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The Simple, Fan-Driven Pleasures of Moonrise Kingdom’s First Poster

Movieline is pleased to present the first installment of One-Sheet Wonder , a new column on the best, worst, weirdest and other milestones of contemporary movie-poster art. — Ed. We’re a little more than two months away from the debut of the Cannes Film Festival opener Moonrise Kingdom , Wes Anderson’s first live-action film in five years, and the promo push is on. The first trailer hit a while back, and the first poster was revealed last week. And while the trailer is an exhilarating promo clip, on first glance it’s easy to dismiss the poster. It feels minimal and rather meh overall, like a starving-artist, Bob Ross knock-off masquerading as a one-sheet (“Look at that happy little waterfall…”). But since The Life Aquatic , posters for Anderson’s films have trended to a less-is-more approach. The Darjeeling Limited , for example, focused on, essentially, a snapshot of the three leads in a moment of quiet introspection, whereas Rushmore is all about bombastic (Photoshopped) revolution. The reason for this change is Anderson’s movies, increasingly, have been sold to his fans rather than audiences at large. Not surprisingly, this began with The Royal Tenenbaums as Anderson established his unique visual style. Since then, his posters have become more conceptual and more for his acolytes. ( Fantastic Mr. Fox — aimed squarely at kids with its kooky, busy everything-but-whackbat design — is the exception.) Moonrise Kingdom is the zenith (so far) of this marketing strategy. It’s not very active, but it picks up many of Anderson’s trademarks. Sam and Suzy, the film’s leads, are in full-on Anderson mode — Sam carries a popgun and pulls his best young Bud Cort impression while Suzy is loaded down with a travel record player and Margot Tenenbaum-esque style/ennui — and their straight-on confrontation of the viewer is an Anderson trademark. And while the foreground is fairly flat, there’s a world of depth and texture in the background, a staple of Anderson’s cinematography. The poster also continues the practice (begun on Darjeeling ) of placing the credit block at the top of the poster, above the title, drawing our eye (and consideration) to an image rather than text. When you factor in the font-type similarities to the invitation script at the beginning of Tenenbaums , it could be that Anderson is finally establishing a design continuum for his ad art to complement the one in his films. Visually dazzling? Maybe not to the motion-poster (blech) crowd, but for Anderson devotees it’s exciting. It picks up on his filmmaking sensibilities like no poster before it — and it aesthetically establishes Moonrise Kingdom ’s place in Anderson’s legacy vis-à-vis the Criterion Collection. Criterion’s releases of Bottle Rocket , Rushmore , Tenenbaums , Aquatic and Darjeeling are whimsical, but they eschew studio publicity shots for a handcrafted, Andersonian representation of a scene or the essence of the film. (Criterion’s Tenenbaums and Aquatic releases had studio art slipcovers over the hand-drawn ones because they were the only official releases of the films, Buena Vista didn’t likely want to scare off the normals with childlike illustrations.) Moonrise Kingdom is the first theatrical poster for an Anderson film to similarly disregard poorly edited stills (a la Rushmore or Bottle Rocket ) for a painted distillation of what we can imply is the film’s spirit. Ultimately, it might seem this poster is selling Anderson’s sensibility more than the film, but that’s because they’re one and the same. The poster says, “Wes Anderson has a new movie coming out,” and that will either sell people on it or drive them away. Such is the plight of an auteur. Focus Features understands the audience for this film — the cinephile who genuflects at the Wes Anderson altar — and the studio absolutely reaches it with this poster. It might not be the flashiest of Anderson’s ads to date, but it’s certainly the most authentic. Dante A. Ciampaglia is a writer, editor and photographer in New York. You can find him on Twitter , Tumblr , and, occasionally, his blog .

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The Simple, Fan-Driven Pleasures of Moonrise Kingdom’s First Poster

Super Tuesday: Scenes From The Ground

Our Power of 12 team hit three crucial states in search of young voters. By Becca Frucht, Andrew Jenks and Jacob Soboroff Mitt Romney addresses a crowd in Boston, Massachussetts Photo: @jacobsoboroff BOSTON — MTV News’ Power of 12 hit the ground in Boston early on Super Tuesday to meet young Republican voters in a state best known for Democratic politicians like Kerry and the Kennedys. We didn’t know what to expect, and what we found was … not much. Voter turnout was horrendous in Mitt Romney’s home state among all voters — with only 6 percent turning out to cast ballots in Boston as of 6 p.m. — but seemingly most among young voters. After visiting the campuses of UMass Boston and Boston University, a local elections officials told me that turnout at noon was 2.5 percent citywide, a puny number by anyone’s standards. The young voters we did meet were Democrats, independents or Libertarians — no Republicans — and all were supporting Congressman Ron Paul or President Obama in an uncontested primary. After striking out looking for young voters at Northeastern and Harvard Universities, we headed to Mitt Romney’s home neighborhood of Belmont, where he voted and afterward told me that he wants to “save the future” for young people, which MTV News producer Adam Murphy pointed out sounded like something out of a “Terminator” film. Later in the evening, at Romney election-night headquarters at the Westin Copley Square, we met the first young Republicans of the day. Asked what “saving the future” meant, attendee Sally Geary said “insuring economic stability and growth for our country and making a better world for our young people to grow up in.” Is saving the world as easy as that, I asked? “It’s definitely as easy as that.” — Jacob Soboroff COLUMBUS, Ohio — I leave Ohio realizing that Governor Romney is probably the big winner tonight . But a larger question for many young people I spoke with today is his sincerity. Although he answered our own MTV Power of 12 team member J‪acob Soboroff’s question (and props to Jacob for getting that!), many of the Ohio State University students I spoke to today raised questions about the former Massachusetts governor’s authenticity. Their overwhelming answer? We want Ron Paul instead. Brian Bode told me something that I heard throughout the day from several young people who cast ballots: They wouldn’t even vote in this primary, or general election, if it were not for Libertarian hell-raiser and notorious straight-shooter Ron Paul. In many ways, this Ron Paul fervor reminded me of what we saw with Barak Obama in 2008. (And, in fact, a number of those voters I’ve met on the road said they had turned to Paul after becoming disillusioned with Obama over the past three years.) From what I have learned through my election travels so far, and reinforced today in Ohio, is the idea that our generation has grown up in a world with greater transparency than ever before. We have archived our lives through Facebook and Twitter and have an unusually astute perception of whether we are being told the truth, if it’s reality TV or politics. As a result, we strongly believe, almost subconsciously, that if we are taking part in politics, as we did in record numbers in 2008, it is only because we believe we have the power to enforce real change. Ron Paul, like then-Senator Obama, has a message that is about foundational change. Young Americans look for that, and the millennial generation will especially look for this in years to come. I went into Ohio thinking about Rick Santorum and Mitt Romney (running neck-and-neck at press time). And I was largely right: Currently, Ron Paul only has about 9 percent of the votes in Ohio, far behind the other three candidates, which may mean that although there is a dense population of Paul supporters here, it may not be enough to make any sort of real dent. But I leave knowing that Paul, one way or another, will find a way to stay in this race and continue to energize young voters. — Andrew Jenks ATLANTA — As a Southern girl, returning to my homeland to cover the Super Tuesday shenanigans in the Peach State has been a welcome whirlwind. From the Chick-Fil-A biscuit breakfast at the empty Georgia Tech Student Center polling place this morning to the open bar (I did not partake because I’m professional like that) at the fancy-schmancy Renaissance Hotel where I witnessed Newt Gingrich committing to a whole new quest for Obama domination (and moon colonization) — there’s no denying that today has been a political par-tay! But did Georgia’s youth know they were invited? Did the Republicans even ask them to RSVP? One man definitely did, although it didn’t make much difference in the end, as Newt’s roots run deep in the rural Peach State. We heard a ton about Ron Paul from young supporters in Georgia. The most eloquent defense came from the young Libertarians who spoke of the Texas congressman as if he were their own rock-star grandpa at a meeting of the College Republicans on Georgia Tech’s campus on Monday night before the vote-counting madness began. We hit Georgia Tech at the break of dawn today to check out the polling place action (or lack thereof), and the highlight had to be chatting with power pals Thaddeus and Briana before parting ways with the Yellow Jacket campus for the urban amazingness that is Georgia State University. It was like being on collegiate LSD walking into the hot mess of the GSU quad on its busy “strollin’ ” day — where stepping is a must — and it was the perfect setting to unpack how non-GOP go-getters were putting their power on display on a day reserved for Republican revelry. Kendra Kelly of the Young Democrats and Alison Fox from Students for Sensible Drug policy not only demonstrated why girls run the world, but also how withholding your vote can be just as powerful a message as giving it away. What to do next? Crash a class, of course. I barged into a fairly packed Principles of Marketing class to take an informal poll of the youth zeitgeist at GSU. I listened as students gave the real talk — Newt is “economically dumb,” Mitt’s flip-flopping ain’t that bad, all the Republicans can take a hike when it comes to women’s rights and more. Now I’m furiously typing in this cheesy lobby to the sound of “NEEEEEEEWT!” ricocheting off the marble as supporters file out of his victory party in cowboy hats and sequin dresses. “Lawdamercy!” as my grandma would say, it’s been a day and a half. I’ve seen apathy and engagement, ignorance and intelligence — and since this Republican race is gonna drag on for quite awhile, young people will have plenty more opportunities to show their power in 2012. It’s gonna be real, y’all. — Becca Frucht MTV had Super Tuesday covered, with reporters on the scene in Georgia, Ohio and Massachusetts! Stick with Power Of 12 throughout the presidential election season for more from the ground. Related Videos Super Tuesday: MTV News Is On The Ground!

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Super Tuesday: Scenes From The Ground

Gimme Dat: Arrest Warrant To Be Issued For “Catch Fade” Chris Breezy After Snatching Fan’s Cell Phone In Miami!

Headed to the clink over a drive-by phone robbery??? C’mon son! A warrant for Chris Brown ‘s arrest is being prepared by the Florida State’s Attorney’s office after a woman filed a police report claiming that the singer stole her cell phone. “An incident report was filed against Mr. Brown, and the Florida State Attorney’s Office will be issuing a warrant for his arrest this afternoon, I can’t tell you what time, but it will be today,” said Deborah Doty, the public information officer for the Miami Police Department. Breezy is accused of snatching Chrital Spann’s cell phone as he sat in a Bentley after exiting a club Cameo in Miami with friend and rapper Tyga. The police report states that Spann snapped a picture of Brown in the back of the car, and that is when Brown allegedly snatched the phone and told Spann, “Bi*ch, you ain’t giving this to no website!!!” BTW, Chris is still on probation for the Rihanna beating and if he’s arrested he could be thrown in jail on a probation violation… DAYUM! DAYUM! DAYUM!!! You done messed up Chris! But you gon’ learn today. Source Seth Browarnik/WorldRedEye.com More On Bossip! Smackdown! The Chris Brown/CM Punk Feud Is Getting Pretty Intense! “I Will Choke You” And Breezy Responds! Can’t Get It Up: 10 Foods That Might Be Choking The Life Out Of Your…Libido Tell ‘Em Why You Mad: Janet “Aunt Viv” Hubert Writes An Open Letter To Wendy Williams Blaming Her For Whitney Houston’s Downfall Cake Cake Cake Cake! The Stars With The Wildest Birthday Parties

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Gimme Dat: Arrest Warrant To Be Issued For “Catch Fade” Chris Breezy After Snatching Fan’s Cell Phone In Miami!

Congratulations: Tyra Banks Shows She’s Beauty & Brains And Tweets About Her Graduation From Harvard Business School

Tyra Banks has conquered both runways and television… but now she’s conquering the Ivy League!! Tyra tweeted a few pics (snapped by her very proud momma) during her graduation ceremony from Harvard today. It’s official, Ms.Banks is a certified scholar. The model mogul has finally received her MBA from Harvard Business School’s Owner/President Management Program (OPM). She told the Wall Street Journal back in October that as she was growing her brand, she found herself trying to put her hands into too many projects. Her time at Harvard helped her focus her energies: “Professors explained to me that focus is great. Being the biggest and having your foot in a bunch of things is not necessarily the best thing. So I came back and focused the message of my company. Harvard said to wait two weeks before you tell your staff, but I couldn’t wait. I said, ‘If it’s not about expanding the definition of beauty and making women feel physically and emotionally better about themselves, then we’re not doing it.’ My business before was based on me. But my marketing professor has taught me that it’s about customer centricity and not about me centricity. It’s about her. How do I affect that girl?” Congrats Tyra! Now that she’s done with classes, Tyra will be gearing up for Cycle 19 on “ANTM” which will be dubbed, of course, “The College Edition.” Will you be watching? Source Twitter More On Bossip! Smackdown! The Chris Brown/CM Punk Feud Is Getting Pretty Intense! “I Will Choke You” And Breezy Responds! Can’t Get It Up: 10 Foods That Might Be Choking The Life Out Of Your…Libido Tell ‘Em Why You Mad: Janet “Aunt Viv” Hubert Writes An Open Letter To Wendy Williams Blaming Her For Whitney Houston’s Downfall Cake Cake Cake Cake! The Stars With The Wildest Birthday Parties

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Congratulations: Tyra Banks Shows She’s Beauty & Brains And Tweets About Her Graduation From Harvard Business School

VIDEO: Shame Prompts Awesome ‘Den of Sin’ Campaign in South Carolina

Remember Shame ? The NC-17 one featuring Michael Fassbender as a sex addict, Carey Mulligan as his off-kilter sister, a couple of notorious ” late-night lovers ” and a thriving awards-season profile that imploded a month ago like a dying star, seemingly having taken the film with it? Right, that one. Now, as per the rules of the cosmos and/or art-house schemes in Columbia, S.C., that star has finally exploded back into consciousness in perhaps the best way possible. The flier pictured above was spotted in and around Columbia over the holiday weekend, urging local moviegoers to avoid the “den of sin” known as the Nickelodeon Theater. The 75-seat venue had finally booked Shame for a run, and without the benefit of a sustained Oscar campaign for erstwhile front-runner Fassbender , the fliers seemed to play right into the hands of Nickelodeon management. Too good to be true? WLTX Channel 19 is on the scene ! (Sorry in advance about the commercial.) The Onion would be proud. Sort of. Anyway, nicely played, Andy Smith! [ WLTX via Pullquote ]

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VIDEO: Shame Prompts Awesome ‘Den of Sin’ Campaign in South Carolina

Fan-Made Trailers: The Best ‘John Carter’ Trailer Yet, and Live-Action ‘Akira’

http://vimeo.com/moogaloop.swf?clip_id=37038134

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Disney has been struggling with the marketing for Andrew Stanton‘s John Carter, which opens in a couple weeks but still seems to face an uphill battle establishing itself even for audiences that should be pretty receptive to an old-school sci-fi film based on an Edgar Rice Burroughs novel. There have been a couple trailers now Broadcasting platform : Vimeo Source : /Film Discovery Date : 21/02/2012 22:33 Number of articles : 2

Fan-Made Trailers: The Best ‘John Carter’ Trailer Yet, and Live-Action ‘Akira’

Kim Kardashian Sloppy in a Bikini Posing Poolside of the Day

Kim Kardashian was in Miami and she wasn’t too shy about her chubby sloppy body to get in a bikini because I guess the paparazzi promised her they would photoshop her hot, you know erase a few dozen pounds, and showcase her big old fucking tits in ways that work well with her marketing of herself….and she even decided to show a little fat as fuck ass….something she never used to do….I mean other than when fucking on camera because I guess she’s starving for attention hard and sees the end is near….it’s a dark day being Kim K…but not as dark a day as it is for the poor tourist trying to get a tan next to this bitch who’s sheer size is blocking out the fucking sun…. I still think she’s an overrated devil piece of shit whore who peaked the minute she tried to copy Paris Hilton and released FOOTAGE OF HER FUCKING AND SUCKING A BLACK DUDE as part of a global strategy her mom had lined up for her, whoring herself and pretty much humiliating herself by making a mockery of herself, selling her soul to the devil for personal gain, and laying the groundwork of her ultimate failure and demise….The end is fucking near…thank god….and here she is crying for attention…but unfortunately…that bikini cry for attention works well with me…I dig it no matter who is taking part in it… TO SEE THE REST OF THE PICS FOLLOW THIS LINK

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Kim Kardashian Sloppy in a Bikini Posing Poolside of the Day

Chronicle Takes Viral Marketing to the Sky with Human Planes (Video)

http://www.youtube.com/v/dcDN409ZBv4

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It’s a bird, it’s a plane! (Well, it is a plane.) Manhattanites are a tough bunch; it takes more than topless paparazzi or oddly threatening skywriting to phase them. But after watching this video of three RC planes shaped like humans flying over the city’s bridges we wondered what people thought as they watched people fly through the sky. Were they scared? Jealous? Did they believe that the angels… Broadcasting platform : YouTube Source : The New York Observer Discovery Date : 30/01/2012 13:35 Number of articles : 3

Chronicle Takes Viral Marketing to the Sky with Human Planes (Video)

Chronicle Takes Viral Marketing to the Sky with Human Planes (Video)

http://www.youtube.com/v/dcDN409ZBv4

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It’s a bird, it’s a plane! (Well, it is a plane.) Manhattanites are a tough bunch; it takes more than topless paparazzi or oddly threatening skywriting to phase them. But after watching this video of three RC planes shaped like humans flying over the city’s bridges we wondered what people thought as they watched people fly through the sky. Were they scared? Jealous? Did they believe that the angels… Broadcasting platform : YouTube Source : The New York Observer Discovery Date : 30/01/2012 13:35 Number of articles : 3

Chronicle Takes Viral Marketing to the Sky with Human Planes (Video)

Spike Lee and Co. Talk Religion and Representation in Red Hook Summer

In his new Brooklyn-set drama Red Hook Summer , director/co-writer Spike Lee tackles the complex topics of religion and redemption within the modern African American experience, as filtered through the eyes of a spoiled Atlanta teenager (Jules Brown) forced to spend one hot, explosive summer with his preacher grandfather in the projects of Red Hook, Brooklyn. It’s a richly conceived portrait of the Brooklyn neighborhood as microcosm for the black community at large, very much a Lee joint through and through. But, as the filmmaker reminded audiences this week at Sundance , where he railed against the Hollywood system, “it’s not a sequel to Do the Right Thing !” It’s tempting to draw parallels to Lee’s incisive 1989 Oscar nominated drama – he does, after all, appear in Red Hook Summer as his Do the Right Thing character Mookie (who’s still delivering pizzas for Sal’s, though he and Tina have parted ways). But fast forward to 2012 and there are new complications to be explored now that gentrification, secularism, reverse-migration, and the evolution of culture have altered the composition of the community – and Lee, with co-writer James McBride, seeks to explore every nook and cranny of this expansive 21st century terrain. Into the evolving world of Red Hook comes young Flik (newcomer Brown), who resents the old-school rules of his grandfather, charismatic minister Enoch (Clarke Peters). A local girl (Toni Lysaith) helps Flik acclimate to the hood, but unexpected, volatile events shift this coming of age outsider tale into a polemic on faith, the church, and community that’s proven difficult for some festival audiences and critics alike to swallow. Lee, speaking with Movieline after the divisive debut of his film, wasn’t worried about leaving some viewers unsatisfied. “There are a lot of questions in the film that we don’t necessarily have the answers for, and I think a lot of the time that’s good,” he said. “I know there have been a lot of references back to Do the Right Thing , but one of the major criticisms of Do the Right Thing when it came out was that I didn’t have the answer for racism at the end of the movie. But who has that answer?” Red Hook Summer paints a picture, in vibrant colors and heightened dialogue, of a community anchored by faith and led by Peters’ charismatic, Bible-thumping minister – the lone figure leading the charge against crime, apathy, and dissolution within the neighborhood. A pointed jab at Tyler Perry seems to declare Lee’s intent to do better and be less jingoistic to the black faith-based crowd. Asked to declare his position on Perry, Lee paused. “I respect his business savvy. It’s great.” Still, he couldn’t resist inserting a mock Madea poster into his film. “What, Fat, Black and Crazieee ?” he laughed. “It’s coming this summer to a theater near you! Where Red Hook Summer goes in its last act makes it much more than a superlative version of a Perry film, suggesting that religion and blind faith can only go so far in tempering the ugliness of the world around us before personal accountability comes into play. “All one has to do, I think, is read a newspaper, because the marketing for this film is being done daily in the newspapers and on television,” explained Peters. “What Spike has done is hold a mirror up to that for you to look into, safely, and make your own judgments and hopefully govern yourselves accordingly.” The nature of the film, and the scope of Lee’s provocative vision for it, may explain why he says mainstream Hollywood studios balked at backing the project. “They know nothing about black people,” he said at the Q&A following his Sunday premiere. “Nothing!” Striking out on his own, Lee financed and filmed Red Hook Summer himself, shooting over the course of a few weeks on location, using the church founded by McBride’s parents as the film’s central backdrop and casting his two young actors from local Brooklyn schools. “Obstacles don’t bother us,” he told Movieline. “They’ve never bothered me. I’ve always been an independent filmmaker. Just because I did Inside Man , that doesn’t mean I left it.” But the studios weren’t the only ones hesitant about Lee’s project; according to McBride, “a lot of actors [wouldn’t] do it. They don’t want to be affiliated with this kind of film.” Even actor Nate Parker, who plays a former congregation member-turned-gang leader and also appears in George Lucas’s Red Tails , was advised not to take the role. “People on my team said, ‘Aren’t you afraid that people won’t want to work with you because you’re only doing these types of films? Aren’t you afraid that you’ll miss your window?’” “No,” he continued. “We need to give ourselves more credit. We need to give the world more credit. To say that the world is so short-sighted that they don’t want to see people like us – human beings doing human things? Religion is universal.” It’s not just the citizens of the contained streets of Red Hook or Brooklyn who are primed for these re-examinations of faith. Co-scripter McBride on the one hand wrote Red Hook Summer drawing on his own history with the place, but he also hopes it’s applicable to other communities. “There are a people who believe in God and need God badly, and there are people who deliver His word well, and who have some corrupt elements in their lives,” he said. “This issue of religion is something that affects white people, in fact, probably more than black folks. Look at where we are politically in this country – look how the Republican party has fallen apart as a result of this religious zealotry, which is misguided and misplaced and used as a baseball bat to divide us.” And so, in the face of studio apathy, polarized reviews, and a collective reluctance to discuss faith and its place in life, Lee and Co. are something of an underdog force chipping away at a largely unspoken topic within a vastly underrepresented community. Still, the idea that Red Hook Summer will inspire discussion and debate is, perhaps, victory enough. “With a team like this I hope that we’re on the scrimmage line all the time, moving that ball down the film inch by inch,” enthused Peters, “because we can’t do long passes! We’ve got to do it in increments. And this is just another bite into that.” Follow Jen Yamato on Twitter . Follow Movieline on Twitter . For more of Movieline’s Sundance coverage here .

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Spike Lee and Co. Talk Religion and Representation in Red Hook Summer