Tag Archives: films

Natalie Portman Loads Gun, Penn State Doc En Route: Biz Break

Also in this afternoon’s edition of Biz Break: Woody Allen’s next adds another actor to its growing ensemble, Kathryn Bigelow picks up another cast member of her own for Zero Dark Thirty , and more… Penn State Doc Gets Green Light From A&E Indie Films Amir Bar-Lev and John Battsek, the director and producer who previously collaborated on The Tillman Story and My Kid Could Paint That , will re-team for the just-announced A&E Indie Films project Happy Valley . The documentary will look back at the trials and tribulations of the titular community during the child sexual abuse scandal that rocked its beloved Penn State football program. Production begins this month. Around the ‘net… Natalie Portman/Lynne Ramsay Western Stirs Buzz at Cannes A bidding war is underway for Jane Got a Gun , screenwriter Brian Duffield’s tale of a woman who turns to an ex-lover for protection when her outlaw husband returns home nearly dead from gunshots. Portman would play the lead with director Ramsay ( We Need to Talk About Kevin ) behind the camera. THR reports . Cannes Auteurs Take a Shine to Americana In related news, while studios may embrace the world downplaying American culture in order to win global box-office cash, auteurs outside the studio system are embracing the United States’ cultural flavor in such Cannes offerings as Lawless, Mud and Beasts of the Southern Wild . LAT’s 24 Frames reports . Mark Duplass Boards Kathryn Bigelow’s Zero Dark Thirty The filmmaker ( Jeff, Who Lives at Home ) and actor ( Your Sister’s Sister ) will have a “key supporting role” in the Oscar-winning filmmaker’s drama about the hunt for Osama bin Laden. Deadline reports . Bobby Cannavale Added to Woody Allen Project He’ll star along with Cate Blanchett, Bradley Cooper and Alec Baldwin in the comedy, Deadline reports .

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Natalie Portman Loads Gun, Penn State Doc En Route: Biz Break

Did Success Spoil Your Midnight Screening?

“Midnight showings were conceived as a way to reward the most ravenous consumers and offer a two hour block in which their anticipated movie could be enjoyed alongside the small contingent of people who actually gave a shit as much as they did. They were niche activities, like nudist weekends or snake-handling conventions. Every fat dude with a Jabba The Hutt mask in a thirty mile radius was honored for one night with an evening to argue about who shot first, and within that small window of time, those fat dudes with stains on their signed R2D2 medium t-shirt didn’t have to feel like the weirdos. They were among friends. Sadly, over the past few years, the policy that allowed that escape has changed to welcome every Han, Luke and Lando with even a passing interest into the screenings. The result is an atmosphere filled with people who, on average, care far less.” [ Cinema Blend ]

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Did Success Spoil Your Midnight Screening?

Bruce Willis, Election-Year Optimist

“‘Yeah, Romney. He’s just such a disappointment, an embarrassment. Chin up, hair up. He’s just one of those guys, one of those guys who says he’s going to change everything. And he’ll get in there, and they’ll smile at him and introduce themselves: “We’re Congress, we make sure nothing changes.” He won’t do it. He can’t. Everybody wants to be Barack Obama. And what did he change?'” [ Esquire ]

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Bruce Willis, Election-Year Optimist

Cannes: Brad Pitt Talks Killing Them Softly, Politics, Violence and Marriage

Politics lurched to the forefront Tuesday in Cannes as director Andrew Dominik’s Killing Them Softly took its turn as the spotlighted world premiere here. But this isn’t just any world premiere: This one featured Brad Pitt, who manages to still excite even some otherwise jaded festival attendees. Mobs climbed over each other as the actor entered and exited the morning press conference for his new film about a group of criminals and mobsters vying for self-interest. One can only choose which bad guy to root for. Based on George V. Higgins’ ’70s-era novel Cogan’s Trade , Dominik adapted the story, setting his mob-infused drama against the backdrop of the economic crisis and the election of President Obama in 2008. “What I liked about the book was that it had great characters,” said Dominik, who previously directed Pitt in The Assassination of Jesse James by the Coward Robert Ford in 2007. “But when I was adapting it, I realized it was a book about economic crisis. I always feel crime films are about capitalism. All the characters are motivated by money only, and I realized also that people in America are concerned about money – and people in Hollywood are motivated by that… I was.” Brad Pitt plays Cogan, a pragmatic hit man whose job is to whack armed robbers who held up a gambling session packed with mobsters. Frankie (Scoot McNairy) and Johnny (Vincent Curatola) pull off the heist in a dingy back room brimming with scowling gangsters. Though a messy job, they manage to take off with the loot, humiliating their otherwise intimidating victims. “[While] reading this story, I realized it is a commentary on the times now, the foreclosure debacle and the economic crisis,” said Pitt, who also serves as a producer on the film. “It wasn’t until the end of the story that I saw it was in fact a microcosm of what’s happening now as a [manifestation] of the macro world.” As with John Hillcoat’s Lawless , which premiered here Saturday, the use of violence – and there certainly is a good amount of it in Killing Them Softly – became a momentary hot topic in the packed press conference with both Dominik and Pitt defending it as necessary and a reflection of society generally. “I don’t understand the obsession with violence,” Dominik said. “It’s like people who don’t want to show children fairy tales. But fairy tales dramatize children’s concerns and emotions.” Added Pitt: “Violence is an accepted part of the gangster world. It’s an accepted possibility when dealing in crime. I’d have a much harder problem playing a racist for instance than, say, shooting someone right in the face.” Continuing, Pitt related violence to everyday life and perhaps inadvertently ushered in 10 minutes of conversation about politics and even his personal life — some of which is bound to generate standalone headlines including rumors about his marriage, how he is likely to vote and even gay marriage. “We live in such a violent world,” he said. “I grew up hunting. If you have a hamburger… Have you seen how they butcher a cow? It’s so violent, it’s morbid. It’s part of the everyday. So violence has a place in film. I don’t see a world without it.” Pitt’s character in the film, which drew early mixed reactions here today, is centered on self-interest. He doesn’t particularly crave violence, but uses it as a means to an end. He’s not bloodthirsty nor does he particularly find murder palatable, but he’s willing to do it as painlessly as possible in order to get ahead. “It’s a metaphor for business — it’s cutthroat but has to be done,” he said. “I’d love someone to develop a documentary about what makes a Democrat or a Republican,” Pitt added. “How do people vote against their own self-interest? I lean Democrat and to the left, but I am interested in how all people think.” At one point, the conversation meandered way off the Killing Them Softly script and the titillating subject of Pitt’s pending marriage to Angelina Jolie came out. He said there is no truth to the rumors that they’ve set a date, but a wedding is in the future, but added, “I’m still hoping we’ll figure out the marriage equality situation in the States before that happens.” Pitt had said some years ago he and Jolie would marry once gays were allowed to be married. He also said they’d “love to do a movie together again sometime.” Despite the film’s not-so-subtle metaphors about the economic crisis and President Obama’s election, Dominik and Pitt said its planned Stateside rollout this September had nothing to do with the pending fall presidential campaign in the US. Pitt did, however, take a jab at the financial fallout that began in ’08 — as well as those responsible: “The economic crisis was criminal, by the way, and there have been no repercussions from that criminality.” Read more of Movieline’s Cannes 2012 coverage here .

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Cannes: Brad Pitt Talks Killing Them Softly, Politics, Violence and Marriage

Johnny Depp Joins Comanche Tribe: ‘It Seemed Like a Natural Fit’

Per LaDonna Harris, president and founder of Americans for Indian Opportunity (ahem): “‘Johnny is reprising the historic role of Tonto, and it seemed like a natural fit to officially welcome him into our Comanche family. I reached out, and Johnny was very receptive to the idea. He seemed proud to receive the invitation, and we were honored that he so enthusiastically agreed. Welcoming Johnny into the family in the traditional way was so fitting,’ Harris said. ‘He’s a very thoughtful human being, and throughout his life and career, he has exhibited traits that are aligned with the values and worldview that Indigenous peoples share.'” [ Indian Country TMN via THR ]

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Johnny Depp Joins Comanche Tribe: ‘It Seemed Like a Natural Fit’

Cannes: Ken Loach Serves Whiskey and the Working Class in Angels’ Share

Ken Loach and The Angels’ Share star Paul Brannigan in Cannes Tuesday. Cannes has a soft spot for Scottish director Ken Loach. His latest film, The Angels’ Share , is his eleventh film in competition and he even won the Palme d’Or for The Wind That Shakes the Barley back in 2006. His latest, a comedy — or perhaps more precisely a dramatic-comedy — is a rarity of sorts for the director who is accustomed to critical acclaim though his well-crafted films can leave audiences depressed. But The Angels’ Share involves a pack of offenders hoping to turn good, a last ditch crime, and a whole lot of high brow whiskey. The story serves as one more canvas for the plight of the working class. And for this screening, Cannes used subtitles to guide audiences through the characters’ thick Scottish brogue. “I’d rather have subtitles so people can understand what’s going on,” said writer Paul Laverty. “It’s much [preferable] to diluting the local language and Americanizing it so you miss some of the local [nuance] of the film.” In the film, newcomer Paul Brannigan plays Robbie who is part of a posse of hooligans who are ordered to enter a community payback program. Harry (John Henshaw) oversees Robbie and his fellow Scottish brood. One day, Harry offers Robbie a taste of rare whiskey to celebrate the birth of his son, which gives him an idea. If he can get his hands on a single barrel of the malt, the cash would be enough to erase their financial problems allowing them to start over. “I’m familiar with what Robbie came from,” Brannigan said Tuesday in his thick Scottish lingo. “I came from a rough neighborhood in Glasgow where there are thousands of unemployed.” Brannigan said he had a chance meeting with Laverty who had found him walking out of a community center in a scene that would not have been unfamiliar in the film and the two started talking. The result was simply life-altering for Brannigan who didn’t hold back words. “He saved me — he saved me! It was tough. I had no money. Hands up, I think he saved my life because who knows what I would have done to get money — who knows.” Though Brannigan said that after this film comes out he’ll again be unemployed, he did manage a part in the upcoming Scarlett Johansson starrer Under the Skin and hopes to continue acting. Though he kept pretty quiet about details, he apparently gets naked in front of Johansson’s character in the movie, which he did with some anxiety. “She’s an absolutely fantastic girl and once I got to talking with her, I felt much more at ease,” he said. Never inclined to sugar-coat language, Loach and Laverty embraced the inner-city vernacular that surrounds Robbie. The festival offered up subtitles during Monday night’s premiere and similarly to the recent Weinstein Company documentary Bully in the U.S., Angels’ Share ran into conflict with the U.K.’s MPAA counterpart for excessive language, receiving the equivalent of an R-rating in Britain, though unlike Bully ‘s F-bombs, it was the C-word that ran afoul of censors. “We were allowed seven ‘cunts’ but only two of them could be aggressive ‘cunts,'” said Loach, laughing. “You get into the realm of surrealism here in terms of language. The British middle class is obsessed with what they call ‘bad language.’ But the manipulative and deceitful language of politics is accepted. I’d call those bad words. Embracing the ancient swear words that have gone back for centuries and words we all enjoy should be embraced.” Get more of Movieline’s coverage of Cannes here . Follow Brian Brooks on Twitter . Follow Movieline on Twitter .

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Cannes: Ken Loach Serves Whiskey and the Working Class in Angels’ Share

The Avengers Sink Battleship at the Box Office

Another Monday morning, and thus another look at what carnage The Avengers has wrought at the weekend box office. And while things aren’t as bad as they may look at first for Battleship and the rest of the competition, they’re not what you’d call pretty. Your Weekend Receipts are here. 1. The Avengers Gross: $55,057,000 ($457,078,000) Screens: 4,249 (PSA $12,958) Weeks: 3 (Change: -46.6%) Marvel’s megahit settled into No. 10 all-time in terms of domestic gross, No. 6 all-time in terms of global gross, and became the highest-grossing US release ever for Disney… in three weeks . It should wind up in top three in all the major box-office categories by the time it’s done, leaving unanswered only the question of where it will stand two months from now against The Dark Knight Rises . Which I’m sure is a question you are very much preoccupying yourself with. Anyway, hats off to all. 2. Battleship Gross: $25,300,000 (new) Screens: 3,690 (PSA: $6,856) Weeks: 1 Did Hasbro and Universal want a better domestic turnout for their huge-budget board-game spectacular? Of course they did. Is this the worst-case scenario for either/or/both? Hardly, especially after a foreign run that has already pulled in $215 million. John Carter it’s not , though don’t be surprised if you happen to see at least one head rolling around the studio lot sometime in the next or two. Whose will it be? Place your wager in the comments! 3. The Dictator Gross: $17,415,000 ($24,456,000) Screens: 3,008 (PSA $5,790) Weeks: 1 On the one hand, not a terrible showing on a congested weekend for an R-rated comedy full of Sacha Baron Cohen’s usual shtick. On the other, shtick aside, we finally get an original script not based on a board-game, a self-help book, a ’60s TV show, etc., and it lurches quietly into third place. I feel like we need to support these things on principle, folks. So what if you only laugh four times in 80 minutes? It’s better than throwing up in your mouth four times or renouncing moviegoing altogether, no? OK, don’t answer that. 4. Dark Shadows Gross: $12,770,000 ($50,908,000) Screens: 3,755 (PSA $3,401) Weeks: 2 (Change: -57.0%) Oy: A 57 percent drop in week two for a Johnny Depp film — his worst since Pirates of the Caribbean: At World’s End plunged 61.5 percent in 2007. Of course, that was after a $139 million Memorial Day opening , so… yeah. Perspective. Not good. 5. What to Expect When You’re Expecting Gross: $10,500,000 (new) Screens: 3,021 (PSA: $3,476) Weeks: 1 Yikes! And the reviews were so good , too. [Figures via Box Office Mojo ] Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

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The Avengers Sink Battleship at the Box Office

Celebrities at Cannes 2012: Who Hit the French Riviera in Style?

The 2012 Cannes Film Festival is underway (catch up with Movieline’s coverage from the French Riviera here), and plenty of stars have already traipsed the Croisette. See Marion Cotillard, Sean Penn, Bill Murray, Jada Pinkett Smith, Naomi Watts, Eva Longoria, Freida Pinto, Jane Fonda, Jessica Chastain, Diane Kruger, and more in Movieline’s gallery of red carpet looks and candid shots from Cannes. Some favorite Cannes 2012 moments so far… Freida Pinto and Jane Fonda on the red carpet… Sean Penn and snap-happy Cannes president Gilles Jacob… Jacques Audiard, Marion Cotillard, and Matthias Schoenaerts at the premiere of Rust & Bone … Click for more images! Get all of Movieline’s Cannes 2012 coverage here.

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Celebrities at Cannes 2012: Who Hit the French Riviera in Style?

Watch The King’s Speech Edited Down to Just the Stuttering

And now, from the brilliant (and perhaps insomniac) mind that brought you that supercut of Kickboxer featuring nothing but the kicking , wind down your week with The King’s Speech — featuring nothing but the stuttering. Or as they call it in Oscar-history circles, “156 seconds of infirmity that earned Colin Firth an Academy Award for Best Actor.” You’ll laugh, you’ll cry, you’ll squirm, etc. Happy Friday! [via thecussingchannel ]

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Watch The King’s Speech Edited Down to Just the Stuttering

Is John Waters Hitchhiking His Way Across America?

The members of indie rock outfit Here We Go Magic swear this isn’t a publicity stunt, so let your disbelief ride on into the sunset: According to the Brooklyn-based band, they were traveling by van earlier this week in Ohio when a solo hitchhiker caught their eye — a hitchhiker who turned out to be cult director John Waters . Here We Go Magic welcomed the filmmaker into their van as they drove to a show; Waters spent six hours riding with them along Ohio’s Route 70 before they parted ways, during which time various bandmates Tweeted the surreal experience . They asked him the questions one might ask when brought face to face with John Waters randomly on the side of the highway in the Midwest, like (paraphrasing here) “Why are you hitchhiking in Ohio?” And, of course , “Did Divine actually eat the poop?” (Bonus points for that one, guys.) Waters, who has described his love of hitchhiking in the past and told the band he’d even thumbed rides with Patty Hearst, reportedly said he was coming from Baltimore. I just hope he turns this into fodder for a new book or — dare I dream? — a John Waters film. “We were like, ‘What on earth are you doing this for?'” Turner told DCist , following the experience. “He was like, ‘I have a lot of control in my life and I just wanted to let go of the reins a little bit, have an adventure.'” Is John Waters somehow hitching his way across America? Will he bring back hitchhiking in our age of fear of strangers and completely warranted general paranoia? Just how much hitchhiker sex can you get on the road, anyway? And has anyone seen him since Route 70? [ DCist ]

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Is John Waters Hitchhiking His Way Across America?