Tag Archives: Money

Video: Former Oil Worker Says Cleanup Just For Show

GULF SHORES, Alabama – Former oil clean-up worker Candi Warren says she signed up to make a difference, but soon found out the work of cleaning the beaches was all cosmetic. That's what she was told, she says. Warren says she knew that when crews worked during the day, the tide and surf buried oil overnight. But they were forbidden to dig it up. She quit in disgust three weeks ago despite the $18 per hour pay. She said she was told to only clean the surface of the sand, that this is all cosmetic. She was on a crew at Gulf State Park where tourists go. She says it has priority so as to make it look like the beaches are clean. Warren says she believes money is being wasted on the crews and says “At some point the real clean-up will have to begin, but I'm afraid the money will be gone.” She used a shovel and dug down six, eight, maybe twelve inches into the sand to show us the layers of oil close to the shoreline. http://beforeitsnews.com/story/86/506/Video:_Former_Oil_Worker_Says_Cleanup_Just… added by: TomTucker

CNN’s Acosta and Costello Parrot Obama Talking Points on Offshore Drilling Moratorium

CNN’s Carol Costello and Jim Acosta revealed their disdain for a federal judge’s decision to overturn the Obama administration’s 6-month moratorium on offshore drilling when the expert they interviewed on the June 25 “American Morning” made a convincing case against the moratorium. Tom Bower, an author who has written extensively on the oil industry, tried to explain the devastating economic impact the moratorium would inflict on an already beleaguered industry, but Costello and Acosta were blinded by ideology: “But isn’t safety more important than money?” queried Costello. “Because, I mean, these oil companies make massive amounts of money each day.” Bower, author of “Oil, Money, Politics and Power in the 21st Century,” drew the ire of Costello and Acosta for calling the Gulf oil spill an “aberration” and noting the oil industry’s “phenomenal” overall safety record.      “But that’s what they say, it is just an aberration, but the BP disaster happened,” argued Costello. “Nobody thought that could happen either. So, it’s just not logical, is it, that argument?” “What do you mean they’re doing a very good job on the whole down there?” demanded Acosta. “I don’t know what that means. In what sense? You know, I mean, this entire body of water is at risk right now. It has been poisoned. And I’m just curious, what do you mean by doing a good job?” Taking aim at Republicans and moderate Democrats like Sen. Mary Landrieu (La.) who continue to support offshore drilling, Acosta asked Bower: “I’m just curious, you know, is there a little bit of a having your cake and eat it too, when it comes to some of these Gulf Coast politicians saying we want the jobs and the protection from any environmental impact at the same time?” Loaded questions designed to advance the White House’s narrative reflect Acosta’s underlying liberal tendencies. Costello also parroted the Obama administration’s narrative: Well, let’s talk about this moratorium because, and I’m just going to play devil’s advocate here. Let’s say — I mean, what’s wrong with these oil companies to stop drilling in the deepwater, these 33 wells, for four more months? Because that’s all we’re talking about when you take the moratorium in its entirety. What’s wrong with that? Bower’s response, unlike Costello’s sputtering rant, was succinct and nonpartisan: Well, the cost. We see each oil platform, each rig costs at least half a million dollars a day, and often more, and they just can’t afford that sort of equipment lying idle and the contractors will find other places around the world who want the rigs, and they’ll just take them there, so there’s just no choice. After dismissing the expert, Acosta, turning to Costello to offer his informed opinion, lamented that “it just doesn’t feel right, you know, to say that as a whole, the industry’s just doing a great job down there.” The transcript of the segment can be found below: CNN American Morning 6/25/10 6:41 a.m. CAROL COSTELLO, co-host: The Obama administration loses another effort to put a moratorium on drilling in the Gulf. But does lifting that ban serve our nation’s best interests? You know, Bonnie is talking about this storm coming in. JIM ACOSTA, co-host: Yeah.                      COSTELLO: Wouldn’t it be a good idea if they continue to stop drilling on those 33 rigs — you know that are affected by this? ACOSTA: It’s another potential complication for this whole thing. COSTELLO: Yes. We’re going to get really into that with author Tom Bower, who has written a lot on BP and the oil industry. It’s 41 minutes past the hour. ACOSTA: Welcome back to the “Most News in the Morning.” You know, a showdown looms this morning over offshore drilling. A federal judge denied the administration’s request to postpone an order that would end a six-month moratorium. COSTELLO: That means if anyone wants to start up the deep water drills, they certainly can, but the White House says it will introduce a new ban in a few days. We wanted to know what a moratorium really means for safety though. Is it really necessary? Joining us from London this morning: Tom Bower, who is the author of “Oil, Money, Politics and Power in the 21st Century.” Good morning, sir. TOM BOWER, author of “Oil, Money, Politics and Power in the 21st Century”: Good morning. COSTELLO: Well, let’s talk about this moratorium because, and I’m just going to play devil’s advocate here. Let’s say — I mean, what’s wrong with these oil companies to stop drilling in the deepwater, these 33 wells, for four more months? Because that’s all we’re talking about when you take the moratorium in its entirety. What’s wrong with that? BOWER: Well, the cost. We see each oil platform, each rig costs at least half a million dollars a day, and often more, and they just can’t afford that sort of equipment lying idle and the contractors will find other places around the world who want the rigs, and they’ll just take them there, so there’s just no choice. COSTELLO: But isn’t safety more important than money? Because, I mean, these oil companies make massive amounts of money each day. BOWER: Well of course, safety is critical. As we’ve now seen, the catastrophe follows if these are not safe. But on the whole, all the oil corporations are working safely. This is just an aberration. COSTELLO: But that’s what they say, it is just an aberration, but the BP disaster happened. Nobody thought that could happen either. So, it’s just not logical, is it, that argument? BOWER: We don’t stop driving on the road because of a car crash. People carry on driving and people walk up staircases and fall down them, but we still walk up stairs. So in the end — ACOSTA: Totally different when you’re talking about an entire body of water as important as the Gulf of Mexico. I mean, the question that I have is we’ve heard the governor of Louisiana, and I’m sure you watch him closely as well, Bobby Jindal, you know, talk about why this moratorium should be lifted for the sake of jobs and so forth. But at the same time, the governor is saying we need to built berms, we need to do all these other things to protect our coastline, and I’m just curious, you know, is there a little bit of a having your cake and eat it, too, when it comes to some of these Gulf Coast politicians saying we want the jobs and the protection from any environmental impact at the same time? BOWER: Look, I’m not an apologist for the oil industry, but I must tell you that on the whole, their record is very good. And America needs the oil, it needs the gas, and the product in the Gulf has been superb, and they’re doing very good job down there on the whole. So, you know, just like we don’t stop fly when a plane crashes, you just got to improve the regulation — ACOSTA: What do you mean they’re doing a very good job on the whole down there? I don’t know what that means. In what sense? You know, I mean, this entire body of water is at risk right now. It has been poisoned. And I’m just curious, what do you mean by doing a good job? Because the other day, there were CEOs from the entire oil industry testifying on Capitol Hill saying that if they were to also engage in deepwater oil drilling, they essentially have the same plan of action in place if there is a major catastrophe, which is, well, we just have to, you know, see if we can plug the hole. BOWER: Look, again, I can only say I’m not an apologist for the industry, but they are extracting amazing amounts of oil from the most difficult conditions. You got to ask why they’re in the Gulf and not getting it from Mexico, Venezuela or Russia. That’s one of the great issues. ACOSTA: Are you saying that we basically put ourselves in this position? I mean, is that your point? BOWER: I think the countries have gotten the oil to put America in that position. But on the whole, they have done a very good job in the Gulf and the executives who testified on the Hill like (INAUDIBLE) have not had these sort of catastrophes that BP is just having. So, I got to repeat on the whole, they’ve done an amazing job to find oil and gas there, and they are bringing it out safely. The point is that the administration discovered that the regulators, the MMS have done a very poor job so the government has got some of the blame here. They’ve let the oil corporations get away with murder for too long. They’ve now learned a lesson. They’ll clearly have much better regulations down in the Gulf and elsewhere as well, because, believe me, they’re going to have to start digging for oil and drilling for oil off other coastlines around the U.S. again in the near future because America needs the oil. COSTELLO: Funny you mentioned that because BP is doing that, you know, off the shores of Alaska and it’s doing this maneuver where they’re drilling it’s three miles offshore, they drilling down very deeply, and then they’re going to make a horizontal line, something that’s never been done before. So, BP, itself, is being allowed to go ahead with this process when we know that BP doesn’t have it together when it comes to extreme disasters and how to fix things. BOWER: You’re absolutely right. The horizontal drilling is really quite well established now. There’s nothing new on that. That is a very effective way of getting huge amounts of oil out which previously would have got lost. But I think BP has learned a lesson. I don’t think they’re going to make that sort of error again. They’re going to be more careful than ever. They can’t afford another catastrophe nor can any other oil corporation. I mean, you just got to set the seed that of course oil is a very risky business as I show in the book. What they’ve done down in the Gulf is quite phenomenal. This is a catastrophe which never should have happened. Everyone is learning lessons. They’re going to do their best to prevent it from happening again, but the government has got as much responsibility now as the oil corporations to make sure that the regulations are there and enforced. COSTELLO: Tom Bower, many thanks to you this morning. We appreciate it. BOWER: Pleasure. ACOSTA: I’m not sure I agree that they’re doing a bang-up job down there, but that’s just my take on it. COSTELLO: You mean BP or the oil industry as a whole? Because I think he was separating them out. ACOSTA: I think he was trying to separate it, but it just doesn’t feel right, you know, to say that as a whole, the industry’s just doing a great job down there. COSTELLO: It’s sort of like you have to trust them that catastrophes similar to what’s happening with BP doesn’t happen again. And the oil companies are saying, “well, we have a great safety record.” But BP said that, too. ACOSTA: Yes. We can’t go on like this. We’ll move on. –Alex Fitzsimmons is a News Analysis intern at the Media Research Center. Click here to follow you on Twitter.

Read more:
CNN’s Acosta and Costello Parrot Obama Talking Points on Offshore Drilling Moratorium

‘Grown Ups’: The Reviews Are In!

Most critics think Adam Sandler and the gang need to step the maturity level up a notch. By Eric Ditzian David Spade and Adam Sandler in “Grown Ups” Photo: Sony Pictures “Grown Ups” only arrived in theaters Friday (June 25), but we’ve seen this all before: Adam Sandler fully embodying his schlubby-jokester shtick, surrounded by friends from his “Saturday Night Live” days and his earlier films, under the direction of a guy who’s helmed no less than five Sandler flicks (with a sixth just wrapped and a seventh already in the works). By this point, 15 years after “Billy Madison” and as Sandler has matured from frenetic man-child to fatherly do-gooder, you either embrace what the crew delivers to the big screen or your don’t — and when it comes to “Grown Ups,” most critics seem to find they don’t. Yet the film is on track to reel in between $30 million and $40 million this weekend, so clearly there’s a wide divide between reviewers and the moviegoing public they seek to inform. What will you think about this film that has Sandler, Chris Rock, Kevin James, David Spade and Rob Schneider meeting up at a childhood lake house to rediscover the youthful enthusiasm they’ve lost over the years? The only way to find out, of course, is to hit the theaters. And before you do, here is what the critics have to say. “What kept me laughing is the genuine camaraderie among Sandler’s posse, the way they almost play themselves that perfectly suits this slim material,” wrote Steve Persall of the St. Petersburg Times. “Their conversations as characters sound like smack talk among one-upping pals, with nothing off-limits. Often when comedian buddies make movies together, the results are terribly inside jokes, not the least of which is that they’re being paid to loaf. ‘Grown Ups’ lets us in on that gag, and occasionally makes it work.” There’s no doubting there are laughs to be had in the film, but Michael Phillips of the Chicago Tribune was left wishing the laughs had come more often. “I love to laugh, loud and long and clear, just like Ed Wynn in ‘Mary Poppins,’ ” he wrote. “It’s just that ‘Grown Ups’ director Dennis Dugan, a frequent Sandler collaborator, is such a dang lunkhead when it comes to slapstick. On the crudest possible level he lands the punch lines often enough to please the folks and make the money, so there’s no fiscal incentive for him to change a thing about his directorial approach to anything, really. But if he ever learns to sustain a shot and build a joke visually within the frame, rather than slamming it together in the edit, he’ll give us better comedies. I guar-an-tee it.” Of the five men, though, perhaps the most consistently laugh-inducing is Schneider. As the Los Angeles Times ‘ Betsy Sharkey said, “The surprise of the movie, and there aren’t many, is Schneider. He plays completely against type as a New Age philosopher-massage therapist in a May-December relationship where he’s May and the most sensitive, restrained one of the bunch with nary a cutting remark. Except for the very bad toupee, the whole renaissance man thing is a good look on Schneider, though it also means he bears the brunt of the good humor boys.” “Say this for ‘Grown Ups’: Its heart is in the right place,” said Scott Bowles of the USA Today. “The actors seem genuinely fond of one another, and the message — don’t pass up life’s simple pleasures — suits its PG-13 rating. And the ’80s soundtrack is spot-on. But it isn’t enough to salvage this film. By the time we reach the finale (though it has a nice twist), it feels as if it’s time to pack your bags and head home. Sandler may still have a hit on his hands. The actor’s fans are as rabid as any, and he continues to churn out blockbusters, ‘Funny People’ notwithstanding. But if Sandler hopes to win over new fans, he may want to cork the scatological humor and let it age a bit.” We’ll give Roger Ebert of the Chicago Sun-Times the final word: ” ‘Grown Ups’ is a pleasant, genial, good-hearted, sometimes icky comedy that’s like spending a weekend with well-meaning people you don’t want to see again any time real soon. They’re the kind of people where, in the car driving home, you ask, ‘What was that all about?’ Try to imagine the Three Stooges slapping each other’s faces with dehydrated reconstituted bananas. No, really.” Check out everything we’ve got on “Grown Ups.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

Read more:
‘Grown Ups’: The Reviews Are In!

Burning Tap Water and More: GASLAND Exposes the Natural Gas Industry

Image: Gasland What the frack? In 2008, Josh Fox received a letter from a natural gas company. They were interested in leasing land owned by his family to do natural gas drilling. The offer was for $100,000, but instead of taking the money, Josh decided to do some research on the natural gas industry and ended up making a documentary called GASLAND. It focuses on the impact that modern natural gas extraction, which primarly uses hydraulic fracturing( aka “fracking”), has on communities and the environment. Check out the trailer below, it’s pretty good…. Read the full story on TreeHugger

Read more:
Burning Tap Water and More: GASLAND Exposes the Natural Gas Industry

Elizabeth Hurley’s Hot MILF Slit

Here’s queen MILF Elizabeth Hurley leaving for some sort of flashy Elton John party the other night in her nice white evening gown giving us a tiny peek at her mom cleavage. I’m not that into fashion design, but if it were up to me I would have made that slit in her dress about an inch or two higher. Not because I want to get a look at her lady business, but because I think it would really make the whole outfit more aesthetically pleasing. Alright, of course I want to get a look at her lady business. So what? more pictures of Elizabeth Hurley here

Eminem Producer Alex Da Kid Wants To ‘Bounce Around Different Genres’

British producer has had a string of success with big records by Em, Nicki Minaj and B.o.B. By Jayson Rodriguez Alex Da Kid Photo: MTV News Producer Alex Da Kid knows that what appears to be his “breakout” run — with three scorchers in Eminem’s “Love the Way You Lie,” Nicki Minaj’s “Massive Attack” and B.o.B’s “Airplanes” — is really him having the good fortune of multiple labels releasing his productions around the same time. He admits, though, that his phone has been ringing more lately as a result. The British producer started out as an intern at MTV overseas before he realized he had a different life calling. He flirted with FruityLoops , crafting beats he called “the worst,” and went to school to study audio technology. One of his teachers was already well-connected in the music industry and helped mentor the budding producer. He hesitates to describe his sound, saying he wants to work with a range of artists. He does, however, own up to not being the best musician just yet. “I play guitar really badly, and I play keyboard really badly,” he told MTV News, laughing. “I’m like a bad musician. I grew up in London, and it’s like, New York, there’s a lot of different people and different cultures. I grew up around a lot of that. And my music is a reflection of that. I’m working on a lot of rock projects at the moment. I work on pop. I work on grimy hip-hop and everything in between. I don’t really box myself in. I wanna be like a new version of Quincy Jones, where I can bounce around in different genres and still be credible and still make it work. “I want all the money,” he added, playfully. Currently, Alex Da Kid is in the studio with Rob Thomas and Rihanna and submitting beats to the Clipse for their next project. He also recently inked his first artist, Skyler Grey, who helped him pen Rihanna’s chorus for Eminem’s “Love the Way You Lie.” What do you think of Alex Da Kid’s work so far? Share your thoughts in the comments! It’s Eminem Week at MTV News, so stick with us as we celebrate the release of Recovery and take you inside the making of Em’s latest album. Related Artists Eminem B.o.B Nicki Minaj

Read this article:
Eminem Producer Alex Da Kid Wants To ‘Bounce Around Different Genres’

Big K.R.I.T. Hopes Fans Will ‘Relate To And Respect’ His Music

‘People can see the growth from when I first did my first project until now,’ he tells Mixtape Daily. By Jayson Rodriguez Big K.R.I.T. Photo: Def Jam Fire Starter: Big K.R.I.T. He’s Def Jam’s latest recruit, hailing from below the Mason-Dixon Line, via Meridian, Mississippi. The new homie’s name is Big K.R.I.T., a rapper and producer, who was personally inked to the legendary label by none other than Sha Money XL, the former G-Unit president who recently joined the House that Russell Built. His breakout mixtape, K.R.I.T. Wuz Here, hit the Internet a few months ago and slowly picked up steam, earning praise from music critics and bloggers alike. According to the Creative Control/ DD172 affiliate, the project — an earnest collection of soul-inflected Southern hip-hop — was five years in the making. “People can see the growth from when I first did my first project until now,” K.R.I.T. told Mixtape Daily. “And they can see the growth and me really finding myself as an artist. And really not compromising my creative mind frame for what’s going on in the industry and just being myself and putting the music out. The first record is ‘Return of 4eva.’ It was really just telling the game we here on some Southern hip-hop and this is us. And this is the type of music that I’m gonna put out. And I just hope that people can relate to it and respect it.” “Return of 4eva” is among the standouts on K.R.I.T. Wuz Here, along with “Children of the World”; both feature Creative Control-directed clips. The Mississippi artist became aligned with the burgeoning downtown Manhattan movement after joining forces with music-industry mover Jonny Shipes last year. He then found himself spending time in Dame Dash’s 24 Hour Karate School dojo and collaborating with Curren$y and the loose collection of creative types at the hip-hop mogul’s studio. Now that he has signed on the dotted line with Def Jam and joined a roster that includes Rick Ross, Nas and Young Jeezy, the newcomer is honing his Pimp C-like vocals and beats in hopes of making the next Southern masterpiece. “I’m UGK-influenced, ” K.R.I.T. said. “They had their own vibe, how they did their music. They did whatever they felt like they wanted to on record. They the next-door neighbor where I’m from, in Texas. So we were greatly influenced by their music. By Outkast. By 8Ball & MJG. That was the golden era to us.” For other artists featured in Mixtape Daily, check out Mixtape Daily Headlines or follow the Mixtape Daily team on Twitter: @shaheemreid and @mongosladenyc .

Read more from the original source:
Big K.R.I.T. Hopes Fans Will ‘Relate To And Respect’ His Music

Rick Ross Talks ‘Blowin’ Money Fast (B.M.F.)’ Video

The Bawse says Diddy, Bun B turn up in clip for Albert Anastasia EP track; hints Spike Lee may direct ‘Live Fast, Die Young.’ By Shaheem Reid Rick Ross Photo: MTV News Rick Ross has been busy building visuals. At the top of this week, the Bawse and director Parris completed production in New York City on his video for street banger “Blowin’ Money Fast (B.M.F.)” with the likes of the Lox, Bun B and Diddy showing up to set. Ross plans to shoot two more clips soon: one for “MC Hammer,” and the other for “Live Fast, Die Young,” off the upcoming Teflon Don. “Shout out to Spiff TV,” Ross said this past Saturday at Atlanta’s Philips Arena. He’d just come offstage, after performing at Hot 107.9’s Birthday Bash 15 concert . “Spiff [is directing] ‘MC Hammer’. We haven’t shot it yet, but shout out to MC Hammer. We talked a couple of times. We just putting everything together,” Ross said. “I think it’s gonna be real cool to make sure he’s in it. I think it’s mandatory that Hammer bless the screen man. Look out for Parris — we shot the first half of ‘B.M.F.’ in Carol City [and] Little Haiti,” the Miami MC said of the Florida backdrops. “Everybody, they just gonna come [show] respect for the streets, the movement is feeling good.” As for the video for the Kanye West-produced “Live Fast, Die Young,” Ross is thinking bigger budgets and an A-list director. He recently took to his Twitter and posted a photograph of himself and Spike Lee, hinting that he and one of Brooklyn’s finest may be teaming up soon. “What I actually tweeted — and you should actually follow me @rickyrozay — when I was in Hawaii, me and Kanye did a different kind of record and it may take a different kind of director. It was me, up in the middle of the night reflecting. It was an actual picture [from when] Spike came out to my birthday. I had a private get-together in Miami. Spike came out, we discussed a few things. It’s one of those things [that] I call speaking it into existence. I feel once I put something in my mind, I can accomplish it. Shout out to the big homie F. Gary Gray. I can’t commend him enough. We pulled that off with ‘Super High’,” Ross said of landing the Hollywood director for the visual. “Whoever would have thought? It’s something that’s most definitely possible.” While the bearded MC is looking forward to the “Live Fast” video, with whoever may sign on to direct, he said it was important to keep his priorities straight. “First and foremost, we gotta release the record,” he smiled, referring to “Live Fast, Die Young.” “It’s real close. I’mma tell you that. Thanks to everybody for the support on ‘Super High.’ We about to crack top 10 on that. I told myself, once I crack top 10 with the first record, I was gonna come with that next big one. It’s feeling like in the next week or two, we could be coming with it. It’s something I’m most definitely anticipating, all the pieces to the project fell into place. July 20, Teflon Don in stores.” After seeing Ross’ Hollywood-style “Super High” video, are you eagerly anticipating more clips? Let us know in the comments! Related Artists Rick Ross (Hip-Hop)

Read more from the original source:
Rick Ross Talks ‘Blowin’ Money Fast (B.M.F.)’ Video

‘Knight And Day’: Run Time, By Kurt Loder

Tom Cruise and Cameron Diaz in an over-amped but underpowered spy tale. Tom Cruise and Cameron Diaz in “Knight and Day” Photo: Twentieth Century Fox and Regency Enterprises Anyone who’s ever been trapped on a plane flight from Hell — squashed by sprawling seatmates, battered by passing backpacks, besieged by squalling brats — will appreciate the elegant simplicity of Tom Cruise’s solution to similar problems: He kills everybody. Literally. But then they were trying to kill him. Even the pilots. Which is why they’re dead, too. Emerging from the loo, Cameron Diaz is surprised to find that she and Tom are now alone, unless you count corpses as company. And she’s worried — the plane is diving fast. Tom will handle that. (“No need to panic.”) But then what? The answer to that question has been clear in every espionage-romance dating back at least to Hitchcock’s “The 39 Steps.” The answer is: Run! If only “Knight and Day” gave these two much else to do. Playing rogue CIA agent Roy Miller, Cruise deploys his smooth charm to ravishing effect — we’re reminded again of what a supple comic actor he can be. And as innocent bystander June Havens, Diaz, with her eager eyes and engulfing grin, is adorable throughout. But the script, by first-time screenwriter Patrick O’Neill, doesn’t have enough of the breezy wit that makes a classic spy-chase movie like “North by Northwest” so pleasurable. There are some good lines. (Noting that trouble-magnet Roy has been wounded at one point, June deadpans, “You have to go to the hospital. Prison, maybe.”) But director James Mangold (“Walk the Line”) is mostly intent on goosing the action along from one nifty set of stunts to the next. The stunts are pretty great — especially a heavy-damage highway chase (which seems fresher than usual here) and a wild escape through a Spanish bull-run stampede. But we miss the stylish downtime that would allow us to catch our breath. And we miss the romance. Cruise and Diaz have real chemistry, but the script doesn’t enable them to do much with it. (Although there is a cute moment when she wakes up in a bikini she wasn’t wearing when she passed out. Too bad this sexy tease doesn’t build into anything interesting.) In the traditional way, the story is a flimsy thing; and in the traditional way, that doesn’t matter. Roy is being chased by a team of his former CIA colleagues led by an inscrutable character named Fitzgerald (Peter Sarsgaard). Fitzgerald is convinced that Roy has lost his mind and absconded with an ultra-powerful device called the Zephyr. (“The biggest thing since the sun,” Roy says.) The determined spooks chase Roy and June — who has fallen into this mess by sheerest accident — from Boston to the Azores (where Roy maintains a private island) to Austria (look out for the assassin!) to the Spanish villa where an international arms dealer named Antonio (Jordi Moll

Nicki Minaj’s Swagger And Skills Make Her A Prime ‘Hottest Breakthrough MC Of 2010’ Candidate

Fans decide our ‘Hottest Breakthrough MC of 2010′ — vote now! The winner will be revealed on July 25. By Shaheem Reid Nicki Minaj Photo: Johnny Nunez/ Getty Images “Hottest Breakthrough MC of 2010” Candidate: Nicki Minaj Nicki Minaj is in the running for MTV News’ “Hottest Breakthrough MCs of 2010” because of her massive attack — not her single of the same name , which came out earlier this year and has a big-budgeted video full of eye candy. Minaj’s appeal is about more than one song, more than one type of flow, more than one genre of music, even more than one gender. Her charisma and versatility have made her today’s face of female rap, but her appeal is universal. The Young Money MC has an army of female supporters she calls her “Harajuku Barbies” that are enthralled with her style and persona. The guys love her audacity and precision on the mic as well as her beauty. From Southside Queens to Down South in Atlanta, the New York native credits grinding down-bottom with helping to make her one of the most versatile MCs in the game right now. “[Lil] Wayne liked me,” Minaj told MTV’s “Sucker Free” backstage in Boston earlier this year. “He saw me on [“The Come Up”] DVD and he wanted a female for Young Money. I moved to Atlanta, me and Gucci [Mane] started working crazy. People started thinking I was a Down South girl. I feel more diverse because I did that — because I’m not a rapper that just stayed in Jamaica, Queens. It was a great thing. “Sometimes people see the glitz and the glamour. That’s why they envy you,” she added. “They don’t see three, four, five years ago. They don’t see when I was selling my mixtape for two dollars on Jamaica Avenue [in Queens]. They don’t see when I couldn’t get New York DJs — I lived in New York my whole life — to even play a song. At the end of the day, it’s all about hard work. You clearly see that hard work; that’s all it takes. If you really want it, direct your energy on positive sh– and it will happen.” She’s laced dozens of guest spots along preeminent spitters such as Rick Ross, Busta Rhymes, Fabolous, Ludacris, Jadakiss, and of course her Young Family members, and just like her skills on the mic, Nick’s work ethic can’t be questioned. She’s a fashion icon, a sex symbol, she appeals to men and women and she has a huge fan base. The only thing she’s lacking at this point is a debut LP. “I am still hungry,” Minaj, who says her main goal this summer is to sit in the studio and complete that album, said with a smile. “I’m not hungry in monetary way, I’m hungry like I wanna feel what its like to have 10 albums under my belt. I think when you’re a perfectionist — when you are an artist, you want to be great at your craft — sometimes it’s not about money. I feel like I’m still a new artist, I still gotta prove myself, I still have to prove myself to me that I can do this. The features are great — I thank all the artists that gave time, the opportunity to feature with them. But I’m Nicki Minaj, I’m capable of doing what they do. I just wanna get out here and prove it. The album is coming soon. Its something I can’t date. I’m not rushing it. The album will come when it’s ready, in its natural time.” Nicki and 19 other up-and-coming MCs are in the running to become MTV News’ “Hottest Breakthrough MCs of 2010” — and the winner will be decided by you! Cast your vote for the “Hottest Breakthrough MC of 2010” right here! The top five will be revealed beginning on July 19, and the winner will be announced on the “Sucker Free Summit” July 25! Related Artists Nicki Minaj

Read more:
Nicki Minaj’s Swagger And Skills Make Her A Prime ‘Hottest Breakthrough MC Of 2010’ Candidate