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Time Out! No Way Is ‘Cloud Atlas’ The Worst Movie Of 2012

Here’s an easy formula to get attention for your Worst Movies of 2012 list. Take the unfathomable big-budget box-office failure that’s likely to top a lot of these year-end thumbsuckers — and make it number two. Next, single out an ambitious film by a trio of filmmakers with a passionate following. Put it at the top (or is it the bottom?) of your list and wait for their fans to scream. That’s what Time magazine , in the role of media Old Georgie,  has done with its “Top 10 Worst Films” list for the year.  Writer Mary Pols chose the Wachowskis and Tom Tykwer’ s collaboration  Cloud Atlas as the year’s stinkiest over Disney’s summer bomb John Carter. And I’m calling bullshit. Before I explain, take a look at Pols’ entire list: 10. One For The Money 9. T he Odd Life Of Timothy Green  8. What To Expect When You’re Expecting  7. Alex Cross  6. The Lorax  5. This Means War 4. Abraham Lincoln: Vampire Hunter 3. Hyde Park on Hudson 2. John Carter 1. Cloud Atlas Most of those movies are largely formulaic and, in some cases, cynical attempts to put asses in seats. They should be on the list, particularly the aptly named One For The Money and  What to Expect When Your Expecting,  which would have tied for worst movie had I been doing the ranking. (Even though Jennifer Lopez is the mother of twins in real life, I cannot summon the suspension of disbelief to buy her as a parent in the movies.) Yes, Cloud Atlas is an unwieldy, problematic movie that could have used a good streamlining in terms of the sheer number of  stories that were adapted from David Mitchell’s novel, but a film this ambitious — and unabashedly spiritual at its core — does not deserve to be on a list of the year’s worst. Movieline’s chief critic Alison Willmore explained it beautifully in her review: Cloud Atlas  strives continually for transcendence and only sometimes grasps it, but the sincerity with which it pursues the emotion and the very idea of the reverberating impact selfless actions can have is quite moving. It’s rare, these days, to see a movie declare its aims for greatness so openly and without a leaden sense of self-importance. And though the film doesn’t achieve all of its goals, it does offer an indelibly powerful vision of a throughline from the past to today and on through the end of things, that expresses faith in the ability of people to overcome animalism. It’s spiritual but entirely humanistic, and salvation, when it comes, arrives from within or from other people — an outrageous, silly and beautiful ode to the better nature of mankind. You won’t see anyone writing that about What to Expect When You’re Expecting.  [Time] Follow Frank DiGiacomo on Twitter.  Follow Movieline on Twitter. 

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Time Out! No Way Is ‘Cloud Atlas’ The Worst Movie Of 2012

Time Out! No Way Is ‘Cloud Atlas’ The Worst Movie Of 2012

Here’s an easy formula to get attention for your Worst Movies of 2012 list. Take the unfathomable big-budget box-office failure that’s likely to top a lot of these year-end thumbsuckers — and make it number two. Next, single out an ambitious film by a trio of filmmakers with a passionate following. Put it at the top (or is it the bottom?) of your list and wait for their fans to scream. That’s what Time magazine , in the role of media Old Georgie,  has done with its “Top 10 Worst Films” list for the year.  Writer Mary Pols chose the Wachowskis and Tom Tykwer’ s collaboration  Cloud Atlas as the year’s stinkiest over Disney’s summer bomb John Carter. And I’m calling bullshit. Before I explain, take a look at Pols’ entire list: 10. One For The Money 9. T he Odd Life Of Timothy Green  8. What To Expect When You’re Expecting  7. Alex Cross  6. The Lorax  5. This Means War 4. Abraham Lincoln: Vampire Hunter 3. Hyde Park on Hudson 2. John Carter 1. Cloud Atlas Most of those movies are largely formulaic and, in some cases, cynical attempts to put asses in seats. They should be on the list, particularly the aptly named One For The Money and  What to Expect When Your Expecting,  which would have tied for worst movie had I been doing the ranking. (Even though Jennifer Lopez is the mother of twins in real life, I cannot summon the suspension of disbelief to buy her as a parent in the movies.) Yes, Cloud Atlas is an unwieldy, problematic movie that could have used a good streamlining in terms of the sheer number of  stories that were adapted from David Mitchell’s novel, but a film this ambitious — and unabashedly spiritual at its core — does not deserve to be on a list of the year’s worst. Movieline’s chief critic Alison Willmore explained it beautifully in her review: Cloud Atlas  strives continually for transcendence and only sometimes grasps it, but the sincerity with which it pursues the emotion and the very idea of the reverberating impact selfless actions can have is quite moving. It’s rare, these days, to see a movie declare its aims for greatness so openly and without a leaden sense of self-importance. And though the film doesn’t achieve all of its goals, it does offer an indelibly powerful vision of a throughline from the past to today and on through the end of things, that expresses faith in the ability of people to overcome animalism. It’s spiritual but entirely humanistic, and salvation, when it comes, arrives from within or from other people — an outrageous, silly and beautiful ode to the better nature of mankind. You won’t see anyone writing that about What to Expect When You’re Expecting.  [Time] Follow Frank DiGiacomo on Twitter.  Follow Movieline on Twitter. 

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Time Out! No Way Is ‘Cloud Atlas’ The Worst Movie Of 2012

Was John Carter the Victim of ‘Perpetual Sneak Preview Culture?’

Was Disney’s John Carter the victim of our increasing cultural overstimulation? IndieWire’s Matt Singer considers the tentpole’s reception — and suggests parallels with Kenneth Lonergan’s troubled production-cum-critical darling, Margaret : “[As] perpetual sneak preview culture becomes normalized, audiences are being conditioned to weigh in on a movie before it even comes out. They’re trained not only to trust their expectations, but to express them constantly. ‘I knew this movie was going to be bad from the first trailer,’ is a commonly expressed opinion online. At a certain point, it begins to feel like people want a movie to fail, if only to prove their expectations right.” [ IndieWire ]

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Was John Carter the Victim of ‘Perpetual Sneak Preview Culture?’

Biz Break: Harvey’s Party, Dafoe’s Furnace, Ridley’s Retrospective

Welcome to Biz Break, Movieline’s inaugural roundup of film news that comes our way and other highlights from publications worldwide. Among today’s stories: Harvey Weinstein will celebrate his Legion of Honor award in New York, Willem Dafoe lands a role in an upcoming thriller, Ridley Scott gets a career retrospective, and more… Movieline Tidbits Harvey to Party for Légion d’Honneur Award in NYC Last month, French president Nicolas Sarkozy bestowed France’s Légion d’Honneur award on TWC’s Harvey Weinstein. The celebration continues next week in NYC: Friends and family of Weinstein will join together at the French Embassy of the United States in New York City on Monday, April 30 to celebrate at a reception hosted by the French embassy. At the reception, a “special guest” will read a letter from President Sarkozy to Weinstein before the crowd. Prior to the reception at the French Embassy, there will be a private screening of The Intouchables at the Paley Center for Media’s Bennack Theatre. The film will be released in the U.S. May 25th. Dafoe to Join Thriller Out of the Furnace Relativity Media has closed a deal with two-time Oscar-nominee Willem Dafoe to join the cast of its gritty dramatic thriller currently titled Out of the Furnace . Dafoe who will play John Petty, joins the previously announced award-winning cast including Oscar-winner Christian Bale, Oscar-nominated Casey Affleck, Zoe Saldana ( Avatar ), Oscar-nominated Sam Shepard ( The Right Stuff ), Oscar-nominated Woody Harrelson and Oscar-winner Forest Whitaker. The film, which started shooting on April 13th on location in Braddock, Pennsylvania, is written and directed by Scott Cooper ( Crazy Heart ). Film Society Readies Ridley Scott Retrospective The Film Society of Lincoln Center will host a complete retrospective of three-time Oscar-nominee Ridley Scott, whose career began in the 70s. The retrospective will run from May 25 – June 3 and will include the Director’s cut of Kingdom of Heaven , a new 35mm print of Thelma & Louise and the chance for fans to catch all of their favorites on the big screen. Carlos Diegues to Lead Cannes Camera d’Or Jury The Brazilian filmmaker Carlos Diegues will be joined by Italian journalist Gloria Satta, Rémy Chevrin of the French Association of Film Cinematographers, Hervé Icovic of the Federation of Cinema Audiovisual and Multimedia Industries, Michel Andrieu of the Society of Film Directors and Francis Gavelle for the French Union of Film Critics. Launched in 1978, The Camera d’Or is awarded to the best first film presented in the Official Selection (Competition, Out of Competition and Un Certain Regard), La Semaine de la Critique or Directors’ Fortnight – a total of 22 films in 2012. Diegues will present the prize on Sunday, May 27. Blondie to Close Toronto’s Inside Out Inside Out is pleased to announce that Bye Bye Blondie , from director Virginie Despentes ( Baise-Moi ) and starring Emmanuelle Béart and Béatrice Dalle, will make its North American premiere as the Closing Night Gala Presentation at the 22nd annual LGBT Film Festival. The film will close the 11-day festival showcasing 45 feature films and 75 short films from around the world. And from around the ‘net… King Courts Queen Academy Award-winning producer Graham King confirms that Sacha Baron Cohen will play Queen frontman Freddie Mercury. “We haven’t closed the deal yet, but I want him to do it and so does he, and he’s the one who actually brought the project to me while we were shooting Hugo ,” he says. Variety reports . Daniel Craig set for quick return to Bond Bond 24 is already in the works with a 2014 release date As Bond fansite MI6 points out, Bond 24 will be the last film Daniel Craig is contracted to star in. But he will be offered first refusal on the fourth outing, and with the time gap so brief, it’s unlikely the studio would be eager to hire another man to step into his briefs, The Guardian reports . Jack White to Compose Score for Johnny Depp’s The Lone Ranger Disney taps the Grammy-winning musician to produce the soundtrack for the film adaptation. Gore Verbinski is directing the movie which will feature Depp as Tonto and Armie Hammer as John Reid, according to The Hollywood Reporter . Hurt Locker Actor to Star in Indie Kilimanjaro The Hurt Locker star Brian Geraghty will star in indie film titled Kilimanjaro , by writer director Walter Strafford, according to The Hollywood Reporter . The story centers on a man (Geraghty) who is determined to climb Mt. Kilimanjaro after a recent breakup. The movie will shoot mid-May in New York. Sony Buys Action-Comedy Spec El Tigre Sony has won a three-way bidding war for action-comedy spec El Tigre by first-time screenwriters Aaron Buchsbaum and Teddy Riley. Sale was for mid-six figures after bidding among Sony, Paramount and MGM, Deadline reports . Redford Gushes over Charles’ Green Agenda American Hollywood royalty teamed up with British royalty as Robert Redford appeared in London to promote a documentary on Prince Charles’ latest environmental projects. Redford praised the heir to the British throne, speaking Thursday at the launch of the first-ever Sundance film and music festival. He says Charles “has been committed for a long time, which I greatly admire, to sustainability and environmental conservation” and said working together “seemed like a natural fit,” Yahoo reports .

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Biz Break: Harvey’s Party, Dafoe’s Furnace, Ridley’s Retrospective

REVIEW: Sound of My Voice Asks You to Drink the Brit Marling Kool-Aid. Will You?

It’s hard to say whether Sound of My Voice is a wholly bogus and pretentious indie enterprise or a weirdly compelling bit of low-budget storytelling. Probably it’s a little of both – this is the kind of picture that may often make you snort audibly, even as you’re wondering how the heck it’s going to resolve itself. And ultimately, even if the payoff isn’t quite what it should be, the picture leaves a faint chill in its wake. You probably won’t feel totally shafted for sticking with it – maybe just a little punk’d. Snuggly couple Peter (Christopher Denham) and Lorna (Nicole Vicius) have set out to make a documentary about cults, hoping to infiltrate one mysterious group in particular. The gang’s meeting place is a top-secret basement location; the faithful are ferried to and fro in a van, but they’re not allowed to see where they’re going. Once the loyal subjects have gathered, decked out in aggressively peaceful looking white yoga clothes, a mysterious creature appears in their midst. Her name is Maggie — she’s played by indie darling Brit Marling , who also co-wrote the script – and she greets her followers while hooked up to an oxygen supply. You see, Maggie is a refugee from the future – 2054, to be exact – and she’s come back to show the human beings she loves how to prepare for what lies ahead. To do this, she wears white leggings and swaths her long blond tresses in a white scarf. Because she’s allergic to modern food, she grows her own fruit in the basement. Also, she’s wearing massively chipped dark nail polish, the kind of WTF touch that makes you stop and wonder – WTF? Actually, Sound of My Voice relies heavily on just that kind of WTF-ness. Is Maggie a con artist, a master manipulator, as Peter and Lorna at first believe her to be? But when she appears to have read bits of Peter’s past as if they were tealeaves, doubt begins to creep in, driving the couple apart. Maggie certainly knows how to challenge her followers, urging them to eat apples tainted with something that causes them to throw up (the fruit is a metaphor for logic, you see) and serving them a post-fast repast straight out of Fear Factor (I won’t tell you what it consists of, but she seems to carry a supply of it around in a baggie). There’s also lots of sharing and hugging, Esalen-style, as Maggie probes the psyches of those in her midst, testing them to see if they’re worthy of the wisdom she’s carrying around in her futuristic noggin. Director Zal Batmanglij – also Marling’s co-writer — doesn’t attempt too many fancy tricks, other than dividing his movie into convenient, bite-sized chapters. He and Marling infuse the story with just enough slackerish suspense: You may not care much about the rather aimless lead characters, but you do want to know what this Maggie shaman is all about. That’s partly thanks to Marling’s off-kilter charisma, which appears to be equal parts nerd-girl intensity and beach-babe shrug. Marling garnered heaps of attention last year for Another Earth , a movie she both cowrote and starred in, and it’s clear to see she knows how to do a lot with a little. The question of whether it’s enough depends on your expectations, and it’s possible that people have taken Marling too seriously too soon, which in turn has led her to take herself too seriously. She certainly digs right into this enigmatic role, and I’d be lying if I said I didn’t find her weirdly fascinating, with her heavy eyebrows and serene, pillowy half-smile. Still, a bit of skepticism is a good thing when dealing with either cults or alleged wunderkinds. At one point in Sound of My Voice , Maggie’s followers urge her to sing a song from the future, and she obliges, reluctantly, with an a capella version of a sweet little ditty about life changing all around us. A guy named Lem is banished from the circle forever after he points out that, far from being a song from the future, the tune Maggie just warbled is actually a Cranberries hit from the ’90s. Lem just may be the hero of the movie. Similarly, the jury is still out on just what it is, exactly, Marling is trying to sell us. Follow Stephanie Zacharek on Twitter . Follow Movieline on Twitter .

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REVIEW: Sound of My Voice Asks You to Drink the Brit Marling Kool-Aid. Will You?

Avengers Amasses Overseas Cha-Ching In Initial Rollout

Marvel and Disney’s The Avengers is set to close out the 11th Tribeca Film Festival on Saturday night, but the blockbuster has already started cashing in abroad, where it’s an early hit with audiences. The superhero blockbuster featuring Robert Downey Jr. and Scarlett Johansson opened in 10 markets this week, earning a total of $17.1 million internationally. The haul included opening-day records in New Zealand and Taiwan, as well as new marks for a Disney release in Australia and Italy. As Bloomberg notes, the studio could use the hit after its recent $200 million loss on John Carter . [ Bloomberg ]

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Avengers Amasses Overseas Cha-Ching In Initial Rollout

John Carter Axe Falls, Studio Head Rich Ross Out at Disney

After two and a half years running Disney , during which time the Mouse House released hits like Pirates of the Caribbean 4 , Alice in Wonderland , Toy Story 3 , The Muppets , and The Help — but also a string of disappointments topped by last month’s quarter-billion dollar bomb John Carter — studio head Rich Ross is out. “The best people need to be in the right jobs, in roles they are passionate about, doing work that leverages the full range of their abilities,” Ross said in a statement. “It’s one of the leadership lessons I’ve learned during my career, and it’s something I’ve been giving a great deal of thought to as I look at the challenges and opportunities ahead… I no longer believe the Chairman role is the right professional fit for me.” [ Deadline ]

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John Carter Axe Falls, Studio Head Rich Ross Out at Disney

Anna Faris Basically Wants to Play Tara Reid

“If you show a woman’s mammary glands, if it’s done poorly, it instantly takes away from the comedic element of the scene. It’s too jarring. But [my husband] Chris [Pratt] and I were pitching around a character, a Hollywood-mess character on the red carpet at the opening of a movie. She’s talking to these journalists and she’s wasted. One boob is completely out, and she’s talking on and on, like, [Faris slurs] ‘I’m so excited to be here.’ If you held it long enough and kept it going, just the one boob, it would be so funny.” [ BlackBook ]

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Anna Faris Basically Wants to Play Tara Reid

James Cameron Reaches, Tweets From Ocean’s Deepest Point

In a milestone of human civilization right up there with landing on the moon and eating 68 hot dogs in 10 minutes , James Cameron reached the deepest point on the planet on Sunday — the Mariana Trench, nearly seven miles below the surface of the Pacific. Naturally, upon reaching bottom, he did what any record-setting blockbuster deep-sea diver would do: Tweeted. Just arrived at the ocean’s deepest pt. Hitting bottom never felt so good. Can’t wait to share what I’m seeing w/ you @ DeepChallenge — James Cameron (@JimCameron) March 25, 2012 Back from trip to deepest pl on Earth – #oceans hadal zone.Puts a new spin on “to hell and back”. Good to see the sunshine. #deepseachallenge — James Cameron (@JimCameron) March 26, 2012 It wasn’t all good, according to a report today from Cameron’s partners at National Geographic: The expedition was designed so that Cameron could spend up to six hours collecting samples and video at the bottom of the trench. But his mission was cut short due in part to a hydraulic fluid leak that coated the window of the sub’s “pilot sphere,” obscuring his view. “I lost hydraulics toward the latter part of dive, and I was unable to use the manipulator arm,” Cameron said this morning Considering the daunting task of sending humans into the deep, such technical glitches are to be expected, Cameron emphasized: “It’s a prototype vehicle, so it’s gonna take time to iron out the bugs.” And even with the hydraulic leak obscuring the explorer’s vision, word has it that the ocean floor looked better than Titanic 3D . [ National Geographic ] Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

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James Cameron Reaches, Tweets From Ocean’s Deepest Point

Taylor Kitsch Lays John Carter to Rest

“‘I’m very proud of John Carter . Box office doesn’t validate me as a person, or as an actor. I’d love to go do John Carter 2 . I really would. It’s just shitty I don’t get to work with the [ John Carter ] family. It really was a special thing.” [ EW ]

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Taylor Kitsch Lays John Carter to Rest