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Lyfe Jennings Reportedly Sentenced To Three Years In Jail

R&B singer was arrested in 2008 for fleeing the scene after a dispute with the mother of his child. By Mawuse Ziegbe Lyfe Jennings Photo: Bennett Raglin/ WireImage R&B singer Lyfe Jennings is heading to jail for three years, according to reports. The artist was due to perform in Seattle on Tuesday, but the show was abruptly canceled before Jennings was sentenced to three and a half years in Atlanta on Wednesday (September 22), according to Seattle Weekly. The sentence stems from an altercation Jennings had with the mother of his child in 2008 . The singer kicked down the door of a house in Smyrna, Georgia, in an attempt to find Joy Pound and later fired a gun outside. Smyrna police saw a red 2005 Corvette fleeing the scene, and Jennings was caught after a high-speed chase that ended when the singer smashed the vehicle. He refused a sobriety test. Jennings was handed misdemeanor charges of criminal trespass, discharging a firearm near a public highway and refusal to take a DUI test, in addition to two felony counts of attempting to elude an officer and possession of a firearm by a convicted felon. Jennings’ label offered no comment by press time. On Tuesday, Jennings posted a vague message on his Twitter account announcing he would no longer be writing on the micro-blogging site. “This will be my last post. To everyone who gave me a chance I am forever in your debt. I have had a fabulous career because of you. All I can say in parting is that I have been honest with yaw. I didn’t sugarcoat a word didn’t hold back a single sylible of my life from yaw,” Jennings said. “I’ve lived a hundred lives in these 6 yrs so I not only won’t, I don’t have the right to complain. I would like to think that I’ve changed lives by changing my own, tho I can’t be sure. But one thing I am sure of is God gives and takes away in measure. He is fair, just and forever. Amen from aman… Smile, it’s contageous:)” Jennings was sentenced to 10 years for felony arson before gaining acclaim after his wins at the famed amateur night at New York’s Apollo Theater. His 2004 debut, Lyfe 268-192, went platinum, and he’s known for hits like “S.E.X.” and “Never Never Land.” He released his latest LP, I Still Believe, in August, a project he dubbed his “final” album. In a press release for the album, Jennings explained that the title reflects his resilience despite his personal trials. “It’s tragic; I think I have a horribly charmed life,” Jennings said. “But I think God puts me through stuff and keeps me there so I can talk about it.” Related Artists Lyfe Jennings

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Lyfe Jennings Reportedly Sentenced To Three Years In Jail

Oksana Grigorieva — Meet My New Attorney

Filed under: Oksana Grigorieva , Mel Gibson , Sorrell Trope , Celebrity Justice Oksana Grigorieva just left court with her new main man — family law attorney Sorrell Trope . As we first reported , Oksana was in court to file substitution of attorney documents — which officially make Sorrell the guy handling her child custody… Read more

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Oksana Grigorieva — Meet My New Attorney

Another Police Abuse Video

Another child beaten, because the douche patrol don't know how to “protect and serve”.. I'm looking for more information on the video… will post, once i have more… added by: KSirys

Leo DiCaprio Gets Protection from ‘Delusional’ Stalker

Filed under: Leonardo DiCaprio , Celebrity Justice TMZ has learned … Leonardo DiCaprio was granted a restraining order against a “delusional” woman, who believes she is married to the actor and carrying his child. An L.A. County Superior Court judge just ruled that 41-year-old Livia Bistriceanu must… Read more

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Leo DiCaprio Gets Protection from ‘Delusional’ Stalker

Trey Songz Says ‘Unusual’ Is All About ‘Spontaneity’

‘That’s pool tables. That’s car hoods. That’s restaurant bathrooms,’ the singer who ‘Invented Sex’ explains of his latest Drake collabo. By Steven Roberts, with reporting by Sway Calloway Trey Songz Photo: MTV News Trey Songz and VMA-nominated Drake have collaborated on numerous tracks, from their early “Replacement Girl” to the over-the-top “I Invented Sex.” But their “Successful” probably best captures the two artists’ rise to the forefront of their respective genres in the past two years. And the dynamic duo’s latest collabo measures up to their typically high standards. With just days until the release of Songz’s fourth studio album, Passion, Pain & Pleasure, Trigger’s “Unusual,” featuring Drizzy, leaked to the Internet. The R&B star stopped by MTV News this week and spoke about the track. “The ‘usual’ is whatever is expected,” Songz said. ” ‘I know you’re tired of the usual,’ that’s what the song is saying, ‘I could give you more than the usual,’ ” he continued, reciting the song’s chorus. “The ‘unusual’ is spoken about all through the record: That’s rooftops. That’s pool tables. That’s car hoods. That’s restaurant bathrooms — that’s taking it beyond. That’s spontaneity.” The duo teamed up once again with Drake producer Noah “40” Shebib (he also worked on “Successful”), who created a far more upbeat romp for “Unusual.” Songz said he wanted take their previous success a step further. “The thing with Drake and I is, after the last album having a record like ‘Invented Sex,’ which was such a powerful title and power collaboration for the both of us, I wanted to do something that took it to the next level, and I think this record does that,” Songz said. Given his and Drake’s success and how much they’ve worked together, there has been talk of a collaborative album, but Songz said that probably wouldn’t happen anytime soon. The singer explained that when the question was first posed, Drake hadn’t even dropped his debut, Thank Me Later. While they’re close friends outside of music and will continue to work together, Trey said any project has to be organic. He also had nothing but high expectations for Drake’s upcoming R&B mixtape , though he did offer some advice. “Drake’s a great writer, has a great voice and makes great songs. The advice I would give him in putting that mixtape out is making sure he can perform those songs, because people will want to hear them.” What’s your favorite Trey/Drizzy collabo? Tell us in the comments!

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Trey Songz Says ‘Unusual’ Is All About ‘Spontaneity’

Florence And The Machine’s Epic Breakthrough: A VMA Cheat Sheet

Four-time nominees will perform at Sunday’s VMAs. By Gil Kaufman Florence Welch of Florence and the Machine Photo: WireImage We hate to say we told you so, but we totally told you so. Back in January, we picked English rock group Florence + the Machine as one of the potential breakout artists of 2010, and, well, we can’t lie, we were totally right. Not only did the band’s debut album, Lungs, top the charts in England, but thanks to flame-haired singer Florence Welch and a penchant for high-energy performances, the Machine became a staple on festival bills across the world this year and the go-to soundtrack for TV shows like “Grey’s Anatomy” and “So You Think You Can Dance.” With a sound that mixes the art-rock attack of Yeah Yeah Yeahs with Lily Allen’s cheeky soul croon and a bit of the White Stripes’ garage ooze, the band has gained attention for Welch’s penchant for injuring herself onstage while scrambling up lighting rigs and leaping off speaker stacks. “I’m quite unrestrained, and it does lead to some accidents,” Welch told us in January. “Onstage, I seem to have this force field of protection, so I rarely injure myself onstage, even as I’m climbing up rafters or jumping off of things.” After giving up the drums to take the lead-singer role, Welch was shocked, to say the least, by her band’s four nominations at Sunday’s MTV Video Music Awards . The nods for Best Rock Video, Best Art Direction, Best Cinematography and, yes, Video of the Year for the trippy “Dog Days Are Over” clip were described as an “iconic event” by the singer, who said she’s watched the VMAs on TV since she was a kid. “It’s one of those things: It’s not real life, it’s a dream scenario,” said Welch, who is essentially a one-woman band augmented by session players on live dates. “So for me to be actually a part of it feels like I’m in some sort of parallel universe. It’s kind of strange and wonderful and terrifying all at the same time.” It’s quite a journey from the recoding of “Dog Days,” which Welch said originated in a closet where she and a friend banged their hands against the walls and used pans as instruments to lay down the beat. The visually striking, stark video casts an ashen-faced Welch as a kind of future-shaman leader of an eclectic band. Wearing a white dress and white makeup, she does a freaky hippie dance as the members of her troupe appear on the spotless white set: first two blue-skinned, bouffant-wearing dancers, a pair of red-hooded harp players, masked percussionists, a 10-person gospel choir and a kabuki cymbal player. She spends most of the video emoting the dynamic song’s lyrics, wearing a geisha outfit with red eye makeup and a furry dress. That is, until she starts waving a blue flag and making her bandmembers disappear one by one in a puff of dust. The clip is notable for its lack of a traditional narrative, but also for the way it puts the full attention on the charismatic singer as she sells the song with just some simple dance moves and colorful outfits. It took a while for Lungs, which was released in July 2009 in England, to catch on in America. By the time U.S. audiences began taking notice, the CD had already reached #1 in the U.K., and audiences there became well-acquainted with the story of how it was inspired by a temporary breakup between Welch and longtime love Stuart Hammond. The first single, the rollicking “Kiss With a Fist,” was included on the soundtracks of “Wild Child” and the Megan Fox flop “Jennifer’s Body.” But it was the use of “Dog Days” in ads for the Julia Roberts summer hit “Eat Pray Love” that helped the album start its march up the Billboard charts in America this summer, as did the placement of another single, “Cosmic Love,” in shows ranging from “The Vampire Diaries” to “So You Think You Can Dance” and “Grey’s Anatomy.” It also didn’t hurt that in May, it was announced during the slow reveal of the “Twilight Saga: Eclipse” soundtrack track list that her song “Heavy in Your Arms” would be included on the hit release. After lighting up such British festivals as Glastonbury, Reading and Leeds in 2009, the group was confirmed for October’s Voodoo Fest in New Orleans, as well as Sunday night’s VMAs. Will Welch upset the heavily favored, 13-time-nominated Lady Gaga at the big show? Tune in to find out. The 27th annual MTV Video Music Awards will be broadcast live from the Nokia Theatre in Los Angeles on Sunday. The party starts with MTV News’ VMA Pre-Show at 8 p.m., followed by the main event at 9 p.m. ET. Fans can go to VMA.MTV.com (or text VMA to 97979 if they are Verizon subscribers) to vote for Best New Artist from now through Sunday. Related Videos Gearing Up For The 2010 VMAs! Related Photos MTV Style | Florence Welch Of Florence + The Machine Lady Gaga Leads The 2010 VMA Nominees

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Florence And The Machine’s Epic Breakthrough: A VMA Cheat Sheet

Drake, B.o.B Lead Celebs’ Picks For Best Hip-Hop Video VMA

Nicki Minaj, Gucci Mane, Lil Twist and more weigh in. By Mawuse Ziegbe, with reporting by MTV News staff Drake performs at the OVO Festival on Sunday Photo: Stephen Fernandez/ Splash News The Best Hip-Hop Video category at Sunday’s MTV Video Music Awards will pit a blue-chip lineup of MCs against one another. The collaboration-heavy field includes B.o.B (featuring Hayley Williams) with “Airplanes,” Drake, Kanye West, Lil Wayne and Eminem with “Forever,” Eminem with “Not Afraid,” Jay-Z and Swizz Beatz with “On to the Next One,” and Kid Cudi (featuring MGMT and Ratatat) with “Pursuit of Happiness.” The category includes nods for two legends, Em and Hov, who boast acclaimed late-career albums, but the recent focus has been on two big-in-2010 newcomers: Drake and B.o.B. Atlanta upstart B.o.B, whose “Airplanes” duet was also in the running to be crowned MTV’s Summer Jam of 2010, has made a lot of noise with his melodic singles and chart-ruling LP, B.o.B Presents: The Adventures of Bobby Ray. But Drake has had fans rioting, screaming and weeping in anticipation of his debut, Thank Me Later, and even bloggers fell back when it came to posting leaked songs, out of respect for the Toronto MC . So who will take it? When MTV News hit up a slew of celebs, the stars seemed split over which lyricist should walk out of the VMAs with a shiny new Moonman for his mantle. “Definitely would like to see Drake take it, ’cause he’s a good friend of mine, and definitely B.o.B, because he’s hometown,” said fellow ATL spitter Gucci Mane. “I would like to say … B.o.B for the hometown and Drake on the strength [of his skills]. He’s a talent.” “They’re both really good, but B.o.B’s just more my style,” said Kendall Knight of Big Time Rush. “Drake’s the man; he represents Canada. But B.o.B’s really cool.” “My brother Drake, he has to win. It’s Young Money, he gotta win that one,” Drizzy’s Young Money cohort Lil Twist insisted. “Shout-out to B.o.B, but Drake gotta win that one.” Disney actress Keke Palmer said she’s been cool with Drake since their child-star days, but she’s also feelin’ newbie B.o.B. “I love Drake. Whenever I did something in Toronto, I used to go visit him on the set of ‘Degrassi.’ Then I love B.o.B because I met him and he’s so cool and we’re friends,” Palmer said. “I don’t know what to do, because I love both of them.” Rapid-fire Chi-Town lyricist Twista was all about the gritty knock of Hov’s contending video. “I like all [of those] songs, but that “On to the Next One” with Jay-Z and Swizz Beatz is crazy,” Twista smiled. “That’s my jam right there.” Sarah Hyland of the Emmy-winning hit “Modern Family” said, “I love Eminem. His new album [ Recovery ] is amazing.” Nicki Minaj may hook up a range of artists with a colorful feature, but she proves that, in the end, she stays loyal to her hip-hop family. “Do you even have to ask that? My baby Drake … he does this,” Minaj said. “Young Money.” Regardless of who takes it Sunday, Gucci pointed out that just being recognized is a dope distinction. “From Kid Cudi to everyone you named on that list, big ups and respect,” Gucci noted. “It’s an honor to be nominated.” Who do you think will win Best Hip-Hop Video at this year’s VMAs? Let us know in the comments below! The 27th annual MTV Video Music Awards will be broadcast live from the Nokia Theatre in Los Angeles on Sunday. The party starts with MTV News’ VMA Pre-Show at 8 p.m., followed by the main event at 9 p.m. ET. Fans can go to VMA.MTV.com (or text VMA to 97979 if they are Verizon subscribers) to vote for Best New Artist from now through Sunday. Related Videos Behind The Scenes At The 2010 VMAs Gearing Up For The 2010 VMAs! Related Photos VMA 2010: Behind The Scenes At The Promo Shoot Related Artists Drake B.o.B

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Drake, B.o.B Lead Celebs’ Picks For Best Hip-Hop Video VMA

Are Young Parents Today More Prone to Abuse?

http://www.wrdw.com/crimeteam12/headlines/102196214.html?storySection=story Two recent, tragic stories in my area involving the abuse and death of children, made me question the present young adult's stress coping skills in regard to child rearing. Earlier this year in Moncks Corner, SC authorities found the body of a two year old boy stuffed in a trash can filled with 400lbs of concrete. He died from a blow to the head, both parents are currently awaiting trial on charges of murder by child abuse. In Zebulon,GA two women are charged with the May death of a two year old. His death was caused by blunt-force trauma. It is unclear at the link which woman, if either, is the parent. These stories seem to be repeated with increasing numbers. It seems even though the Media reports such crimes, rage and abuse towards children continue unchecked. A license is needed to drive a car, operate a business, fish and hunt, and many other endeavors. Yet the most fundamental thing in a human's life, guidance and nurturing at a young age, is left unchecked until abuse is reported or surfaces. There are many young parents doing the right thing, seeing their child as a blessing. A percentage have outside problems (drugs and emotional) that manifest in abuse of their child. Governments have laws in place and departments trying to stem and reverse the root problems. Sadly the problem grows. People that observe or suspect abuse should intervene, all to often help comes too late for that little man or lady. added by: thetrimsmith

‘Due Date’ Director Todd Phillips Talks Following Up ‘The Hangover’

‘I think pressure is always a good thing,’ Phillips says about expectations for Robert Downey Jr. flick. By Eric Ditzian Robert Downey Jr. and Zach Galifianakis in “Due Date” Photo: Warner Bros. Robert Downey Jr. is convinced that “Due Date” is a better movie than “The Hangover,” for the simple reason that, as director Todd Phillips explained to MTV News, “Due Date” is about something, whereas “Hangover” just follows a bunch of groggy dudes around Las Vegas. Phillips doesn’t necessarily agree with Downey, but he’ll take the compliment, just as he accepts the pressure of following up the $467 million worldwide success of “Hangover.” His mission after that flick broke big last year was to get right back to work. For that task, he hauled Zach Galifianakis back into the mix and recruited Downey. “Due Date” follows Downey’s character, Peter Highman, whose wife is about to go into labor, forcing him to hitch a ride with Ethan Tremblay (Galifianakis) in an attempt to get to the hospital before his child is born. Their road trip does not, to say the least, go smoothly. As part of MTV News’ ongoing Fall Movie Preview series, Phillips called us up to chat about working with Downey on a straight comedy, the “anti-chemistry” of his two stars and the difficulty of pulling off a cinematic stunt as surprising as the naked Asian who jumped out of a trunk in “The Hangover.” MTV : I take it you’ve locked picture a while ago, right? Todd Phillips : Yeah, we have. This movie could have come out in the summer, but because of “Iron Man 2” and Robert’s press requirements for a movie that size, we had to space them out. MTV : If it’s been done for a while, do you ever wake up and say, “Crap, I need to use a different take! I should have done this differently!” Phillips : It’s funny you say that, because just yesterday we watched one of the release prints at the Arclight [theater in Los Angeles]. You want to see how the prints look, so you go to a regular theater. There was actually a little sound issue. So we went back in and fixed something with the sound. But that was more of a technical thing than a creative choice. When you look back at movies, you always go, “God, I would have done that differently, or I wished we had tried this,” but this one is still too close for me to do that. MTV : Right, it’s when “Road Trip” comes on TBS that you go, “Damn!” Phillips : Right. I’ll see “Old School” sometimes on TV and I’m like, “Oh, if only we’d had more time that day we could have done that better.” MTV : You do have this great history with Warner Bros. and you’re coming off the huge success of “The Hangover.” When you said you wanted to do “Due Date,” were they ever like, “Todd, man, maybe hit ‘Hangover 2’ first?” Phillips : You know, being at Warner, not to sound like a corporate kissass, but Warner Bros. is like being on the Yankees. MTV : I’m a Mets fan, my friend. Phillips : It’s still like being on the Yankees! They just have it so wired. The filmmakers that they choose to work with they support wholeheartedly, as evidenced by gambling on a movie like “Inception,” which was so brilliant but so big a gamble in studio terms. But they trust Chris Nolan because he’s f—ing amazing and they just let him do it. It’s pretty much the most supportive studio I’ve ever been involved with. They were excited to do “Hangover 2,” but once I had spoken to Robert Downey about “Due Date,” they totally got it. MTV : Getting someone like Downey, does that alleviate some pressure — if there is any — about following up such a massive hit? Phillips : I think pressure is always a good thing. A lot of guys make a big hit movie on the size of “The Hangover” and they get gun-shy. They wait a few years in a weird way, and I wanted to do the opposite. I wanted to do something again and not worry if it was going to be as big as “The Hangover” because “The Hangover” was lightning in a bottle. You can’t judge other successes or other movies based on it. I just didn’t want to get into that headspace. That was part of the reason for striking out and doing something real quick like “Due Date.” It’s something I had been developing — it’s not like it’s rushed — but it went quicker because I was like, “Let’s just go do it.” For me, I choose movies based on who I can get in it. Comedies are so about casting. Obviously I wanted to work with Zach again after “The Hangover” and Downey is pretty much the best there is out there. Once he said yes, we were like, “Let’s just go.” MTV : We haven’t seen Downey do much straight comedy in a long time. I guess you could say “Tropic Thunder,” but that’s hardly something typical and straightforward. Phillips : Yeah, you haven’t seen Robert Downey be Robert Downey. A lot of great actors — you see this with someone like Johnny Depp, who’s a huge f—ing talent, and Robert Downey — where they play parts where they’re putting on masks or accents or hats and wigs. They kind of like to lose themselves in a role. In “Tropic Thunder,” which I think is great, he’s in blackface and you’re not really seeing Robert. What was fun for Robert about this, and what was fun for me to make it, is Robert Downey just being Robert Downey. There’s no makeup, wigs. It’s just Robert playing such a real character. MTV : Was that one of the reasons he signed on, to get back to something with less artifice? Phillips : I’m not sure why he makes his choices. I know he loved “The Hangover.” I know he loves Zach and was a fan of my films. Actors like to play. For a guy like Downey, he loved the idea of not being on a green screen for 60 days and just coming in and f—ing around with a guy like Zach and a guy like me. It’s a real loose environment, as opposed to something like “Iron Man 2,” just by nature of the effects. MTV : A movie like this lives and dies on the chemistry of those two dudes. Phillips : Or the anti-chemistry, in this case. It’s interesting, because before “The Hangover” came out, people could dismiss it or say, “Oh, it’s a movie about bachelor parties and Vegas. I’ve seen that before.” And a movie like this, you go, “Oh, it’s two guys on the road. It’s ‘Tommy Boy’ or it’s ‘Planes, Trains and Automobiles.’ ” And it’s really not. It works on this whole other level that I think people are going to be surprised by. It connects on a different level. MTV : It’s probably hard to put into words what that level is, but what were you aiming for? Phillips : This is how Robert explains it, which is sort of a backhanded compliment. He goes, ” ‘Due Date’ is a better movie than ‘The Hangover’ because ‘Due Date’ is about something.” I know what he means. There’s another dimension. As proud as I am of “The Hangover,” it’s a two-dimensional film. It’s a comedy that works as good as any comedy could work. But there are some character moves in “Due Date” that Robert and Zach go through that I think will be surprising on a film that you think you have figured out by the trailer or the poster. MTV : You mentioned that people look at it and think “Planes, Trains” or “Tommy Boy.” Did you go back and look at any of those road trip movies for inspiration or in terms of what to avoid? Phillips : I love “Planes, Trains,” and I seriously love “Tommy Boy,” which is one of my favorites. But one movie all three of us looked at is “Midnight Run.” That might be the best of the bunch. It’s not so much to emulate or avoid, it’s just to be inspired in some way. “Midnight Run” was a big one for me. MTV : The Dan Band has popped up in a bunch of your movies . Any chance we’re going to see them in “Due Date”? Phillips : The Dan Band is not in “Due Date,” and it’s just by the nature of what the movie is about and where it winds up. There was no way without it feeling incredibly forced. But you could argue it’s a little forced in “The Hangover.” But I love them so much. They’re the best. MTV : I don’t know if this is one of those questions you get a lot, but where do you go from a naked Asian man jumping out of a trunk in “The Hangover”? How do you top that? Phillips : That is a tough one to top. The key with comedies in general is they work when there are surprises. So a naked Asian man jumping out of a trunk is a perfect example of a surprise. It goes back to what I was talking about before with even just the nature of “Due Date.” There are a lot of surprises in the film that I think take the movie to another level. The surprises won’t be a naked Asian man or the Dan Band, but I think there are enough surprises that it will connect with people. But that is the challenge, because comedies work so well when they are surprises. From the saucy Jessica Alba in “Little Fockers” to James Franco’s grueling journey in “127 Hours,” the MTV Movies team is delving into the hottest flicks of fall 2010. Check back daily for exclusive clips, photos and interviews with the films’ biggest stars. Check out everything we’ve got on “Due Date.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos MTV Rough Cut: 2010 Fall Movie Preview Related Photos Fall Movie 2010 Preview Week: Exclusive Photos

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‘Due Date’ Director Todd Phillips Talks Following Up ‘The Hangover’

NBC’s Matt Lauer Repeatedly Presses Joe Biden on Iraq War: Was It Worth It?

NBC’s Matt Lauer wanted one question to stick in the minds of his Today show viewers, as from the top of Wednesday’s show, to his interview with Vice President Joe Biden, the Today co-anchor repeatedly asked was the Iraq war “worth it?” As part of the analysis of the President’s Oval Office speech last night, in which Barack Obama announced an end to U.S. combat operations in Iraq, Lauer invited on Biden, in the 7am half hour, to press him about the costs of the war as he asked: “There is a question being asked in homes all across the country this morning, after seven years and 4,400 lives and tens of thousands of U.S. servicemen and women wounded, some of them horrifically, and of course billions and billions of dollars spent, was Iraq worth it?” [ audio available here ] For his part Biden responded that since he had a son who served in Iraq for a year, “I could never say to any of those parents it’s not worth it” but that didn’t dissuade Lauer from pursuing his line of questioning, from the left, as he cited a New York Times editorial to the Vice President: I want to read you something from an editorial in this morning’s New York Times. Quote: “In many ways the war has made Americans less safe, creating a new organization of terrorists and diverting the nation’s military resources and political will from Afghanistan. Deprived of its main adversary, a strong Iraq, Iran was left freer to pursue its nuclear program to direct and finance extremist groups and meddle in Iraq.” Do you agree with that assessment? The following intro and full interview with Biden were aired on the September 1 Today show: [7:00am] BARACK OBAMA: Now it’s time to turn the page. MATT LAUER: Page turner. In a primetime Oval address President Obama announces the end of combat operations in Iraq. Was it worth it? Especially for the families who lost loved ones. This morning Vice President Joe Biden tackles that question. … [7:11am] MATT LAUER: Savannah Guthrie, thank you very much. Vice President Joe Biden is in Baghdad this morning. Mr. Vice President, good morning to you. JOE BIDEN: Good morning, Matt, how are you? LAUER: I’m fine, sir, thank you very much. There is a question being asked in homes all across the country this morning, after seven years and 4,400 lives and tens of thousands of U.S. servicemen and women wounded, some of them horrifically, and of course billions and billions of dollars spent, was Iraq worth it? How do you answer that question? BIDEN: My answer, Matt, is that all the sacrifices made by the American people, but particularly by our troops, we have to, in fact, make sure that this transition to the Iraqis works. We have to make sure that when we leave here, there is a stable government that is secure within its own borders, not a threat to its neighbors, in order to, to justify all that sacrifice that, that is taking place because the sacrifice is real. LAUER: Well so you’re saying if we don’t ensure the future, it may not have been worth it? In other words, at this stage, is it still unclear whether it’s worth it? BIDEN: Matt, having a son who served here for a year and feeling lucky he came home and thinking about all those parents who didn’t have their child come home, I could never say to any of those parents it’s not worth it. What I have to say is we are committed to making sure that the sacrifices they made bear fruit and the fruit will ultimately be in a stable Iraqi government that is able to stand on their own and, in fact, is not a threat to its neighbors nor threatened by its neighbors. LAUER: You said recently that Iraq now is safe. And you know there were some 50 people killed in insurgent attacks, in the days prior to your visit there. From my understanding, since you been there, on at least three occasions, alarms have sounded warning of incoming mortars. So to, to the families of the 50,000 U.S. troops that remain, now that combat troops are gone, are their loved ones safe? BIDEN: Look Matt, the level of violence is the lowest it’s been since 2003 when we got here. There are traffic jams in the street, there are people walking around and the vast majority of the country, there are, been no attacks. The fact of the matter is that there was an uptick in violence, 12 simultaneous attacks that, in fact took place a week or so ago, creating significantly less damage than any kind of coordinated attack has in the past. It’s still dangerous. But the fact of the matter is those 50,000 troops are well equipped, well protected and they’re in a position where they’re much, much, much safer than troops were a year ago, two years ago, and three years ago. As a matter of fact safer than any time since 2003. But there’s still, there’s still danger that exists in this country. LAUER: In his speech from the Oval Office last night, Mr. Vice President, the President referred to former President Bush and he said that while the two of them were at odds on this war from the very beginning, he said that no one could doubt Mr. Bush’s quote, “support for our troops or his love of country and commitment to our security.” I want to read you something from an editorial in this morning’s New York Times. Quote: “In many ways the war has made Americans less safe, creating a new organization of terrorists and diverting the nation’s military resources and political will from Afghanistan. Deprived of its main adversary, a strong Iraq, Iran was left freer to pursue its nuclear program to direct and finance extremist groups and meddle in Iraq.” Do you agree with that assessment? BIDEN: Well look all I’m gonna focus on today, Matt, is Iraq. The fact of the matter is, that, we are moving in a direction where the Iraqis are better positioned to be able to be successful, free and not a destabilizing force in the world but a positive force. And the question about whether or not credit is deserved, who deserves the credit for this beginning of a fundamental transition, I don’t think is worth arguing about. The truth of the matter is there were a lot of mistakes. There’s no doubt that the President and I both disagreed with the way in which the war had begun, how it was conducted, etc. But, but the truth of the matter is, that at, by the end of the last administration, a transition was in place, there was a political movement that was afoot. We kept on Secretary Gates, our present, we kept on General Petraeus, we kept on a continuity here to finish the job and that’s what we’re in the process of doing. LAUER: Vice President Joe Biden joining us from Baghdad, this morning. Mr. Vice President, I thank you for your time. BIDEN: Thanks an awful lot, Matt. I appreciate it.

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NBC’s Matt Lauer Repeatedly Presses Joe Biden on Iraq War: Was It Worth It?