew more than 70,000 fans as it raised funds for Haitian refugees and artists. (MTV News followed the band to the island for the show, which you can relive here and here .) Although there were accounting problems with the money raised from the benefit concert, they were mostly ironed out, and ‘Clef was honored for his work helping underprivileged kids through the Wyclef Jean Foundation two years later. In the following years, Jean continued to raise funds for his foundation and frequently reminded his audience about the troubles affecting his homeland, from AIDS and poverty to political corruption. In 2004, Jean started the Yele Haiti foundation, which distributed more than 3,600 scholarships to Haitian children in its first year and, at one point, announced plans to build a Wyclef Jean School of the Arts and a cultural center on the impoverished island. That same year, as Haiti suffered from a violent uprising against the government, ‘Clef voiced support for Haitian rebels and called for the resignation of embattled President Jean-Bertrand Aristide. ‘Clef also addressed the country’s AIDS problem and promised, through education and prevention, to help the nation’s children avoid contracting the HIV virus. The singer was named a roving ambassador in January 2007, charged with improving the image of the island, which is perennially tagged as the poorest in the western hemisphere. He and Akon closed out the year in Haiti with a fundraising concert dubbed the Yele Festival . After Hurricane Ike hit Haiti in 2008, Yele delivered food and assistance to those impacted by the storm, and in October 2008, ‘Clef performed with Carlos Santana in San Francisco to raise funds for the foundation. It was in the early hours after January’s earthquake that Jean really became Haiti’s favorite son, when he issued urgent pleas for help though his Twitter account and in multiple TV and radio interviews. Within days, Yele had raised more than $2 million for Haitian relief via text message, as ‘Clef continued to keep the topic at the forefront of the news with interviews about the devastation and his offer to co-anchor MTV Networks’ “Hope for Haiti Now” telethon alongside George Clooney. Bringing some of his Creole background to his performance with “Yele,” Jean also gave a moving performance of the reggae classic “Rivers of Babylon,” before returning to the island the next morning to help with recovery efforts. He also pitched in on the 25th-anniversary remake of “We Are the World,” which benefited Haiti relief as well, and helped anchor BET’s “SOS Saving Ourselves: Help for Haiti,” alongside Mary J. Blige and Drake. What do you think about Wyclef’s decision to run for president of Haiti? Share your thoughts in the comments. Related Photos Hope For Haiti Now | Live Event Coverage Related Artists Wyclef Jean

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Wyclef Jean’s History With Haiti: From Birth To Presidential Bid

Megan Fox Tongue in the New Eminem featuring Rihanna Video of the Day

I guess Rihanna’s got to the point in her career where no one really gives a fuck about her, so they cast other bitches to be in the shit, cuz no one likes a girl who tells on her boyfriend for choking her out, cuz selling out the man you love to the law is some real bullshit…especially when he’s just trying to teach your cunt ass a lesson and put you in fucking line….LOLZ Despite Megan Fox marrying a joke from the original 90210 no one remembers, getting fired by her one gig, possibly getting phased out of Hollywood cuz there are a ton of younger and hotter pussy, I still think she’s pretty fucking hot…. This is a pretty good song though…I’m dancing as I type this cuz that’s just how exciting my life is… If the Above Video Doesn’t Work – Follow This Link…. GO

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Megan Fox Tongue in the New Eminem featuring Rihanna Video of the Day

Weezer Going Indie With New Album, Hurley

‘At this moment in our career, it feels like we don’t need a major label,’ frontman Rivers Cuomo tells Rolling Stone. By Gil Kaufman Weezer’s Rivers Cuomo Photo: Tim Mosenfelder/ Getty Images Last time around, Weezer went all in on the modern pop game, larding tracks on 2009’s Raditude with guest spots from Lil Wayne and production and writing help from the All-American Rejects, Dr. Luke and Butch Walker. But for their upcoming (September 14) debut for punk stalwart label Epitaph Records, Hurley (alas, not Heavy Mental ), Rivers Cuomo and company are dialing things all the way back to the 1960s. According to Rolling Stone magazine, the band’s eighth studio album is nearly finished and it will have a much different sound than their previous effort. “At this moment in our career, it feels like we don’t need a major label, and the major label culture isn’t inline with our values,” Cuomo said, explaining the switch from the Universal/Interscope label group, where they’d spent almost their entire career. “We like [Epitaph head] Brett Gurewitz and it feels like a smaller and more appropriate operation for what we like doing at the moment.” What they’re doing includes hooking up with notoriously prolific songwriter Ryan Adams and country legend Mac Davis, best known for writing the Elvis hit “In the Ghetto.” Davis was recommended by a mutual friend, and singer Cuomo said they worked on a song called “Time Flies,” which he described as a “classic ’60s pop song with huge crunchy guitars.” As for working with Adams, Cuomo recently told MTV News that the song they collaborated on is inspiring. “It’s a very stirring and emotional and powerful Weezer song,” he said. “He was really inspiring to work with. … He has a lot of wild and crazy energy. It’s gonna be on the Weezer record. He plays lead guitar on it, but it will be on the Weezer record, for sure.” With the hip-hop and teen pop flavors of Raditude pushed to the side, Cuomo said Hurley will instead focus on 1960s-inspired pop songs such as the first single, “Memories,” and the tracks “Ruling Me” and “Hang On,” which he described as sounding like “Frankie Valli but mixed with Metallica guitars.” There is, however, one song that has a thoroughly modern inspiration. “Smart Girls” is an homage to all the young ladies who have been hitting up the married frontman on Twitter lately. “I was really getting into Twitter a year ago, and suddenly there were all these really hot girls that were hitting me on Twitter,” said Cuomo. “I was like, ‘Where’d all these hot girls come from now that I’m totally married?’ ” He compared the song to the Beatles’ “Back in the U.S.S.R.” in that it sounds like someone writing a “cheesy Beach Boys type of song.” The band recently started mixing the album, which should be completed within the next two weeks. What do you think about Weezer going with a ’60s sound for their new album? Tell us in the comments. Related Artists Weezer

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Weezer Going Indie With New Album, Hurley

Today Show Invites on Rolling Stone Reporter to Complain About Pentagon Ban

NBC’s Today show invited on the reporter, whose Rolling Stone article essentially got General Stanley McChrystal fired, on Thursday’s show to complain that the Pentagon denied him an embed because the war in Afghanistan isn’t going well. After Today co-anchor Meredith Vieira questioned Michael Hastings for his explanation as to why the Pentagon denied him an embed, Hastings concluded “This is a symptom of essentially the war, and how the war is going…The war has hit its all-time low.” This caused Vieira, herself, to cry censorship, as she asked: “Do you think the military is trying to say to reporters,’We will stifle you, if you don’t tell the story the way we want it told?'” MEREDITH VIEIRA: So why do you think, ultimately, you lost this, this right to an embed? I mean, what do you think is going on? Is it the McChrystal article or is there something much bigger than that? MICHAEL HASTINGS: I think it’s, I think it’s much bigger. This is not just about a Rolling Stone reporter being banned from an embed. This is a symptom of essentially the war, and how the war is going. June and July were the deadliest months that we’ve ever seen in the war in Afghanistan. The war has hit its all-time low in approval ratings, so clearly there’s great concern in Washington about how the war is going, and the response to this embed. The response to me on this embed sort of indicates that. I think it’s important to, to just let you know, with this helicopter story, these are stories that I’m very passionate about telling. And it is a great privilege to tell the story of the troops. VIEIRA: But do you think, but do you think the military is trying to say to reporters, “We will stifle you, if you don’t tell the story the way we want it told?” The following Jim Miklaszewski set-up piece and entire interview with Hastings were aired on the August 5 Today show: MEREDITH VIEIRA: And now to the war in Afghanistan. It has been a difficult summer for U.S. troops there. July was the deadliest month yet for Americans. And a new commander took over after a controversial Rolling Stone article led to the end of General Stanley McChrystal’s military career. Well now the Pentagon is refusing to let that reporter, the reporter who wrote it, embed with another unit in Afghanistan. We’re gonna talk about that with Michael Hastings in a moment. But first NBC’s Jim Miklaszewski is at the Pentagon. Mik, good morning to you. [On screen headline: “Pentagon Payback? McChrystal Reporter Not Allowed Back With Troops”] JIM MIKLASZEWSKI: Good morning, Meredith. It’s been a couple of months since the story broke that forced General McChrystal out of the Army, but the fallout over media military relations is far from over. On his last day as a soldier, General Stan McChrystal managed to joke about the article that ended his career, with a word of warning to his fellow soldiers. GEN. STANLEY MCCHRYSTAL: I have stories on all of you, photos on many, and I know a Rolling Stone reporter. MIKLASZEWSKI: That reporter is Michael Hastings. In an interview on Today in June, Hastings explained how he landed that Rolling Stone scoop. MICHAEL HASTINGS: The access I got was almost a throwback to the old days of “fly on the wall” reporting, where, nowadays, access is almost so controlled, it’s always very so controlled. So it was very rare to get this kind of access anyway. MIKLASZEWSKI: But not any more. The U.S. military has revoked Hastings’ recent request to embed with American forces in Afghanistan, after first granting the request last month. Pentagon spokesman Colonel David Lepenn insists it’s not retribution but explains “a key element of an embed is having trust,” and essentially commanders in Afghanistan no longer trust Hastings. But as a freelancer, Hastings has covered the wars in Iraq and Afghanistan for various publications, and Internet news blogs with no apparent complaints. Military officials have, in fact, praised Hastings’ upcoming piece in the Men’s Journal on Army combat helicopters saying “It accurately portrays the Army’s warrior mentality.” So what is going on here? Media watchdogs claim the military is striking back. LUCY DALGLISH, THE REPORTERS COMMITTEE FOR FREEDOM OF THE PRESS: Since they have all of the power, all of it, once he’s published his story they have, if he wants back in, they have all of the power. If they say they don’t trust him to do what they want him to do anymore, they’re just not going to play in the sandbox with him anymore. MIKLASZEWSKI: Meanwhile, the Army Inspector General is still investigating whether if any of McChrystal’s aides who were blindly quoted in that article should face disciplinary action. And as a reporter who’s often been embedded with the military, there is, indeed, a fine line between trust and control. And while the military can control a reporter’s access, there must be no control over the reporter’s content. Meredith? MEREDITH VIEIRA: Mik, thank you very much. Michael Hastings is with us, exclusively. Good morning to you. MICHAEL HASTINGS: Good morning, thanks for having me. VIEIRA: Not at all. Just so people are clear on this, you were offered this embed in June, then the article on General McChrystal comes out at the end of June, between then and now you didn’t hear anything, and then you get this letter this week. Who is it from, and what did it say? HASTINGS: The letter was from a public affairs official in Kabul, named Colonel Wayne Shanks, and it just basically laid out the case that I, noting that I had, had approval and that approval was being revoked because the military was unhappy with, first, the helicopter story, and actually, they, they, they mentioned the helicopter story, and then they mentioned the story that I wrote about General McChrystal for Rolling Stone. VIEIRA: So they specifically pointed out two stories? HASTINGS: Two stories, yes. But the more important part of their case being, what seemed it to be the General McChrystal story. And in fact, what they refer to as the “political fallout” from the General McChrystal story. So nothing to do, really, or there was no specific cases where they mentioned accuracy or anything I got wrong, or, or any, any rules I supposedly broke. VIEIRA: Well when asked about this, a spokesperson for the Defense Department said this, and I’m quoting here, “There is no right to embed. It is a choice made between units and individual reporters. And a key element of an embed is having trust that the individuals are going to abide by the ground rules. The command in Afghanistan decided there wasn’t the trust requisite, and denied your request.” In other words, they didn’t trust you to accurately report. HASTINGS: And that’s what’s very troubling about this. I’ve been doing this for five years. I’ve gone on dozens of embeds with American troops, accompanied them on many combat missions, traveled regularly with senior military officials and I’ve never had an issue. In fact I have many great friends, both Marines and soldiers, who, who I’ve met along the way for this. I think what also should be made clear is that my travels with General McChrystal were not considered an embed at the time. And if the military’s position now is that it was an embed, then the rules for embeds are very clear. Rule number seven says all comments are on the record. All interviews with service personnel are on the record. VIEIRA: Did you take comments off the record- HASTINGS: No. VIEIRA: -in that, in that interview with General McChrystal at all? HASTINGS: No, and, in fact, if you look at the, the people who are sort of making that assertion, and what, and what appears to be their case about why they’re, why they’re saying I can’t do this embed, those assertions are being made by people who, unfortunately, lost their job as a result of the article, and they’re currently under investigation. So they’re not necessarily the most credible sources. VIEIRA: So why do you think, ultimately, you lost this, this right to an embed? I mean, what do you think is going on? Is it the McChrystal article or is there something much bigger than that? HASTINGS: I think it’s, I think it’s much bigger. This is not just about a Rolling Stone reporter being banned from an embed. This is a symptom of essentially the war, and how the war is going. June and July were the deadliest months that we’ve ever seen in the war in Afghanistan. The war has hit its all-time low in approval ratings, so clearly there’s great concern in Washington about how the war is going, and the response to this embed. The response to me on this embed sort of indicates that. I think it’s important to, to just let you know, with this helicopter story, these are stories that I’m very passionate about telling. And it is a great privilege to tell the story of the troops. VIEIRA: But do you think, but do you think the military is trying to say to reporters, “We will stifle you, if you don’t tell the story the way we want it told?” HASTINGS: That appears to be the case. You’d have to ask the military if that’s what they’re doing. But, but I think if we look at just, say, the, the, the story about the Kaiwa pilots — the Kaiwa is a kind of an attack helicopter – you know, sometimes, sometimes reporters will do a story about policy. Sometimes that’s going to be very critical. I think that’s a good thing to be critical about policy, especially if the policy is not going well. And sometimes you do it about the people who are fighting the war, the American men and women over there who are actually implementing the policy, and whose stories deserve to be told. And for that I’ve always said it’s a privilege to, to be able to see that. VIEIRA: Alright, Michael Hastings. Thank you so much for joining us this morning. Appreciate it. HASTINGS: Thanks for having me. Appreciate it.

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Today Show Invites on Rolling Stone Reporter to Complain About Pentagon Ban

Avenged Sevenfold Bump Eminem From Billboard #1

A7X’s Nightmare ends Recovery ‘s five week reign. By Gil Kaufman Avenged Sevenfold drummer The Rev Photo: Ethan Miller/ Getty Images Last week, we wondered how long Eminem ‘s Recovery could hold on to the pole position on the Billboard 200, predicting that it might run the board until Katy Perry’s Teenage Dream drops on August 24. Someone forgot to tell Avenged Sevenfold . The SoCal hard rockers have managed to end Slim Shady’s five-week run at #1 with the best debut of their career. Their fifth album, Nightmare , debuts at the top on next week’s chart on sales of 163,000, according to figures provided by Nielsen SoundScan. That was just enough to edge out Em, who drops to #2 (159,000 units shifted),as Recovery edged toward the 2 million mark and he celebrated his nine VMA nominations . There are no other debuts this week, and the rest of the top 10 just features a shuffling of the cards. Last week’s #2, Rick Ross ‘ Teflon Don, only falls one slot to #3, but with a 64 percent sales drop-off, the Bawse sold considerably less product (63,000) in his second week on the charts. Justin Bieber ‘s My World 2.0 moves up a few to #4 (38,000), Drake ‘s Thank Me Later drops one (#5, 34,000), Kidz Bop 18 is down one to #6 (29,000), Lady Antebellum ‘s still-strong Need You Now is up two (#7, 27,000), Sheryl Crow ‘s 100 Miles From Memphis drops 5 to #8 (24,000), VMA queen Lady Gaga ‘s The Fame is up to #9 (24,000) and NOW 34 is down two spots to #10 (22,000). Veteran rapper Tech N9ne ‘s collabos album The Gates Mixed Plate — featuring Big Scoob , Glasses Malone , Devin the Dude and Brotha Lynch Hung — debuts at #13 (17,000). Fat Joe ‘s The Darkside Vol. 1 has a soft landing at #27 (12,000). Further down the line, R&B vocal group Dru Hill celebrate Indrupendence Day with a #30 bow on sales of 11,000, and new indie buzz act Best Coast sail into the #36 spot with Crazy for You (10,000). The iTunes charts tell a similar story, as Eminem holds on to the #1 slot on the singles tally with the smash Rihanna collabo, “Love the Way You Lie,” while A7X takes over the top spot on the album list. Nightmare is followed by Em’s Recovery , Ross’ Teflon Don , Drake’s Thank Me Later , Gaga’s Fame , an iTunes session from former 10,000 Maniacs singer Natalie Merchant at #6, the Black Keys ‘ Brothers , Mumford & Sons ‘ Sigh No More , the Hans Zimmer score to “Inception” and B.o.B ‘s B.o.B Presents: The Adventures of Bobby Ray . While iTunes does not provide detailed sales data, it’s clear Em’s hold on the top of the singles heap is safe, as the rest of the top 10 is essentially the same as it was last week with just one new title, Usher ‘s “DJ Got Us Fallin’ in Love” at #6. Otherwise, it is: Taio Cruz ‘s “Dynamite” (#2), Enrique Iglesias ‘ “I Like It” (#3), Katy Perry ‘s “Teenage Dream” (#4), Perry’s “California Gurls” (#5), B.o.B’s “Airplanes” (#7), Mike Posner ‘s “Cooler Than Me” (#8), Jason Derulo ‘s “Ridin’ Solo” (#9) and Eminem’s “Not Afraid.” It’s not likely that Eminem will retake the top spot next week, as the Arcade Fire ‘s buzzed-about The Suburbs is due to debut, along with new albums from Bun B , Buckcherry and a Lady Gaga remix album.

Brittany Murphy’s Husband Also Died From Pneumonia

Simon Monjack succumbed to the same illness as his late wife, final autopsy results show. By Mawuse Ziegbe Brittany Murphy and Simon Monjack Photo: Riccardo Savi/ WireImage Brittany Murphy’s husband, screenwriter Simon Monjack, died within months of his late wife — and from the same illness. Los Angeles County Coroner’s officials announced Wednesday (August 4) that Monjack succumbed to pneumonia, just like Murphy, who died from the condition late last year. Monjack, 40, died in May at the couple’s Hollywood home, five months after Murphy, 32, was found in the same house in December 2009. He was reportedly discovered by Murphy’s mother, Sharon, who also found her daughter’s body. Assistant Chief Coroner Ed Winter told The Associated Press that, although prescription medications were present in his system, the drugs did not contribute to his death. Monjack, who wrote the 2000 movie “Two Days, Nine Lives,” was initially thought to have died of cardiac arrest. In February, a coroner’s report revealed that Murphy, who shot to fame in films such as “Clueless,” “8 Mile” and “Sin City,” died from a mix of pneumonia, anemia and prescription medication. The findings dispelled rumors that the actress abused illegal drugs or alcohol . Winter told the AP that the deaths were referred to county health officials and said that, in both cases, tragedy could have been avoided. “In simple English, they didn’t take care of themselves,” Winter said. “They didn’t seek medical advice from a doctor. Brittany could have survived if she had gone to a hospital, and Simon I think could have done the same.” Murphy and Monjack reportedly met when the actress was a teenager and quietly married years later in 2007 after a low-profile courtship. Related Photos Brittany Murphy: A Career Retrospective

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Brittany Murphy’s Husband Also Died From Pneumonia

Lea T Nude Model in Vogue of the Day

I like keeping track of nudity in the fashion industry because it makes this site less sleazy. I was tired of being called a porn site and I decided to do something about it, cuz posting posed pics of models naked is just as easy as posting posed pics of teenage runaways you met in the bus station who are in need of some cash to pay for their meth. I figured the more models I put on the site…the more credibility I’d get, eventually landing me millions and millons of dollars….I’m pretty sure I’ve said this before…I tend to repeat myself as I slowly die here day after day… This Lea T is naked in Givency’s Fall 2010 ad campaign and I have a feeling you’ll really dig it..So CLICK THE PIC FOR THE FULL PICTURE Soure: Styleite

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Lea T Nude Model in Vogue of the Day

Kim Kardashian’s Big Ass in Leggings of the Day

As much as I hate Kim Kardashian and feel she is a stain on the world….I gotta say she kinda turns me on. I have never seen a dirty little whore rich kid, who has managed to launch a career by letting some black dude piss on her, something few girls let dudes do to them in the first place, let a lone on video that launches her career, but more importantly, I’ve never seen an ass with this kinda shape. Sure, she’s lazy and fat, but fuck would I like her to film her next sex tape on my face, even if shit still smells like stale negro sperm, she’s just got that kinda of spell on me…as long as I don’t look at her over-worked manly face…and that’s all I have to say about that…cuz between you and me…I feel shame in liking these pictures….I’m weak. Pics via Fame

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Kim Kardashian’s Big Ass in Leggings of the Day