Tag Archives: modern

3rd eye a way to watch your back: NYU artist gets camera implanted in head

NEW YORK – A New York University arts professor might not have eyes on the back of his head, but he's coming pretty close. Wafaa Bilal, a visual artist widely recognized for his interactive and performance pieces, had a small digital camera implanted in the back of his head — all in the name of art. Bilal said Tuesday that he underwent the procedure for an art project that was commissioned by a new museum in Doha, Qatar, in the Arab Gulf. Titled “The 3rd I,” it is one of 23 contemporary works commissioned for the opening of the Mathaf: Arab Museum of Modern Art on Dec. 30. The exhibition is entitled “Told/Untold/Retold.” “I am going about my daily life as I did before the procedure,” the Iraqi-born artist said in a statement. Bilal, who is teaching three courses this semester at NYU's Tisch School of the Arts, will wear the camera for one year. It is 2 inches in diameter and less than an inch thick. The project will raise “important social, aesthetic, political, technological and artistic questions,” he said. He declined to say when the camera was implanted or other details of the art installation, saying it “will be revealed to the public as part of the museum preview on Dec. 15” and on a website to be launched on the same day, http://www.3rdi.me . He said he chose to have it put in the back of the head as an allegorical statement about the things we don't see and leave behind. How it all fits together is still a bit of a mystery. The camera will capture his everyday activities at one-minute intervals 24-hours a day and then be transmitted to monitors at the museum, said curators Sam Bardaouil and Till Fellrath of Art Reoriented, who commissioned Bilal on behalf of the museum. “He doesn't have to alter his lifestyle or what he does. In principal, he's moving on with his life,” Bardaouil told The Associated Press from Doha. “It will be a three-dimensional, real space-and-time experience. Once the piece is revealed, you'll realize that the camera is only one aspect of the work and there are aspects as important that will be experienced.” The project has raised challenging questions for NYU, the nation's largest private school with about 44,000 students. “As a school of the arts, a school whose mission is to educate artists, we place a high value on his right to free expression in his creative work as an artist …,” NYU said in a statement. “We also take seriously the privacy issues his project raises, its impact on our students, and the importance of preserving trust in the pedagogical relationship between a faculty member and students.” NYU said it has had numerous “constructive and productive” conversations with the artist and was continuing “to discuss with him the right mechanism to ensure that his camera will not take pictures in NYU buildings.” But a number of students said they were not overly concerned about their privacy being violated. “I don't really know what you would be protecting them (students) from, what would be happening in the classroom that couldn't be shared,” said Erin Wahed, 22, who graduated in May with a BFA in photography but did not take any of Bilal's classes. Seth Mrocska, who was friends with some of Bilal's students but did not have him as a professor before graduating in May, agreed, saying “It's not that there's much to hide in the classroom.” However, he said he wasn't OK with the images being transmitted to another country and “shared across a media platform to be stored for all to view.” Bilal said “The 3rd I” builds on his other body of work that combines performance art, digital and body art and photography “into a unique conceptual piece.” Many of his previous works have invited debate and controversy. In a 2007 online installation, “Domestic Tension” in 2007, virtual users could shoot a paintball gun at Bilal 24 hours a day. The Chicago Tribune deemed it “one of the sharpest works of political art to be seen in a long time” and named him Artist of the Year that year. A 2008 video game piece, “Virtual Jihadi,” was censored by the city of Troy, N.Y. where it was shown. In it, Bilal inserted an avatar of himself as a suicide bomber hunting then-President George W. Bush. The New York Civil Liberties Union filed a claim against the city of Troy for closing the arts center showing the work. The artist has said the work was meant to shed light on groups that traffic in hateful stereotypes of Arab culture with video games like Quest for Saddam. In a recent live performance piece titled “…and Counting,” Bilal had his back tattooed with a borderless map of Iraq covered with one dot for each Iraqi and American casualty. Bilal, whose brother was killed by a missile at an Iraqi checkpoint in 2004, used the piece to highlight how the deaths of Iraqis are largely invisible to the American public. The dots for the Iraqis were represented by green UV ink only visible under black light, while Americans were represented by permanent ink. The 59,000-square-foot Mathaf museum will house more than 6,000 works of modern and contemporary Arab art from the collection of Sheik Hassan bin Mohamed bin Ali al Thani, founder of Mathaf and vice-chair of the Qatar Museum Authority. http://news.yahoo.com/s/ap/20101123/ap_on_en_ot/us_the3rd_eye added by: MotherForTruth

Tim Burton Has A Big 2010 Thanks To ‘Alice In Wonderland,’ MOMA Exhibit

And that’s why the veteran director is one of the entertainers we’re most thankful for this year. By Kara Warner, with reporting by Josh Horowitz Tim Burton Photo: Pascal Le Segretain/ Getty Images In Hollywood, the land of superlatives and flagrant puffery, the term “visionary” is thrown about too casually and bestowed upon flash-in-the-pan acts that all too often come and go with the change of seasons. However, one artist for whom the descriptor is fitting, whose films truly transport audiences to other dimensions and offer a childlike sense of wonder, is director Tim Burton. And this year, thanks to “Alice in Wonderland,” which brought in an estimated $1 billion at the box office ($334 million domestic, $690 million international) in addition to 20-plus years of unique and exciting filmmaking, Burton is one of the folks in the entertainment world for whom we’re most thankful. As part of MTV’s Thankful Week, we had the pleasure of chatting with Burton about the stress and eventual success of “Alice,” if we’ll be seeing a sequel or a musical adaptation on the Great White Way and a few hints about upcoming projects. MTV : Tim, every year here at MTV News, we select a few people we’re most thankful for. And you’ve had quite a year with the phenomenal success of “Alice in Wonderland” and a retrospective at New York’s Museum of Modern Art . Tim Burton : Wow. Well, that’s quite an honor. Thank you. MTV : Did it feel like this year was a special one? Burton : Yeah, it was interesting. The MOMA show was very special, and then going to the Cannes film festival and “Alice” — it was a lot of stuff going on. It was a special year for me, definitely. MTV : Were you a little more reflective than usual with the MOMA show? Burton : Yeah, I think so. It kind of forced me to look at myself, which I don’t do very often. I even avoid mirrors as I walk by them. It was a bit of a surprise in a good way. It did make me more reflective. You know, as you go on in life, there are less and less surprises — especially nice surprises, so it’s really, really great to feel surprised in a good way. MTV : We spoke a few times when you were working on “Alice,” and frankly, you seemed stressed. Burton : I was really stressed. We were doing music to no images. It was terrifying. In a weird way, it was quite exciting too, because you never know with a film what it’s going to turn out to be. But this was just an extreme, extreme version of that. MTV : How did you feel about the 3-D debate that came with the film? Some criticized the conversion to 3-D you used. Burton : Right, yeah, but that was kind of a funny argument because the thing is, we’ll shoot what? It’s not like we were doing motion-capture or we had sets. There was nothing to shoot. We planned for it. It was kind of a created argument in a way. Everybody likes to have a celebrity death match. Who will win? Things have more shades to it than that. MTV : Right, because a lot of it became about you and James Cameron’s different approaches to 3-D. Burton : Yeah. They’re doing “Titanic” in 3-D . What, they’re going to go back and shoot it in 3-D? No. They’re going to do the same thing we did. MTV : Is Disney putting the pressure on for a sequel for “Alice”? Burton : No, they haven’t, which was smart of them. They saw that it was kind of its own thing. They didn’t push for it at all, which I thought was really amazing, and smart, and right. MTV : And you are content to leave the story where it is? Because you do leave an opening at the end … Burton : Yeah, but that’s what the material does to me, it leaves it open for you. It’s kind of like dreams. It leaves it open, as it should, for interpretation. It’s like I got a lot of pressure to do a sequel to “Nightmare [Before Christmas],” and I just didn’t want to do that, because some movies should just be left alone. I think it keeps their kind of spirit intact in a way. MTV : There’s been talk about adapting “Alice” into a Broadway show. Are you involved in that? Burton : I’m talking to them about that just because there was a seedling of an idea that I thought was interesting. I don’t know how far it will go, but it’s something. I’ve always kind of wanted to do something live onstage. I’m just going to explore it and see what happens. MTV : It sounds like you’ll be shooting “Dark Shadows” with Johnny Depp soon? Burton : Yeah, I’m working on the script, and, you know, it’s been kind of a long time coming, but I think I’m getting a script that I like. I don’t really like talking, because I’m not really sure what’s happening yet, but I’m excited about it. I think, yes, finally for me, it’s getting to be the right tone. MTV : Have you and Johnny talked specifically about his take on Barnabas Collins, the vampire at the center of the series? Burton : Yeah, we’ve been talking about it. I mean, he’s finishing up another movie, but we’ve had a couple of really good meetings. Yeah, you know, I’m excited. MTV : Have you started shooting “Frankenweenie” ? Burton : We just started a couple of shots. It ‘s good. We’ve got a pretty low budget, but I’m excited about it. We’ve got a couple of shots that are done. Yeah, it’s just starting. It’s great. Thanksgiving is a time for taking stock, expressing gratitude and, most importantly, overeating. We at MTV News have been gorging all year at movie theaters, so it’s about time we looked back and gave thanks to our favorite actors and filmmakers of 2010. Enjoy exclusive interviews with our winners all week long. Check out everything we’ve got on “Alice in Wonderland.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

Read more:
Tim Burton Has A Big 2010 Thanks To ‘Alice In Wonderland,’ MOMA Exhibit

‘Green Lantern’: Everything We Know Before The Trailer Debut

Take a look back before the latest sneak peek premieres. By Eric Ditzian Ryan Reynolds Photo: Getty Images After years of what’s-taking-so-long buildup, a killer Comic-Con rollout and a pre-trailer teaser that popped up earlier this week, the first “Green Lantern” trailer is set to debut online in a few hours. That sound you hear is the MTV Movies team giggling with delight. Because it’s been a long time coming, and there’s still almost seven months to go until the DC Comics adaptation hits theaters. As we look forward to the new trailer, we’ve also been looking back at everything we already know about “Green Lantern.” Early Development The flick has journeyed through a by-now-familiar cycle of development delays and contrasting studio visions. An earlier version, for instance, established a more comedic take on the character — Hal Jordan, a fighter pilot-turned-superhero, thanks to an all-powerful ring — with Jack Black in the starring role . By the summer of 2008, though, Warner Bros. had shifted the property back to active development, and a trio of fanboy-approved writers (Greg Berlanti, Marc Guggenheim and Michael Green) penned a new script. “We really spanned the whole gamut from the Silver Age through the Modern Age to Geoff Johns,” Guggenheim told us about “Lantern” comics that inspired them. “There’s a lot of different elements that are hard to coalesce, actually. Green Lantern as much as any modern-day superhero has a lot of continuity gaps and inconsistencies, and you’re wrestling with it all to make everything work.” In February 2009, word broke that “Casino Royale” director Martin Campbell was in negotiations to direct , and by that summer, three actors were reportedly competing for the Jordan role: Bradley Cooper, Justin Timberlake and Ryan Reynolds . In July, the part was handed to Reynolds . “I fell in love with the character when I met with Martin Campbell,” Reynolds told us that November. “When you have a guy like Martin Campbell, part of his charm is that he has balls of titanium, and the other part is that he’s slightly crazy, and you have to be to take on something with the scope of ‘Green Lantern.’ He’s less of the director and more of a general.” The Shoot Just days into 2010, “Green Lantern” got an official green light and a production start date of March . Quickly, the rest of the cast came together: Blake Lively as Jordan love interest Carol Ferris; Mark Strong as initial Jordan mentor Sinestro; Peter Sarsgaard as villain Dr. Hector Hammond; and Tim Robbins as Senator Hammond. In a move that surprised no one, Campbell announced that the film would be converted to 3-D during post-production . Ramping up the visual-effects quotient further, it became clear that Reynolds’ suit would be a completely CG-assisted outfit, and that’s exactly what we got when images of a suited-up Reynolds debuted online . San Diego Comic-Con Warner Bros. swept into the den of pop-culture geekery this summer with one heck of a presentation: purple-hued Abin Sur encased in glass; footage of Reynolds as Jordan and Sarsgaard as Hammond; and tons of commentary from the cast and crew. “The tone is light. It has a lot of humor, but I think the relationships between all the characters are very real,” Campbell said during the Comic-Con panel . “We try to keep the action very real. … It’s my first superhero movie — unless you count James Bond.” The Run-Up to the Trailer The key question remained: When would folks not lucky enough to be in Hall H during Comic-Con get to check out “Green Lantern” footage? DC Chief Creative Officer Geoff Johns announced that the trailer would debut in front of “Harry Potter and the Deathly Hallows – Part 1” on Friday. But what about online? “I wish I could say tomorrow, but it’s not going to be tomorrow. It will be soon, though.” Johns said in October. “Technically it’s a teaser, but it’s pretty big. I don’t know the exact time, length, but it’s got more stuff in there than I would have thought for a teaser, that’s for sure.” MTV News then learned the trailer would appear online Tuesday (November 16) at 8 p.m. ET. A few days earlier, “Entertainment Tonight” aired a teaser for the trailer . We saw Reynolds transform into superhero form and unleash a giant, power-ring-enabled fist; images of the Green Lantern home planet; and Kilowog, one nasty-looking drill instructor who helps train Jordan. So what will we see in the full trailer? Whatever it is, except some heated debate. That’s what happened when the first look at Jordan’s costume debuted and, well, Reynolds expects nothing less . “There has to be a little healthy debate about it,” he told us. “I mean, that’s important. If it were just slanted one way or the other, I don’t think it would be that satisfying.” Check out everything we’ve got on “Green Lantern.” For breaking news and previews of the latest comic book movies — updated around the clock — visit SplashPage.MTV.com . Related Videos MTV Rough Cut: ‘Green Lantern’

Excerpt from:
‘Green Lantern’: Everything We Know Before The Trailer Debut

WaPo Warns of ‘Far Right’ Ken Cuccinelli, But Virginia’s Democrat Stars Are ‘Centrists’

The Washington Post’s undisguised loathing for conservative Virginia Attorney General Ken Cuccinelli is on display again Tuesday. Post reporter Anita Kumar put him on the “far right” and questioned the propriety (and even the constitutionality) of his working relationship with other Republicans in Richmond.  Kumar began by noting a list of Cuccinell’s “controversial” legal opinions, that “police could check the immigration status of those stopped by law-enforcement officers, that the state could impose stricter oversight of clinics that perform abortions and that local governments could allow religious holiday displays on public property.  In each instance, the request for the opinion came from the same person: Del. Robert G. Marshall (Prince William), a like-minded Republican who shares Cuccinelli’s far-right views .” Kumar obviously asked it this “symbiotic relationship” was unconstitutional legal activism that goes around the legislature: Observers say their relationship has become symbiotic — one that helps each promote themselves and advance their interests — but in a way no one envisioned before. “It’s not unconstitutional,” said A.E. Dick Howard, a law professor at the University of Virginia and one of the drafters of the modern Virginia Constitution. “It’s just not contemplated. It’s outside what the framers of the Constitution would have seen.” Democrats, who hold narrow control of the state Senate, accuse the pair of attempting to make an end run around a divided General Assembly, which had already considered — and rejected — similar proposals regarding abortion and immigration. “It circumvents the people’s elected representation,” Sen. R. Edward Houck (D-Spotsylvania) said. “It seems to me perfectly obvious what’s going on. They are now using this legal activism.” Notice the Post has no labels for the Democrats. Kumar ends with a liberal legislator (no label, just a Cuccinelli opponent): Sen. Mary Margaret Whipple (D-Arlington), who often opposed Cuccinelli in the Senate, said she predicts that the General Assembly will try to stop his actions through bills and amendments when the legislature returns in January. “It’s an element of checks and balances,” she said. The completely politicized Post is obviously nervous that Cuccinelli will seek the governor’s office or challenge their heartthrob Sen. Jim Webb in 2012. Kumar isn’t looking to put any Democrat on the “far left” in Virginia, or even describe them as liberal. On the American Conservative Union scale, Webb has an average score of 14. Sen. Mark Warner has a 24. But Kumar sold Warner as a “pro-business centrist” even while he raised taxes. Earlier, on Cuccinelli: WaPo Unfairly Paints Virginia AG As Working for ‘Erosion In Gay Rights’ WaPo Lashes Out Against ‘Militant,’ ‘Provocative,’ ‘Bizarre’ Conservative Candidate

Here is the original post:
WaPo Warns of ‘Far Right’ Ken Cuccinelli, But Virginia’s Democrat Stars Are ‘Centrists’

Reconciling Arctic Expectations with Modern Realities

Image courtesy of Bob Davies/Cape Farewell. This guest post was written by Bob Davies, principal at Montgomery Sisam Architects in Canada, as part of the Cape Farewell project . I left Canada a few days ago to come to this remarkably remote place at 78 degrees north to join Cape Farewell’s global Climate/Culture Expedition . A group of 20 scientists, writers, visual artists and musicians; a delightfully odd collection of souls from around the world, will be boarding a 135 foot sailing schooner, the … Read the full story on TreeHugger

Read more from the original source:
Reconciling Arctic Expectations with Modern Realities

Our moral code is out of date

Human progress requires good ideas. Consider how just two fundamental ideas have ushered in the modern world. Rewind a scant 600 years, and modern science doesn't yet exist. http://www.cnn.com/2010/OPINION/09/16/brook.moral.code.outdated/ added by: lu7cky

Rachel Maddow Hits Two-Year Mark at MSNBC With Signature Dishonesty

Not how I’d mark an anniversary, but MSNBC is flexible in its alleged standards. On Sept. 8, Rachel Maddow told viewers it was two years since her cable show started on MSNBC. And what better way to enter her third year of televised liberal polemics than with Maddow’s trademark melding of smarm and deceit.  The following night, Maddow railed at Newt Gingrich and Citizens United for producing and marketing a documentary warning Americans of the threat from radical Islam, after she complained about Sarah Palin and Glenn Beck charging admission to a meet-and-greet on Saturday, the ninth anniversary of the 9/11 attacks (first of four parts in embedded video) — Do you want to know who else has realized the merchandising potential of the 9/11 anniversary this year? In partnership with Citizens United — yes, the same Citizens United that won the Supreme Court case that says corporations can pour limitless cash into American elections — former House Speaker Newt Gingrich has put together a very scary new movie. It’s called ‘America At Risk’ and they have decided to give ‘America at Risk’ its national launch date on (pause) 9/11, whereupon it can be yours for the low, low price of $19.95 plus $4 shipping and handling. Act now, operators are standing by. The trailer for the new launched-on-/9/11 movie is already up online. Here’s an excerpt and I actually should tell you up front that I admit to modifying this excerpt to be able to put it on this TV show in a way that allows me to live with myself. For the first few seconds of this video, I’m not actually going to show you the video part of what Newt Gingrich decided to put on screen while making the argument you will hear him making here. Because the video in the original, the video that he shows while making this argument, the images he chooses to use to sell this stuff, what he is showing is graphic video, graphic video from the real 9/11. And I am not going to help him market that. So, I will show you this clip so you know what this is, you will hear what he says, but I am not going to show the 9/11 ‘sploitation video that he shows while he says it. Ah, how noble. And the “graphic” images Maddow couldn’t bear to share with viewers? There were two, blurred out of focus by Maddow (and both can be seen at the trailer here , starting at 1:01) — the towers from a distance of about a half-mile, the north tower burning, the south tower not yet hit. The second image is of a man giving his coat to a female traffic cop at a dust-clogged Ground Zero and the woman quickly putting the coat to her face to help her breathe or cover an injury. The fleeting images are seen for all of three seconds, if that. One could make the argument that every image from 9/11 is graphic and painful to witness. What Maddow claims here as especially graphic is a stretch, to put it kindly.The first of the two images is smoke billowing from one of the towers, from a distance, with not a single person visible in the frame. Given the brevity of the footage of that follows, of the woman holding a coat to her face, it is difficult to determine if she had been burned or otherwise injured or was gasping for breath.  What Maddow does here is a version of what liberals have done for nearly a decade — airbrushing 9/11 from our history. Toward that end, they stake a proprietary claim to any and all images from the atrocity, at least when cited by conservatives, and proceed to deem the images too graphic for public consumption. Why? To avoid the most awkward question of all — why did it happen? Such discourse leads inevitably to Iraq, as liberals are keenly aware. Not to Iraq as complicit in the planning and execution of the attack, of which there is no evidence. No, Iraq as the rationale for al Qaeda attacking to begin with, due to the jihadists’ towering twin grievances of infidel troops in the Peninsula of Muhammad and UN sanctions on Iraq for flouting Security Council resolutions to disarm in good faith. Maddow also talked on Sept. 9 about the controversy surrounding Dove World Outreach Center pastor Terry Jones’s vow to burn copies of the Koran on the 9/11 anniversary. Members of the Westboro Baptist Church of Topeka, Kan., notorious for their obnoxious protests outside the funerals of American soldiers, claimed to have burned a Koran in public in Washington, D.C., in 2007, and garnered scant attention. Here’s Maddow’s take on then and now (second clip in embedded video, starting at 2:24) — What’s different now, the reason no one paid attention to crazy Fred Phelps’ Koran-burning antics and almost literally everyone in the country is paying attention to the Koran-burning antics of this equally crazy Florida guy, is because today the sentiment behind I’m-a-crazy-guy-who’s-gonna-burn-me-some-Korans-on-9/11 is being carried into the mainstream by a current of extreme anti-Muslim, we’re-at-war-with-Islam rhetoric. You really want to know why we’re all suddenly paying attention to one lunatic in Florida who’s been threatening to burn copies of the Koran? This is why — … whereupon Maddow shows an excerpt from the “America at Risk” trailer again, starting with remarks by Newt and Callista Gingrich — as if the Gingriches and this documentary warning of radical Islam motivated Jones in his vow to burn copies of the Koran. For anyone not in a coma over the last month, a more obvious explanation comes to mind — Jones was responding to Imam Rauf’s proposal to build an “Islamic community center” near Ground Zero, and doing so in an equally odious, constitutionally protected provocation. After the “America at Risk” trailer is shown again, Maddow says this (starting at 3:24 in video) — Not just crazy guys who scream at house plants, like the Florida pastor, but supposedly serious political figures like Newt Gingrich have been banging this drum on the right that we in America are at war with Islam. Not with terrorists, with Islam, with an entire religion, with anybody who is a Muslim. And that’s why we’re all talking about the Koran-burning kook in Florida. Sorry, no. The actual reason “we’re all talking” about this is due to allegedly moderate Imam Rauf, the one who describes America as “sharia compliant,” and who humbly seeks to build a Muslim shrine — in a building damaged on 9/11. (In other words, at Ground Zero) That’s the context here, Ms. Maddow, your grasping contortions to the contrary. For Maddow to say Gingrich claims America is at war with “Islam”, with “an entire religion,” isn’t just a stretch, it’s dishonest. Gingrich — as he has since well before 9/11 — is warning of the peril from radical, militant Islam, not Islam itself. It’s not just in the trailer to “America at Risk” where Gingrich makes this distinction. While the documentary was being made, Gingrich spoke at the American Enterprise Institute in late July on the same subject and said this (link to transcript here ; first quote on page 10) — Let me just say I believe that it is very important to draw a distinction between radical jihadis, which I define simply (as) those people who seek to impose sharia, and those Muslims who seek to practice their religion within a framework of the modern world. I would allow each Muslim to define themselves in that sense, but I would be unequivocal about the fact that radical Islamists are not compatible with the modern world and not compatible with civilization as we know it and therefore we are engaged in a long struggle. To Maddow and her ilk, any criticism of radical Islam becomes condemnation of all Muslims, just as any criticism of a (liberal) person of color is immediately deemed racist.  Later in her show Sept. 9, while talking with New York Times columnist Gail Collins, Maddow make this telling remark (third part of video, starting at 3:50) — MADDOW: I made the case in the opening segment, in which I yelled and I’m sorry but I feel a little emotional about it, that the reason that this is getting driven the way it is, and sort of why this kook guy without a congregation who otherwise would be very happily ignored by everybody involved in the creation of news in this country … … which is how Maddow sees her role, “happily” involved in the “creation of news” — as opposed to “coverage” of news. You know, the sort of thing done by actual journalists. “Creation of news,” for example, taking the form of ignoring actual threats to this country — from jihadists — while manufacturing alleged threats, from those warning of jihad.  Maddow revisited the “America at Risk” documentary the following night after showing remarks from President Obama at his press conference that day, juxtaposed with those from President George W. Bush after 9/11 (final clip in video, starting at 4:11) — MADDOW: It sounds like all-American rhetoric when a president, any president, makes the case that Muslim-Americans are Americans too, that we are at war with terrorists, we’re not at war with Islam, that religious freedom wasn’t just a founding principle of this country, it is a living principle of this country. Yes, you heard right — “we are at war with terrorists.” Mark your calendar, it’s not often you hear a left winger acknowledge this. And hitting high above her average, Maddow gets it two-thirds’ correct. Yes, we’re at war. Yes, it’s with terrorists. What she can’t bear to point out is that we’re not at war with Basque or Tamil Tigers or any of dozens of other terrorist groups around the world — it’s with Islamic terrorists. Such is the practice of useful idiocy. As Gingrich also said at the American Enterprise Institute in July (transcript here , page 10 for following quote) — The left’s refusal to tell the truth about the Islamist threat is a natural parallel to the 70-year pattern of left-wing intellectuals refusing to tell the truth about communism and the Soviet Union. If you go back and look at all the years of disinformation, all the years of denial, that were the left’s response to communism, why would you think that the next threat to Western civilization will be more accurately studied? This is why the secular-socialist system is itself such a threat. It is the natural pattern of secular-socialist intellectuals to prefer our opponents to us and to accept their lies over our truths. If you doubt that, go look at any study of the 70-year pattern in which the left consistently apologized for the Soviet empire, and look at the shock of the left when Ronald Reagan described the evil empire. Or the pattern of the last decade in which the left demanded that jihadists were spared from harsh interrogation, and condemned Bush and Cheney as greater war criminals than bin Laden and Saddam Hussein.

Visit link:
Rachel Maddow Hits Two-Year Mark at MSNBC With Signature Dishonesty

Brian Williams Relitigates Bush v Gore, Pushes Breyer to Elaborate on Irreparable Harm

Giving Supreme Court Justice Stephen Breyer an unusual evening newscast platform to plug a book, on Monday’s NBC Nightly News anchor Brian Williams brought viewers back to the Left’s ten-year-old grudge, cuing up Breyer to agree: “Do you think Bush v Gore hurt the credibility of the modern court?” Breyer replied with a simple “yes” and Williams suggested: “Irreparably?” “No,” Breyer said in rejecting Williams’ overwrought premise, so Williams pressed: “For how long?” Williams introduced the September 13 segment by marveling: We can’t remember a sitting justice on the U.S. Supreme Court ever stopping by our studios here, but it happened today. We spent some time with Justice Stephen Breyer, appointed by President Clinton and residing on the liberal side of the court. Justice Breyer is out with a new book today. It’s about how the court works, including mistakes the court has made over the years. I started out by asking Justice Breyer, given his love of the Supreme Court, if he’s concerned that just one percent of those Americans polled, in a recent survey, knew his name? That book: Making Our Democracy Work: A Judge’s View . The second topic raised by Williams: WILLIAMS: Do you think Bush v Gore hurt the credibility of the modern court? BREYER: Yes. WILLIAMS: Irreparably? BREYER: No. WILLIAMS: For how long? BREYER: I don’t know. That’s up to historians. I thought that the decision — I was in dissent. I obviously thought the majority was wrong. But I’ve heard Harry Reid, I heard him say this, and I agree with it completely, he said the most remarkable thing about that case, Bush versus Gore, is something hardly anyone remarks. And that remarkable thing is even though more than half the public strongly disagreed with it, thought it was really wrong, they followed it. And the alternative, using guns, having revolutions in the street, is a worse alternative. WILLIAMS: To a new area, academic social elitism on the court. What would be your view of bringing in — Presidents appointing justices who went to a couple of state law schools?

Continued here:
Brian Williams Relitigates Bush v Gore, Pushes Breyer to Elaborate on Irreparable Harm

Jersey Shore: Firecrackers in a Dumpster [Recaps]

Sometimes the events on Jersey Shore , the greatest sociological experiment of our time, get extraordinarily trashy. That doesn’t mean they aren’t revelatory. What, exactly, can we learn about living in the modern age from our eight favorite guidos? More

Anti-Science Attitudes the Last Thing US Economy Needs: Nature

Image via Salon In case you’ve been dozing through the last few years, sound science has been under attack in disciplines focusing on everything from climate to vaccines to alternative medicines. Yesterday, I excerpted an interview with a man whom many consider to be a champion of sound science — Simon Singh deftly articulated the public relations crisis science faces in the modern age . So I thought I’d follow up on the topic today, after seeing that the esteemed s… Read the full story on TreeHugger

See the original post here:
Anti-Science Attitudes the Last Thing US Economy Needs: Nature