Tag Archives: from-the-future

REVIEW: Sound of My Voice Asks You to Drink the Brit Marling Kool-Aid. Will You?

It’s hard to say whether Sound of My Voice is a wholly bogus and pretentious indie enterprise or a weirdly compelling bit of low-budget storytelling. Probably it’s a little of both – this is the kind of picture that may often make you snort audibly, even as you’re wondering how the heck it’s going to resolve itself. And ultimately, even if the payoff isn’t quite what it should be, the picture leaves a faint chill in its wake. You probably won’t feel totally shafted for sticking with it – maybe just a little punk’d. Snuggly couple Peter (Christopher Denham) and Lorna (Nicole Vicius) have set out to make a documentary about cults, hoping to infiltrate one mysterious group in particular. The gang’s meeting place is a top-secret basement location; the faithful are ferried to and fro in a van, but they’re not allowed to see where they’re going. Once the loyal subjects have gathered, decked out in aggressively peaceful looking white yoga clothes, a mysterious creature appears in their midst. Her name is Maggie — she’s played by indie darling Brit Marling , who also co-wrote the script – and she greets her followers while hooked up to an oxygen supply. You see, Maggie is a refugee from the future – 2054, to be exact – and she’s come back to show the human beings she loves how to prepare for what lies ahead. To do this, she wears white leggings and swaths her long blond tresses in a white scarf. Because she’s allergic to modern food, she grows her own fruit in the basement. Also, she’s wearing massively chipped dark nail polish, the kind of WTF touch that makes you stop and wonder – WTF? Actually, Sound of My Voice relies heavily on just that kind of WTF-ness. Is Maggie a con artist, a master manipulator, as Peter and Lorna at first believe her to be? But when she appears to have read bits of Peter’s past as if they were tealeaves, doubt begins to creep in, driving the couple apart. Maggie certainly knows how to challenge her followers, urging them to eat apples tainted with something that causes them to throw up (the fruit is a metaphor for logic, you see) and serving them a post-fast repast straight out of Fear Factor (I won’t tell you what it consists of, but she seems to carry a supply of it around in a baggie). There’s also lots of sharing and hugging, Esalen-style, as Maggie probes the psyches of those in her midst, testing them to see if they’re worthy of the wisdom she’s carrying around in her futuristic noggin. Director Zal Batmanglij – also Marling’s co-writer — doesn’t attempt too many fancy tricks, other than dividing his movie into convenient, bite-sized chapters. He and Marling infuse the story with just enough slackerish suspense: You may not care much about the rather aimless lead characters, but you do want to know what this Maggie shaman is all about. That’s partly thanks to Marling’s off-kilter charisma, which appears to be equal parts nerd-girl intensity and beach-babe shrug. Marling garnered heaps of attention last year for Another Earth , a movie she both cowrote and starred in, and it’s clear to see she knows how to do a lot with a little. The question of whether it’s enough depends on your expectations, and it’s possible that people have taken Marling too seriously too soon, which in turn has led her to take herself too seriously. She certainly digs right into this enigmatic role, and I’d be lying if I said I didn’t find her weirdly fascinating, with her heavy eyebrows and serene, pillowy half-smile. Still, a bit of skepticism is a good thing when dealing with either cults or alleged wunderkinds. At one point in Sound of My Voice , Maggie’s followers urge her to sing a song from the future, and she obliges, reluctantly, with an a capella version of a sweet little ditty about life changing all around us. A guy named Lem is banished from the circle forever after he points out that, far from being a song from the future, the tune Maggie just warbled is actually a Cranberries hit from the ’90s. Lem just may be the hero of the movie. Similarly, the jury is still out on just what it is, exactly, Marling is trying to sell us. Follow Stephanie Zacharek on Twitter . Follow Movieline on Twitter .

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REVIEW: Sound of My Voice Asks You to Drink the Brit Marling Kool-Aid. Will You?

Disney Predicts $200 Million Loss on John Carter

Biggest . Bust . Ever : “In light of the theatrical performance of John Carter ($184 million global box office), we expect the film to generate an operating loss of approximately $200 million during our second fiscal quarter ending March 31. As a result, our current expectation is that the Studio segment will have an operating loss of between $80 and $120 million for the second quarter. As we look forward to the second half of the year, we are excited about the upcoming releases of The Avengers and Brave , which we believe have tremendous potential to drive value for the Studio and the rest of the company.” [Disney via Deadline ]

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Disney Predicts $200 Million Loss on John Carter

First Look: Joseph Gordon-Levitt as Bruce Willis as a Time-Traveling Assassin in Rian Johnson’s Looper

This fall you’ll see Joseph Gordon-Levitt as you’ve never seen him before: As Bruce Willis . In the sci-fi time-travel action pic Looper , from Brick director Rian Johnson , Gordon-Levitt plays Joe, an assassin who ties up loose ends for the mob by killing targets as they’re sent back in time from the future — until one day his own future self (played by Willis) comes through for extermination. Previewing a teaser for the September release at WonderCon , Johnson and Gordon-Levitt discussed the trickiness of transforming Gordon-Levitt into a young Willis, pulled off with the aid of prosthetics, and why it’s particularly difficult to talk about their time travel thriller. With Willis playing the older version of Gordon-Levitt, the younger actor had to transform in two ways to better resemble his onscreen future self. The first trick: Three hours of prosthetics each day, which lent Gordon-Levitt more of a physical likeness. “We basically had to figure out a way to sell Joe as a young Bruce Willis,” Johnson explained, giving much of the credit Gordon-Levitt’s performance, which he described as “this incredible high wire act of acting, where Joe is doing Bruce but at the same time he’s creating a unique character who has the Bruce voice.” “It’s kind of amazing to watch. It’s his own character that he created but at the same time you see that character and you believe in the movie that could be a younger version of the Bruce you’re seeing onscreen.” Gordon-Levitt adopted Willis’s mannerisms by studying how he delivered lines in previous films, and by observing the old-fashioned way: In the flesh. “I watched all of his movies and took the audio out of his movies and put them on my iPod so I could listen to them over and over again,” he said, “but by far the most productive part of the preparation process was just hanging out, shooting the shit, having dinner, taking about music — getting to know him.” The world of Looper is more grounded in a gritty reality than in a fantasy atmosphere, with the time-travel element serving as a tool rather than the film’s focus — a choice Johnson says was somewhat borne of necessity due to the inherent difficulties of tackling a time-travel story to begin with. “Any time time travel is part of a story it’s kind of this beast,” Johnson said. “From a writing standpoint it’s a problem because time travel never makes sense. Unless you’re Shane Carruth, who I think actually knows how time travel works, the best you can do is this magic trick where you distract the audience narratively from the fact that it actually doesn’t make sense.” Johnson turned to James Cameron’s Terminator as a model on how to use the time-travel element. “For me that was a really fun challenge: How do you have time travel be an element in the movie but convince the audience not to think about it so deeply that they’re ignoring the movie thinking, ‘But wait, this’ – or ‘But wait, that?’ The approach we took is that these guys are assassins who use time travel as part of their job. We’re just going to be with them, and they don’t know how this stuff works – they don’t know the science, they don’t care about grandfather paradoxes and all the complexities of message board comments on the i09 site about how it works and how it doesn’t. They’re showing up every day, a guy is appearing from the future and they’re shooting him – that’s their job.” Nathan Johnson, cousin to the director and composer on both Brick and The Brothers Bloom , came up with an inventive concept for the score to match. “He took this tape recorder out to New Orleans where we were shooting the movie and found all these sounds, sampled them, slowed them down 3000 percent,” explained Rian Johnson, “and basically using all these unconventional sounds built up a score that has the size of an orchestra. It’s this huge action movie score but the sounds that you’re hearing are just foreign to your ear.” All that said, Johnson and Gordon-Levitt found themselves choosing their words wisely talking up Looper . Johnson explained: “A big part of what’s fun about the movie is figuring out what it is, and figuring out what it’s going to be by the end of it.” Looper hits theaters on September 28. Get more from WonderCon 2012 here. Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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First Look: Joseph Gordon-Levitt as Bruce Willis as a Time-Traveling Assassin in Rian Johnson’s Looper

Katy Perry Featuring Kanye West Music Video of the Day

Here’s Kanye West doing his best Drake impression. Here’s Katy Perry doing her best female popstar impression. Here’s a video that channels Wal-E or whatever the fuck that Disney Movie about the lonely robot from the future. The only thing they do right is when they make the bitch have an E.T. face. Fuck her music sucks, her video is cheese, her face is ugly, even with a million dollar make-up and post production budget and her tits aren’t all over the place or being used at all…even though they are the only thing she’s good for… What a fucking horrible disaster. I hate radio music. I’m glad only 300 people watched this so far…I hate that I am going to make more people see it…I am the devil… FOLLOW ME

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Katy Perry Featuring Kanye West Music Video of the Day

Katy Perry Featuring Kanye West Music Video of the Day

Here’s Kanye West doing his best Drake impression. Here’s Katy Perry doing her best female popstar impression. Here’s a video that channels Wal-E or whatever the fuck that Disney Movie about the lonely robot from the future. The only thing they do right is when they make the bitch have an E.T. face. Fuck her music sucks, her video is cheese, her face is ugly, even with a million dollar make-up and post production budget and her tits aren’t all over the place or being used at all…even though they are the only thing she’s good for… What a fucking horrible disaster. I hate radio music. I’m glad only 300 people watched this so far…I hate that I am going to make more people see it…I am the devil… FOLLOW ME

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Katy Perry Featuring Kanye West Music Video of the Day

Rose McGowan on Set for Old Times of the Day

Rose McGowan had incredible tits in 1995. Things change. People age. That’s okay. As far as I’m concerned she’s still hot, but more importantly I’ll always be those incredible tits from 1995, thanks to the Internet….It’s like even when bitch is in an Old Folks home, dying of syphilis she got from Marilyn Manson at the age of 96, kids from the future will still be able to reflect on her body of work and focus on her body, and still get off to those tits, and if that’s not a legacy, I’m not sure what is…. FOLLOW ME

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Rose McGowan on Set for Old Times of the Day

Today in Irrational Hollywood Horrors: Fear of Charlie Rose

“The first time he went on the show, promoting Step Brothers , he had a panic attack and started to shake visibly. ‘People are, like, “Oh, my God, are you all right? Do you have Parkinson’s?” You think no one will notice and then you read the comments online, and people are genuinely worried, or, worse, they’re making fun of you.'” Best wishes to Adam McKay in swiftly curing his Charlie Rose jitters; Hollywood’s best celebrity therapist seems to help. [ The New Yorker ]

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Today in Irrational Hollywood Horrors: Fear of Charlie Rose

SXSW: All Hail Wiig! Bridesmaids Proves That Chick Flicks Don’t Have to Suck

SNL superstar Kristen Wiig breezed into Austin midnight Sunday for what director Paul Feig accurately termed “Kristen Wiig Appreciation Night” — a double header of this Friday’s Paul followed by a special work in progress screening of this summer’s Bridesmaids . The May 13 comedy marks Wiig’s first honest-to-goodness starring vehicle, an event in itself, but here’s even better news: Bridesmaids isn’t just the smart and grounded antidote to the shrill chick flicks we all hate; it’s the most raunchy, sweet and wonderfully vulgar R-rated comedy in recent memory. Bring it, Hangover 2 .

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SXSW: All Hail Wiig! Bridesmaids Proves That Chick Flicks Don’t Have to Suck

VIDEO: The Indie Movie Version of Ferris Bueller’s Day Off Surprisingly Similar, Affecting

Chris Messina on Monogamy and Chewing Out David Chase

In Monogamy , Chris Messina plays Theo, a burnt out wedding photographer who starts a side job that involves photographing clients in a more natural, unaware surrounding. When one of his clients with the provocative handle “Subgirl” (Meital Dohan) shows up for her session and puts on quite a show, it leads Theo down a road of obsession that puts a strain on his current engagement to Nat (Rashida Jones). Movieline sat down with Messina to discuss the dark twists of Monogamy , an audition outburst that led to him being banned for life from the future work of The Sopranos ‘ David Chase, and why it was unfair that Devil got caught up in the stink left over from M. Night Shyamalan’s The Last Airbender .

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Chris Messina on Monogamy and Chewing Out David Chase