Tag Archives: Eminem

Eminem Handpicked Pink For Recovery Collabo

‘When he brought up Pink, I thought she’d murder it,’ producer DJ Khalil says of replacing original singer on ‘Won’t Back Down.’ By Jayson Rodriguez, with reporting by Matt Elias Eminem Photo: Robyn Beck/ AFP/ Getty Images Eminem’s rumbling “Won’t Back Down” is among the most defiant records on Recovery and the addition of Pink only upped the attitude on the standout track. And it was all the Detroit MC’s idea to tap the outspoken pop singer to add vocals on the number, according to the track’s producer, DJ Khalil. “That was Em’s idea,” Khalil told MTV News of the collaboration. The Aftermath producer revealed that a different artist was initially featured on the song, but Pink owned the collabo with her punked-out rendition. “He called me, and originally we had another vocalist, Liz Rodrigues, who is in my group,” Khalil explained. “I have a group called the New Royales and they’re based in Canada; Liz is from Toronto. Originally she was on the song, but she was already on “25 to Life” and “Almost Famous.” So, we were thinking, ‘Who else could we get for this record that would actually fit?’ “When he brought up Pink, I thought she would kill it, she’d murder it. He set up the session in Malibu and we did the session and she was done in like 20 minutes. She nailed it in her way. I was kind of married to the original, but once I heard what she did and she put her stamp on it, it was like perfect, ’cause she just brought the attitude out.” The organ-heavy production featured Eminem shooting off a rapid-fire stream of punch lines. “Listen, garden tool/ Don’t make me introduce you to my power tool,” Em spits. “You know the f—ing drill/ How you douche bags feel?/ Knowing you’re disposable, Summer’s Eve, Massengill.” Khalil said his intricate production style is what led Eminem to recruit him to work on Recovery. The Shady lyricist had to adapt to rapping over his particular style. “They were into my production, and it’s different than everybody else’s, because it’s dense,” Khalil explained. “There’s a lot of music going on. Even with ‘Won’t Back Down,’ [Eminem] told me the track was beating him down. He had to scream to be able to rap over that track. They just wanted what I do.” What do you think of Em and Pink’s “Won’t Back Down”? Share your thoughts in the comments! It’s Eminem Week at MTV News, so stick with us as we celebrate the release of Recovery and take you inside the making of Em’s latest album. Related Artists Eminem Pink

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Eminem Handpicked Pink For Recovery Collabo

Drake’s Thank Me Later Nears Half A Mil In Billboard Debut

Katy Perry, Drake and Eminem dominate the iTunes charts. By Gil Kaufman Drake Photo: Tim Mosenfelder/ Getty Images Though he failed to join mentor Lil Wayne in the one milli club in his first week on the charts, there’s no shame in Drake ‘s game, as the Canadian rapper’s debut studio album, Thank Me Later will easily hit #1 on the Billboard 200 with sales of nearly 447,000. That total was good enough to earn Drizzy the third-best chart debut of 2010 (behind Lady Antebellum and Sade). He bested the week’s other newcomers, veteran rock act Tom Petty and the Heartbreakers , whose blues-inflected Mojo was far behind at #2 with 125,000, and fellow Canadian Sarah McLachlan , who returns to the charts with Laws of Illusion, hitting #3 with 94,000 in sales. The fourth slot is taken up by Now 34, which sold 88,000, meaning Drake sold more than the rest of the top five combined, according to figures provided by Nielsen SoundScan. There were no other debuts in the top 10, which undergoes a bit of shuffling: Jack Johnson ‘s To the Sea (#5, 68,000), the “Twilight Saga: Eclipse” soundtrack (#6, 55,000, down 63 percent), Justin Bieber ‘s My World 2.0 (#7, 47,000), Lady Antebellum ‘s Need You Now (#8, 40,000), Christina Aguilera ‘s Bionic (#9, 40,000, down 64 percent in week two) and Glee: The Music — Journey to Regionals (#10, 39,000), which plummeted by 75 percent from last week’s #1 showing. Further down the line, tattooed Jersey rockers the Gaslight Anthem notch their best-ever chart debut with American Slang, which lit it up at #16 on sales of 27,000. The first new disc in 20 years from reunited new-wave spud rockers Devo , Something for Everybody, debuts at #30 (14,000). The solo debut from Gym Class Heroes frontman Travie McCoy takes a hard tumble in week two, as Lazarus sinks 42 slots to #67 as sales dropped off by 57 percent to 7,000. The new album from Swedish pop singer Robyn , Body Talk Pt. 1, slides into the top 100 at #97 (5,000). In case you doubted whether he still had it, Eminem rockets to the #2 position on this week’s iTunes album charts after only one day on shelves. Slim Shady’s Recovery nearly bested Drake’s Thank Me Later , which managed to hold onto the #1 slot, according to charts provided by iTunes, which does not release sales figures. The one-two finish by the rappers pushes last week’s iTunes #1 album, Glee: The Music, Journey to Regionals , down to #4, as another newcomer, McLachlan’s Laws of Illusion , slipped in at #3. Johnson’s To the Sea slipped one to #5, while Petty’s Mojo debuted at #6, and the rankings were filled out by the “Twilight” soundtrack, B.o.B. ‘s B.o.B. Presents: The Adventures of Bobby Ray, Glee: The Music, Vol. 3: Showstoppers and Gaslight Anthem’s Slang , which debuted at #10. On the iTunes singles chart, things were mostly unchanged, as Katy Perry held on at #1 with “California Gurls,” followed by the same suspects as last week: B.o.B. with “Airplanes,” Usher with “OMG,” Travie McCoy with “Billionaire” and Eminem’s “Not Afraid.” Climbing up to #6 was Mike Posner ‘s “Not Afraid,” followed by Ke$ha with “Your Love Is My Drug,” 3OH!3’s “My First Kiss,” the Black Eyed Peas ‘ “Rock That Body” and Drake’s “Find Your Love” at #10. Look for things to get blown out next week, as Eminem’s Recovery vies for the top with Miley Cyrus ‘ Can’t Be Tamed . Also in stores are new albums from Ozzy Osbourne , the Roots , Sia , Macy Gray , Cyndi Lauper , the Chemical Brothers and Keith Sweat . Related Videos MTV News Extended Play: Drake Preview: Drake’s MTV Special ‘Better Than Good Enough’ Related Photos Drake Takes Manhattan! Drake’s Style: From A To Drizzy Related Artists Drake

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Drake’s Thank Me Later Nears Half A Mil In Billboard Debut

Eminem’s Recovery Vs. Relapse: Experts Weigh In

Em seemed ‘afraid to rap sincerely about what he went through’ on last year’s Relapse, one expert says. By Jayson Rodriguez Eminem in “Not Afraid” music video Photo: Interscope With the release of Recovery earlier this week, Eminem is back in the spotlight after delivering his second album in just more than a year. The projects, Recovery and 2009’s Relapse, bookend the rapper’s return from a five-year, drug-addled hiatus . The two albums, however, couldn’t be more different. Although both chronicle his dependency, each does so in different ways. Relapse was made as Em was flushing the drugs out of his system, while the new offering was made during his focus on sobriety. Also, Relapse ‘s satirical first single, “We Made You,” was rife with stale pop-culture references and no introspection. “My expectations for Relapse were very low, ’cause this is a man coming back, basically, from hell,” Keith Murphy, Vibe senior editor, told MTV News. “If you really wanna go into it, drugs have always been a part of rock-and-roll folklore. It’s always been a part of that from Marvin Gaye to Jimi Hendrix to David Bowie. But those guys kind of seemed to always be able to rebound from their excesses and put out incredible work and work that seemed like their head was on their shoulders. Relapse, you got the sense that he had no business recording that album, and not because it was a bad album — there was some good songs on there — but you could just see that struggle of someone trying to figure it out and someone that was actually afraid to rap sincerely about what he went through.” Dr. Dre helmed the majority of the project, and on standouts like “Beautiful” and “Deja Vu,” Eminem vividly articulates his dark descent. The project, though, was made in the aftermath of Eminem’s divorce, the murder of his close friend Proof and the rapper nearly overdosing. The emotional turmoil Eminem was facing, perhaps, made it difficult for him to focus. In particular, the rapper didn’t appear to pay tribute to Proof on any of the songs. That may be why the rapper himself called his last album “ehh” on Recovery ‘s lead single, “Not Afraid.” Looking for inspiration, Eminem reached out to a slew of new collaborators for Recovery, only using Dr. Dre’s production on a handful of tracks. “He was not as forthcoming with his unhappiness with Relapse at that moment,” Noah Callahan-Bever, Complex editor in chief, said about Eminem, who graced the magazine’s December/January cover . “I think he was still forming his own opinion and sitting with it and dissecting it in hindsight himself. But it was clear he understood that he had more to say and he hadn’t articulated it all. So, for me, my personal expectation was that he would create this thing that would be to Relapse what ‘The Dark Knight’ was to ‘Batman Begins.’ That was the beginning and a loose thought, and then he’s gonna fully polish it. “To me, that’s so indicative of where his head was at that he hadn’t sorted out how he felt about all this stuff that transpired during his downtime,” Callahan-Bever added of the differences between the two sets and the lack of a Proof tribute on the former. The Complex editor even suggested that Recovery rivals the best of Eminem’s work, putting the collection nearly on par with The Eminem Show. Murphy said, lyrically, the new album is what fans were expecting from Relapse, although, musically, the project falls short of the Dre-produced set. Freelance writer and frequent Village Voice contributor Chris Weingarten said the rapper is simply back to doing what he does best: delivering rhymes on a superior technical level. And despite appearances by Pink and Rihanna, Weingarten said the album feels hushed and minimalist. “He’s rapping again,” Weingarten said. “He’s a beast again. It may not be the hottest album. The choruses are still a little corny, but he’s rapping like he was in the ’90s, when he was doing ridiculous punch-line rap on Rawkus [Records] stuff. He’s back to being a crazy wordsmith. He’s being very clear and focused, and it shows.” What album do you like better: Relapse or Recovery ? Let us know in the comments below! It’s Eminem Week at MTV News, so stick with us as we celebrate the release of Recovery and take you inside the making of Em’s latest album. Related Photos The Evolution Of: Eminem Related Artists Eminem

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Eminem’s Recovery Vs. Relapse: Experts Weigh In

Jay-Z Says Performing On Roof Of Ed Sullivan Theater Was ‘Amazing’

‘It don’t get no better, baby,’ adds Diddy, who was in audience of ‘Letterman’ taping. By Kyle Anderson Eminem and Jay-Z perform on the “Late Show with David Letterman” Photo: Matthew Simpson/ CBS Though the viewing audience will have to wait until this Friday to check out the final version of the performance, the buzz around Jay-Z and Eminem’s tag-team performance for “The Late Show With David Letterman” on the roof of the Ed Sullivan Theater in New York on Monday is already at a fever pitch. Following the taping of the three-song set — performed before an exclusive crowd of about 100 people responding to blasts on Twitter and Facebook — Jay-Z spoke to a local news station about the scenario. “It was amazing,” Jigga told MyFoxNY as he greeted fans who heard about the performance and lined up to catch a glimpse of him outside of the theater. Though the crowd was relatively low-key, there was one high-profile guest: Diddy, who showed up to lend his support to the pair. “I’m just here as a fan,” he said. “[The performance] was great. It was incredible. A lot of fun. You know, Hov, Eminem, New York, rooftop, summer time — it don’t get no better, baby.” According to reports , Jay and Eminem played a total of three songs. They opened with Eminem’s latest single “Not Afraid” before moving into Jay’s “On to the Next One” (from his smash 2009 album The Blueprint 3 ). As a grand finale, the two teamed up on “Renegade,” the classic banger from Jigga’s 2001 album The Blueprint that represented the pair’s first collaboration. The two MCs will be taking over this Friday’s episode of “The Late Show With David Letterman” in order to promote their upcoming concerts in each of their respective hometowns. Jay-Z and Eminem will play Detroit’s Comerica Park on September 2 and at Yankee Stadium in the Bronx on September 13. In addition to the musical performances, the two will also get involved in some comedy: Eminem will reportedly deliver Friday night’s Top 10 list, which will be “Top 10 Eminem Pieces of Advice for the Kids.” What do you think of the song selection for Jay-Z and Eminem’s performance on the roof of the Ed Sullivan Theater? Let us know in the comments! Related Photos Eminem And Jay-Z Perform On The ‘Late Show With David Letterman’ Related Artists Jay-Z Diddy Eminem

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Jay-Z Says Performing On Roof Of Ed Sullivan Theater Was ‘Amazing’

Eminem Plays Surprise Set At Red Bull EmSee Contest In New York

Em took the Bowery Ballroom stage for three songs during Road to 8 Mile rap battle. By Jayson Rodriguez Eminem (file) Photo: Chelsea Lauren/ Getty Images NEW YORK — Looks like the Jimmy B-Rabbit inside of Eminem is still alive. The Detroit rapper seemed to channel the scrappy character he played in his breakout movie role early Tuesday morning (June 22) as he took to the stage for a surprise performance during the Red Bull EmSee : The Road to 8 Mile freestyle rap battle. Just hours earlier, he had been on the rooftop of the Ed Sullivan Theater for a taping of Jay-Z’s appearance on the “Late Show With David Letterman.” Decked out in jeans, a white T-shirt, black, zip-up hoodie and black military cap, Em hit the stage shortly after midnight with a burst of furious rhymes. The Shady One delivered a rapid succession of rhymes to Drake’s “Over” before the DJ, the Alchemist, flipped the record to Lloyd Banks’ “Beamer, Benz or Bentley.” The intimate audience at Manhattan’s Bowery Ballroom — a space with a capacity of under 600 — were cheering wildly for Em and D-12’s Mr. Porter. Eminem quickly segued into “On Fire” and “Won’t Back Down,” from his new album, Recovery, which dropped on Monday. On the latter (without collaborator Pink), he was particularly energetic, delivering the rousing lyrics with added urgency. “Listen, garden tool/ Don’t make me introduce you to my power tool/ You know the f—ing drill,” Em rapped. “How you douche bags feel?/ Knowing you’re disposable, Summer’s Eve, Massengill.” After the third song, Eminem ended his brief set and directly addressed the crowd, hinting that their support was what carried him through recovery from his well-documented drug dependency. “New York, on some real sh–, we didn’t get time to rehearse this, but we wanted to come out for y’all,” he said. “If it wasn’t for y’all, I wouldn’t even be here. Thank you to each and every one of y’all. We love you. Peace.” Chants of “encore” soon filled the venue, but the rapper was gone. “Thanks to everyone for coming out to the Redbull EmSee battle,” he tweeted later. “I appreciate all the love New York. Yes, I’m really typing this.” Prior to Eminem’s set, underground supergroup Slaughterhouse performed. Royce Da 5’9″, Joe Budden, Joell Ortiz and Crooked I all drew cheers with their various slick rhymes. Royce, a fellow Detroit MC and longtime Em affiliate, spoke to the crowd about the collective’s ongoing negotiations with Shady Records, where the four hope to sign after releasing last summer’s group debut via E1 Entertainment. “It’s Shady for life,” he told the crowd. The event was hosted by Shade 45 morning-show host Angela Yee and D.R.E.S. Tha Beatnik. The night featured a three-round battle, judged by producers Just Blaze and the Alchemist, along with legendary freestyle rapper Craig G. Rapper DNA scored the biggest reaction from the crowd with his boastful rhymes and eventually earned the win. The winners of Red Bull EmSee contests across the country will battle at the finals in Detroit, where Em himself made his name as a lyrical mudslinger. Have you been at one of Em’s recent appearances? Where would you like to see Eminem pop up next? Let us know in the comments. Related Photos The Evolution Of: Eminem Related Artists Eminem

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Eminem Plays Surprise Set At Red Bull EmSee Contest In New York

The Men of ‘Entourage’: Who’d You Rather?

Filed under: Kevin Dillon , Jeremy Piven , Kevin Connolly , Jerry Ferrara , Adrian Grenier , Beauty , Who'd You Rather? ” Entourage ” stars Kevin Dillon , Jeremy Piven , Kevin Connolly , Jerry Ferrara and Adrian Grenier all showed up to their premiere in Hollywood on Wednesday. Question is … Read more

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The Men of ‘Entourage’: Who’d You Rather?

Eminem Says He Felt Like ‘Bugs Bunny’ In Rehab

‘I couldn’t concentrate on my problem,’ he says of getting attention from fellow patients. By Mawuse Ziegbe Eminem Photo: Getty Images Before Eminem even dropped Relapse last year, he announced plans release a follow-up called Relapse 2 — and then he totally changed his mind . Instead, come June 21, fans will be able to pick up Em’s new album Recovery (which was moved up a day after it leaked online ). Eminem recently explained the meaning behind the album title in an interview with The New York Times, revealing that it is a direct reference to managing his ongoing battle with prescription drugs. “Vicodin, Valium and Ambien and, toward the end, which caused my overdose, methadone,” Eminem told the Times when asked what he was recovering from. “I didn’t know it was methadone. I used to get pills wherever I could. I was just taking anything that anybody was giving to me.” The hip-hop superstar also opened up about his stint in rehab. “The first time I went, it was in Brighton, Michigan,” he said “The second time, I didn’t go to rehab; I just went to a regular hospital. I detoxed in the hospital, and then I came home.” Coping with addiction is a demanding process, but due to his celebrity, Em had to deal with a unique set of challenges. The always candid MC said that he later chose to detox in a hospital because his outsize stardom affected the way his fellow addicts in rehab interacted with Em. “I couldn’t go back to rehab. I felt like I was Bugs Bunny in rehab,” Eminem said. “When Bugs Bunny walks into rehab, people are going to turn and look. People at rehab were stealing my hats and pens and notebooks and asking for autographs. I couldn’t concentrate on my problem.” Did you prefer the Relapse 2 album title, or are you happy Em opted for Recovery instead? Let us know in the comments. Related Photos The Evolution Of: Eminem Related Artists Eminem

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Eminem Says He Felt Like ‘Bugs Bunny’ In Rehab

Katy Perry’s ‘California Gurls’ Video: Check Out Exclusive Sketches!

Director Mathew Cullen reveals eye-popping artwork used to create Katy Perry’s Candyfornia. By James Montgomery Concept art for Katy Perry’s “California Gurls” Photo: Matthew Cullen In the past, Mathew Cullen has run into some problems when it came to directing big-budget videos … namely, too many voices, too many people trying to tell him what he could (or couldn’t) do. Suffice to say, he didn’t have that problem on the set of Katy Perry’s “California Gurls.” “I definitely can say that was not the case with this one,” Cullen laughed. “It was very collaborative, no one said no to anything. And Katy, well, she was great. I’ve never met anyone who worked harder or was more committed to making a great video.” But make no mistake about it: Cullen was prepared to push Perry. As these exclusive concept sketches prove — Cullen emailed a batch to MTV News on Wednesday — he was bursting with ideas for the “Gurls” video, from wild costumes to eye-popping candy-colored sets. Not only was KP game to try them all, but the entire “Gurls” team was too. “Her main stylist coordinated a huge team of people to help make the costumes. Diesel was a part of it, designers in New York too. Every single piece of clothing was custom,” the director said. “And then we had [the painter] Will Cotton, whose work was a big inspiration on the look of the video, working as the artistic director. Everyone came together and worked very hard, because we all wanted to create something that captured her voice as an artist and celebrated her personality.” Perry was so committed to the project that she threw some ideas of her own into the mix — the whole “chest-mounted frosting cannons” thing was all her. And she put in overtime to ensure the clip would be impressive. In fact, the entire thing worked so well that Cullen only wishes the video could’ve been longer. After all, some of his clever ideas didn’t even make the final cut. “[Perry] worked 19 to 20 hour days, and only slept four to five hours in between. So, over 48 hours, she was awake for nearly 40. And it was amazing, really,” Cullen said. “She was ready to work, and wanted the video to be great. It’s too bad we had to edit it down though. We had a lot of ideas, and what’s in the video is only a fraction of them.” What’s your favorite part of the “California Gurls” video? Let us know in the comments! Related Videos Katy Perry’s ‘California Gurls’: Frame By Frame MTV News Extended Play: Katy Perry Related Photos Concept Art For Katy Perry’s ‘California Gurls’ The Evolution Of: Katy Perry Related Artists Katy Perry

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Katy Perry’s ‘California Gurls’ Video: Check Out Exclusive Sketches!

Eminem Says ‘Slim Shady’ Wasn’t Right for Recovery

But Em assures fans that his rowdy alter ego isn’t going anywhere: ‘Shady still exists.’ By Mawuse Ziegbe Eminem Photo: Robyn Beck/ AFP/ Getty Images Eminem burst on the scene in 1999 with The Slim Shady LP, which introduced the world to Marshall Mathers’ manic, violent alter ego Slim Shady. Shady’s mercurial behavior has captivated fans throughout Em’s career, as Slim took cheeky shots at everyone from ‘NSYNC to his own mentor Dr. Dre and murdered his longtime gal pal Kim (only on wax, of course). Recently, the amped-up Shady has taken a backseat to Eminem’s candid rhymes about his struggles with fame and addiction. However, Em said that he hasn’t completely killed the Shady persona; it’s just not right for Recovery. “Shady still exists. But I don’t think the subjects on this record call for, you know, ‘bring the chainsaws and axes out and murder everyone on this record,’ ” Em told The New York Times in a recent interview. “There was so much stuff like that off the last record that I felt like I was starting to run it into the ground. I think consciously I went in a different direction with this record.” Em has been given a hard time for his hard-hitting rhymes, but when the Times pressed the star about whether he had any regrets about using unsavory terms when referring to women, he maintained that he was simply expressing his feelings honestly. “Anything I’ve ever said, I certainly was feeling at the time,” Eminem said. “But I think I’ve calmed down a bit. My overall look on things is a lot more mature than it used to be.” The star has certainly changed his outlook, as he mentioned in the same Times article, which will run in Sunday’s issue, that he supports gay marriage . Eminem’s Recovery is set to hit stores June 21. The album was pushed up a day after the much-anticipated follow-up to Relapse leaked online earlier this month. Do you want Slim Shady back, or are you happy Em is giving his alter ego a rest? Let us know in the comments! Related Photos The Evolution Of: Eminem Related Artists Eminem

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Eminem Says ‘Slim Shady’ Wasn’t Right for Recovery

Eminem Says He Supports Gay Marriage

‘I think that everyone should have the chance to be equally miserable,’ rapper told The New York Times Magazine. By James Montgomery Eminem Photo: Chris Weeks/ Getty Images In a new interview with The New York Times Magazine , Eminem declares that his “overall look on things is a lot more mature than it used to be,” a statement that apparently extends to his views on gay marriage. At one point during the piece — which will appear in the Sunday, June 20, issue of the mag — Em is asked by the Times’ Deborah Solomon if he’d support a gay marriage bill in his home state of Michigan. Somewhat surprisingly, he said yes … in his own, uniquely acerbic way, of course. “I think if two people love each other, then what the hell?” Em answered. “I think that everyone should have the chance to be equally miserable, if they want.” Throughout his career, Eminem has drawn the ire of gay rights groups, who called lyrics on his Marshall Mathers LP “homophobic and hateful” and protested his performance — and nominations — at the Grammy Awards in 2001 . And late last year, he made headlines when a leaked song called “Elevator” (supposedly set for his since-scrapped Relapse: Refill album) had him calling Clay Aiken and Adam Lambert something that sounded very much like the gay-slur “f—-ts.” Elsewhere in the Times interview, Eminem says that his newfound maturity had a lot to do with getting sober and, for the first time in his career, putting his maniacal Slim Shady persona on the shelf for his upcoming Recovery album. “Shady still exists. But I don’t think the subjects on this record call for, you know, bringing the chainsaws and axes out and murder[ing] everyone,” he says. “There was so much stuff like that off the last record that I felt like I was starting to run it into the ground. I think consciously I went in a different direction with this record.” Related Photos The Evolution Of: Eminem Related Artists Eminem

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Eminem Says He Supports Gay Marriage