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Jamar Rogers Ends ‘The Voice’ On A High Note

Teams Adam and Cee Lo hit the stage to sing for America’s votes. By John Mitchell Jamar Rogers on “The Voice” Photo: NBC Last week on “The Voice,” Teams Blake and Christina hit the live stage and saw their numbers dwindle by two contestants each after all was said and done. On Monday night (April 9), it was Team Cee Lo and Team Adam’s turn to sing for their survival in the competition and secure a spot in the quarterfinals. Levine and Green, out of his Elvis clown costume from last week but sporting the bright red he’s been rocking all season, seemed in good spirits at the top of the show, even joking with Blake about how underdressed he was. Remember: The top three vote-getters from each team will move on automatically, while the bottom three will perform for their respective coach (and America, duh!) Tuesday night, hoping to secure Cee Lo or Adam’s lone “save” to stay in the hunt to be the next “Voice.” Away we go! Up first was Team Adam’s Katrina Parker, singing the Smashing Pumpkins’ “Tonight, Tonight.” Adam’s big advice for Katrina was to stay away from belting too hard to avoid comparisons to Adele. She did what he said but drew mixed reviews from the judges, who felt the song wasn’t a good showcase for Parker’s talents. Team Cee Lo’s first contestant to take the stage was Cheesa, whose play on the ’70s classic “Don’t Leave Me This Way” was brimming with coach Cee Lo’s signature Technicolor swagger and had the judges championing her showmanship. “That was like watching ‘Solid Gold,’ ” Blake said. “That had Cee Lo written all over it.” Team Adam’s Tony Lucca has become an early favorite for one big reason: He used to share the TV screen with coach Christina Aguilera — who’s been looking better than ever with toned-down makeup and hair since the live shows began — on Disney’s “The Mickey Mouse Club.” Sensing what Aguilera ultimately called out — that he can be a “one-dimensional” performer, who has been helped along by his connection to her — Adam pushed Lucca to go more pop with Peter Gabriel’s “In Your Eyes,” but Lucca’s rocker growl struggled through the song’s falsetto moments. Kim Yarbrough was reliably strong if imperfect singing Adele, but when are we going to put a moratorium on tackling Adele? In its relatively short life, “Rolling in the Deep” has been pillaged by reality-TV singing contestants almost as much as, well, Christina’s “Beautiful” circa 2004-ish “American Idol.” Boston mechanic James Massone from Team Cee Lo got tossed a curveball with Norah Jones’ “Don’t Know Why” and proved himself both a chameleon with a killer falsetto (take lessons, Tony Lucca) and quite a lady’s man. Blake was his most enthusiastic supporter, declaring, “I almost threw my panties on the stage just now.” (And here we thought he only got worked up like that when his best bro hit the stage. Hope Adam doesn’t get jealous!) Meanwhile, the night’s next two performers, gravel-voiced rocker Juliet Simms and unique-voiced Mathai, played right to their strengths with Sting’s “Roxanne” and a jazzy remix of John Legend’s “Ordinary People,” respectively, and earned the expected raves. “You did the best of anyone who’s performed so far,” Adam said of Simms. “Your voice is dope, ” Xtina concurred. Ultra-confident rocker Tony Vincent was up next, singing “Everybody Wants to Rule the World.” If the Broadway-meets-dictator-podium stage setup was strange, his vocal performance was anything but. He reeled it in from previous performances and proved he could control his powerful voice. Simms, Mathai and Vincent were definitely tough acts to follow, but subdued Karla Davis, singing “Airplanes,” and Team Cee Lo’s former model Erin Martin were picked for the task. Christina called Karla the “biggest surprise of the night,” while Blake criticized the song choice, and even Adam commented that Davis did a stronger job when she was less nervous while they were practicing in the rehearsal space. Martin certainly brought serious production values to her take on the Bangles’ “Walk Like an Egyptian” (with her chariot and man dancers, she was giving us Madonna at the Super Bowl vibes, albeit in a much smaller way) but forgot to bring much aggression to her actual performance. “Here we go again with the male strippers,” Blake commented. “I think Blake just bought a one-way ticket to Boner Town,” Adam quipped in response. “And it’s not refundable,” he hit back. It’s never a great sign when the judges are more consumed by the production than the performance when you’re on a show called “The Voice,” is it? The folks behind the scenes wisely chose two of the show’s best-known showstoppers for the end of the night, saving Team Adam’s preppy Pip and Team Cee Lo’s Jamar Rogers for last. Adam wanted Pip to break out of his shell and gave him the chance to show off his rock-star bona fides with “When You Were Young.” Pip brought flash, but Christina wasn’t loving it, saying she didn’t feel like he was connected to the song and had early pitch issues. Adam agreed; Pip’s got the voice, but he’s missing the grit and, should he move forward, that is something they will have to work on. Closing out the night, Rogers hit the stage in his best Michael Jackson jacket for Lenny Kravitz’s “Are You Gonna Go My Way.” The audience loved it and so did the judges, and Jamar, with his unstoppable stage presence and dramatic backstory of overcoming drug addiction and living with HIV, continues to seem like a front-runner in the competition. Who do you think gave the best performance tonight on “The Voice”? Let us know in the comments below! Related Artists Adam Levine Cee Lo Green Blake Shelton Christina Aguilera

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Jamar Rogers Ends ‘The Voice’ On A High Note

‘American Idol’ Contender Heejun Han Calls Performance A ‘Turning Point’

‘There were so many people that still believed in me and supported me, that’s when I realized I really want to do this,’ Han says. By Kelly Marino Heejun Han Photo: MTV News LOS ANGELES — The “American Idol” top nine took the stage once again Wednesday night hoping to avoid yet another elimination by singing their hearts out … and did they ever. Taking on songs by their own personal idols, the two-hour broadcast was filled with tearful moments, five standing ovations and, in Mr. Randy “In It to Win It” Jackson’s words, strong contenders for the title. Heejun Han may have made the biggest surprise comeback after being blasted last week by Jimmy Iovine and Steven Tyler for not taking the show seriously. Not to mention his leaving half of America scratching their heads as to why he was still in the competition after his goofball antics. This week it was obvious Han had a wake-up call as he took to the stage with a sincere rendition of Donny Hathaway’s “A Song for You,” ultimately bringing the judges to their feet. “What I can tell you at this point,” Han explained backstage after the show, “is that when someone doesn’t believe in himself and at that point someone said, ‘You don’t belong here. I’m not going to sign you. You’re not going to win,’ then my automatic reaction has to be ‘I know. I don’t want this.’ I never actually believed in myself anymore and even before. But from last week there were so many people that still believed in me and supported me, that’s when I realized I really want to do this. I’m not going to let anyone down anymore and that was a turning point.” And speaking of turning points, let’s not forget “Idol” contestant DeAndre Brackensick, who was also one of the five performers to get a standing ovation from the judges after being in last week’s bottom three. Taking on Eric Benet’s “Sometimes I Cry,” Brackensick even had J.Lo begging the audience to pick up their phones and vote. So, with some finalists back on the “Idol” radar while other’s outshined their own performances from the week before, who will America vote for to stay in the competition? Will this be yet another shocking results week, bringing the final nine down to eight, or will the judges finally be forced to use their one and only save for this week’s stellar performances? “No matter who is in the bottom three tomorrow [Thursday] night, they are going to be shockers because there were five standing ovations,” Colton Dixon, who sang himself to tears opening the show with Lifehouse’s “Everything,” explained. “Tonight was a great night for ‘American Idol.’ It was for every single one of us. We all left everything we had on the table and on the stage.” “I definitely think [Thursday] night will be shocking,” added Joshua Ledet, who brought the house down once again singing Mariah Carey’s version of “Without You.” “Honestly, I think everyone was so great tonight that the judges might use their save tomorrow because it would be crazy if they didn’t.” “It’s gonna be hard for us because, you know, when you get a standing ovation, it doesn’t necessarily mean you are gonna go pass through,” Han said. “It’s not really a matter of who’s on bottom three, but it’s really a matter of who’s going home and who’s gonna stay. At this point, I’m really happy with what I did, and if I were to go home, then this is the happiest moment where I can go.” Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions.

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‘American Idol’ Contender Heejun Han Calls Performance A ‘Turning Point’

‘American Idol’ Castoff Erika Van Pelt ‘Confused’ By Judges’ Advice

‘I’ll be honest, I felt there was a lot of contradiction,’ Van Pelt tells MTV News after her elimination. By James Montgomery, with reporting by Kelly Marino Erika Van Pelt Photo: MTV News To just about anyone who tuned in to this week’s “American Idol,” Erika Van Pelt’s exit was a shocker, to say the very least, especially since her performance of “New York State of Mind” was one of the highlights. But also because, you know, Heejun Han is still on the show . Rather than using her three minutes to goof off, Van Pelt genuinely seemed determine to put her best foot forward on Wednesday night, whether it was listening to “Idol” judges’ previous advice to minimize her onstage movements or taking designer Tommy Hilfiger’s hairstyling tips to heart. Oh, and then she delivered a sultry, soulful version of the Joel classic, all of which seemed to guarantee she’d be safe … for at least another week. But, as it turns out, that wasn’t the case, and on Thursday night’s results show , it was Van Pelt who was sent packing. And immediately after her ouster, let’s just say Van Pelt was still trying to figure out what went wrong — though she’s got a pretty good idea of where to start. “I felt confused every week, I’ll be honest,” she told MTV News. “I felt there was a lot of contradiction, and as an artist and someone who takes their singing very seriously, it’s hard for me to take critique of my work, period, and then when you feel like you sorta have people telling you one thing and then telling you something completely different the week after, it’s hard. “Because constructive criticism to me is something I can go home, work on, fix and come back and say, ‘Here, I fixed it.’ I feel what happened to me in this competition was I would take all the advice, I’d work on things, I’d bring something different to the table, and they’d tell me the complete opposite. It’s been really hard for me, I can admit that.” And to that end, when asked which judge or mentor actually provided her with the best guidance, Van Pelt took a diplomatic pause and then answered rather truthfully: none of them. “This might sound really weird, but I feel like my fellow contestants taught me the most,” she said. “We have this inner-working where we all help each other, we all offer up our advice … it’s all about throwing these ideas out and never telling someone what they should do; it’s about giving them suggestions.” Of course, she did add that, ultimately, her “Idol” exit was of her own doing. “I will never blame anyone for misleading me in any way, shape or form; I’m a grown woman,” she said. And she’s grateful for all the opportunities the show has provided for her, chief among them being that, for a while at least, she doesn’t have to go back to her day job as a wedding DJ. “I don’t think I’ll be doing any DJ’ing for a while,” she laughed. “To be totally honest, I need to sleep!” Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions.

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‘American Idol’ Castoff Erika Van Pelt ‘Confused’ By Judges’ Advice

Phillip Phillips Rushed to Hospital for Kidney Stones

Fresh off another very strong performance, the future of one of our favorite American Idol contestants is in doubt. TMZ confirms that Phillip Phillips – who covered Stevie Wonder’s ” Superstition ” to close out last night’s performance show – was rushed to the hospital this morning with abdominal pain. Details remain scarce, but sources close to the singer say the condition may be gallstones and that Phillips suffered through a similar condition in January and also sought medical attention for it at that time. Let’s all hope the scare isn’t anything serious and that Phillips, who Randy Jackson compared to Dave Matthews last week and who sits near the top of all power rankings, is healthy enough to continue on the show. We’ll update this story as more news breaks. UPDATE : Phillips WILL do all he can to remain in the competition, his father says, confirming his son is going through kidney stone difficulties but will postpone all procedures until his run on Idol is complete.

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Phillip Phillips Rushed to Hospital for Kidney Stones

Jeremy Rosado: Velvety Smooth on American Idol!

The pressure was on for Jeremy Rosado last night. This American Idol finalist may have advanced to the final 13, but he did so as a Wild Card selection, meaning he really had to impression with his version of “Ribbon In The Sky” in order to win over viewers. Did he succeed? Meh. Randy wasn’t a huge fan of the performance, but Steve was all about Jeremy’s “velvety smooth” voice. As for Jennifer Lopez? She watched the audition with tears in her eyes. We assume she meant them as a compliment. Do you think Rosado deserves another shot? Jeremy Rosado – “Ribbon In The Sky”

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Jeremy Rosado: Velvety Smooth on American Idol!

Kelly Clarkson to Anchor ABC Singing Show, Duets

ABC is getting into the singing competition game. The network announced last night that Kelly Clarkson, Robin Thicke, Lionel Richie and Jennifer Nettles will headline Duets this summer, a reality show that will take the four stars on the road in search of singing partners. Each week, the celebrity and one of his/her proteges will take the stage and perform in front of a live studio audience. Said Clarkson, who won season one of American Idol and served as a mentor this year on The Voice , in a press release: “The simple fact that I get to go out and find two people I believe in, sing with them every week and help them accomplish their dream is an amazing thing I can’t wait to be a part of.” The winner of the competition will earn a recording contract with Hollywood Records.

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Kelly Clarkson to Anchor ABC Singing Show, Duets

DMX Barks At Drake, Rick Ross, Jay-Z In Radio Interview

‘I don’t like anything about Drake,’ DMX tells New York’s Power 105 on Thursday. By Rob Markman DMX Photo: Jason Kempin/FilmMagic DMX never holds back, and during a Thursday morning (February 23) interview on New York’s Power 105, the Dog spoke his mind — freely. X, who is performing a homecoming concert Thursday night in New York, spoke with the Breakfast Club personalities, Angela Yee, DJ Envy and Charlamagne, opening up about his career and giving his take on some of rap’s newest stars. The Dog let loose his collaboration with MTV’s 2011 Hottest Breakthrough MC Machine Gun Kelly on “I Don’t Dance.” While Dark Man X praised MGK, saying that he was better than 80 percent of the rappers today, he wasn’t as impressed with Drake. When asked if he liked Drizzy, X responded, “No,” without any hesitation. “I don’t like anything about Drake,” he stated freely. “I don’t like his f—ing voice; I don’t like the sh– he talks about; I don’t like his face; I don’t like the way he walks. Nothing. I don’t like his haircut.” It didn’t seem that DMX had a personal problem with the Young Money standout, but Drake clearly isn’t his cup of tea. Neither is Rick Ross. “I’m just not impressed, man,” he said when asked about his opinion on Rozay’s lyrical prowess. X also went on to reveal that he turned down a deal with Ross’ Maybach Music Group. He received interest from the label while he was in prison last year, but he didn’t think MMG was a good fit. “I appreciated the offer, but I really couldn’t see it happening like that,” he said. DMX is getting ready to release his next LP, Undisputed, sometime this year, though he wouldn’t commit to the rumored March date. In his new record deal, all X says he’s looking for is the proper promotion and creative control. It’s a push that he didn’t feel he got during his last few years on Def Jam when his former Murda Inc. rhyming partner Jay-Z was the company’s president. “When he first got the job he gave me a call like, ‘Yo Dog the inmates are running the building, we good,’ ” he said of a conversation that took place between him and Jay some years ago as DMX was prepping his sixth album for the label. In DMX’s mind, his former collaborator felt threatened by the onetime rap superstar. “How do you listen to a whole album, pick a single, shoot a video, then don’t know,” X questioned about Jay’s presidential motives at the time. “OK, I see what’s really good; you’re trying to eliminate the competition.” Were DMX’s comments out of line? Leave your comment below! Related Videos ‘Hottest MCs In The Game VII’ ‘RapFix Live’ With Machine Gun Kelly And Kendrick Lamar ‘RapFix Live’ With Method Man And Irv Gotti Related Artists DMX Rick Ross Drake

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DMX Barks At Drake, Rick Ross, Jay-Z In Radio Interview

DMX: “Jay-Z Is Jealous And I’m Not Feelin’ Drake Or Rick Ross”

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In a recent interview, DMX suggests that Jay-Z is jealous of his talent and that he doesn’t like “anything about Drake.” He also expresses his opinion Rick Ross and reveals why a Ja Rule collabo never happened.  Check out what he had to say… During his interview with TBC, it became apparent that DMX is actually pretty funny. He’s surprisingly quick witted and had a joke for everything. But when the subject of beefs came up, he became extra serious. He said he thinks Def Jam stopped focusing on him as an artist AFTER Jay-Z took the reigns. He pretty much said Jay was jealous of his talent and wanted to take out the competition. He said the album with Ja-Rule never happended because of their egos. And he jokingly said he doesn’t like Rick Ross lyrically….and added that he talks about food entirely too much. He then dissed Drake saying, “I don’t like anything about Drake. I don’t like his voice. I don’t like anything he talks about. I don’t like his face…..” SOURCE

DMX: “Jay-Z Is Jealous And I’m Not Feelin’ Drake Or Rick Ross”

Josh Hutcherson Prepares for a Pounding in High School Slasher Detention

Joseph Kahn’s Detention had me from its first knowingly self-aware trailer, and while word out of SXSW was polarizing — a love it or hate it kind of deal, by many accounts — it’s one of my more anticipated films of the spring. True, the competition this season isn’t too stiff, but still! Watch Josh Hutcherson (of next months The Hunger Games , perhaps you’ve heard of it?) as a cute hipster kid get ready to take a beating from the school tough guy while an actual killer runs rampant through town and tell me this isn’t worth putting on the calendar for April. Here’s the film’s full trailer, to give you a sense of what we’re in for. Admittedly, the nonstop pop culture references schtick has been almost fully exhausted by now but good, clever high school comedies never get old. Call it Not Another Not Another Teen Movie , if you will/must. Adding to the intrigue: Detention was shot half a year before Hutcherson was cast as Peeta in The Hunger Games , so the timing of release here is obvious. Will Hunger Games fans flock to the R-rated horror comedy to see a new side of Hutcherson in what may be the edgiest/darkest/ballsiest project since he graduated from family flicks? Detention will be released in select theaters on April 13. [via Badass Digest ]

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Josh Hutcherson Prepares for a Pounding in High School Slasher Detention

Dave Grohl Clarifies Supposed Anti-EDM Grammy Speech

‘Never has a 33-second acceptance rant evoked such caps-lock postboard rage,’ Grohl writes on the Foo Fighters’ Facebook page. By James Montgomery Foo Fighters onstage at the 2012 Grammy Awards Photo: Getty Images Midway through his MVP-like performance at Sunday’s 54th Grammy Awards — a tour de force that included wearing a Slayer T-shirt, engaging in a lengthy guitar duel with Bruce Springsteen and inadvertently standing in Paul McCartney’s spotlight for, like, 45 seconds — Foo Fighters’ frontman Dave Grohl strode to the stage to deliver a delightfully long-running acceptance speech, one that some thought took a few none-too-subtle jabs at the burgeoning EDM movement. Surrounded by his bandmates and Wasting Light producer Butch Vig , Grohl held the band’s Best Rock Performance award and spoke about the back-to-basics approach the Foos employed while making the album, which included eschewing computers and recording directly to 2-inch tape, saying in part: “To me, this award means a lot, because it shows that the human element of music is what’s important. Singing into a microphone and learning to play an instrument and learning to do your craft, that’s the most important thing for people to do. … It’s not about being perfect, it’s not about sounding absolutely correct, it’s not about what goes on in a computer. It’s about what goes on in here [your heart] and what goes on in here [your head].” Of course, most in the crowd cheered wildly at the statement, though there were those who thought Grohl’s comments also slighted electronic artists like Skrillex (who won three Grammys that night) and deadmau5, whom the Foos were set to perform with later in the telecast. So on Friday (February 17), Grohl took to the Foo Fighters’ Facebook page to clarify his comments. “Never has a 33-second acceptance rant evoked such caps-lock postboard rage as my lil’ ode to analog recording has,” Grohl wrote. “I love music. I love all kinds of music. From Kyuss to Kraftwerk, Pinetop Perkins to Prodigy, Dead Kennedys to deadmau5. … Electronic or acoustic, it doesn’t matter to me. The simple act of creating music is a beautiful gift that all human beings are blessed with. And the diversity of one musician’s personality to the next is what makes music so exciting and human. “That’s exactly what I was referring to. The ‘human element.’ That thing that happens when a song speeds up slightly, or a vocal goes a little sharp. That thing that makes people sound like people,” he continued. “Somewhere along the line those things became ‘bad’ things, and with the great advances in digital recording technology over the years they became easily ‘fixed.’ The end result? In my humble opinion, a lot of music that sounds perfect, but lacks personality. The one thing that makes music so exciting in the first place.” Grohl added that, while he felt those technological advances in recording have also taken the focus off “the actual craft of performance,” he in no way meant to suggest that artists like Skrillex or deadmau5 aren’t actual musicians. In fact, it’s the way they use that technology that makes them unique. “Look, I am not Yngwie Malmsteen. I am not John Bonham. Hell, I’m not even Josh Groban, for that matter. But … I do the best that I possibly can within my limitations, and accept that it sounds like me. Because that’s what I think is most important. It should be real, right? Everybody wants something real,” he wrote. “I don’t know how to do what Skrillex does (though I f—ing love it) but I do know that the reason he is so loved is because he sounds like Skrillex, and that’s badass. We have a different process and a different set of tools, but the ‘craft’ is equally as important, I’m sure. I mean…..if it were that easy, anyone could do it, right?” Grohl concluded by poking fun at the supposed controversy, joking, “Now, I think have to go scream at some kids to get off my lawn” and signing his post “Davemau5.” And then he probably went back to being awesome — since, you know, aside from acceptance speeches, it’s what he tends to do best. Did you think Grohl’s acceptance speech was targeted at EDM? Let us know in the comments! Related Photos 2012 Grammy Awards: Backstage And Audience Related Artists Foo Fighters

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Dave Grohl Clarifies Supposed Anti-EDM Grammy Speech