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Dolph Lundgren On He-Man Memories, His Scholarly Past, And How Art Imitates Life In The Expendables 2

Appearances can be deceiving, and as audiences learn in Friday’s testosterone-fueled sequel The Expendables 2 , even Dolph Lundgren ‘s volatile Gunnar Jensen has a few surprising secrets to share. Such as: In addition to being a habitual alcoholic and reformed-but-unpredictable member of the squad, Gunnar’s revealed to be a chemical engineering savant and former Fulbright scholar — elements cheekily borrowed from Lundgren’s real life. Long before the veteran of Rocky IV , Red Scorpion , Universal Soldier and, yes, Masters of the Universe earned his reputation as an imposing fixture in the ’80s and ’90s action realm, Lundgren was a decorated student who followed his economist-engineer father into the sciences and earned a master’s degree in chemical engineering. A chance meeting with singer Grace Jones sparked his Hollywood aspirations; shortly after making his debut in A View To A Kill , 1985’s Rocky IV and the memorable Russian boxer Ivan Drago marked Lundgren’s big break, catapulting him to fame alongside fellow icons stars Sylvester Stallone, Bruce Willis, and Arnold Schwarzenegger (who team up to defeat the dastardly Jean-Claude Van Damme in Expendables 2 ). As the golden age of the beefy, brawny action star waned, however, Lundgren turned increasingly to direct-to-DVD fare, but these days Lundgren is content with how things turned out: “I got married, had two kids, brought them up in Europe, got divorced, came back here again, and the kids are okay — they didn’t become victims of Hollywood or anything, so that feels good too.” Later this year the 54-year-old actor (who also writes, produces, and directs) will follow Expendables 2 with another high profile return to his roots, of sorts, in the 3-D sequel Universal Soldier: Day of Reckoning . And while the bulk of his upcoming slate remains firmly in action territory, Lundgren’s turn in Jonas Akerlund’s indie Small Apartments marks another surprise move from the erstwhile Ivan Drago. Read on as Lundgren discusses his evolving image, how art imitates life in The Expendables 2 , his mixed feelings about notorious bomb Masters of the Universe (and its forthcoming live-action remake), and why he left a career in science behind for acting in the first place. In this sequel we learn that Gunnar is a oneime Fullbright scholar and has an advanced degree in chemical engineering, as you do in real life. When Sly first suggested writing elements of your life and background into Expendables 2 , what was your reaction? I laughed, you know, I thought it was funny. Only Stallone could think of stuff like that! I mean, I couldn’t have thought of it. I would have thought, “Nah, that’s too on the nose.” I would have thought of something fictitious, but he’s clever because he knows that people are interested in that, ‘cause he’s probably heard people ask me in press conferences, “Well, aren’t you like a chemical engineer or something?” So he brought that into the movie. How did people first react when they found out about your scholarly background? Did it take a while for people to realize it? It’s still not out there. It’ll come out a little bit with this film. But you know, when you do cinema it’s such a strong medium, it overshadows your real personality. If you play a very nice guy, lover, hero on screen but you’re an asshole in real life, it takes a long time for that to overshadow your screen persona; it maybe never will. In my case it may be a bit of the opposite — I play this brutal kind of one-dimensional, two-dimensional character so if you have other things in your real life it’s gonna take a while [to come out]. It’s just happened very quickly the last couple years that people are starting to catch on to it. Thanks to the internet. The internet, people read up on it. It’s such a hard climate now. Very few people would have time in their lives [to study] and have to go for acting straight away that to spend seven, eight years in academia would be a waste. You have one of those legendary Hollywood discovery stories. Looking back, do you feel like you sort of fell into acting? Fell into acting, well I did. I acted when I was younger but then my dad was an engineer so I started doing engineering and then I kind of fell back into it. I think a lot of it was because I had unresolved issues from when I was a kid and I wanted to be in something where you can emote, rather than just shaking test tubes and looking at dials. Not so much emoting in the sciences, is there? Not so much emoting in science, none. [Laughs] Just discussion, but it’s fun. I miss a little bit of it when you’re discussing intellectual matters. I don’t suppose there was much of that happening on this set? Not that much, but if you’re directing — I directed smaller movies — it’s a bit more like that, because you’re talking to the technical people. You’re talking to the composer and the editor and you have to be multitasking a little more. Roger Ebert once described your Universal Soldier character as a thankless kind of role for an actor. Ivan Drago, on the other hand, might have been one of your best. What do you think? I think Ivan Drago was a great character because he was a victim. I think that of all those characters I did earlier were kind of brutal and didn’t say anything, but [Ivan] was kind of the best because he was very charismatic and people cared about him. If you take, for instance, Clubber Lang in Rocky III , it was interesting but you have no sympathy for him. He was someone who just got beat, and you just felt great. Good for Rocky, he kicked that guy’s ass. But with Ivan Drago I think some people felt, “Awww, poor guy. They just used him, he’s actually not such a bad guy!” It wasn’t his fault! Have you felt over the years more interest from your fans to see more dimension in the characters you play? Yeah I think so, you feel that. But I always didn’t push it cause I know you can’t push it, and it wasn’t like I was dying to show it and my life would be nothing if I couldn’t show people who I really was. But now it’s happening on its own and it feels pretty good. I caught your performance in Jonas Akerlund’s Small Apartments , for example. Small Apartments was crazy, like a zany like Jerry Lewis type of a thing… Are you tempted to branch out more in that kind of way, with more daring or unexpected indie material and iconoclast directors? Yeah, I have some other ones I’ve done that are not out yet. There’s one I’m doing this fall called Without You I’m Nothing which is a drama about a girl who comes to L.A. to become a stripper. It’s written by the lead actress and there’s a good role in that, kind of like a crime boss, but he’s an interesting, mercurial type of a guy. So that’s dramatic, there’s no action. I don’t kill anybody. When you look back on your career and the ups and downs you’ve had over the years, what’s your perspective on where you’ve ended up and how you’ve gotten here? I feel pretty good about where I am now. In my way I feel like it’s a new beginning somehow, I don’t feel burnt out. I don’t feel like people know me. I feel like I’ve managed to keep sort of a mystery so that even though I haven’t accomplished what a lot of people have accomplished at my age, I still feel like it wouldn’t have worked for me because I wasn’t mature enough to handle it. Now I feel more ready to do other things so I’m pretty excited about the future. I’m glad the path went in that direction because also I got married, had two kids, brought them up in Europe, got divorced, came back here again, the kids are okay they didn’t become victims of Hollywood or anything, so that feels good too. Your life story would make quite the interesting biopic… Well I hope I’m still like halfway through it! Finding someone to play that role, that’s a tough one. It’s been announced that they’re moving forward with the remake of Masters of the Universe . What are your memories from making the original, and given that it notoriously flopped are yours fond memories of that project? There are some semi-fond memories because I had just done Rocky IV and became very well known worldwide, even though I didn’t know what that meant and it was very hard for me to deal with it. [ Masters of the Universe ] was my next picture after being the Russian bad guy. I was now kind of the American hero and it was like, “Whoa okay, let me see now how do I do this.” And I broke up with Grace [Jones] at that time, my girlfriend, so it was a hard time for me. My manager — I had to fire a bunch of people that were stealing from me. So it was a good memory in one way, on a professional level, because it was a fun movie and it’s one of the few movies my kids have seen because they’re small and it’s like a PG kids movie. But on a personal level I remember I was a little bit unhappy in life and other stuff. What advice would you give the people who are making the Masters of the Universe reboot ? Gosh, I don’t know. I thought about that for a second when I read it. Which way are they going to take it — superhero, really violent, CGI-driven? Or if they’re going to do more of a kids thing like Wizard of Oz , sweeter, I don’t know… Would you go back and turn in a cameo if they asked? [Laughs] If I’m gonna do anything in that movie, I’m gonna keep my shirt on . Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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Dolph Lundgren On He-Man Memories, His Scholarly Past, And How Art Imitates Life In The Expendables 2

Lamb Of God’s Randy Blythe Relives ‘Surreal’ Arrest At Czech Airport

‘There were these guys with machine guns and masks, and they looked like they were there to catch a terrorist,’ Blythe tells MTV News about June arrest. By James Montgomery Lamb of God’s Randy Blythe Photo: Tim Mosenfelder/ Getty Images

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Lamb Of God’s Randy Blythe Relives ‘Surreal’ Arrest At Czech Airport

‘Hunger Games’ DVD Viewing Party: Foxface Has Tips!

As the dystopian drama drops on DVD and Blu-ray on Saturday, Hobnobbing hits up actress Jackie Emerson for party-planning ideas. By Amy Wilkinson Jennifer Lawrence in “The Hunger Games” Photo: Lionsgate

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‘Hunger Games’ DVD Viewing Party: Foxface Has Tips!

Nathalia Ramos in a Bikini on the Beach of the Day

I’ve done my research on this NATHALIA RAMOS chick the last time she brought her 19 year old tits out in a bikini…. From what I gather from my extensive understanding of girls in staged paparazzi pics, she’s trying to get herself famous, because she is busty, an aspiring actor, cuz really what girl under 25 isn’t an aspirig actor these days…..filled with dreams of fame…and approval from the masses…when all she really has to realize is that she has rich parents, doesn’t need to make it for herself, and might as well just get topless for free to make some noise because I wan to see how this shit hangs without the whole build up of doing straight to DVD roles for the next 5 years before her broken dreams and feelings of failure take her to that dark place…. I guess her young, naive, feelings that she’s got a chance are kinda cute…but I prefer a more realistic approach to this kind of shit…especially when packing tits…. TO SEE THE REST OF THE PICS FOLLOW THIS LINK

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Nathalia Ramos in a Bikini on the Beach of the Day

Exploring Rachel Wiesz’s Boner Legacy

Not nude in theaters, Rachel Weisz stars in The Bourne Legacy but doesn’t go nude. So check out Rachel’s porn legacy in Stealing Beauty (1996) instead. Then, Christina Ricci shows her chi-chis in the costume drama Bel Ami (2012) , and Cinemax’s spy series Strike Back is strikingly nude on DVD and Blu-ray.

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Exploring Rachel Wiesz’s Boner Legacy

Kristen Bell Bikini for Esquire of the Day

Krisen Bell is old, overrated, boring, played out, not the girl I like to have as the hot main character of any movie I’ve seen her in….but the girl I’d like to replace with a hot younger girl with bigger tits to be the main character of movies I’ve seen her in….As far as I’m concerned, she’s just low level, but managed to get a few good hits, even though all her movie roles should be the straight to DVD kind, cuz she’s that kind of girl…even her bikini pics in Esquire are uneventful, even boring…I guess when you’re a teen dream, but pushing 35….shit becomes more of a nightmare….

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Kristen Bell Bikini for Esquire of the Day

Rolling Stones, Elton John, George Michael Among Olympics Closers; Shia LeBeouf Eyes Lars Von Trier Film: Biz Break

Also in Thursday’s round-up of news briefs, Tim Robbins is set to take on the director role after long absence. Montreal’s genre event the Fantasia Film Festival hands out its awards. And Mexican actor Gael Garcia Bernal honored at European film event. The Rolling Stones, Elton John, Take That, George Michael Tipped As Olympics Closing Acts Sunday’s Closing Ceremony at the London Olympics will feature over 4,100 performers including a massive showing of Britain’s musical headliners. Among the performers who will apparently play are The Who, Paul McCartney, Elton John, the Rolling Stones, George Michael, Paul Weller, the Spice Girls, Adele, Ray Davies, Liam Gallagher, Annie Lennox, Madness, the Pet Shop Boys, Take That, Muse, One Direction and members of Queen, Deadline reports . Shia LaBeouf Eyes Lars von Trier’s Nymphomaniac Nymphomaniac revolves around the erotic pursuits of a woman, played by Charlotte Gainsbourg, from her youth to 50 as recounted by her husband, played by Stellan Skarsgard. Details about his possible role are still to be determined, THR reports . Tim Robbins to Direct City of Lies After directing three films in the ’90s including Dead Man Walking (1995), Tim Robbins has signed on to direct Endgame Entertainment’s City of Lies about two spies who fall in love while on separate spying mission in Prague, THR reports . Doomsday Book and Toad Road Take Top Fantasia Film Festival Prizes Montreal’s genre event, the Fantasia International Film Festival awarded Kim Jee-woon and Yim Pil-sung’s Doomsday Book its Cheval Noir Award for Best Film, while Jason Banker’s Toad Road took nods for Best Director and Best Actor for James Davidson. Yeon Sang Ho’s The King of Pigs won the Satoshi Kon Award for Achievement in Animation and a special mention from the First Feature Jury, Indiewire reports . Gael Garcia Bernal Honored at Locarno Film Festival “I think I still have a lot of room to grow,” Garcia Bernal told the crowd of more than 8,000 in the Piazza Grande. “Perhaps not in terms of height, but in terms of experience.” Garcia Bernal is one of the youngest honorees to receive the festival’s Excellence Award at 33, BBC reports .

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Rolling Stones, Elton John, George Michael Among Olympics Closers; Shia LeBeouf Eyes Lars Von Trier Film: Biz Break

Spaceballs On Blu-Ray: 25 Years Later, The Schwartz Is Still Strong In Mel Brooks’ Star Wars Spoof

A long time ago in a culture far removed from this one — 1987 to be exact — cinematic satirist Mel Brooks took on box-office game changer George Lucas’ Star Wars franchise and didn’t end up in the Hollywood equivalent of a Sarlacc Pit. Substituting the Schwartz for the Force,  Yogurt for Yoda and Pizza The Hutt for Jabba, Brooks gave us Spaceballs and made us laugh harder (intentionally) than Jar Jar Binks ever did. To celebrate the movie’s 25th anniversary, Sony has released a commemorative Blu-Ray edition that mostly does justice to this comedy gem. The Film: Spaceballs (1987) Why It’s An Inessential Essential: Although Life Stinks (1991) was Mel Brooks’ last sturdy feature, the often gut-bustingly funny Spaceballs  was his last really inspired comedy. Like many of Brooks’ earlier films, Spaceballs spoofs generic and genre cliches. In this case, the director aimed his blaster at science fiction and fantasy films, Star Wars in particular. Viewed 25 years after its theatrical release, Spaceballs  suffers from lopsided structure and occasional laziness, but the movie repeatedly breaks down the fourth wall with such zeal and absurd charm that it’s impossible to resist. (It’s worth noting that the movie was released during the heyday of the Bruce Willis/Cybill Shepherd ABC comedy series Moonlighting , which was heralded for doing the same.) A large part of  the movie’s giddy appeal is its game cast, led by SCTV Jedi the late John Candy and Rick Moranis.  Candy plays the Wookiee-like Barf and Moranis is particularly hilarious as the clutzy, over-compensating Darth Vader spoof, Dark Helmet — a puny man topped by enormous circumcised headgear. As ringmaster of this circus, Brooks (who also appears in the movie as both President Skroob and  Yogurt)  is at a point in his career where he’s starting to toss things against the wall out of sheer desperation. And because he’s working with talented comedians and co-writers, most of what he throws sticks. The move is a collection of blisteringly strange and funny sketches, such as the one where Helmet fantasizes about seducing Princess Vespa (Daphne Zuniga) while playing with a set of action figures that includes an even tinier facsimile of himself and the Druish princess. Brooks’ wise-ass, Brecht-by-way-of-Vaudeville sensibility is at the core of the movie’s cantankerous, Yiddish sensibility, and though some of the yucks feel a tad musty, the movie is never tedious. Riffs on cash-in sequels, “Moichandizing” and “turning off the movie” demonstrate that, at that point in his career, Brooks’ cultural comedy mojo was still working. Indeed, Spaceballs doesn’t just hold up as a laugh riot. It’s still highly quotable right down to the characters’ names. (Yogurt! Pizza The Hutt!).  “May the Schwartz be with you” still provokes laughter after all these years,  as does Barf’s “Funny, she doesn’t look Druish” comment about Princess Vespa.  And when the Spaceballs and Dark Helmet land on the Planet of the Apes, one of its denizens grouses; “Oh shit, there goes the planet.” How the Blu-Ray Edition Makes the Case for the Film:   The best special features on Sony’s25th anniversary release are the least serious ones. New interviews with a doddering and-haughty Brooks don’t contribute much. (“We were looking for a new genre to destroy,” he exclaims at one point). Much more satisfying is a very funny list of continuity errors in the film, including, a scene in which Dot Matrix (Joan Rivers playing a droid even bitchier than Anthony Daniels’ C-3P0) appears to stop leaving a trail behind her in one desert scene. The film’s gag audio commentary tracks are also suitably ridiculous. One is in “Mawgese,” presumably the native language of Barf, another, in “Dinkese,” the mother tongue of the Jawa-esque Dink Dinks. Unfortunately, the Blu-Ray edition does not markedly improve the picture quality that was found on the 2005 DVD release of Spaceballs .  There are still notable visual blemishes, including artifacts that resulted from poor video compression. Still, the dual Blu-Ray/DVD package is worth buying if only because the menus included on the new DVD release are more interactive and the features they include are more impressive than the last time around. Other Trivia: The new 25th anniversary Spaceballs Blu-Ray is loaded with new special features. If you’re a dedicated Mel Brooks fan — even one who lost faith or interest after Robin Hood: Men in Tights and Dracula: Dead and Loving It — you’ll probably get a big kick out of the jokey introduction he recorded to the film’s original trailer. Brooks’ audio commentary track is also worthy, even if he is more than a little full of himself after the wild (and not entirely deserved) multi-platform success of The Producers . Compared to the meager 2005 DVD release, which came with a making-of featurette and a skimpy souvenir booklet, Sony’s 25th anniversary Blu-Ray release is a much more comprehensive presentation of the film. Simon Abrams is a NY-based freelance film critic whose work has appeared in The Village Voice, Time Out New York , Vulture and Esquire . Additionally, some people like his writing, which he collects a t Extended Cut . Follow Movieline on Twitter .

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Spaceballs On Blu-Ray: 25 Years Later, The Schwartz Is Still Strong In Mel Brooks’ Star Wars Spoof

Hitchcock ‘Was a Monster’: Tippi Hedren and New HBO Film Reveal Hitch’s Dark Side

HBO’s upcoming original movie The Girl , previewed last week for the Television Critics Association, tells the story of Alfred Hitchcock (Toby Jones) and Tippi Hedren ( Sienna Miller ) making the films The Birds and Marnie . If you thought this would be a fun story about stepping in bird doodie and making it big in Hollywood , you’re in for a big shock, as Hedren spoke at length about the alleged sexual harassment and abuse she suffered at the hands of the “unusual, genius, and evil” director. As seen in the trailer for the film, The Girl alleges that not only was Hitchcock a difficult director for whom to work, he was an abusive personality. One scene from The Girl depicts Hitchcock sexually assaulting Hedren in the back of a car. Hedren has given many interviews on her Hitchcock films over the past 50 years; The Girl will expose Hedren’s little-known story to HBO audiences this fall. “People have said, ‘Was he in love with you?’” Hedren said. “No, he wasn’t. When you love someone, you treat them well. I think we’re dealing with a mind here that is incomprehensible, and I certainly am not capable of discerning what was going through his mind or why. I certainly gave no indication that I would ever be interested in any kind of a relationship with him.” Jones, who wore a prosthetic chin and age makeup to look more like Hitchcock, agreed that the Hitchcock he portrayed was a monster. “Yes, he had a huge disproportionate amount of power over the people who worked for him and with him,” Jones said. “Yes, he was a monster but he was very human in his foibles. There’s a certain pathos to him that is very human. His weaknesses were very human.” He perhaps offered more of an objective analysis of Hitchcock than Hedren was willing to speculate. “You’re not writing a biography of Hitchcock’s whole personality, but I think that it’s my job as an actor to sympathize with the character and to try and find that,” Jones continued. “I think he’s in control of everything at that point in his life – moviemaking, every aspect of moviemaking. He’s at the height of his fame after Psycho and then there’s something he can’t control, which is this woman who’s exercising some control over him. I’m not sure that he has the internal resources to cope with that and I think that’s something everyone can relate to, the idea of an emotion that begins to have control over you. Because control over such an important issue, you only need to look at his clothes, his uniform, the way he ordered his life, the way it became very systematic the way he operated, to know that control is crucial to him.” The film seems to play like an abusive marriage. It begins with Hitchcock discovering Hedren, depicted as almost a seduction of an innocent. Once filming begins he puts threatening pressure on her. For a scene in which birds attack Hedren, Hitchcock could have shot minimal takes. As The Girl shows, the scene went on for days, the underlying assumption being that he could make it stop if Hedren would acquiesce to his advances. Of course, these are all the negative elements of Hitchcock and Hedren’s relationship concentrated into a single film, and in this case a two minute trailer at that. “There were times when it was absolutely delightful and wonderful, the times that we spent while he was my drama coach,” Hedren explained. “I hadn’t had any acting experience except in commercials. You get a good technical background for that sort of thing. But to break down a script, to delve into how you become another character, the relationship of different characters in the film was something that I didn’t know how to do, and of course, it was perfect to have someone as brilliant a genius as Alfred Hitchcock being my drama coach.” “Hitchcock had a charm about him,” she continued. “He was very funny at times. He was incredibly brilliant in his field of suspense. I learned so much from that man about motion pictures; how you make a motion picture, so there are things that weren’t able to be in the film to say, ‘Why would she stick around for all of this?’ It wasn’t a constant barrage of harassment to me. So that is the fault of any film. It can’t possibly have everything in it. But if it had been constantly the way we have had to do it in this film, I would have been long gone.” Miller joined the TCA presentation by phone from London, and shared her experience recreating Hedren’s harrowing scenes in The Birds . “It was difficult during certain scenes, but not merely as difficult as it was for Tippi,” Miller said. “The bird attack scenes took five long days for her and it was about five hours for me. So while I definitely suffered a little bit, it was nowhere near the real thing.” By the time they went on to make Marnie , Hedren was fulfilling a contract and trying to survive. Marnie was never one of Hitchcock’s most popular or acclaimed films, but having shed light on his obsession with the star, The Girl reveals a lot more. Hedren is cast as the title character, a compulsive thief whose new husband forced her to marry him and tries to cure her. “After having seen this film, it’s pretty fascinating to look at that because it’s pathologically interesting,” Jones said. “I find it to be one of the most interesting among the movies but I don’t think it’s one of the great movies.” Perhaps the film is Hitchcock’s fantasy for how he would possess Hedren herself. Looking back, Hedren sees something pathetic in his abuse. “I think he was an extremely sad character,” Hedren said. “As I said in the beginning, we are dealing with a brain here that is unusual, genius, and evil, deviant almost to the point of dangerous because of the effect that he can have on people that are totally unsuspecting.” Hedren’s might not be the only story of Hitchcock’s abuse. She knew of other leading ladies who didn’t get along with him, but back in the ‘50s and ‘60s, actors didn’t talk publicly about their issues with directors. “As far as I know, Vera Miles had a terrible time with Hitchcock, and she wanted to get out of the contract,” Hedren said. “He didn’t let her. She did Psycho , and I believe, if you look at Psycho , there isn’t one close up of Vera, not one. After that, she would never even speak about him to anyone. So I think it is common knowledge that Hitchcock had fantasies or whatever you want to call them about his leading ladies. Peggy Robertson, his assistant for so many years, and I remained friends until she died. She at one point said to me that he would have these kind of feelings for his leading ladies, and she said, ‘But he never got over you.’ I don’t know if that’s a compliment or whatever it’s supposed to be, I don’t know, but I really don’t care either.” Today it seems shocking that any director could get away with sexual harassment, and have an untarnished reputation for some 50 years after the incident. The studio system of that era was much more secretive. “I had not talked about this issue with Alfred Hitchcock to anyone because all those years ago, it was still the studio kind of situation,” Hedren said. “Studios were the power and I was at the end of that, and there was absolutely nothing I could do legally whatsoever. There were no laws about this kind of a situation. If this had happened today, I would be a very rich woman.” Even though there are sexual harassment laws and a wide open public forum for any actor to share her stories in the media, Hedren hopes sharing her story now will protect the next generation of young actors. “I hope that young women who do see this film know that they do not have to acquiesce to anything that they do not feel is morally right or that they are dissatisfied with or simply wanting to get out of that situation,” Hedren said. “You can have a strength, and you deserve it. I can look at myself in the mirror, and I can be proud. I feel strong. He ruined my career, but he didn’t ruin my life.” The Girl airs in October on HBO. Follow Fred Topel on Twitter . Follow Movieline on Twitter .

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Hitchcock ‘Was a Monster’: Tippi Hedren and New HBO Film Reveal Hitch’s Dark Side

Film Society of Lincoln Center Co-Founder Martin E. Segal Dead at 96

The Russian-born American businessman and cultural philanthropist Martin E. Segal died Sunday just under two months before the 50th anniversary of the New York Film Festival , the premiere Manhattan film event hosted annually by the venerable organization he founded, the Film Society of Lincoln Center . He was 96. Segal’s son Paul confirmed his death, the New York Times reports . In 1969, he co-founded the organization that has grown into a film behemoth that hosts year-round film events including NYFF, New Directors/New Films, major retrospectives and other high-profile events that attracts over 200,000 film aficionados, filmmakers, and industry. He served as FSLC’s president and CEO until 1978 and as chairman of Lincoln Center from 1981 – 1986 Segal was born in Vitebsk in what was still known as the Russian Empire in 1916, a year before the Bolshevik revolution. He founded The Segal Company in October, 1939 and has grown to become one of the nation’s largest firms dealing with benefits, compensation and human resources consultation. In addition to Lincoln Center, Segal was active in other New York cultural institutions including the New York Landmarks Conservancy, the New York Public Library, the New York International Festival of the Arts (which discontinued in 2002) and the Martin E. Segal Theater Center at the CUNY Graduate Center in 2000. Additionally, he served as the first chairman of NYC’s Commission for Cultural Affairs from 1975 – 1977. “Marty was a passionate and enthusiastic champion of film,” Rose Kuo executive director of the Film Society of Lincoln Center told ML. “When something caught his attention, he would quickly respond, gather support and with a great sense of urgency, he would make sure that things happened like last year’s NYFF screening of the newly restored Chaplin’s Gold Rush . I was fortunate to have the opportunity to learn from his wisdom and be inspired by his curiosity. He was the youngest 96 year old I ever met.” [Source: New York Times ]

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Film Society of Lincoln Center Co-Founder Martin E. Segal Dead at 96