Tag Archives: martin-scorsese

5 Terrifying Scenes You Won’t Find In Horror Films

I love horror films , but it’s real life that gives me the heebie jeebies. And when I think about the cinematic moments that haunt my nightmares, they’re rarely from scary movies. Sure, escapism is involved (and a bit of time travel) — just not the supernatural. With that in mind,  here’s a list of the top five movie scenes that make my skin crawl.  I hope they inspire you to come up with more in the comments section.  1. The Fate of Paul Dano’s Character in Looper :   This movie has been out long enough that I don’t feel like I’m breaking any unwritten spoiler rules here, but if you still plan to see Rian Johnson’s smart, dark time-travel film with fresh eyes, then skip to the next entry.  I’ve made this number one because it’s been a long time since I’ve seen a filmmaker come up with such a creatively diabolical fate for a movie character that was both original and integral to the plot. (Dreaming up torture-porn scenarios is kid’s stuff.) The most enduring horror is psychological because the brain is so much better at filling in the gory details than any filmmaker, and Johnson, who wrote and directed Looper , leaves a lot to the imagination when Seth is punished for failing to close his loop by killing his elder, future self.  Instead of watching Dano methodically being relieved of his extremities (most memorably, his nose), we see his future self being bloodlessly altered before our eyes as he attempts to scale a fence and skip town. A message sent to Seth’s future self via a skin-carving is also a beautifully macabre detail, as is the final shot of that horrific sequence: a barely discernible body covered by blood-stained surgical sheets and the clinical beeping of life-support machinery. Like the doctor who carves away at Seth, Johnson works surgically, but the effect is a shotgun blast to the chest. 2. The Ear Removal Scene in Reservoir Dogs:   Obvious, you say?  Essential, I reply. This is Quentin Tarantino’s most fiendish scene, and — please argue with me, but all these years later, he has not topped it.  I cannot watch it without averting my eyes, and — perhaps Django Unchained   will prove otherwise — . Once again, the terror is all in the build-up: The deader-than-deadpan voice of comedian Steven Wright (as deejay K-Billy) introducing “Stuck in the Middle with You” by Stealers Wheel only ramps up the tension as Michael Madsen dances cheesily with an open straight razor. You know something horrible is coming, you just don’t know what. And when it does come, Tarantino does not actually show the violence.  His camera cuts to a hallway that looks like an ear shorn of its fleshy lobe as Madsen’s Mr. Blonde relieves Officer Marvin Nash of his pinna. The purity of Madsen’s onscreen malevolence does not seem like acting — which makes it all the more terrifying — but mad props must also be given to actor  Kirk Baltz, who plays Nash, for palpably conveying the pain and terror of a man in a horrifically fucked situation. When Mr. Blonde douses Nash with gasoline, I swear I can feel my skin burn. 3. The Casino Beatings:   So, you’re thinking, Wait! What?  You’re not choosing the scene where Tony Dogs’ eye pops out because Nicky Santoro ( Joe Pesci ) is squeezing his head in a vise ?   Well, if this were a Top 10, Casino would probably get two entries. The beating scene gets top billing because, though I haven’t timed it (compared to the vise scene), it feels like it goes on forever, and the sound of those aluminum bats hitting flesh and bone does not fade easily. Martin Scorsese is celebrated for his mob movies, but he doesn’t celebrate the mob: his La Cosa Nostra is the stuff of nightmares — nightmares in Brioni suits. 4. The Chainsaw scene in Scarface :   Leatherface, Scarface , there’s not much difference when you’ve got a crazy gangster with a chainsaw who’s not afraid to use it. The scene is one of the few where Al Pacino ‘s Tony Montana’s say-hello-to-my-little-friends bravado falters when he’s forced to watch his partner in crime  undergo some radical deconstructive surgery. The fact that this carnage is taking place in what looks like a decrepit South Beach, Miami location that, today, is probably a $495-a-night hotel makes it all the more more horrific.

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5 Terrifying Scenes You Won’t Find In Horror Films

Musical Artists Jim Akin and Maria McKee Premiere ‘Joycean’ $550 Film, After The Triumph Of Your Birth

“Directing a movie is not that much different than producing albums. It’s working with talent and guiding them,” says Jim Akin,  who makes his directorial debut at 7 p.m. Pacific Time on Thursday with the premiere of After The Triumph of Your Birth at the Aero Theater in Santa Monica, California. Akin is better known as the husband and bass player for singer/songwriter Maria McKee, formerly of the alt-country band Lone Justice. She co-produced the movie and co-wrote its score with Akin, and though Martin Scorsese  once directed her in Robbie Robertson’s “Somewhere Down The Crazy River” music video, she counts this as her first real acting role. What’s the movie about?  That’s a tough question, Akin told me. “I’ve tried about a dozen times to come up with an answer, and I can’t do it,” he said.  So, he asked his wife to do it for him. “It’s been called a road movie on foot,” said McKee. “It’s been called a tone poem. My Irish friends said it was Joycean — a man’s philosophical journey. And during his sojourning, he meets a number of surreal characters along the way.” Judging from the trailer, which is posted below, David Lynch and tough-guy poet Charles Bukowski are also influences, particularly when the protagonist is heard in voiceover saying: “I was a bystander doing a death waltz through the shit parade of suicide highway.” “I like the idea of a man working through his existence and his identity and his place in life, and trying to make peace with that,” Akin finally volunteered. That man is McKee’s drummer Tom Dunne, whose story arc takes him from the desert to the ocean on foot. The characters whose paths he crosses are local actors and friends of Akin and McKee who, the first-time filmmaker said, “wanted to be part of the experience.” Akin said that their generosity was one of the factors that enabled him to make the picture for the hard-to-believe sum of $550. “I did the writing, the shooting and the sound, the locations and the editing,” he explained. “Maria worked with me on the score.” Akin added that he kept the production costs minimal because “I didn’t want to borrow money or risk money because then I would feel more free about my ideas.” McKee, who plays a musician in After the Triumph of Your Birth calls the role “my first non-singing job in front of the camera,” although she does perform “One True Love,” which Akin wrote, at a piano, and an a cappella prayer. (She also sings on the soundtrack, on which Akin also appears as his recording alter ego, The Shootist.) People have been trying to get me to act since I was 16,” McKee said. “But I never wanted to be an actress per se because I wanted control over the material. My relationship with Jim is ideal. We were able to work together and shape the material in an intimate way.” After the premiere at the Aero, McKee and Akin will treat guests to a musical performance. If you can’t make it, the movie will be available on DVD and Blu-Ray disc on Sept. 18. Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.

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Musical Artists Jim Akin and Maria McKee Premiere ‘Joycean’ $550 Film, After The Triumph Of Your Birth

Write A 10-Word Review, Win A Signed Celeste And Jesse Forever Poster

Rashida Jones and Andy Samberg try to navigate the ups and downs of breaking up while remaining BFFs in Lee Toland Krieger ‘s Celeste and Jesse Forever , which is also one of the more vibrant LA-set pictures in recent memory. Declare your love for C&J and their bittersweet dramarama with a 10-word review of the film, now in wide release, and you could win a poster signed by the cast. A signed poster that you can cry to late at night whenever you get lonely ! Or, you know, dedicate a Boyz II Men song to. Take it along on your next fro-yo run. Make sweet drunken love to it. Whatever floats your boat and gets you back on that horse, my dear. CONTEST RULES: – Submit an original 10-word review of Celeste and Jesse Forever , starring Rashida Jones and Andy Samberg! – Enter with your full name and an email address where you may be reached. – One (1) winning entry will be selected and announced on Thursday, September 13 Contest ends Thursday, September 13 at 2pm PT/5pm ET, so get to reviewing!

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Write A 10-Word Review, Win A Signed Celeste And Jesse Forever Poster

Syrian Filmmaker Orwa Nyrabia Released By Government

Orwa Nyrabia is free.  The Syrian filmmaker, whose Aug. 23 abduction by military security there prompted a long list of filmmakers to call for his release , was freed on Wednesday in “strong and good spirits,” according to his family. The filmmakers, who included Robert De Niro , Martin Scorsese , Focus Features James Schamus, Julia Meltzer, Yancy Butler, Judd Apatow and Alex Gibney , released a statement saying: On this day, we celebrate Orwa’s freedom and fervently hope that thousands of other Syrians who have been similarly detained will also be given their freedom. Nyrabia and his wife, Diana El Jeiroudi, founded the DOX BOX documentary film festival in 2008, which has been called the most influential in the Arab world. Nyrabia’s military abductors turned him over to a civilian court in Syria on Tuesday, which reviewed his case and freed him. Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.

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Syrian Filmmaker Orwa Nyrabia Released By Government

Scorsese, James, And Zaillian To Make Roger Ebert Doc; Nic Cage Teams With David Gordon Green: Biz Break

Also making the rounds: Eric Roth will receive an honorary award at the Austin Film Festival, the latest doc from the filmmakers behind Sweetgrass and Foreign Parts makes a deal, and the Sylvester Stallone-Arnold Schwarzenegger vehicle The Tomb gets a 2013 release date. David Gordon Green And Nicolas Cage: Two Great Tastes? THR reports that Nic Cage will star as an ex-con and mentor to a teenage boy in a gritty Southern-set adaptation of Larry Brown’s novel Joe . The versatile David Gordon Green ( All The Real Girls , George Washington , Pineapple Express , The Sitter ) will direct, either reining in or letting Cage’s signature nouveau shamanic acting method run free. Cinema Guild Acquires TIFF Doc Leviathan The documentary by directors Lucien Castaing-Taylor (Sweetgrass) and Véréna Paravel (Foreign Parts) will be distributed in the U.S. by Cinema Guild after screening next week at the Toronto Film Festival and subsequently at the New York Film Festival. The experimental documentary about fishing “captures the collaborative clash of man, nature, and machine. Shot on a dozen cameras — tossed and tethered, passed from fisherman to filmmaker — it is a cosmic portrait of one of mankind’s oldest endeavors.” Eric Roth To Receive Honors At Austin Film Festival The annual event, held October 18-25 in Austin, TX, will award the Forrest Gump and Curious Case of Benjamin Button screenwriter with the Distinguished Screenwriter Award. The Oscar-winner will also take part in “A Conversation with Eric Roth,” along with a retrospective of his work and screening of 1999’s The Insider . Martin Scorsese, Steve James, and Steven Zaillian To Make Roger Ebert Doc America’s most beloved critic announced via Twitter that he’ll be getting his own (much deserved) documentary, with a trio of heavy hitters behind the camera: Hoop Dreams director Steve James, writer Steven Zaillian, and executive producer Martin Scorsese will join forces on the adaptation of Ebert’s memoir Life Itself . “Whatever they do I will be fascinated,” Ebert wrote to Indiewire. Sylvester Stallone and Arnold Schwarzenegger Are Coming To A Theater Near You in 2013 The Expendables and Planet Hollywood buddies will hit theaters in their own team-up, The Tomb, which will now be released on September 27, 2013 via Lionsgate, reports THR .

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Scorsese, James, And Zaillian To Make Roger Ebert Doc; Nic Cage Teams With David Gordon Green: Biz Break

Lawless Hits No. 1 Wednesday; Werner Herzog To Direct Live Killers Concert In September: Biz Break

Also in Thursday morning’s round-up of news briefs, a U.S. Appeals Court upholds MGM’s rights to a classic Martin Scorsese film after a relative’s challenge. The London Film Festival chooses its closing night film. And Michael Keaton heads for a re-imagine of an ’80s classic. Lawless Opens No. 1 Wednesday with $1.1 Million R-rated Cannes début Lawless by John Hillcoat debuted in 2,565 theaters Wednesday, narrowly beating out Expendables 2 which held the top spot for two weeks, Deadline reports . Appeals Court Rejects Suit to Take Raging Bull Rights from MGM The Ninth Circuit of Appeals upholds MGM’s rights to Raging Bull . Paula Petrella, the daughter of Frank Petrella (aka Peter Savage) brought the rights challenge to court. Petrella wrote a screenplay and other works about former boxing champion Jake LaMotta, his childhood friend in 1963, THR reports . Werner Herzog to Direct the Killers Concert Video The legendary documentary filmmaker will spearhead the band’s concert video which will be broadcast live on September 18th via YouTube from New York’s Paradise Theater. “I think there’s gonna be an animal involved,” bassist Mark Stoermer told Rolling Stone. The Guardian reports . Great Expectations to Close London Film Festival The pic is an all-star film adaptation of Dickens’ classic novel. Starring Ralph Fiennes, Helena Bonham Carter and Jeremy Irvine, the screening marks the 200th anniversary of the author’s death. The BFI London Film festival, taking place October 10 – 21, will announce its full lineup September 5th, Reuters reports . Michael Keaton Joins New Robocop Keaton will play the role of Raymond Sellars, which was initially slated for Hugh Laurie. The film is a re-imagining of of the 1987 classic by Paul Verhoeven. It will be released next August, Deadline reports .

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Lawless Hits No. 1 Wednesday; Werner Herzog To Direct Live Killers Concert In September: Biz Break

Memo to Marty Scorsese: Why In God’s Name Are You Still Interested In Making Silence?

After reading the statement that Martin Scorsese ‘s representatives released in response to the lawsuit that’s been filed against him  by Cecchi Gori Pictures over a project called Silence , I think I can save both sides a bundle in lawyer’s fees and, ultimately, production costs. Both sides of this legal battle should ask themselves a pertinent question: Do you actually think that this movie, if it’s ever made, will actually put asses in seats? Hear me out.  Scorsese is one of my favorite filmmakers, and given his obsession with religion, I’m confident he’d make a compelling adaptation of  Silence , an acclaimed 1966  Shusaku Endo novel about a Jesuit investigating whether his mentor committed apostasy — renounced his beliefs — at  a time when Christians were faced with the prospect of being hung upside down over a pit and slowly bled to death if they refused. The Christians are essentially coerced into renouncing their faith by stepping on fumie ,crudely carved wooden images of Jesus Christ. Heard enough? Look, movies about the strength of one’s beliefs and God’s relationship with humanity can be powerful. One of the aspects of Prometheus that I particularly loved was how Ridley Scott and Damon Lindelof explored those very deep concepts in their sci-fi blockbuster earlier this summer. Silence  doesn’t sound powerful to me, though. It sounds like a ponderous slog that covers territory Scorsese already traversed in The Last Temptation of Christ . More importantly, Silence , just by virtue of its subject matter, has the markings of a small, boutique film. That’s not the kind of film Scorsese, one of our greatest living directors, should making in his golden years. I want him doing David Lean-size big-picture stuff like The Wolf of Wall Street , and, I suspect, so do his handlers. According to Deadline , Cecchi Gori Pictures claims in its lawsuit that it invested more than $750,000 to develop Silence into a feature film based on contracts and assurances that it would be Scorsese’s next project. Scorsese initally agreed in 1990 to co-produce and direct Silence after he completed Kundun (1997). But the lawsuit alleges Scorsese and Sikelia arranged to postpone starting on Silence so the director could make The Departed (2006), Shutter Island (2010) and Hugo (2011). When Cecchi Gori learned that Scorsese was going to shoot The Wolf of Wall Street instead of Silence,  the company claimed breach of contract. Scorsese’s responded to the suit today with the following statement: “It is shocking to us that the lawyers for Cecchi Gori Pictures would file a suit pursuing such absurd claims considering the amicable working relationship existing between Martin Scorsese and the principals of Cecchi Gori Pictures.The claims asserted are completely contradicted by, inconsistent with, and contrary to the express terms of an agreement entered into by the parties last year.” The statement added: “The lawsuit filing on the eve of Mr. Scorsese starting another picture has all the earmarks of a media stunt.” Given that the amount of Cecchi Gori’s investment isn’t even $1 million — a paltry sum in moviemaking terms — there should be a compromise here that enables Cecchi Gori’s principals to walk away without feeling like they got burned and for Scorsese to make the movies he wants to make, when he wants to make them. I just hope that Silence isn’t one of them. Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.

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Memo to Marty Scorsese: Why In God’s Name Are You Still Interested In Making Silence?

Cosmopolitan’s Editor Helen Gurley Brown Dead at 90; The Master Heads To Toronto Fest: Biz Break

Also in Monday afternoon’s round-up of news briefs, Martin Scorsese ‘s Frank Sinatra pic gets a writer. Harvey Weinstein is tapped to MC Toronto Film Festival -Asian film event. Haley Joel Osment’s Sassy Pants is heading to theaters and Jodie Foster boards a mob drama as director for Showtime. Harvey Weinstein to MC Toronto Asian Film Summit The Weinstein Company chief will act as the master of ceremonies for the closing banquet of the event, hosted by the Toronto International Film Festival that will spotlight the relationship between East and West. Previously announced guests include Jackie Chan who will attend as Guest of Honor and MPAA Chairman Senator Chris Dodd. “We’ve received tremendous support and interest from the industry and we’re confident this event will help foster deeper relationships and generate new business opportunities between key film players in the East and West,” said TIFF CEO Piers Handling. Sassy Pants Heads to Theaters North American rights to the coming-of-age comedy/drama have been picked up by Phase 4 Films. Haley Joel Osment, Ashely Rickards (MTV’s Awkward ) and Anna Gunn (AMC’s Breaking Bad ) star in the film about teen Bethany who flees her over-protective mother and goest to live with her dad where she forms a bond with his much younger boyfriend. The film, which made its world premiere at the Santa Barbara International Film Festival, will release the title in theaters and VOD this fall. Around the ‘net… Cosmopolitan Editor Helen Gurley Brown Dead at 90 The former Cosmopolitan editor-in-chief died at 90 in New York shortly after being admitted to a hospital. She edited the magazine for 32 years and was the author of the groundbreaking Sex and the Single Girl . During her tenure at Cosmopolitan she became known for encouraging women to have sex regardless of marital status. She said her goal was to let tell readers “how to get everything out of life – the money, recognition, success, men, prestige, authority, dignity – whatever she is looking at through the glass her nose is pressed against,” BBC reports . Paul Thomas Anderson’s The Master to Head to Toronto The Toronto International Film Festival’s Artistic Director Cameron Bailey tweeted that The Master will join the lineup at the event, which opens September 6th. The film, which debuts in Venice, stars Philip Seymour Hoffman, Joaquin Phoenix and Amy Adams in a story said to be inspired by the early days of Scientology, THR reports . Billy Ray to Write Sinatra for Martin Scorsese Universal Pictures has tapped Billy Ray to write the script for the Frank Sinatra biopic that Martin Scorsese will direct. Scorsese is currently filming Leonardo DiCaprio in The Wolf Of Wall Street , Deadline reports . Jodie Foster to Direct & Produce Mob Drama This is her first move behind-the-camera for television. She’ll direct and executive produce Angie’s Body for Showtime. The concept centers on a shrew, sexy and sometimes lethal woman who runs a family-based crime syndicate, Deadline reports .

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Cosmopolitan’s Editor Helen Gurley Brown Dead at 90; The Master Heads To Toronto Fest: Biz Break

The Hobbit Possibly Morphs into Trilogy; Christian Bale Visits Shooting Victimes: Biz Break

Also in Wednesday morning’s round-up of news briefs, Jon Favreau adds a Martin Scorsese-project to his schedule. European festivals in San Sebastian and Deauville release details about their upcoming events and Leonard DiCaprio is set to back a car-maker. Christian Bale Visits Colorado Shooting Victims Bale visited victims of last week’s shooting in an Aurora, CO movie theater, a hospital spokesperson said. Bales spent about 2.5 hours at the facility where he met with five people still being treated for their injuries, Reuters reports . Is The Hobbit Set for a Trilogy? At Comic-Con two weeks ago, Peter Jackson speculated about what he’d do with all the extra footage he has shot for the film adaptation of The Hobbit . And now speculation is rising that he’ll turn his two film saga into a trilogy, Deadline reports . Jon Favreau Takes on The Wolf of Wall Street He will play a securities lawyer in the Martin-Scorsese-directed feature starring Leonardo DiCaprio. He’ll do the part before he directs the movie-version of the Broadway hit musical, Jersey Boys , Deadline reports . Arbitrage to Bow San Sebastian Film Festival The feature starring Richard Gere and Susan Sarandon will open the 60th San Sebastian Film Festival, taking place September 21 – 29 in Spain’s Basque region. Wall Street thriller Arbitrage is the fictional feature debut of filmmaker Nicholas Jarecki, Variety reports . Stars Set for France’s Deauville American Film Festival The festival showcases American films and Hollywood talent including Paula Wagner, Jeremy Renner, Edward Norton and Rachel Weisz are headed to the 38th annual event which takes place August 31 – September 9. Jeff Nichols’ Mud will open the festival, THR reports . Leonardo DiCaprio Buys into Car-maker Fisker The actor has become an equity investor in the Anaheim, CA-based car-maker start-up that produces environmentally sustainable autos. He will also be a “brand ambassador,” Forbes reports .

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The Hobbit Possibly Morphs into Trilogy; Christian Bale Visits Shooting Victimes: Biz Break

Going Digital, Does Martin Scorsese Have it Right?

Healthcare is grabbing the headlines and the Chattersphere today, but one thing appears to be certain: It’s curtains for film. OK, maybe a stretch of a segue, but here’s the thing. Sure, there are some high profile holdouts and even digital-converts will attest to the quality and feel of film. But when Martin Scorsese is ready to make the perma-switch, then the slow inevitable demise may have just been given an extra boost. Scorsese will go digital for his next film and appears resigned to the format going forward. Speaking with Empire at the Edinburgh International Film Festival, the director’s longtime editor Thelma Schoonmaker said, “It would appear that we’ve lost the battle,” confirming his next film, The Wolf of Wall Street would be shot digitally. “I think Marty just feels it’s unfortunately over, and there’s been no bigger champion of film than him.” Of course Scorsese’s last film Hugo won an Oscar for Best Cinematography. It is also a de facto call for film preservation, something near and dear to the filmmaker’s heart. “It’s a very bittersweet thing to be watching films with him now that are on film,” said Schoonmaker. “We’re cherishing every moment of it. The number of prints that are now being made for release has just gone down, and it would appear that the theaters have converted so quickly to digital.” Scorsese and Schoonmaker get to work on The Wolf of Wall Street starring Leonardo DiCaprio, Jonah Hill and Jean Dujardin the second week of August. And what do you think about the switch to digital? [Source: Empire ]

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Going Digital, Does Martin Scorsese Have it Right?