Tag Archives: director

Justin Bieber’s ‘Never Say Never’ Re-Release: Five Secrets Revealed

Director Jon M. Chu reveals more about the 40 minutes of new footage fans will see this weekend. By Eric Ditzian Justin Bieber in “Never Say Never” Photo: Paramount By now, most citizens of Bieber nation have undoubtedly canceled all weekend plans, purchased advance tickets for the super-size version of “Never Say Never,” and are plotting the most stress-free path toward the multiplex to catch the revamped film’s arrival in 3-D theaters on Friday (February 25). But what exactly will you find up on the big screen when you slip on those purple 3-D glasses just three weeks after the original flick debuted? Team Bieber has promised over half an hour of new Justin-approved video, including fresh performances, footage from pre-release screenings and further glimpses at Justin’s downtime with his pals. That’s a little vague for our liking, so we hit up director Jon M. Chu for some insight into what’s being touted as a “Director’s Fan Cut.” Here are five secrets revealed! There Are 40 Minutes of New Footage, Not 30 In a YouTube video announcement, Chu told fans that the new version would include 30 minutes of new footage. But a subsequent Paramount press release pegged the number at 40 minutes. So which is it? “That was my mistake!” laughed Chu. “I didn’t time it out. I was like, ‘I’ll just say over 30 minutes, and we’ll be good to go. But they timed it and it is 40 minutes. The point is, there’s a crapload of stuff in there. “We originally had a two-and-a-half-hour version of the movie, which we obviously couldn’t release,” he added. “So we started to think about putting stuff back in that didn’t have to do with our story but that we knew people would love.” “Omaha Mall” Is Coming for You This rock/rap tune became a fan favorite after Bieber posted it on YouTube, and the reworked “Never Say Never” will pull back the curtain on the song’s creation for the first time on the big screen. “We see the creation of ‘Omaha Mall’ and how that came to be,” Chu told us. “We also get to see way more baby videos. We sit on a lot more shots, so it’s like you’re sitting with him in the living room, just watching.” Get Ready for Bieber’s Abs “Twilight” fans know what to expect when they hit the multiplex for the first viewing of a franchise film: Taylor Lautner without a shirt on. But Beliebers may have been surprised — and, no doubt, delighted — to sit down for “Never Say Never” and be treated to scene after scene of Justin sans T-shirt. When it comes to the new version, fans should expect even more skin. “I can’t confirm nor deny those reports, but we do what the fans want,” Chu laughed. “If that’s what the fans want, then they’ll get a little bit more. Maybe some abs!” You’ll Truly See What It’s Like to Be Bieber’s Buddy Such is the effect of Bieber Fever that the singer’s friends, Ryan Butler and Chaz Somer, have become stars in their own rights. And while they pop up a bit in the movie, Chu said that fans couldn’t get enough of these two Canadian teens. “Chaz and Ryan have their own followings, and one of the biggest pieces of feedback we got is that fans want more Chaz and Ryan,” the director said. “In this version, we get to see what it’s like to be part of the entourage. We go to their homes in Stratford. People call from all around the world and disrupt their dinners. It’s absolutely insane. They’re superstars.” Hello, “Favorite Girl”! While the re-cut flick introduces 40 minutes of new footage, the overall running time is only 10 minutes longer. So what did Chu cut? He took out Bieber’s lengthy, pre-MSG visit to the doctor, added in new scenes of tickets being given away outside concerts and swapped out some performances that didn’t make it into the original release. “Before we had to make a choice between ‘Favorite Girl’ and ‘Never Let You Go,’ because they’re the same [in-concert] set-up with the heart,” he said. “We couldn’t play both. So this time, we made the choice to have ‘Favorite Girl,’ which is one of my favorite songs that he plays. People are going to love it.” Check out everything we’ve got on “Justin Bieber: Never Say Never.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos ‘Justin Bieber: Never Say Never’ Sneak Peeks Related Artists Justin Bieber

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Justin Bieber’s ‘Never Say Never’ Re-Release: Five Secrets Revealed

Bieber Doc Director Jon M. Chu Predicts Social Network Oscar Win (Duh)

Earlier today Movieline caught up with director/digital wunderkind Jon M. Chu, helmer of Justin Bieber: Never Say Never , to follow-up on the recently announced Director’s Fan Cut hitting North American theaters on Friday. While you wait with bated breath for the full chat, posting on Wednesday, find out why Chu pegged David Fincher’s The Social Network to come home with Oscar gold this Sunday.

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Bieber Doc Director Jon M. Chu Predicts Social Network Oscar Win (Duh)

Justin Bieber Gets A Haircut

Justin Bieber got a new haircut today, February 21, 2011. Here are some of the photos of Justin’s new ‘do, be sure to let us know what you think and be sure to let us know if you miss Justin’s famous Bieber Swoosh haircut! Here’s what Justin posted to let his fans know about chopping off his locks: Yeah so it’s true…i got a lil haircut…i like it…and we are giving all the hair cut to CHARITY to auction. Details coming soon. View Poll

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Justin Bieber Gets A Haircut

New version of Justin Bieber film to hit theaters

LOS ANGELES ( Hollywood Reporter ) – In an unprecedented move, Paramount ‘s Insurge Pictures will release an updated director’s fan cut of “Justin Bieber: Never Say Never” in a one-week exclusive run, beginning February 25. Director Jon M. Chu ‘s updated “Justin Bieber: Never Say Never Director’s Fan Cut” will play only in 3D runs in the U.S. and Canada , replacing the original version. There will be 40 minutes of new footage. Chu has trimmed 30 minutes of footage from the original “Never Say Never” to accommodate the additional scenes. Updated version runs 115 minutes, instead of the original running time of 105 minutes. Move is designed to whip up renewed interest among Bieber’s diehard fans, and spark repeat viewing in the film’s third weekend in release. “Never Say Never” is already a financial success, having grossed $51.4 million in its first 11 days in release. The original “Never Say Never” will continue playing in 2D runs. The cost of a 35mm print makes sending the director’s cut to those theaters financially unworkable. Digital prints, however, are a fraction of the cost. Paramount vice chairman Rob Moore said the studio is “trying to take advantage of options from digital technology that didn’t exist before and give fans even more of what they loved from the first version.” As he began the editing process, Chu realized he had a significant amount of footage that he couldn’t use in the initial theatrical release. He then spent dozens of hours on Twitter and Facebook engaging with fans to see what they would like to see. Some of the new footage includes more of Bieber’s friends and hometown life, as well as new songs and special footage shot of the film’s premiere at theaters across the country. “I realized I had an embarrassment of riches when I was I in the cutting room,” said Chu. “This cut allows me to retain some of the best scenes from the original movie, while incorporating previously unseen footage and new material I shot during our extensive promotional tour on behalf of the movie. Justin’s dedication to his fan base is unwavering and I was inspired as a filmmaker to attempt to provide them a unique experience that showed even more of his world.” Paramount has submitted the “Director’s Cut” to the ratings board. Because the studio isn’t asking for a new rating, it doesn’t need to pull “Never Say Never” from theaters pending review by the Classification and Ratings Administration. (Editing by Zorianna Kit )

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New version of Justin Bieber film to hit theaters

In Case You Missed It: Every Dunk From The 2011 Slam Dunk Contest

The dunk contest hasn’t been entertaining the past couple of years, but this year was different as the NBA brought in some of youngest and most talented dunkers they have. Hoping to achieve the level of entertainment like the early decade 2000 dunk contest or even the exciting 2006 contest, the NBA brought in Blake Griffin, Javale McGee, Serge Ibaka, and DeMar DeRozan. Although we think Javale McGee was robbed from the title after his amazing dunks that included 3 balls at once and dunking 2 hoops at the same time, (one a 13 footer) texting fans could not resist the theatrics of Blake Griffin receiving an ally-oop as he jumps over a car. In case you somehow missed it or just want to see the excitement all over, head to HipHopWired.com to see what was one of the most creative and exciting Slam Dunk Contests that we’ve had in years .

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In Case You Missed It: Every Dunk From The 2011 Slam Dunk Contest

It’s Not Just In The Black Community…Lack Of “Good Men” Is “Universal”

Not so long ago, the average American man in his 20s had achieved most of the milestones of adulthood: a high-school diploma, financial independence, marriage and children. Today, most men in their 20s hang out in a novel sort of limbo, a hybrid state of semi-hormonal adolescence and responsible self-reliance. This “pre-adulthood” has much to recommend it, especially for the college-educated. But it’s time to state what has become obvious to legions of frustrated young women: It doesn’t bring out the best in men. “We are sick of hooking up with guys,” writes the comedian Julie Klausner, author of a touchingly funny 2010 book, “I Don’t Care About Your Band: What I Learned from Indie Rockers, Trust Funders, Pornographers, Felons, Faux-Sensitive Hipsters and Other Guys I’ve Dated.” What Ms. Klausner means by “guys” is males who are not boys or men but something in between. “Guys talk about ‘Star Wars’ like it’s not a movie made for people half their age; a guy’s idea of a perfect night is a hang around the PlayStation with his bandmates, or a trip to Vegas with his college friends…. They are more like the kids we babysat than the dads who drove us home.” One female reviewer of Ms. Kausner’s book wrote, “I had to stop several times while reading and think: Wait, did I date this same guy?” For most of us, the cultural habitat of pre-adulthood no longer seems noteworthy. After all, popular culture has been crowded with pre-adults for almost two decades. Hollywood started the affair in the early 1990s with movies like “Singles,” “Reality Bites,” “Single White Female” and “Swingers.” Television soon deepened the relationship, giving us the agreeable company of Monica, Joey, Rachel and Ross; Jerry, Elaine, George and Kramer; Carrie, Miranda, et al. But for all its familiarity, pre-adulthood represents a momentous sociological development. It’s no exaggeration to say that having large numbers of single young men and women living independently, while also having enough disposable income to avoid ever messing up their kitchens, is something entirely new in human experience. Yes, at other points in Western history young people have waited well into their 20s to marry, and yes, office girls and bachelor lawyers have been working and finding amusement in cities for more than a century. But their numbers and their money supply were always relatively small. Today’s pre-adults are a different matter. They are a major demographic event. What also makes pre-adulthood something new is its radical reversal of the sexual hierarchy. Among pre-adults, women are the first sex. They graduate from college in greater numbers (among Americans ages 25 to 34, 34% of women now have a bachelor’s degree but just 27% of men), and they have higher GPAs. As most professors tell it, they also have more confidence and drive. These strengths carry women through their 20s, when they are more likely than men to be in grad school and making strides in the workplace. In a number of cities, they are even out-earning their brothers and boyfriends. Still, for these women, one key question won’t go away: Where have the good men gone? Their male peers often come across as aging frat boys, maladroit geeks or grubby slackers—a gender gap neatly crystallized by the director Judd Apatow in his hit 2007 movie “Knocked Up.” The story’s hero is 23-year-old Ben Stone (Seth Rogen), who has a drunken fling with Allison Scott (Katherine Heigl) and gets her pregnant. Ben lives in a Los Angeles crash pad with a group of grubby friends who spend their days playing videogames, smoking pot and unsuccessfully planning to launch a porn website. Allison, by contrast, is on her way up as a television reporter and lives in a neatly kept apartment with what appear to be clean sheets and towels. Once she decides to have the baby, she figures out what needs to be done and does it. Ben can only stumble his way toward being a responsible grownup. So where did these pre-adults come from? You might assume that their appearance is a result of spoiled 24-year-olds trying to prolong the campus drinking and hook-up scene while exploiting the largesse of mom and dad. But the causes run deeper than that. Beginning in the 1980s, the economic advantage of higher education—the “college premium”—began to increase dramatically. Between 1960 and 2000, the percentage of younger adults enrolled in college or graduate school more than doubled. In the “knowledge economy,” good jobs go to those with degrees. And degrees take years. Today’s pre-adult male is like an actor in a drama in which he only knows what he shouldn’t say. He has to compete in a fierce job market, but he can’t act too bossy or self-confident. He should be sensitive but not paternalistic, smart but not cocky. To deepen his predicament, because he is single, his advisers and confidants are generally undomesticated guys just like him. Single men have never been civilization’s most responsible actors; they continue to be more troubled and less successful than men who deliberately choose to become husbands and fathers. So we can be disgusted if some of them continue to live in rooms decorated with “Star Wars” posters and crushed beer cans and to treat women like disposable estrogen toys, but we shouldn’t be surprised. Relatively affluent, free of family responsibilities, and entertained by an array of media devoted to his every pleasure, the single young man can live in pig heaven—and often does. Women put up with him for a while, but then in fear and disgust either give up on any idea of a husband and kids or just go to a sperm bank and get the DNA without the troublesome man. But these rational choices on the part of women only serve to legitimize men’s attachment to the sand box. Why should they grow up? No one needs them anyway. There’s nothing they have to do. They might as well just have another beer. Discuss… Via WSJ

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It’s Not Just In The Black Community…Lack Of “Good Men” Is “Universal”

Britney Spears’ Manager Explains: Why Jonas Akerlund?

‘Jonas did ‘Ray of Light’ for Madonna, and that’s when [Britney] became a fan of his,’ Larry Rudolph tells MTV News of ‘Hold It Against Me’ director. By Ryan J. Downey, with additional reporting by Jim Cantiello Britney Spears in her “Hold It Against Me” video Photo: Jive Why did Britney Spears choose Jonas

Britney Spears’ ‘Hold It Against Me’ Video: A Pop-Culture Cheat Sheet

From Greek mythology to mid-’90s Tool albums, Brit’s latest is full of blink-and-you’ll-miss-it moments. By James Montgomery Britney Spears fights herself in “Hold It Against Me” Photo: Jive On Thursday night, after weeks of teasing, Britney Spears finally revealed her video for “Hold It Against Me,” a whirling, swirling dance explosion that features plenty of sass, swagger and exactly one flowing white gown. It also features plenty of nods to pop music’s past — not to mention several blink-and-you’d-miss-it odes to film, TV and, of course, Greek mythology. As is the case with all massive videos, there’s a whole lot to keep track of, so, much like we did for equally big clips like Lady Gaga’s “Telephone” and My Chemical Romance’s “Na Na Na,” we’ve put “Hold It Against Me” through the wringer and compiled a pop-culture cheat sheet that’s alphabetized and cross-referenced for your convenience. Believe us, this took way longer than you could imagine, but it was worth it. (Oh, and despite our best efforts, we’re sure there’s something we missed, which is why we need your help: Let us know what you spot in the comments below.) Photos of the references in Britney’s “Hold It Against Me.” The Graeae : In Greek mythology, they were the three sisters who shared a single eye. In Britney’s video, they’re hoodie-wearing dudes with serious dance moves (and no eyes at all). Same thing, really. Iamamiwhoami : Icky, sticky viral-video enigma whose early clips featured plenty of lying around in the fetal position (and amniotic fluids). In “HIAM,” Britney, covered in similarly sticky liquid, curls up on the floor, striking a pose that would make Iamami proud. Kanye West, “Runaway” : Over-the-top 35-minute mini-movie/allegory starring West as a man who cares for a phoenix who has fallen to Earth. The meteor that crashes to Earth at the beginning of “HIAM” reminds us a lot of the phoenix’s fiery entrance in ‘Ye’s film . And, if you look hard enough, you can also see the song’s lyrics printed out in the top left corner of the shot. Madonna, “Bedtime Stories” : Ultra-artistic 1995 video, directed by Mark Romanek, that cost a reported $5 million to make. From the futuristic set and the special effects to Brit’s long, flowing gown and whirling dancers, it appears to be a direct influence on pretty much everything in “HIAM.” Though we’re willing to bet Brit didn’t spend nearly as much to make her version. Madonna, “Die Another Day” : Big-budget 2002 Madonna video from the equally big-budget James Bond film of the same name. It featured a memorable fight scene that pitted Madge against her alter ego (Mariah Carey did the same thing in her “Heartbreaker” video, BTW). In “HIAM,” Britney battles her alter ego in a (very fashionable) kung fu fight. The Matrix” : Wachowski brothers franchise that featured plenty of TV screens and a whole lot of marauding machinery, just like “HIAM.” Like Keanu said, “Whoa.” “Mortal Kombat” : Totally awesome (and violent) fighting game that featured, among its cast of characters, a blue-garbed assassin named Sub-Zero. In “HIAM,” Britney’s dancers don outfits similar to him, only they don’t shoot ice out of their hands. Unless that part’s in the director’s cut. Robyn, “Indestructible” : Sexy 2010 video from Sweden’s sexiest pop export, it featured Robyn writhing on a table while wearing a dress made entirely of clear plastic tubes (courtesy of Australian artist Lucy McRae), sort of like the ones Britney uses to spray colored liquid all over the “HIAM” set. “The Rocky Horror Picture Show” : Cult 1975 film adapted from a British play, its iconic poster featured a pair of bright-red lips, which seem to have also made their way into “HIAM.” Tool,

Britney Spears’ ‘Hold It Against Me’ Video: A Pop-Culture Cheat Sheet

From Greek mythology to mid-’90s Tool albums, Brit’s latest is full of blink-and-you’ll-miss-it moments. By James Montgomery Britney Spears fights herself in “Hold It Against Me” Photo: Jive On Thursday night, after weeks of teasing, Britney Spears finally revealed her video for “Hold It Against Me,” a whirling, swirling dance explosion that features plenty of sass, swagger and exactly one flowing white gown. It also features plenty of nods to pop music’s past — not to mention several blink-and-you’d-miss-it odes to film, TV and, of course, Greek mythology. As is the case with all massive videos, there’s a whole lot to keep track of, so, much like we did for equally big clips like Lady Gaga’s “Telephone” and My Chemical Romance’s “Na Na Na,” we’ve put “Hold It Against Me” through the wringer and compiled a pop-culture cheat sheet that’s alphabetized and cross-referenced for your convenience. Believe us, this took way longer than you could imagine, but it was worth it. (Oh, and despite our best efforts, we’re sure there’s something we missed, which is why we need your help: Let us know what you spot in the comments below.) Photos of the references in Britney’s “Hold It Against Me.” The Graeae : In Greek mythology, they were the three sisters who shared a single eye. In Britney’s video, they’re hoodie-wearing dudes with serious dance moves (and no eyes at all). Same thing, really. Iamamiwhoami : Icky, sticky viral-video enigma whose early clips featured plenty of lying around in the fetal position (and amniotic fluids). In “HIAM,” Britney, covered in similarly sticky liquid, curls up on the floor, striking a pose that would make Iamami proud. Kanye West, “Runaway” : Over-the-top 35-minute mini-movie/allegory starring West as a man who cares for a phoenix who has fallen to Earth. The meteor that crashes to Earth at the beginning of “HIAM” reminds us a lot of the phoenix’s fiery entrance in ‘Ye’s film . And, if you look hard enough, you can also see the song’s lyrics printed out in the top left corner of the shot. Madonna, “Bedtime Stories” : Ultra-artistic 1995 video, directed by Mark Romanek, that cost a reported $5 million to make. From the futuristic set and the special effects to Brit’s long, flowing gown and whirling dancers, it appears to be a direct influence on pretty much everything in “HIAM.” Though we’re willing to bet Brit didn’t spend nearly as much to make her version. Madonna, “Die Another Day” : Big-budget 2002 Madonna video from the equally big-budget James Bond film of the same name. It featured a memorable fight scene that pitted Madge against her alter ego (Mariah Carey did the same thing in her “Heartbreaker” video, BTW). In “HIAM,” Britney battles her alter ego in a (very fashionable) kung fu fight. The Matrix” : Wachowski brothers franchise that featured plenty of TV screens and a whole lot of marauding machinery, just like “HIAM.” Like Keanu said, “Whoa.” “Mortal Kombat” : Totally awesome (and violent) fighting game that featured, among its cast of characters, a blue-garbed assassin named Sub-Zero. In “HIAM,” Britney’s dancers don outfits similar to him, only they don’t shoot ice out of their hands. Unless that part’s in the director’s cut. Robyn, “Indestructible” : Sexy 2010 video from Sweden’s sexiest pop export, it featured Robyn writhing on a table while wearing a dress made entirely of clear plastic tubes (courtesy of Australian artist Lucy McRae), sort of like the ones Britney uses to spray colored liquid all over the “HIAM” set. “The Rocky Horror Picture Show” : Cult 1975 film adapted from a British play, its iconic poster featured a pair of bright-red lips, which seem to have also made their way into “HIAM.” Tool,

‘Iron Man 3’ May Tap Shane Black As Director

Veteran screenwriter could take over franchise from departed Jon Favreau. By Eric Ditzian Shane Black Photo: SGranitz/WireImage One week after news first broke that Shane Black was a top candidate to helm “Iron Man 3” in the wake of Jon Favreau ‘s departure from the franchise, another report suggests the director is now in final negotiations to win the job. Deadline reports that Black is essentially set to direct Robert Downey Jr. in the third “Iron Man” flick but that it’s unclear whether he’ll also pen the script. “That’s not figured out,” an unnamed source told the website. A rep handling the film declined to comment, while Black’s rep hadn’t returned MTV News’ requests for comment by press time. Black only has one directorial credit on his r