Tag Archives: night

‘American Idol’ Finale: Lee DeWyze Upsets Crystal Bowersox

A cavalcade of performers hit the finale stage, including Christina Aguilera, Janet Jackson and Bret Michaels. By Gil Kaufman Lee DeWyze Photo: Amy Silverman They auditioned together in Chicago last summer, and they’ve become good buds in the nine months since. They’re both 24 years old and were vying to be the first Midwesterner to win the “American Idol” title. One, Ohioan Crystal Bowersox, was the odds-on favorite to win it all for most of season nine, while the other, low-key Illinois-bred Lee DeWyze, came on strong down the stretch and threatened to pull out an upset victory. On Wednesday night (May 26), when all the hoopla, oldies acts and teary goodbyes to departing judge Simon Cowell were finally said and done, it was DeWyze who emerged victorious in an “Idol” upset for the ages. While Bowersox hugged him and looked loose and relaxed, DeWyze seemed gripped by nerves as he awaited word from host Ryan Seacrest. When the verdict was read, the former paint-store clerk and high school dropout with a musical dream bent over and looked like he was going to be sick. He was quickly swarmed by the top 12, emerging with a smile and the outburst: “Oh my God!” When Seacrest asked how it felt to be the new American Idol, DeWyze laughed nervously. “I don’t know! This is amazing. Thank you guys so much for everything. Thank you. Thank you,” he said breathlessly, gesturing to the crowd with tears in his eyes and then hugging Bowersox and telling her that he loved her. “I’ve never been happier in my life,” he added before breaking into his coronation song, “Beautiful Day,” as a rain of sparks, confetti and lasers filled the air in the Nokia Theatre. It was an unlikely ending to an uneven season with what many considered the shallowest “Idol” talent pool in memory and which suffered from a nearly 10 percent decline in viewership but is still the #1 show on TV. Season nine saw the addition of fourth judge Ellen DeGeneres, whose quips and twisted food metaphors sometimes fell flat, as well as the departure of Cowell, considered the heart and soul of the judging panel. But before DeWyze could celebrate the realization of his long-sought musical dream, the two-hour show trotted out the usual assortment of time-fillers. The battling finalists first took the stage in burgundy Hogwarts-style school uniforms, which made sense a short time later as former Michael Jackson guitarist Orianthi shredded the opening licks to Alice Cooper’s season-appropriate summer anthem “School’s Out,” which the top 12 lip-synched alongside a kids’ choir with dead eyes and the Coop himself. Last year’s champ, Kris Allen, came by to sing his new ballad, “The Truth,” and one of the show’s biggest stars, Carrie Underwood, showed the newbies how it’s done with her sassy new single, the Kara DioGuardi co-written country rocker “Undo It.” Third-place finisher Casey James got one of the most plum assignments of the night, singing Poison’s “Every Rose Has Its Thorn,” with accompaniment by none other than surprise guest Bret Michaels , making his first stage performance since a string of recent health crises including a heart scare and a nearly fatal brain hemorrhage . Some of this season’s castoffs got one more chance to shine, with shaky vocalist Siobhan Magnus teaming up with Teflon teen Aaron Kelly for the Bee Gees’ “How Deep Is Your Love,” which featured a cameo from the living Gibb brothers, Robin and Barry. Michael “Big Mike” Lynche hooked up with Michael McDonald for the Doobie Brothers’ “Takin’ It to the Streets,” while the top five girls joined Crystal for Christina Aguilera’s “Beautiful” which morphed into the grinding “Stronger.” Aguilera herself showed up halfway through and eased into her new piano ballad “You Lost Me,” which she sang while standing on a pedestal covered with light bulbs and wearing a black catsuit and spangly tights. The top 12 harmonized on Janet Jackson’s “Again,” with Ms. Jackson herself strutting out in flowing black Elvira dress and her new short hairdo to take center stage and sing the hushed balled “Nothing.” She later stripped off the dress to reveal a skintight black bodysuit for a strut through her signature hit “Nasty.” DeWyze drew the relatively long straw by leading the top five men in a medley of Hall & Oates songs, including “I Can’t Go for That” and “Maneater,” before the real-deal duo came out and killed it on “You Make My Dreams Come True.” DeWyze later joined the band Chicago for a medley of their hits, including “Does Anybody Really Know What Time It Is?,” “If You Leave Me Now” and “25 or 6 to 4.” But the night’s breakout moment began with Bowersox singing Alanis Morissette’s “Ironic” in her blues-mama voice before Morissette herself emerged and the two women circled each other and snarled out the lyrics to Alanis’ breakthrough 1995 hit “You Oughta Know,” on which their powerful voices perfectly meshed. The night’s final performance found Bowersox and DeWyze harmonizing on the Beatles’ “With a Little Help From My Friends” with an assist from the man whose cover of the song is the second-most definitive version, ’60s rocker Joe Cocker. And on Cowell’s final night, former right-hand lady Paula Abdul came via tape to participate in a montage honoring Cowell’s top moments on the program. Comedian Dane Cook debuted “The Things That Simon Said,” a touching acoustic ballad that strung together some of his most famous insults, including, “You came across like a background singer for a background singer.” He almost got the whole song out before a parade of the show’s most famous rejects came out and loudmouth head loony Ian Benardo stole the microphone from the joke man. There was also the obligatory visit from one of this season’s freak-show wash outs, General Larry Platt, who sang a beat-infected version of “Pants on the Ground” accompanied by a troupe of pants-sagging hip-hop dancers and, of course the ultimate “Idol” joke, William Hung. Later on, Abdul took the stage and gave an extended monologue about her relationship with Cowell, who she said brought “immeasurable joy” to her life, saying the show would not be the same without him — but that it will go on. Original Idol Kelly Clarkson also made an appearance, teaming up with fellow winners Underwood, Allen, Fantasia, Ruben Studdard, Jordin Sparks and Taylor Hicks for “Together We Are One,” which featured backup from a cavalcade of past top 12 finishers paying tribute to Cowell, who smiled as Abdul snuggled in his lap. The acerbic judge then took the stage, admitting he was more overcome with emotion than he expected to be. “What Paula said is true: The show goes forward. It will be different,” he said. “But I just want to thank you from the bottom of my heart for the support, the fun and your sense of humor.” Cowell then kicked it back to fans in the audience, saying they were the ultimate judges of the show and that they’ve done a great job over the years. “It’s been a blast. Thank you.” As much as Cowell’s exit dominated the conversation, the night ultimately belonged to DeWyze, who kept the three-season streak of male winners alive. And, like small-town good-guy singer Kris Allen’s victory last year over power vocalist Adam Lambert, DeWyze’s coronation proved once again that sometimes it’s slow and steady that wins the race. As Simon said Tuesday night, America loves an underdog story, and even after being vocally lapped by Crystal on Tuesday, and for much of the season, the win went to the humble paint-store clerk — and nobody seemed more surprised by the outcome than Lee himself. What did you think about Wednesday night’s finale? What was the highlight? Did Lee deserve to win? Leave your comments below! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Videos ‘American Idol’ Final Highlights Related Photos ‘American Idol’ Winners ‘American Idol’ Runner-Ups

Read more from the original source:
‘American Idol’ Finale: Lee DeWyze Upsets Crystal Bowersox

Ian Benardo Crashes ‘American Idol’ Finale Stage

‘This is a Kanye moment,’ former ‘Idol’ hopeful declares during Simon Cowell farewell segment. By Josh Wigler Photo: Fox No matter who walks away with the coveted “American Idol” crown, somebody will exit disappointed. But neither Crystal Bowersox nor Lee DeWyze will leave the Nokia Theatre as the most surprised person in the auditorium. That’s a distinction that undoubtedly falls on Simon Cowell after onetime “Idol” hopeful Ian Benardo stormed the stage and, in his own words, pulled a Kanye West by ripping into the outgoing judge. At the end of an original musical number titled “Simon Said,” performed by comedian Dane Cook, a plethora of contestants formerly burned by the brutally honest Cowell flocked to the stage to join Cook’s derisive song. But the microphone was quickly hogged by Benardo, who was famously rejected by Cowell during a New York City “American Idol” audition in 2007. “Who cares? It’s all about Ian Benardo tonight!” the stage-crashing Benardo announced to a packed crowd. “I’m going to replace you, Simon Cowell! No one has a thing to say about you — just me. This is a Kanye moment, and I’m … ” Benardo’s rant was swiftly interrupted by another of Cowell’s many victims, Tatiana Del Toro, but the self-proclaimed Kanye imitator resumed his place in the spotlight with little trouble. “Nobody cares about you,” he told Del Toro. “It’s all about Ian Benardo, and I want to say I’m replacing you, Simon Cowell, because I’m more entertaining!” According to MTV News’ “Idol” expert, Jim Cantiello, who is backstage at the finale, the “Simon Said” performance was supposed to feature all the formerly burned contestants getting their retribution against Cowell. Unfortunately for them, Benardo’s tirade forced “Idol” producers to end the segment early. But with an hour remaining in the finale, it’s a sure bet that others close to the show will get their last licks in on Cowell before the night is through. What did you think of Ian’s stage crash? Sound off in the comments. Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions.

View original post here:
Ian Benardo Crashes ‘American Idol’ Finale Stage

Trey Songz’s Tearjerking ‘Yo Side Of The Bed’ Video Premieres

Keri Hilson co-stars as Trey’s wife sent off to war in tragic clip. By Jayson Rodriguez Keri Hilson and Trey Songz in “Yo Side of the Bed” Photo: Atlantic Trey Songz usually leaves the ladies hot and bothered with his steamy videos, but the “I Invented Sex” singer tugs at his fans’ hearts in a different way with his new clip, “Yo Side of the Bed,” which premiered Wednesday on Essence.com . The tearjerker co-stars Keri Hilson as his wife and the mother of his infant daughter. The clip opens with a question about how long the two have been together. “Well, if you count the time it took to get her on a date with me,” Trey replies, “three years and seven or eight months.” The video then flashes back to when they met: Hilson is jogging by Trey, who is seated on a park bench. Hilson is seen decked out in workout gear and a cap, adorned with the insignia of the United States Army. The two eventual marry and have a child together. The camera pans across their home showing them in bed together, spotting photos from their courtship on the walls and revealing an image on a nightstand of Hilson with her platoon. They appear to be living in wedded bliss until Hilson gets a phone call and learns she’ll be redeployed into combat. “Every time she leaves, it’s my heart that she’s taking from me,” he sings, as he comforts a crying Hilson preparing to leave. “I don’t know if she’s for gone or returning in the morning. And I wait through the night, ’cause I can’t help the tossing and turning. I want you to know that our bed, our sheets, our pillows are getting lonely on your side of the bed.” The family pack up in a mini van and are soon driving to the base where mostly men are seen kissing their wives goodbye. Hilson is the only wife who is leaving her loved ones. Their lives are turned upside-down as Trey Songz struggles to raise his daughter alone and Hilson visibly is missing her family while she goes into combat. Two soldiers then ring Trey’s doorbell, presumably to notify him that his wife has been killed in combat. The music fades for a moment as we hear Trey sobbing and pleading for her, “Oh, baby. “I don’t want to sleep if you ain’t here,” he sings, before clutching her items and talking to himself. “Sleep. Sleep,” he says. “She’s coming back.” What do you think about Trey Songz’s new video? Let us know in the comments! Related Artists Trey Songz Keri Hilson

See the rest here:
Trey Songz’s Tearjerking ‘Yo Side Of The Bed’ Video Premieres

TV Bites: CBS Wins This Year’s Ratings Crown, NBC Scrambles to Avoid Last Place

Michael Ventrella Wins The Biggest Loser

Nicole Scherzinger may have won Dancing with the Stars , but no perfect score on any routine is as impressive as what Michael Ventrella accomplished this season on The Biggest Loser . The contestant first weighed in at 526 pounds this season, eventually shedding more than any player in show history and finishing his run at 262 pounds. It was more than enough to make him champion. “I thought there was a glitch in the matrix!” said th 31-year old from Chicago after he won the title. “I thought, ‘What is wrong with the monitor?’ I can’t believe this. I just proved no matter what it is, possibility or not, it can happen.” Earlier in the night, Ventrella said: “I knew going onto the ranch that I needed to save my life. The only way to do that was to bare all. I left everything I loved, everything I hated – I had to get over it. I dedicated myself so much. I had to reach into a place inside of me I didn’t think existed. Even to this day, I don’t feel like I’m done yet. I’m going to keep going.” Amazing stuff. We wish Michael the best in his quest to remain happy and healthy.

Read more from the original source:
Michael Ventrella Wins The Biggest Loser

Inside ‘American Idol’ Finale, Fans Urge Simon Cowell: ‘Don’t Go!’

‘Idol’ alumni Michael Lynche, Megan Joy and Justin Guarini show up for judge’s penultimate show. By Kelley L. Carter Crystal Bowersox performs on “American Idol” on Tuesday Photo: Michael Becker/ Fox LOS ANGELES — The party got started long before the final “American Idol” performance show kicked off. “Idol” contestants from seasons past were right at home and accepted cheers and catcalling from the 7,000 fans inside the Nokia Theatre. About an hour before the show started, season-one runner-up Justin Guarini held court. The curly-haired singer was outside near the talent check-in, taking cell phone shots with fans, shaking hands and laughing with friends he called out to. Scott MacIntyre, the blind piano-playing contestant from season eight, was taken aback when the crowd whistled and applauded his arrival. Megan Joy — who got rid of the long, lush locks we remember from the same season — ran her fingers through her cropped blond ‘do and smiled when a fan complimented her on the new look as she tried to scurry to her seat before the lights went up and the show began. Oh, and she was barefoot! An ear-busting scream went out when Simon Cowell was introduced, especially when the crowd was reminded that this was his second-to-last day as an “Idol” judge . “You getting emotional already?” the warm-up comic asked a fan who was bawling during a commercial break. “It’s not even the results show!” Over another break, Michael “Big Mike” Lynche was razzed by the warm-up guy, who claimed the personal trainer/ singer was an over-exuberant Justin Bieber fan. “You had the Bieber fever,” he joked with Lynche “You couldn’t sleep the night before he performed here . OK, I need to be careful. You might crush me.” Host Ryan Seacrest cruised the aisles before the finalists’ second songs of the night, slapping high-fives with fans and holding hands with a show producer as they ran back down toward the stage. While the crowd’s signs are typically meant to cheer on the contestants, most of Tuesday night’s (May 25) posters were aimed at Cowell. “Please don’t go, Simon!” one sign read. Who are you rooting for to win this season of “American Idol”: Crystal or Lee? Let us know in the comments! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season Nine Performances

See more here:
Inside ‘American Idol’ Finale, Fans Urge Simon Cowell: ‘Don’t Go!’

Crystal Bowersox’s ‘Up To The Mountain’: Behind The ‘American Idol’ Cover

Simon Cowell calls Patty Griffin cover ‘the best performance and the song of the night.’ By Eric Ditzian Crystal Bowersox Performs On “American Idol” May 25 Photo: FOX On Tuesday (May 25) night, “American Idol” fans got their first true taste of what kind of recording artist Crystal Bowersox might be, as she performed the single she’ll release if she ends up winning the competition. The song is called “Up to the Mountain (MLK Song),” originally written by Patty Griffin, and MamaSox absolutely killed it. Sitting on a stool with her guitar, the song started slowly and, from the first note, perfectly fit the singer’s style. Her raw vocal power was on full display, a soul- and gospel- and folk-tinged vibe that establishes her as a sort of combination of Janis Joplin and Tracy Chapman for the 21st century. Her connection to the lyrics — inspired by Martin Luther King, Jr.’s iconic 1968 “I’ve Been to the Mountaintop” speech — was unmistakable as she sang, “Sometimes I feel like I’ve been nothing but tired/ And I’ll be working till the day I expire.” This wasn’t the first time the song was performed on the “Idol” stage. Back in 2007, Kelly Clarkson and Jeff Beck busted out the tune during the “Idol Gives Back” charity effort. Susan Boyle also recorded the song for her debut album, I Dreamed a Dream. And after Bowersox’s take on the track, the judges had a hard time avoiding a sort of coronation moment. “You are in a league of your own,” said Ellen DeGeneres. Randy Jackson echoed that sentiment. “This is what this show is about,” he said. “An amazing song by an amazing singer. I’m telling you what, I’m so proud of you, man. This is one of the greatest performances and one of your best moments at the perfect time on this show.” And then it was time for Simon Cowell’s final critique of his “Idol” career, as he’s leaving the show after this season to jumpstart a new talent show on Fox called “The X Factor.” He did not hold back. “I thought that was by far the best performance and the song of the night,” he said. “And since this is going to be the final critique I’m ever going to give, I would just like to say that was outstanding.” What did you think of Crystal’s “Up to the Mountain”? Let us know in the comments! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos Crystal Bowersox’s ‘American Idol’ Experience ‘American Idol’ Season Nine Performances

Originally posted here:
Crystal Bowersox’s ‘Up To The Mountain’: Behind The ‘American Idol’ Cover

Crystal Bowersox And Lee DeWyze Face Off In ‘American Idol’ Finale

While both got positive comments, Crystal appeared to outshine Lee. By Gil Kaufman Lee Dewyze, Ryan Seacrest And Crystal Bowersox on “American Idol” on Tuesday Photo: Michael Becker/ Fox After more than 40 shows, hundreds of contenders, almost as many broken hearts and one of the tamest set of finalists in the show’s history, “American Idol” season nine came down to a pair of 24-year-olds, vying to be the first Midwesterners to hold the crown. Two days after the buzzed-about “Lost” finale, the second meanest man on TV this side of John “Smokey” Locke — departing original judge and the heart of the panel, Simon Cowell — went out not with his usual snarling put-downs, but with mostly kind remarks as Crystal Bowersox re-asserted her season-long status as the woman to beat with a pair of powerful performances that might have beaten back the late-season surge from rocker Lee DeWyze . After Bowersox won last week’s coin toss , Mt. Prospect, Illinois, paint clerk DeWyze went first, reprising his cover of Simon & Garfunkel’s “The Boxer,” putting a bit more emotion into the ballad, raising his voice through the midpoint of the verses as he went into his signature rock-radio rasp. Randy Jackson said it was “nice” but not quite energetic enough, while Ellen DeGeneres confused everyone by stating, “I couldn’t be prouder if I birthed you myself,” complimenting Lee for performing the song even better the second time. Reminding DeWyze that he was on the big stage at the Nokia Theatre, Cowell said he expected more passion, calling it a “kiss on the cheek when I want a kiss on the lips— not from you, you know what I’m saying.” Bowersox was firmly in her wheelhouse with a reprise of Janis Joplin’s “Me and Bobby McGee,” strumming out the rock chestnut on her acoustic guitar and inspiring a group clap-along. The song again showed off her soul-mama bona fides as the wordless chorus gave her a chance to work through her powerful, bluesy range. Ellen said Crystal drew the whole crowd in, and Kara DioGuardi said, “I loved it when you first did it, and I loved it tonight. You told us so much about you as an artist, and you have fire in your belly tonight!” For Cowell, after a few tepid weeks, the performance brought back the Crystal the judges fell in love with, and Randy praised her for picking up the pace midway through and said it was exactly the kind of record Bowersox should make. Lee’s second song was chosen by executive producer Simon Fuller, who went with R.E.M.’s iconic ballad “Everybody Hurts.” Lee turned it into an acoustic campfire ballad, swamping up the arrangement and snarling a bit of a rock edge into the alt-rock classic while highlighting the expressiveness of his voice as a gospel choir backed him up and brought a majestic feel to the tune. “What makes you great as a performer is that you’re emotionally accessible,” Kara said. “I can feel every word you’re saying, and you’re telling a story.” Cowell called it a “brilliant” choice of song, even if he went a bit off melody and Lee was clearly nervous. “You’ve got another song to come, and I think you’ve got to really understand what this night can do in terms of changing your life,” he warned. “And when you come out for your last performance I want a 10-out-of-10.” Fuller went with Alannah Myles’ “Black Velvet” for Bowersox, a song that has a long “Idol” history and seemed custom-made for Crystal’s gutbucket growl. She seemed a bit uncomfortable walking down the steps in her, yes, black-velvet dress and heels, but Crystal matched the squealing guitar licks with throaty growls and a loud, cat-scratch note at the end. DioGuardi said Bowersox proved she wanted it and really gave it her all, while Cowell groused about how sick he is of hearing the tune in countless horrible auditions. “But I’ve got to tell you, you took that song and you absolutely nailed it,” he enthused. “MamaSox is in it to win it!” Randy yelled, while DeGeneres simply gave her a standing ovation. And then it was down to the coronation song, typically a trip to Cheesy Town , but DeWyze dodged a bullet by snagging U2’s uplifting “Beautiful Day” instead of a mewly original. The synth-pop orchestral arrangement was a bit lightweight, and Lee seemed to get lost in it at times as he drifted off-key at points. Wearing a black leather jacket over a black hoodie, he eventually found his footing, gripped the microphone and leaned into the soaring chorus, showing a bit of his rock-star potential, opening his mouth and howling out the refrain with all his might. Cowell said he made the most of it and gave it more effort than the other two songs and then took a moment to say what amounts to his farewell to “Idol.” “This is my final time I’m ever going to judge this show,” Cowell said. “I just want to say about you, is that this is what this competition was designed for, which is somebody who needs a break … having a normal job working in a paint shop. You’ve worked hard, you’ve remained a really, really nice person throughout, and I genuinely wish the best for you. You’re a great guy.” “Watching you grow to where you are right now, standing on this stage making it this far,” DeGeneres said, “I was watching your eyes, you were fully present for that song, taking in every bit of these people’s energy, and I love that you were able to get to that place to do that.” First, the good news: DioGuardi said he has grown the most on the show this season and has the most commercial voice of the season and deserves to be in the finals. But she felt he got swallowed up by the arrangement. “This whole thing has been amazing, from the very beginning to right now,” DeWyze said. “I want to be doing this for a long time. … I will be doing this for the rest of my life, one way or another.” Crystal’s coronation song was Patty Griffin’s Martin Luther King tribute “Up to the Mountain (MLK Song),” which Bowersox sang while strumming her beat-up acoustic, dipping and swaying through her broad range and owning the song as if she wrote it. Hitting a sustained, powerful note and putting her busker’s passion into the emotional lyrics like her next meal depended on it, MamaSox ended the show with a powerful display of why she’s been this season’s front-runner since she first stepped on the stage with the top 12. “An amazing song by an amazing singer,” Jackson roared, saying it was one of the best performances in the show’s history. “I cannot compare you to one person. … You are in a league of your own. You have a beautiful voice,” Ellen added, unable to resist yet another food metaphor. “If you make an album, I’m gonna buy it. If you go on tour, I go on tour and watch you. If you make a salad, I’ll eat it.” After a season in which she sometimes had a hard time connecting with Crystal and felt she had her guard up, Kara said the singer from hardscrabble Elliston, Ohio , finally let her guard down and seemed fully emotionally invested in the song. Before Simon made his final comments on the show, Crystal addressed him and expressed her gratitude. “You’ve been amazing this season,” she said. “Thank you for all the critique and criticism and help. … Good luck on your future endeavors.” “Since it’s becoming a bit of a lovefest tonight,” the typically hard-hearted judge replied, “I thought that was by far the best performance and the song of the night. And since this is going to be the final critique I’m ever going to give, I would just like to say that was outstanding.” After Tuesday’s (May 25) vote, the season’s winner will be announced during Wednesday night’s two-hour finale, which will feature a performance from Christina Aguilera. Who do you think won the battle Tuesday? Who are you going to vote for? Leave your comments below! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season Nine Performances Lee DeWyze: From Illinois Boy To ‘American Idol’ Star Crystal Bowersox’s ‘American Idol’ Experience

Continue reading here:
Crystal Bowersox And Lee DeWyze Face Off In ‘American Idol’ Finale

Lee DeWyze’s ‘Everybody Hurts’: Behind The ‘American Idol’ Cover

Simon Cowell calls the R.E.M. tune ‘a brilliant choice of song’ for DeWyze. By Eric Ditzian Lee DeWyze performs on “Idol” on May 25 Photo: Fox After a tepid opening performance that left the “American Idol” judges less than impressed, Lee DeWyze bounced back with an inspired take on R.E.M.’s “Everybody Hurts” during Tuesday night’s (May 25) performance finale. It seemed like an odd, potentially sleep-inducing choice when Ryan Seacrest introduced the tune, but the 24-year-old stepped up to the mic with his guitar and immediately made clear that this performance would be different, and far better, than his first one (a second stab at Simon & Garfunkel’s “The Boxer” from “Idol Gives Back” week ). There was genuine emotion on his face and in his voice as he sang, “Everybody cries/ And everybody hurts.” The track is from R.E.M.’s 1992 effort, Automatic for the People, which reached as high as #2 on the Billboard albums chart. The melancholy song is perhaps best remembered for the band’s music video, directed by Jake Scott. Filmed on a San Antonio freeway, the video shows the band driving along until they come to a standstill in a massive traffic jam alongside other drivers. Their thoughts begin to flash across the screen as subtitles. “Nobody can see me,” thinks one woman. “They’re going to miss me,” thinks a young boy. It’s depressing stuff, no doubt, but DeWyze’s rendition was an altogether more uplifting take. And the judges dug it, despite the singer’s occasional pitch problems. “What makes you great as a performer is that you’re emotionally accessible and that I can feel every word that you’re saying and that you’re telling a story,” Kara DioGuardi declared. Simon Cowell agreed, albeit with a not insignificant caveat. “I thought that was a brilliant choice of song for you,” he said. “You went a little bit off melody at parts. What I’m feeling from you tonight, Lee, and I understand this, is you’re nervous. You’ve got another song to come, and I think you’ve really got to understand the importance of what this night can do in terms of changing your life.” What did you think of Lee’s “Everybody Hurts”? Let us know in the comments! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos Lee DeWyze: From Illinois Boy To ‘American Idol’ Star

Read this article:
Lee DeWyze’s ‘Everybody Hurts’: Behind The ‘American Idol’ Cover

‘Eclipse’ Star Tinsel Korey Talks Favorite Scenes, 2010 MTV Movie Awards

‘He’s always thinking about the fuller picture with all the fight scenes,’ actress says of ‘Eclipse’ director David Slade. By Kara Warner Photo: MTV News As Twi-Hards know, the actors, directors and assorted crew associated with “Twilight” are typically under strict orders to stay mum about most details related to the films. So although castmember Tinsel Korey — she plays wolf pack den mother Emily Young — couldn’t reveal too much about the upcoming “Eclipse” when MTV News caught up with her, she did open up about the vampire franchise’s latest director. David Slade (“30 Days of Night”) helmed “Eclipse,” due June 30, and Korey had nothing but kind words for him. “He’s great. He’s a really different director from Chris Weitz,” Korey told MTV News, comparing Slade to the man who led “New Moon.” “Chris Weitz is an actor’s director, where you focus on all the emotion, whereas David Slade is more technical, so there’s a distance because he’s always thinking about the fuller picture with all the fight scenes.” Just back from the Cannes Film Festival, where she promoted her independent feature “Stained,” Korey also talked about the scene she’s most excited to see onscreen. While she hasn’t seen the finished third installment, the “wolf pack” creation story, she said, is a “beautiful moment” of storytelling. With the 2010 MTV Movie Awards set to air June 6, we asked what she thought the chances were that “New Moon” would claim Best Movie over “Avatar” and “The Hangover.” Not surprisingly, Korey said she had no doubt her movie would take the golden popcorn